DOCSLIB.ORG

18 to View Promotional Videos of Many of These Recordings Please Visit

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
18 to View Promotional Videos of Many of These Recordings Please Visit Autumn 2012 NEWS www.tadlowmusic.com RECENT CD RELEASES FROM TADLOW MUSIC & PROMETHEUS RECORDS ALL PRODUCED BY JAMES FITZPATRICK RECORDED BY JAN HOLZNER | MIXED BY GARETH WILLIAMS TARAS BULBA FILM SCORE SPECTACULAR FRANZ WAXMAN A Specially Priced 70 minute World Premiere Recording of CD featuring some of the finest the Classic Score to the 1962 award-winning recordings and Epic starring Yul Brynner and performances made with The Tony Curtis. City of Prague Philharmonic Orchestra over the last few Featuring the acclaimed years. City of Prague Philharmonic Orchestra and Chorus Conducted by Nic Raine The Music of MIKLOS ROZSA * MAURICE JARRE * FRANZ WAXMAN 2CD Set: TADLOW 013 * ELMER BERNSTEIN * DIMITRI TIOMKIN * BASIL POLEDOURIS * ERNEST GOLD ........................................................................................ The City of Prague Philharmonic Orchestra & Chorus Conducted by VILLA RIDES! NIC RAINE THE WESTERN FILM MUSIC OF MAURICE JARRE CD: TADLOW 016 World Premiere Recording ........................................................................................ of the complete score to the 1968 Western starring Yul NOTRE DAME DE PARIS Brynner, Robert Mitchum and Charles Bronson New recordings featuring some of the finest music by Plus Music from THE LIFE AND TMES OF JUDGE ROY MAURICE JARRE, composer BEAN, RED SUN, EL CONDOR and THE PROFESSIONALS of LAWRENCE OF ARABIA and DOCTOR ZHIVAGO. Featuring over 100 musicians of the City of Prague Philharmonic Orchestra Conducted by Nic Raine A 2 CD collection of both rare and popular CD: TADLOW 014 Film Music by Maurice Jarre, incl SHOGUN* THE COLLECTOR * A PASSAGE TO INDIA * THE PRINCE AND ........................................................................................ THE PAUPER * TO DIE IN MADRID * UPRISING * BEHOLD A PALE HORSE plus the World Premiere Recording of LUCIE SVEHLOVA “Symphonic Dances from Notre Dame De Paris” , the THE LARK ASCENDING Roland Petit ballet that Maurice composed a most amazing score for in 1965. First Solo Album from the beautiful and acclaimed Performed by The City of Prague Philharmonic Concertmaster of The City Orchestra & Chorus. of Prague Philharmonic Orchestra. CD: TADLOW 017 Featuring Classical & Film Music for Violin and Orchestra by Vaughan Williams, Andre Previn, Maurice Jarre, Miklos Rozsa, John Williams, Nigel Hess plus World Premieres of Music by Nic Raine and Paul Hart CD: TADLOW 015 LESLEY GARRETT Raine …. musicians who understand the complexity of Dimitri’s difficult music and who always rise to Chart-Topping CD from the challenge. Dimitri no doubt would have been “Britain’s Best-Loved Soprano”. delighted” (Olivia Tiomkin Douglas – July 2011) In the folk- inspired, classical tradition of Vaughan Williams, PROMETHEUS CD XPD 170 Gustav Holst and Benjamin Britten, Lesley returns to her ........................................................................................ north country, folk music roots to record an inspired collection of British and Irish CONAN THE DESTROYER songs, with powerful authentic instrumentation providing a dramatic contemporary sound. Special 2CD Edition featuring Reunited with music director Paul Bateman and the fine film score from BASIL producer James Fitzpatrick, with whom she worked POLEDOURIS on her first five hit albums, Lesley has mined more Composer of ROBOCOP | THE than six centuries of traditional music. HUNT FOR RED OCTOBER | RED DAWN | BIG WEDNESDAY Featuring the City of Prague Philharmonic Orchestra | FAREWELL TO THE KING | and Crouch End Festival Chorus and the Black Dyke STARSHIP TROOPERS And FREE WILLY Band New Recording Produced for Prometheus Records Symphonic Arrangements and orchestrations by by James Fitzpatrick some of Britain’s finest Film and Classical composers Paul Bateman * Nic Raine * Nicholas Dodd * Mark PROMETHEUS CD: XPD 171 Thomas * Paul Hart * Adam Saunders * Andrew Skeet * Julian Kershaw * Troy Donockley * Paul ........................................................................................ Englishy * Dave Heath * Steven Baker COMING SOON ........................................................................................ QUO VADIS WIR WOLLTEN AUFS MEERS New orchestral film score New Recording of the composed and conducted Complete Film Score by by NIC RAINE for the German MIKLOS ROZSA thriller WIR WOLLTEN AUFS MEER (Shores of Hope). Performed by the award- winning The City of Prague Philharmonic Orchestra ........................................................................................ CD: TADLOW 018 TO VIEW PROMOTIONAL VIDEOS OF MANY OF THESE RECORDINGS PLEASE VISIT ........................................................................................ http://www.tadlowmusic.com/videos/ FALL OF THE ROMAN EMPIRE The World Premiere Recording ....................................................................................... of the Complete Score to Composed by TADLOW MUSIC DIMTRI TIOMKIN The Complete Recording Package for A Special 2CD Edition FILM, TV, VIDEO GAMES SCORING AND FOR THE featuring One of the finest film RECORD INDUSTRY in score from DIMITRI TIOMKIN: LONDON + PRAGUE Composer of THE ALAMO, THE HIGH AND THE MIGHTY, LOST HORIZON, GIANT, Music Contractor / Producer : James Fitzpatrick THE GUNS OF NAVARONE, HIGH NOON, 55 DAYS AT PEKING and DUEL IN THE SUN imdb page: http://www.imdb.com/name/ nm0280533/ Newly Recorded in Stunning and Dynamic Digital Sound Performed by the 130-piece City of Prague ........................................................................................ Philharmonic Orchestra Conducted by Nic Raine “It is a brilliant performance by the talented musicians of the City of Prague Philharmonic Orchestra under the energetic leadership of Nic TADLOW MUSIC RECORDING NEWS 2012 SANDI PATTY Legendary American singer 2011/2012 has been one of the busiest periods in Sandi Patty recorded an the history of Tadlow Music Recording in association album of standards and show with The City of Prague Philharmonic Orchestra tunes arranged for symphony and Smecky Music Studios in Prague in the past orchestra and big band. A 22 years ... this despite the still shaky economic “swingin; time” was had by all situation around the world. However Film Scoring is the musicians of the CoPPO certainly down on previous years...for the most part and guest “Jazzers” and live probably due to the ever increasing use of samples rhythm section conducted by Jack Everly. rather than live musicians and the general slashing of music budgets for movies ... but fortunately the ........................................................................................ record industry still sees the merits of using a “real” orchestra and all the merits that brings to any TONY BANKS album. The CoPPO conducted by Paul English recorded a new CD of So, pride of place goes to the various Classical / the orchestral music by TONY Crossover CDs recorded in Prague in the past few BANKS of GENESIS featuring months....all the the Orchestra contracting and guest soloists Martin Robertson music supervision being handled by Tadlow Music (Saxophone) and Charlie and Recorded at the newly refurbished Smecky Siem (Violin). The recording Music Studios was made by Nick Wollage at Smecky Music Studios in March 2011. ........................................................................................ LAURA WRIGHT Glorious Glorious is the second studio album from 21-year-old British Smecky Music Studios has: soprano Laura Wright who has become one of the biggest New Set of Neumann 150 micophones selling classical artists in 48 Track Pro Tools 8, Mac Pro the UK. The album includes 4 Banks of Millennia Pre Amps renditions of “Jerusalem”, One of the Finest Collection of Orchestral Recording “White Cliffs of Dover” and “Danny Boy”, produced by Microphones in Europe Steven Baker Studio is Equipped with All Standard Orchestral Percussion * 2 Petroff Grand Pianos * Celeste * ........................................................................................ Harpsichord * Harp* Fender Rhodes : for use without any extra charges WYNNE EVANS Full Source Connect “Pro” and “Live” for the very A Song in My Heart popular Remote Recording Sessions A CD of popular Opera arias and Mario Lanza songs ........................................................................................ from the Welsh tenor...also known for his GO COMPARE LESLEY GARRETT commercials (the latest of A North Country Lass which had the music also “Britain’s Best Loved Soprano” recorded in Prague). Produced recorded an album of by Nick Patrick and Recorded by Jan Holzner. traditional British folk songs Session Producer James Fitzpatrick arranged for orchestra and soprano by Paul Bateman, Paul ........................................................................................ Hart, Nic Raine, Nicholas Dodd, Steven Baker, Adam Saunders, MICHAEL BALL Paul Englishby, Dave Heath, Mark Thomas and Heroes Andrew Skeet. The CoPPO were conducted by Paul Latest CD from the star of Bateman. Recorded by Jan Holzner and Produced many a West End shows. The by James Fitzpatrick. The album went straight to No 1 City of Prague Philharmonic in the UK classical charts in April 2012 Orchestra were conducted by Callum McLeod and Recorded by Robin Sellers ROLANDO VILLAZON BRUCE FORSYTH La Strada Big Band CD Songs from the movies EMI CD produced by James McMillan conducted by Nicholas Dodd with the CoPPO. Recorded ........................................................................................ by Jan
Load more

Recommended publications
  • Closing Credits
    CLOSING CREDITS The Tennessee Arts Academy gratefully acknowledges the generous support of the following individuals, businesses, and organizations whose contributions have helped make the 2011 Academy possible. MAJOR FUNDING SUPPORT ADVERTISERS Tennessee Department of Education Beacon Financial Group, LLC Tennessee Arts Commission Center of Excellence for the Creative Arts Tennessee Arts Academy Foundation at Austin Peay State University Belmont University Crystal Productions Earl Swensson Associates, Inc. MAJOR SPONSORSHIP SUPPORT Eldridge Plays & Musicals Delores Kinsolving Frist Center for the Visual Arts Milton T. Schaeffer Memphis College of Art Pat and Thane Smith Memphis Music Foundation Mid South Business Furniture, Inc. Nashville Symphony BREAK SPONSORS Scott Schrecker Photography Belmont University College of Visual and Performing Arts Steinway Piano Gallery of Nashville Cumberland University School of Music and Art Tennesseans For The Arts Macmillan/McGraw-Hill Tennessee Art Education Association Mayfield Dairy Farms Tennessee Arts Academy Foundation Tennessee Educational Theatre Association Tennessee Music Education Association Theatrical Rights Worldwide Tennessee Shakespeare Company Thomas Tours Vanderbilt University Blair School of Music QuaverMusic.com Watkins College of Art, Design & Film Yamaha Corporation of America GOODS AND SERVICES Alliance Music Publications TENNESSEE ARTS ACADEMY PROGRAM BOOK Barfield Elementary School (Rutherford County) Graphic Designer: Ron Watson Hinshaw Music Photographer: Michael Krouskop ImageQuest Proofreaders: Lori Anne Parker, Susan Ramsay MorningStar Music Publishers Printer: Douglas Printing, Inc. ORNL Federal Credit Union Production Coordinator: Frank Bluestein Jack Parnell Peripole Bergerault Pilot Oil SunTrust Bank Tennessee Art Education Association A Program of the Tennessee Department of Education Additional support for the Tennessee Arts Academy is provided by the Tennessee Arts Commission, the Tennessee Arts Academy Foundation, and Belmont University.
    [Show full text]
  • Bandes Annonces Robert-Claude Bérubé
    Document generated on 09/29/2021 4:31 p.m. Séquences La revue de cinéma Bandes annonces Robert-Claude Bérubé Number 132, January 1988 URI: https://id.erudit.org/iderudit/50676ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this document Bérubé, R.-C. (1988). Bandes annonces. Séquences, (132), 6–6. Tous droits réservés © La revue Séquences Inc., 1988 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ BANDES ANNONCES L'Évangile selon Martin Depardieu et Pierre Richard sont principal, un mercenaire serbe parti Il tourne donc en Nouvelle-Guinée le Espagnol (Fernando Rey), un Indien Nick Nolte et Martin Short combattre dans l'armée autrichienne film Farewell to the King où Nick (Victor Banerjee), un Français (Sami Sous le titre The Passion, Martin (Innerspace). au XIXe siècle. Nolte tient le rôle d'un déserteur Frey) et quelques Russes (Oleg Scorsese poursuit au Maroc un américain devenu le chef d'une tribu Yankovsky, Evgueny Leonov). Le cinéaste au masque L'héritage d'indigènes pendant la guerre du d'acteur Pacifique. Un officier anglais Souvenirs de Rome Claude Miller va transcrire en l'amènera à lutter contre les Au long des années, Claude Japonais avec ses guerriers Carlo Lizzani évoque le fantôme du Chabrol s'est amusé à faire de primitifs.
