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Permanent Missions to the United Nations Missions Permanentes Auprès De L'organisation Des Nations Unies
MISSIONS PERMANENT MISSIONS TO THE UNITED NATIONS MISSIONS PERMANENTES AUPRÈS DE L'ORGANISATION DES NATIONS UNIES AFGHANISTAN AUSTRALIA BELGIUM 360 Lexington Avenue, 11th Floor 150 East 42nd Street, 33rd Floor 823 United Nations Plaza, 4th Floor New York, N.Y. 10017 New York, N.Y. 10017-5612 New York, N.Y. 10017 Tel: (212) 972-1212 Tel: (212) 351-6600 Tel: (212) 378-6300 Fax: (212) 972-1216 Fax: (212) 351-6610 Fax: (212) 681-7618, 7619 E-mail: [email protected] E-mail: [email protected] e-mail: [email protected] website: http://www.un.int/belgium ALBANIA AUSTRIA 320 East 79th Street 823 United Nations Plaza, 8th Floor BELIZE New York, N.Y. 10021 New York, N.Y. 10017 675 Third Avenue, Suite 1911 Tel: (212) 249-2059, 5654, 5631, 0842 Tel: (212) 949-1840 New York, N.Y. 10017 Fax: (212) 535-2917 Fax: (212) 953-1302 Tel: (212) 986-1240, 593-0999 E-mail: [email protected] E-mail: [email protected] Fax: (212) 593-0932 Website: http://www.un.int/austria E-mail: [email protected] ALGERIA [email protected] 326 East 48th Street AZERBAIJAN website: www.belizemission.com New York, N.Y. 10017 866 United Nations Plaza, Suite 560 Tel: (212) 750-1960, 1962, 1965, 1966 New York, N.Y. 10017 BENIN Fax: (212) 759-9538, 5274 Tel: (212) 371-2559 125 East 38th Street E-mail: [email protected] Fax: (212) 371-2784 New York, N.Y. 10016 [email protected] E-mail: [email protected] Tel: (212) 684-1339 website: www.algeria-un.org Fax: (212) 684-2058 BAHAMAS E-mail: [email protected] ANDORRA 231 East 46th Street Two United Nations Plaza, 27th Floor New York, N.Y. -
Bandes Annonces Robert-Claude Bérubé
Document generated on 09/29/2021 4:31 p.m. Séquences La revue de cinéma Bandes annonces Robert-Claude Bérubé Number 132, January 1988 URI: https://id.erudit.org/iderudit/50676ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this document Bérubé, R.-C. (1988). Bandes annonces. Séquences, (132), 6–6. Tous droits réservés © La revue Séquences Inc., 1988 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ BANDES ANNONCES L'Évangile selon Martin Depardieu et Pierre Richard sont principal, un mercenaire serbe parti Il tourne donc en Nouvelle-Guinée le Espagnol (Fernando Rey), un Indien Nick Nolte et Martin Short combattre dans l'armée autrichienne film Farewell to the King où Nick (Victor Banerjee), un Français (Sami Sous le titre The Passion, Martin (Innerspace). au XIXe siècle. Nolte tient le rôle d'un déserteur Frey) et quelques Russes (Oleg Scorsese poursuit au Maroc un américain devenu le chef d'une tribu Yankovsky, Evgueny Leonov). Le cinéaste au masque L'héritage d'indigènes pendant la guerre du d'acteur Pacifique. Un officier anglais Souvenirs de Rome Claude Miller va transcrire en l'amènera à lutter contre les Au long des années, Claude Japonais avec ses guerriers Carlo Lizzani évoque le fantôme du Chabrol s'est amusé à faire de primitifs. -
Film Noir Timeline Compiled from Data from the Internet Movie Database—412 Films
Film Noir Timeline Compiled from data from The Internet Movie Database—412 films. 1927 Underworld 1944 Double Indemnity 1928 Racket, The 1944 Guest in the House 1929 Thunderbolt 1945 Leave Her to Heaven 1931 City Streets 1945 Scarlet Street 1932 Beast of the City, The 1945 Spellbound 1932 I Am a Fugitive from a Chain Gang 1945 Strange Affair of Uncle Harry, The 1934 Midnight 1945 Strange Illusion 1935 Scoundrel, The 1945 Lost Weekend, The 1935 Bordertown 1945 Woman in the Window, The 1935 Glass Key, The 1945 Mildred Pierce 1936 Fury 1945 My Name Is Julia Ross 1937 You Only Live Once 1945 Lady on a Train 1940 Letter, The 1945 Woman in the Window, The 1940 Stranger on the Third Floor 1945 Conflict 1940 City for Conquest 1945 Cornered 1940 City of Chance 1945 Danger Signal 1940 Girl in 313 1945 Detour 1941 Shanghai Gesture, The 1945 Bewitched 1941 Suspicion 1945 Escape in the Fog 1941 Maltese Falcon, The 1945 Fallen Angel 1941 Out of the Fog 1945 Apology for Murder 1941 High Sierra 1945 House on 92nd Street, The 1941 Among the Living 1945 Johnny Angel 1941 I Wake Up Screaming 1946 Shadow of a Woman 1942 Sealed Lips 1946 Shock 1942 Street of Chance 1946 So Dark the Night 1942 This Gun for Hire 1946 Somewhere in the Night 1942 Fingers at the Window 1946 Locket, The 1942 Glass Key, The 1946 Strange Love of Martha Ivers, The 1942 Grand Central Murder 1946 Strange Triangle 1942 Johnny Eager 1946 Stranger, The 1942 Journey Into Fear 1946 Suspense 1943 Shadow of a Doubt 1946 Tomorrow Is Forever 1943 Fallen Sparrow, The 1946 Undercurrent 1944 When -
