Buzz Kulik Papers, 1942-1994
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Ojai North Music Festival
CAL PERFORMANCES PRESENTS Thursday–Saturday, June 19–21, 2014 Hertz Hall Ojai North Music Festival Jeremy Denk Music Director, 2014 Ojai Music Festival Thomas W. Morris Artistic Director, Ojai Music Festival Matías Tarnopolsky Executive and Artistic Director, Cal Performances Robert Spano, conductor Storm Large, vocalist Timo Andres, piano Aubrey Allicock, bass-baritone Kim Josephson, baritone Dominic Armstrong, tenor Ashraf Sewailam, bass-baritone Rachel Calloway, mezzo-soprano Peabody Southwell, mezzo-soprano Keith Jameson, tenor Jennifer Zetlan, soprano The Knights Eric Jacobsen, conductor Brooklyn Rider Uri Caine Ensemble Hudson Shad Ojai Festival Singers Kevin Fox, conductor Ojai North is a co-production of the Ojai Music Festival and Cal Performances. Ojai North is made possible, in part, by Patron Sponsors Liz and Greg Lutz. Cal Performances’ – season is sponsored by Wells Fargo. CAL PERFORMANCES 13 FESTIVAL SCHEDULE Thursday–Saturday, June 19–21, 2014 Hertz Hall Ojai North Music Festival FESTIVAL SCHEDULE Thursday, June <D, =;<?, Cpm Welcome : Cal Performances Executive and Artistic Director Matías Tarnopolsky Concert: Bay Area première of The Classical Style: An Opera (of Sorts) plus Brooklyn Rider plays Haydn Brooklyn Rider Johnny Gandelsman, violin Colin Jacobsen, violin Nicholas Cords, viola Eric Jacobsen, cello The Knights Aubrey Allicock, bass-baritone Dominic Armstrong, tenor Rachel Calloway, mezzo-soprano Keith Jameson, tenor Kim Josephson, baritone Ashraf Sewailam, bass-baritone Peabody Southwell, mezzo-soprano Jennifer Zetlan, soprano Mary Birnbaum, director Robert Spano, conductor Friday, June =;, =;<?, A:>;pm Talk: The creative team of The Classical Style: An Opera (of Sorts) —Jeremy Denk, Steven Stucky, and Mary Birnbaum—in a conversation moderated by Matías Tarnopolsky PLAYBILL FESTIVAL SCHEDULE Cpm Concert: Second Bay Area performance of The Classical Style: An Opera (of Sorts) plus Brooklyn Rider plays Haydn Same performers as on Thursday evening. -
Issue #72 Summer / Fall 2008 Lars Bloch Interview (Part 2) a Man, a Colt the MGM Rolling Road Show Latest DVD Reviews
Issue #72 Summer / Fall 2008 Lars Bloch Interview (part 2) A Man, a Colt The MGM Rolling Road Show Latest DVD Reviews WAI! #72 THE SWINGIN’ DOORS April and May were months that took a number of well known actors of the Spaghetti western genre: Jacques Berthier, Robert Hundar, John Phillip Law and Tano Cimarosa were all well known names in the genre. Of course we should expect as much since these people are now well into their 70s and even 80s. Still in our minds they are young vibrant actors who we see over and over again on video and DVD. It’s hard to realize that it’s been 40+ years since Sergio Leone kicked off the Spaghetti western craze and launched a world wide revolution in film that we still see influencing films today. Hard to believe Clint Eastwood turned 78 on May 30th. Seems like only yesterday he was the ‘Man with No Name’ and starring in the first of the Leone films that launched the genre. Remember when Clint was criticized so badly as an actor and for the films he appeared in during the 60s and 70s. Now he’s revered in Hollywood because he’s outlived his critics. I guess we recognized a real star long before the critics did. A great idea came to Tim League’s mind in the launching of the “Rolling Road Show”, where films are actually shown where they were filmed. I wasn’t able to travel to Spain to see the Dollars trilogy but we have a nice review of the films and the experience by someone who was there. -
Montana Kaimin, October 9, 1981 Associated Students of the University of Montana