    [Show full text]
  • Broadcasting the Arts: Opera on TV
    Broadcasting the Arts: Opera on TV With onstage guests directors Brian Large and Jonathan Miller & former BBC Head of Music & Arts Humphrey Burton on Wednesday 30 April BFI Southbank’s annual Broadcasting the Arts strand will this year examine Opera on TV; featuring the talents of Maria Callas and Lesley Garrett, and titles such as Don Carlo at Covent Garden (BBC, 1985) and The Mikado (Thames/ENO, 1987), this season will show how television helped to democratise this art form, bringing Opera into homes across the UK and in the process increasing the public’s understanding and appreciation. In the past, television has covered opera in essentially four ways: the live and recorded outside broadcast of a pre-existing operatic production; the adaptation of well-known classical opera for remounting in the TV studio or on location; the very rare commission of operas specifically for television; and the immense contribution from a host of arts documentaries about the world of opera production and the operatic stars that are the motor of the industry. Examples of these different approaches which will be screened in the season range from the David Hockney-designed The Magic Flute (Southern TV/Glyndebourne, 1978) and Luchino Visconti’s stage direction of Don Carlo at Covent Garden (BBC, 1985) to Peter Brook’s critically acclaimed filmed version of The Tragedy of Carmen (Alby Films/CH4, 1983), Jonathan Miller’s The Mikado (Thames/ENO, 1987), starring Lesley Garret and Eric Idle, and ENO’s TV studio remounting of Handel’s Julius Caesar with Dame Janet Baker. Documentaries will round out the experience with a focus on the legendary Maria Callas, featuring rare archive material, and an episode of Monitor with John Schlesinger’s look at an Italian Opera Company (BBC, 1958).
    [Show full text]
  • Die Invasion Der Barbaren Gedanken Zur Re-Mythisierung Hollywoods in Den 1980Er-Jahren
    Die Invasion der Barbaren Gedanken zur Re-Mythisierung Hollywoods in den 1980er-Jahren Marcus Stiglegger, Berlin 1. Wenn ich zurückdenke an das Jahr 1982 – ich war gerade 11 Jahre alt –, muss ich sagen, dass Conan für kurze Zeit zu meinem Mentor wurde. Ich durfte den Film mit Arnold Schwar- zenegger damals noch nicht sehen und sammelte daher verzweifelt alle Artikel über John Milius’ CONAN THE BARBARIAN (1982), die ich finden konnte. So kaufte ich mein erstes Cinema-Heft und meine erste Bravo-Ausgabe, denn beide berichteten ausführlich über den archaischen Barbaren. Und welche Freude war es, als der Heyne Verlag mit seiner Veröf- fentlichung der Conan-Stories und -Romane begann, die jeweils mit einem Filmfoto auf dem Cover erschienen. Diese blassgelben Buchrücken schmücken noch heute mein Lesezimmer. Conan kam damals zur richtigen Zeit: mit der wachsenden Popularität von J. R. R. Tolkiens Herr der Ringe-Romantrilogie und dem gleichnamigen Animationsfilm von Ralph Bakshi aus dem Jahr 1979, mit John Boormans 1981 gestarteter Neuinterpretation des Arthus-Mythos’ in EXCALIBUR und Terry Gilliams TIME BANDITS (1981). Es folgten THE DRAGON SLAYER (1982) von Matthew Robbins, FIRE AND ICE (1983) von Ralph Bakshi, THE DARK CRYSTAL (1982) von Jim Hanson und Frank Oz, LEGEND (1983) von Ridley Scott und aus Deutsch- land DIE UNENDLICHE GESCHICHTE (1984) von Wolfgang Petersen. Und nicht nur das Kino feierte die Phantasie, auch das Table-Top-Rollenspiel Dungeons & Dragons hatte damals eine Hochphase. Tolkiens Mittelerde hatte sich bereits in der Hippie-Ära der frühen 1970er-Jahre großer Beliebtheit erfreut, Studierendenkreise ebenso inspiriert wie esoterische Beschäfti- gung angestoßen. Pen-and-Paper-Rollenspiele etablierten sich als Gruppenerlebnis, und schon in den 1970er-Jahren musste man von einem Revival jener Fantasy-Literatur sprechen, die eigentlich einer anderen Ära entstammte: den krisengeplagten 1930er-Jahren mit ihren ‚Weird Tales‘ und weiteren frühen Fantasy-Magazinen.