United States District Court Southern District of New York
Case 1:21-cv-02221 Document 1 Filed 03/15/21 Page 1 of 64 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK HOUSING RIGHTS INITIATIVE Plaintiff, v. COMPASS, INC.; 65 BERGEN LLC; THE STRATFORD, LLC; CORCORAN GROUP LLC; PROSPECT OWNERS CORP.; BOLD LLC; RING DING LLC; E REALTY INTERNATIONAL CORP; JACKSON HT. ROOSEVELT DEVELOPMENT II, LLC; MORGAN ROSE REALTY, LLC; BTG LLC; M Q REALTY LLC; EVA MANAGEMENT LLC; ERIC GOODMAN REALTY CORP.; 308 E 90TH ST. LLC; ROSA MAGIAFREDDA; NEW GOLDEN AGE REALTY INC., d/b/a CENTURY 21 NEW GOLDEN AGE REALTY, INC.; CHAN & SZE REALTY INCORPORATED; PETER Case No. 21-cv-2221 CHRIS MESKOURIS; HELL’S KITCHEN, INC.; MYEROWTZ/SATZ REALTY CORP.; PD PROPERTIES LLC; ECF Case SMART MERCHANTS INCORPORATED; COLUMBUS NY REAL ESTATE INC.; LIONS GATE NEW YORK LLC; MATTHEW GROS WERTER; 780 RIVERSIDE OWNER LLC; ATIAS ENTERPRISES INC.; PARK ROW (1ST AVE.) LTD.; VORO LLC; PSJ HOLDING LLC; WINZONE REALTY INC.; CAMBRIDGE 41-42 OWNERS CORP.; RAY-HWA LIN; JANE H. TSENG; ALEXANDER HIDALGO REAL ESTATE, LLC; EAST 89th ASSOCIATES, LLC; PALEY MANAGEMENT CORP.; MAYET REALTY CORP.; NATURAL HABITAT REALTY INC.; CHELSEA 251 LLC; HOME BY CHOICE LLC; HAMILTON HEIGHTS ASSOCIATES, LLC; JRL-NYC, LLC; EAST 34TH STREET, LLC; BRITTBRAN REALTY, Case 1:21-cv-02221 Document 1 Filed 03/15/21 Page 2 of 64 LLC; MANHATTAN REALTY GROUP; WEGRO REALTY CO; JM PRESTON PROPERTIES, LLC; 1369 FIRST AVENUE, LLC; 931-955 CONEY ISLAND AVE. LLC; BEST MOVE REALTY; FORTUNE GARDENS, INC.; URBAN REAL ESTATE PROPERTY GROUP, INC.; 348 EAST 62ND LLC; JAN REYNOLDS REAL ESTATE; 83RD STREET ASSOCIATES LLC; FIRSTSERVICE REALTY NYC, INC.; TENTH MANHATTAN CORP.; 3LOCATION3.CO REALTY, LLC; 469 CLINTON AVE REALTY LLC; 718 REALTY INC.; DOUBLE A PROPERTY ASSOCIATES – CRESTION ARMS LLC; GUIDANCE REALTY CORP.; COL, LLC; BEST SERVICE REALTY CORP.; CHANDLER MANAGEMENT, LLC; MTY GROUP, INC.; 165TH ST. -
Die Invasion Der Barbaren Gedanken Zur Re-Mythisierung Hollywoods in Den 1980Er-Jahren
Die Invasion der Barbaren Gedanken zur Re-Mythisierung Hollywoods in den 1980er-Jahren Marcus Stiglegger, Berlin 1. Wenn ich zurückdenke an das Jahr 1982 – ich war gerade 11 Jahre alt –, muss ich sagen, dass Conan für kurze Zeit zu meinem Mentor wurde. Ich durfte den Film mit Arnold Schwar- zenegger damals noch nicht sehen und sammelte daher verzweifelt alle Artikel über John Milius’ CONAN THE BARBARIAN (1982), die ich finden konnte. So kaufte ich mein erstes Cinema-Heft und meine erste Bravo-Ausgabe, denn beide berichteten ausführlich über den archaischen Barbaren. Und welche Freude war es, als der Heyne Verlag mit seiner Veröf- fentlichung der Conan-Stories und -Romane begann, die jeweils mit einem Filmfoto auf dem Cover erschienen. Diese blassgelben Buchrücken schmücken noch heute mein Lesezimmer. Conan kam damals zur richtigen Zeit: mit der wachsenden Popularität von J. R. R. Tolkiens Herr der Ringe-Romantrilogie und dem gleichnamigen Animationsfilm von Ralph Bakshi aus dem Jahr 1979, mit John Boormans 1981 gestarteter Neuinterpretation des Arthus-Mythos’ in EXCALIBUR und Terry Gilliams TIME BANDITS (1981). Es folgten THE DRAGON SLAYER (1982) von Matthew Robbins, FIRE AND ICE (1983) von Ralph Bakshi, THE DARK CRYSTAL (1982) von Jim Hanson und Frank Oz, LEGEND (1983) von Ridley Scott und aus Deutsch- land DIE UNENDLICHE GESCHICHTE (1984) von Wolfgang Petersen. Und nicht nur das Kino feierte die Phantasie, auch das Table-Top-Rollenspiel Dungeons & Dragons hatte damals eine Hochphase. Tolkiens Mittelerde hatte sich bereits in der Hippie-Ära der frühen 1970er-Jahre großer Beliebtheit erfreut, Studierendenkreise ebenso inspiriert wie esoterische Beschäfti- gung angestoßen. Pen-and-Paper-Rollenspiele etablierten sich als Gruppenerlebnis, und schon in den 1970er-Jahren musste man von einem Revival jener Fantasy-Literatur sprechen, die eigentlich einer anderen Ära entstammte: den krisengeplagten 1930er-Jahren mit ihren ‚Weird Tales‘ und weiteren frühen Fantasy-Magazinen. -