University of Montana ScholarWorks at University of Montana Associated Students of the University of Montana Montana Kaimin, 1898-present (ASUM) 10-9-1981 Montana Kaimin, October 9, 1981 Associated Students of the University of Montana Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/studentnewspaper Recommended Citation Associated Students of the University of Montana, "Montana Kaimin, October 9, 1981" (1981). Montana Kaimin, 1898-present. 7300. https://scholarworks.umt.edu/studentnewspaper/7300 This Newspaper is brought to you for free and open access by the Associated Students of the University of Montana (ASUM) at ScholarWorks at University of Montana. It has been accepted for inclusion in Montana Kaimin, 1898-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. ■Montana k a i m i n Friday, Oct. 9,1981 Missoula, Mont. Vol.84,No. 8 s________ _________ s Montana’s coal tax under fire in House By The Associated Press said the House subcommittee on A House subcommittee “will fossil and synthetic fuels ten resume its attack on the Montana tatively has scheduled a hearing coal severance tax” during for Oct. 28 on a bill to limit state hearings later this month, Mon coal taxes to 12'/2 percent. Mon tana’s two U.S. House members tana’s tax of 30 percent is the said yesterday. highest in the nation. Rep. Pat Williams, D-Mont., and Rep. Ron Marlenee, R-Mont., Cont. on p. 8 Man attacks woman; GOOD OL’ DAYS. -
Dictionary of Westerns in Cinema
PERFORMING ARTS • FILM HISTORICAL DICTIONARY OF Historical Dictionaries of Literature and the Arts, No. 26 VARNER When early filmgoers watched The Great Train Robbery in 1903, many shrieked in terror at the very last clip, when one of the outlaws turned toward the camera and seemingly fired a gun directly at the audience. The puff of WESTERNS smoke was sudden and hand-colored, and it looked real. Today we can look back at that primitive movie and see all the elements of what would evolve HISTORICAL into the Western genre. Perhaps the Western’s early origins—The Great Train DICTIONARY OF Robbery was the first narrative, commercial movie—or its formulaic yet enter- WESTERNS in Cinema taining structure has made the genre so popular. And with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the Western is told in this Historical Dictionary of Westerns in Cinema through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on cinematographers; com- posers; producers; films like Butch Cassidy and the Sundance Kid, Dances with Wolves, The Good, the Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; actors such as Gene Autry, in Cinema Cinema Kirk Douglas, Clint Eastwood, Henry Fonda, Jimmy Stewart, and John Wayne; and directors like John Ford and Sergio Leone. PAUL VARNER is professor of English at Abilene Christian University in Abilene, Texas. -
Eutanasia Y Suicidio Asistido: Narrativa Cinematográfica De La Muerte Que Más Duele
aesthethika© International Journal on Subjectivity, Politics and the Arts Revista Internacional sobre Subjetividad, Política y Arte Vol. 6, (1), octubre 2010 DEPARTAMENTO DE ÉTICA, POLÍTICA Y TECNOLOGÍA • INSTITUTO DE INVESTIGACIONES • FACULTAD DE PSICOLOGÍA • UNIVERSIDAD DE BUENOS AIRES Eutanasia y suicidio asistido: narrativa cinematográfica de la muerte que más duele Juan Jorge Michel Fariña Investigación bibliográfica: Eliana Silberfich, Irene Cambra Badii y Alejandra Tomas Maier 1 Universidad de Buenos Aires ______________________________________________________________ En septiembre de 1980 Jacques Lacan consultó a un especialista porque temía padecer un cáncer de colon. El médico lo examinó cuidadosamente y al cabo de la exploración aseguró no haber encontrado nada. "Es un idiota, dijo Lacan, yo sé lo que tengo”. A su edad y en el estadio que se encontraba la enfermedad, no había riesgo de muerte. El tumor estaba localizado y no era invasivo, y si la ablación se hubiera realizado en ese momento, hubiera llevado a una curación. Pero Lacan se negaba obstinadamente a operarse. Había manifestado siempre una fobia respecto de la cirugía y las enfermedades físicas en general, y no soportaba ningún atentado a su integridad corporal." Elizabeth Roudinesco dedica seis páginas de su obra a reseñar el último año de vida de Jacques Lacan. Lo hace atendiendo al dolor de la afección pero también al sufrimiento que produce en el mundo del Maestro la aceleración de la caída y disolución de la Causa Freudiana, la finalización de la presentación de enfermos, una dificultad creciente en el dictado de su seminario y el alejamiento progresivo de sus pacientes. "El tumor seguía sin ser invasivo y los signos vasculares no habían evolucionado. -
George P. Johnson Negro Film Collection LSC.1042