    [Show full text]
  • Academy Committees 19~5 - 19~6
    ACADEMY COMMITTEES 19~5 - 19~6 Jean Hersholt, president and Margaret Gledhill, Executive Secretary, ex officio members of all committees. EXECUTIVE COMMITTEE SPECIAL DOCUMENTARY Harry Brand COMMITTEE lBTH AWARDS will i am Do z i e r Sidney Solow, Chairman Ray Heindorf William Dozier Frank Lloyd Philip Dunne Mary C. McCall, Jr. James Wong Howe Thomas T. Moulton Nunnally Johnson James Stewart William Cameron Menzies Harriet Parsons FINANCE COMMITTEE Anne Revere Joseph Si strom John LeRoy Johnston, Chairman Frank Tuttle Gordon Hollingshead wi a rd I h n en · SPECIAL COMMITTEE 18TH AWARDS PRESENTATION FILM VIEWING COMMITTEE Farciot Edouart, Chairman William Dozier, Chairman Charles Brackett Joan Harrison Will i am Do z i e r Howard Koch Hal E1 ias Dore Schary A. Arnold Gillespie Johnny Green SHORT SUBJECTS EXECUTIVE Bernard Herzbrun COMMI TTEE Gordon Hollingshead Wiard Ihnen Jules white, Chairman John LeRoy Johnston Gordon Ho11 ingshead St acy Keach Walter Lantz Hal Kern Louis Notarius Robert Lees Pete Smith Fred MacMu rray Mary C. McCall, Jr. MUSIC BRANCH EXECUTIVE Lou i s Mesenkop COMMITTEE Victor Milner Thomas T. Moulton Mario Caste1nuovo-Tedesco Clem Portman Adolph Deutsch Fred Ri chards Ray Heindorf Frederick Rinaldo Louis Lipstone Sidney Solow Abe Meyer Alfred Newman Herbert Stothart INTERNATIONAL AWARD Ned Washington COMM I TTEE Charles Boyer MUSIC BRANCH HOLLYWOOD Walt Disney BOWL CONCERT COMMITTEE wi 11 i am Gordon Luigi Luraschi Johnny Green, Chairman Robert Riskin Adolph Deutsch Carl Schaefer Ray Heindorf Robert Vogel Edward B. Powell Morris Stoloff Charles Wolcott ACADEMY FOUNDATION TRUSTEES Victor Young Charles Brackett Michael Curtiz MUSIC BRANCH ACTIVITIES Farc i ot Edouart COMMITTEE Nat Finston Jean Hersholt Franz Waxman, Chairman Y.
    [Show full text]
  • Of Gods and Monsters: Signification in Franz Waxman's Film Score Bride of Frankenstein
    This is a repository copy of Of Gods and Monsters: Signification in Franz Waxman’s film score Bride of Frankenstein. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/118268/ Version: Accepted Version Article: McClelland, C (Cover date: 2014) Of Gods and Monsters: Signification in Franz Waxman’s film score Bride of Frankenstein. Journal of Film Music, 7 (1). pp. 5-19. ISSN 1087-7142 https://doi.org/10.1558/jfm.27224 © Copyright the International Film Music Society, published by Equinox Publishing Ltd 2017, This is an author produced version of a paper published in the Journal of Film Music. Uploaded in accordance with the publisher's self-archiving policy. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Paper for the Journal of Film Music Of Gods and Monsters: Signification in Franz Waxman’s film score Bride of Frankenstein Universal’s horror classic Bride of Frankenstein (1935) directed by James Whale is iconic not just because of its enduring images and acting, but also because of the high quality of its score by Franz Waxman.
    [Show full text]
  • Buzz Kulik Papers, 1942-1994
    http://oac.cdlib.org/findaid/ark:/13030/c8j968ks No online items Finding Aid for the Buzz Kulik papers, 1942-1994 Finding aid prepared by Alessandra Amin, April 2014; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2014 The Regents of the University of California. All rights reserved. Finding Aid for the Buzz Kulik 1867 1 papers, 1942-1994 Title: Buzz Kulik papers Collection number: 1867 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 35 linear ft.(51 record cartons, 16 oversize boxes) Date (bulk): Bulk, 1950-1992 Date (inclusive): 1942-1994 Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Language of Materials: Materials are primarily in English, with some materials in Italian, German, Spanish, French, Japanese and Farsi. Abstract: Buzz Kulik was born Seymour Kulik in Kearny, NJ in 1922. He was an American film and television director. This collection comprises a wide variety of documents and objects related to Buzz Kulik's prolific career. The majority of these items relate to films, television shows, and miniseries directed or produced by Kulik between 1950 and 1992. Additionally, the collection includes documents related to film or television projects conceived by or pitched to Kulik that never ultimately came to fruition. Finally, the collection contains a variety of personal ephemera with no direct connection to specific projects.