The Inventory of the Alvin Epstein Collection #1717
The Inventory of the Alvin Epstein Collection #1717 Howard Gotlieb Archival Research Center Epstein, Alvin #1717 2/17/06 Preliminary Listing I. Professional Materials. Box 1 A. Files, re: American Repertory Theater, unless noted; may include reviews; scores; scripts; notes; correspondence; printed materials; legal materials; photographs; artwork; audio material. 1. AAlliance for the Development of Theater Arts, Inc.@ [F. 1] 2. AAmerican Repertory Theater.@ [F.1-3] 3. AAspen Musical Festival.@ [F. 4] 4. ABeckett, Samuel.@ [F. 5] 5. AContracts.@ [F. 5-6] 6. AThe Cabinet of Dr. Caligari.@ [F. 7] 7. ACaligula - Yale Repertory Theater.@ [F. 8] 8. ACarnegie Hall.@ 9. ACharlie in the House of Rue,@ includes photographs; slides. 10. AThe Cherry Orchard.@ 11. AClerambard,@ includes printed material; telegram; photographs. [F. 9] 12. AColette,@ includes printed material. [F. 10] 13. AColette Scores.@ [F. 11] 14. ACrossing Niagra,@ includes printed material; telegram. [F. 12] 15. ACrimes and Crimes.@ 16. ADear Liar.@ [F. 13] Box 2 17. ADoctor=s Dilemma.@ [F. 1] 18. ADoing Life,@ includes contract. 19. ADon Juan.@ 20. ADream of the Red Spider.@ [F. 2] 21. ADynamite Tonite,@ includes sub-files: a. AYale Repertory Theater,@ includes 2 contracts, 11/14/06. b. ANew York,@ includes contract, 2/23/67. 22. AHamlet.@ 23. AOn Ne Badine Pas Avec L=Amour (No Trifling With Love),@ includes original sketches. [F. 2-4] 24. AOpera,@ includes printed material. [F. 5] 25. ARevue Material.@ 26. ASolider=s Tale.@ [F. 6] 27. AStory Theater.@ [F. 7] 28. ASalzburg American Seminar.@ 29. ATartuffe,@ includes printed material. [F. 8] 30. ATempest,@ American Repertory Theater and Yale Repertory Epstein, Alvin (2/17/06) Theater, MS, 200 p.; includes score; photograph. -
According to Wikipedia 2011 with Some Addictions
American MilitMilitaryary Historians AAA-A---FFFF According to Wikipedia 2011 with some addictions Society for Military History From Wikipedia, the free encyclopedia The Society for Military History is an United States -based international organization of scholars who research, write and teach military history of all time periods and places. It includes Naval history , air power history and studies of technology, ideas, and homefronts. It publishes the quarterly refereed journal titled The Journal of Military History . An annual meeting is held every year. Recent meetings have been held in Frederick, Maryland, from April 19-22, 2007; Ogden, Utah, from April 17- 19, 2008; Murfreesboro, Tennessee 2-5 April 2009 and Lexington, Virginia 20-23 May 2010. The society was established in 1933 as the American Military History Foundation, renamed in 1939 the American Military Institute, and renamed again in 1990 as the Society for Military History. It has over 2,300 members including many prominent scholars, soldiers, and citizens interested in military history. [citation needed ] Membership is open to anyone and includes a subscription to the journal. Officers Officers (2009-2010) are: • President Dr. Brian M. Linn • Vice President Dr. Joseph T. Glatthaar • Executive Director Dr. Robert H. Berlin • Treasurer Dr. Graham A. Cosmas • Journal Editor Dr. Bruce Vandervort • Journal Managing Editors James R. Arnold and Roberta Wiener • Recording Secretary & Photographer Thomas Morgan • Webmaster & Newsletter Editor Dr. Kurt Hackemer • Archivist Paul A. -
Table of Contents
