And the Author(S) 2018 D. Thornley (Ed.), True Event Adaptation
INDEX 0–9 Accurately, 7, 19, 49, 61, 96, 116 9/11, 90, 95–97, 100–102, 105 Acquaroli, Francesco, 122 13, Rue Madeleine, 15 Acted, 177 24/7 job, 157 Acting, 116, 177 35mm flm, 56 Action, 13, 84, 94, 99, 103, 104, 166, 60 Minutes, 92 198 Action-adventure, 125 Action line, 119, 121, 123 A The Act of Killing, 126 Aaberg, Denny, 37–39 Actor(s), 36, 42, 52, 73, 82, 95, 154, Abbate, Lirio, 116, 117, 128, 131 192, 200 Abbottabad, Pakistan, 88 Actress, 74, 77, 82 ABC News, 95 Actual event, 55, 88–90, 92–93 A.C.A.B.—All Cops Are Bastards, 126 Adams, Ben, 97 Academic historians, 14, 60 Adapt, 23, 25, 58, 131, 197 Academic(s), 6, 7, 61, 73, 181 Adaptation, 3, 4, 11, 12, 34, 36, 45, Academic writing, 5 48, 51, 58, 69, 89, 111, 116, Academie des Beaux-Arts, 77 118, 119, 165, 167, 181, 190 Academy Award for Best Direction, Adaptation studies, 3, 4, 13, 17, 48, 105 62 Academy Award-winning director, 98 Adaptation Studies at a Crossroad, 62 Account, 43, 48, 57, 112, 114, 173, Adapting Cinema to History, 26 174, 177 Adaptive continuum, 54 Accountability, 10, 57, 104 Adaptive procedures, 48 Accuracy, 49, 132 Adaptive process, 48, 49, 54, 62 © The Editor(s) (if applicable) and The Author(s) 2018 207 D. Thornley (ed.), True Event Adaptation, Palgrave Studies in Adaptation and Visual Culture, https://doi.org/10.1007/978-3-319-97322-7 208 INDEX Adaptive strategies, 177 Anthropologist, 192 Adaptors, 58 Anthropology, 58 Administration, 115, 118, 121, 123 Antihero, 124, 131 Aesthetic, 34, 44, 51, 53, 197, 201 Antiphrasis, 197 Aesthetic choices, 68, 98 Anti-representation,
[Show full text]