    [Show full text]
  • Track 1 Juke Box Jury
    CD1: 1959-1965 CD4: 1971-1977 Track 1 Juke Box Jury Tracks 1-6 Mary, Queen Of Scots Track 2 Beat Girl Track 7 The Persuaders Track 3 Never Let Go Track 8 They Might Be Giants Track 4 Beat for Beatniks Track 9 Alice’s Adventures In Wonderland Track 5 The Girl With The Sun In Her Hair Tracks 10-11 The Man With The Golden Gun Track 6 Dr. No Track 12 The Dove Track 7 From Russia With Love Track 13 The Tamarind Seed Tracks 8-9 Goldfinger Track 14 Love Among The Ruins Tracks 10-17 Zulu Tracks 15-19 Robin And Marian Track 18 Séance On A Wet Afternoon Track 20 King Kong Tracks 19-20 Thunderball Track 21 Eleanor And Franklin Track 21 The Ipcress File Track 22 The Deep Track 22 The Knack... And How To Get It CD5: 1978-1983 CD2: 1965-1969 Track 1 The Betsy Track 1 King Rat Tracks 2-3 Moonraker Track 2 Mister Moses Track 4 The Black Hole Track 3 Born Free Track 5 Hanover Street Track 4 The Wrong Box Track 6 The Corn Is Green Track 5 The Chase Tracks 7-12 Raise The Titanic Track 6 The Quiller Memorandum Track 13 Somewhere In Time Track 7-8 You Only Live Twice Track 14 Body Heat Tracks 9-14 The Lion In Winter Track 15 Frances Track 15 Deadfall Track 16 Hammett Tracks 16-17 On Her Majesty’s Secret Service Tracks 17-18 Octopussy CD3: 1969-1971 CD6: 1983-2001 Track 1 Midnight Cowboy Track 1 High Road To China Track 2 The Appointment Track 2 The Cotton Club Tracks 3-9 The Last Valley Track 3 Until September Track 10 Monte Walsh Track 4 A View To A Kill Tracks 11-12 Diamonds Are Forever Track 5 Out Of Africa Tracks 13-21 Walkabout Track 6 My Sister’s Keeper
    [Show full text]
  • Film Music Week 4 20Th Century Idioms - Jazz
    Film Music Week 4 20th Century Idioms - Jazz alternative approaches to the romantic orchestra in 1950s (US & France) – with a special focus on jazz... 1950s It was not until the early 50’s that HW film scores solidly move into the 20th century (idiom). Alex North (influenced by : Bartok, Stravinsky) and Leonard Rosenman (influenced by: Schoenberg, and later, Ligeti) are important influences here. Also of note are Georges Antheil (The Plainsman, 1937) and David Raksin (Force of Evil, 1948). Prendergast suggests that in the 30’s & 40’s the films possessed somewhat operatic or unreal plots that didn’t lend themselves to dissonance or expressionistic ideas. As Hollywood moved towards more realistic portrayals, this music became more appropriate. Alex North, leader in a sparser style (as opposed to Korngold, Steiner, Newman) scored Death of a Salesman (image above)for Elia Kazan on Broadway – this led to North writing the Streetcar film score for Kazan. European influences Also Hollywood was beginning to be strongly influenced by European films which has much more adventuresome scores or (often) no scores at all. Fellini & Rota, Truffault & Georges Delerue, Maurice Jarre (Sundays & Cybele, 1962) and later the Professionals, 1966, Ennio Morricone (Serge Leone, jazz background). • Director Frederico Fellini &composer Nino Rota (many examples) • Director François Truffault & composerGeorges Delerue, • Composer Maurice Jarre (Sundays & Cybele, 1962) and later the • Professionals, 1966, Composer- Ennio Morricone (Serge Leone, jazz background). (continued) Also Hollywood was beginning to be strongly influenced by European films which has much more adventuresome scores or (often) no scores at all. Fellini & Rota, Truffault & Georges Delerue, Maurice Jarre (Sundays & Cybele, 1962) and later the Professionals, 1966, Ennio Morricone (Serge Leone, jazz background).