Table of Contents PART I. Introduction 5 A. Overview 5 B. Historical Background 6 PART II. The Study 16 A. Background 16 B. Independence 18 C. The Scope of the Monitoring 19 D. Methodology 23 1. Rationale and Definitions of Violence 23 2. The Monitoring Process 25 3. The Weekly Meetings 26 4. Criteria 27 E. Operating Premises and Stipulations 32 PART III. Findings in Broadcast Network Television 39 A. Prime Time Series 40 1. Programs with Frequent Issues 41 2. Programs with Occasional Issues 49 3. Interesting Violence Issues in Prime Time Series 54 4. Programs that Deal with Violence Well 58 B. Made for Television Movies and Mini-Series 61 1. Leading Examples of MOWs and Mini-Series that Raised Concerns 62 2. Other Titles Raising Concerns about Violence 67 3. Issues Raised by Made-for-Television Movies and Mini-Series 68 C. Theatrical Motion Pictures on Broadcast Network Television 71 1. Theatrical Films that Raise Concerns 74 2. Additional Theatrical Films that Raise Concerns 80 3. Issues Arising out of Theatrical Films on Television 81 D. On-Air Promotions, Previews, Recaps, Teasers and Advertisements 84 E. Children’s Television on the Broadcast Networks 94 PART IV. Findings in Other Television Media 102 A. Local Independent Television Programming and Syndication 104 B. Public Television 111 C. Cable Television 114 1. Home Box Office (HBO) 116 2. Showtime 119 3. The Disney Channel 123 4. Nickelodeon 124 5. Music Television (MTV) 125 6. TBS (The Atlanta Superstation) 126 7. The USA Network 129 8. Turner Network Television (TNT) 130 D. -
Pani Bp4 Scenic Projectors
RON HAYS PRODUCTIONS MEGAVISION , PANT BP4 SCENIC PROJECTORS RON HAYS-DESIGNER/DIRECTOR LONG AND SHORT TERM PROJECTOR RENTALS For the first time in the United States, the spectacular image projection and special effect capabilities of Austria's PANT SCENIC PROJECTORS can be yours!! I have 8 Projectors worth more than $300,000. I also design and direct multi-image slide shows and multi-media shows . I have designed and "performed" over twenty-five major productions using these projectors along with lasers, lights and effects. Images can range from twenty feet by twenty feet to two-hundred feet by two-hundred feet with a depth of field of seventy-five feet! Project on buildings, giant screens or scrims, snow or sidewalks, or any light colored surface with 400,000 lumens of light. Available from RON HAYS PRODUCTIONS - complete PANT PROJECTION packages are now available on a daily or weekly rental basis with rates as low as $1200 a week for performing arts users. PRODUCTION DESIGN and SOFTWARE GRAPHIC SERVICES SLIDE PRODUCTION AUTOMATIC SLIDE CHANGERS Experienced TECHNICAL CREWS STURDY TRAVEL CASES LENSES AND EFFECTS (Fire, rain, snow, clouds, water, etc.) COMPUTER CONTROLLED FADE-UPS AND DISSOLVES Tech specs-see over TECHNICAL SPECIFICATIONS 2'-4 3/16" THE PROJECTORS PANT BP4 HMI Weight: 150 Ib in"y' .w TOa ~omuw Size: 40" x 36" x 48" Shipping Weight : 195 Ib THE BALLAST 4000W / 380V 160Hz Weight: 175 Ib Size : 30"x 9" x 16" Shipping Weight: 205 Ib MIX THE TRANSFORMER Step-up (208V / 380V) Weight : 125 Ib 1 3/16" Size: 24" x 24" x 1 /2" W. -
National Endowment for the Arts Annual Report 1982
Nat]onal Endowment for the Arts National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1982. Respectfully, F. S. M. Hodsoll Chairman The President The White House Washington, D.C. March 1983 Contents Chairman’s Statement 3 The Agency and Its Functions 6 The National Council on the Arts 7 Programs 8 Dance 10 Design Arts 30 Expansion Arts 46 Folk Arts 70 Inter-Arts 82 International 96 Literature 98 Media Arts: Film/Radio/Television 114 Museum 132 Music 160 Opera-Musical Theater 200 Theater 210 Visual Arts 230 Policy, Planning and Research 252 Challenge Grants 254 Endowment Fellows 259 Research 261 Special Constituencies 262 Office for Partnership 264 Artists in Education 266 State Programs 272 Financial Summary 277 History of Authorizations and Appropriations 278 The descriptions of the 5,090 grants listed in this matching grants, advocacy, and information. In 1982 Annual Report represent a rich variety of terms of public funding, we are complemented at artistic creativity taking place throughout the the state and local levels by state and local arts country. These grants testify to the central impor agencies. tance of the arts in American life and to the TheEndowment’s1982budgetwas$143million. fundamental fact that the arts ate alive and, in State appropriations from 50 states and six special many cases, flourishing, jurisdictions aggregated $120 million--an 8.9 per The diversity of artistic activity in America is cent gain over state appropriations for FY 81. -
Crime, Violence and Apartheid in Selected Works of Richard Wright and Athol
CORE Metadata, citation and similar papers at core.ac.uk Provided by South East Academic Libraries System (SEALS) Crime, violence and apartheid in selected works of Richard Wright and Athol Fugard: a study. Name: RODWELL MAKOMBE A thesis submitted in fulfilment of the requirements of the degree of Doctor of Literature and Philosophy in the Department of English and Comparative Studies at the University of Fort Hare Student Number: 200904755 Name of Institution: UNIVERSITY OF FORT HARE Supervisor: DR. M. BLATCHFORD Year: 2011 Contents DECLARATION .............................................................................................................. iii DEDICATION ..................................................................................................................iv ACKNOWLEDGEMENTS ............................................................................................... v ABSTRACT .....................................................................................................................vi CHAPTER ONE .............................................................................................................. 1 Crime, violence and apartheid: the postcolonial/criminological approach .................... 1 Statement of the Problem ......................................................................................... 1 Background .............................................................................................................. 2 Aims of the research ................................................................................................ -
2017 Annual Report
Annual 2017 Report Our ongoing investment into increasing services for the senior In 2017, The Actors Fund Dear Friends, members of our creative community has resulted in 1,474 senior and helped 13,571 people in It was a challenging year in many ways for our nation, but thanks retired performing arts and entertainment professionals served in to your generous support, The Actors Fund continues, stronger 2017, and we’re likely to see that number increase in years to come. 48 states nationally. than ever. Our increased activities programming extends to Los Angeles, too. Our programs and services With the support of The Elizabeth Taylor AIDS Foundation, The Actors Whether it’s our quick and compassionate response to disasters offer social and health services, Fund started an activities program at our Palm View residence in West ANNUAL REPORT like the hurricanes and California wildfires, or new beginnings, employment and training like the openings of The Shubert Pavilion at The Actors Fund Hollywood that has helped build community and provide creative outlets for residents and our larger HIV/AIDS caseload. And the programs, emergency financial Home (see cover photo), a facility that provides world class assistance, affordable housing 2017 rehabilitative care, and The Friedman Health Center for the Hollywood Arts Collective, a new affordable housing complex and more. Performing Arts, our brand new primary care facility in the heart aimed at the performing arts community, is of Times Square, The Actors Fund continues to anticipate and in the development phase. provide for our community’s most urgent needs. Mission Our work would not be possible without an engaged Board as well as the efforts of our top notch staff and volunteers.