    [Show full text]
  • Issue #72 Summer / Fall 2008 Lars Bloch Interview (Part 2) a Man, a Colt the MGM Rolling Road Show Latest DVD Reviews
    Issue #72 Summer / Fall 2008 Lars Bloch Interview (part 2) A Man, a Colt The MGM Rolling Road Show Latest DVD Reviews WAI! #72 THE SWINGIN’ DOORS April and May were months that took a number of well known actors of the Spaghetti western genre: Jacques Berthier, Robert Hundar, John Phillip Law and Tano Cimarosa were all well known names in the genre. Of course we should expect as much since these people are now well into their 70s and even 80s. Still in our minds they are young vibrant actors who we see over and over again on video and DVD. It’s hard to realize that it’s been 40+ years since Sergio Leone kicked off the Spaghetti western craze and launched a world wide revolution in film that we still see influencing films today. Hard to believe Clint Eastwood turned 78 on May 30th. Seems like only yesterday he was the ‘Man with No Name’ and starring in the first of the Leone films that launched the genre. Remember when Clint was criticized so badly as an actor and for the films he appeared in during the 60s and 70s. Now he’s revered in Hollywood because he’s outlived his critics. I guess we recognized a real star long before the critics did. A great idea came to Tim League’s mind in the launching of the “Rolling Road Show”, where films are actually shown where they were filmed. I wasn’t able to travel to Spain to see the Dollars trilogy but we have a nice review of the films and the experience by someone who was there.
    [Show full text]
  • Contemporary Film Music
    Edited by LINDSAY COLEMAN & JOAKIM TILLMAN CONTEMPORARY FILM MUSIC INVESTIGATING CINEMA NARRATIVES AND COMPOSITION Contemporary Film Music Lindsay Coleman • Joakim Tillman Editors Contemporary Film Music Investigating Cinema Narratives and Composition Editors Lindsay Coleman Joakim Tillman Melbourne, Australia Stockholm, Sweden ISBN 978-1-137-57374-2 ISBN 978-1-137-57375-9 (eBook) DOI 10.1057/978-1-137-57375-9 Library of Congress Control Number: 2017931555 © The Editor(s) (if applicable) and The Author(s) 2017 The author(s) has/have asserted their right(s) to be identified as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made.
    [Show full text]
  • Original Music in Film - Part One - Clips Shown for Educational Purposes Only
    Original Music In Film - Part One - Clips Shown for Educational Purposes Only: The Gold Rush (Cabin Scene) - Charlie Chaplin Street Scene (Main Title and Cityscape) - Alfred Newman King Kong (Main Title and Sacrifice of Maiden) - Max Steiner Lawrence of Arabia (The Desert) - Maurice Jarre Captain Blood (Main Title) - Erich Wolfgang Korngold Swing Time (The Way You Look Tonight) - Jerome Kern, Dorothy Fields Coco and Igor (‘The Rite of Spring’ - premiere Paris 1913) - Stravinsky Lost Horizon - (Main Title and Panic) Dimitri Tiomkin (cond. by Max Steiner) The Adventures of Robin Hood (Main Title) - Erich Wolfgang Korngold Alexander Nevsky (Battle on the Ice) - Sergei Prokofiev Gone with the Wind (Main Title) - Max Steiner The Sea Hawk (Main Title) - Erich Wolfgang Korngold The Sea Hawk (Strike for the Shores of Dover - Shanty) - Erich Wolfgang Korngold Citizen Kane (Opening - Xanadu) - Bernard Herrmann The Devil and Daniel Webster (AKA - All that Money Can Buy) - (Main Title) - Bernard Herrmann The Devil and Daniel Webster (The Devil’s Hoedown) - Bernard Herrmann King’s Row (Main Title ) - Erich Wolfgang Kornold Star Wars (Opening) - John Williams Casablanca (Main Title and Spy Round-up) - Max Steiner Laura (Main Title) - David Raksin The Lost Week-End (Hallucinations) - Miklos Rozsa Spellbound (Open Doors - Love Theme) - Miklos Rozsa The Best Years of Our Lives (Homecoming) - Hugo Friedhofer Henry V (Opening) - Sir William Walton The Killers (Main Title) - Miklos Rozsa Lost Horizon (Main Title/Crowd Panic) - Dimitri Tiomkin (cond. M. Steiner)
    [Show full text]