http://oac.cdlib.org/findaid/ark:/13030/tf5s2006kz No online items George P. Johnson Negro Film Collection LSC.1042 Finding aid prepared by Hilda Bohem; machine-readable finding aid created by Caroline Cubé UCLA Library Special Collections Online finding aid last updated on 2020 November 2. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections George P. Johnson Negro Film LSC.1042 1 Collection LSC.1042 Contributing Institution: UCLA Library Special Collections Title: George P. Johnson Negro Film collection Identifier/Call Number: LSC.1042 Physical Description: 35.5 Linear Feet(71 boxes) Date (inclusive): 1916-1977 Abstract: George Perry Johnson (1885-1977) was a writer, producer, and distributor for the Lincoln Motion Picture Company (1916-23). After the company closed, he established and ran the Pacific Coast News Bureau for the dissemination of Negro news of national importance (1923-27). He started the Negro in film collection about the time he started working for Lincoln. The collection consists of newspaper clippings, photographs, publicity material, posters, correspondence, and business records related to early Black film companies, Black films, films with Black casts, and Black musicians, sports figures and entertainers. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: English . Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Portions of this collection are available on microfilm (12 reels) in UCLA Library Special Collections. -
NPRC) VIP List, 2009
Description of document: National Archives National Personnel Records Center (NPRC) VIP list, 2009 Requested date: December 2007 Released date: March 2008 Posted date: 04-January-2010 Source of document: National Personnel Records Center Military Personnel Records 9700 Page Avenue St. Louis, MO 63132-5100 Note: NPRC staff has compiled a list of prominent persons whose military records files they hold. They call this their VIP Listing. You can ask for a copy of any of these files simply by submitting a Freedom of Information Act request to the address above. The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. -
'69: Changing Times
’69: Changing Hybrid Western: times Butch Cassidy and the Sundance Kid By Johnny D. Boggs By Thomas D. Clagett left, it turned right.” 1969 was a year of change: Richard In the fall of 1969, Butch Cassidy and One studio wanted to buy the script, Nixon’s inauguration … New YorK City’s the Sundance Kid opened to mixed re- Goldman recalled, but only if he re- Stonewall riot … Vietnam … desegrega- views. The Hollywood Reporter declared it wrote it and had Butch and Sundance tion … Woodstock … Apollo 11 …. “a great film.” Chicago Sun critic Roger stand and fight the super posse that Movies – Easy Rider and Midnight Cow- Ebert called it “slow and disappoint- was chasing them instead of running to boy – also changed in the year many his- ing,” adding that it “never gets up the South America. “I said, ‘But they did torians argue sent the Western film into a nerve, by God, to admit it’s a Western.” run to South America,’ and the studio permanent decline. After all, what more Ignoring the critics, audiences filled said, ‘I don’t care. All I Know is, John could be said about the Old West after theaters where it played. It would be Wayne don’t run away.’” Butch Cassidy and the Sundance Kid and The nominated for seven Academy Awards, Though Richard D. Zanuck, head of Wild Bunch and once John Wayne had including best picture and best director. 20th Century-Fox Studios, believed that finally won an Oscar (for True Grit)? What made Butch Cassidy and the “the traditional Western was some- “In many ways these three Westerns Sundance Kid significant to the West- thing you didn’t play around with,” he seemed liKe a death rattle to the genre,” ern genre and to 1969, (arguably the says Bob Boze Bell, executive editor at last milestone year for Western films), True West magazine and the artist who did was that it was and wasn’t a traditional the cover illustration, Butch and Sundance Western. -
I Engineers and Scientists
a Im me I a evein s aln,ROUINce By Mark Boltin points; Field-Repair Maneuvers pushed around a 440-yard oval The traditional Field Day (Tank Movements), worth 15 course. If, at any time during the matching of the Freshman Class points; Nursing Corps Training race, the sheets on a particular against the Sophomore Class, (Unknown Event I), worth 10 bed are deemed "unsanitary" by slated for 10 pm Friday; Nov. 11, points; Discipline Maneuvers (Un- the Beaver Key Marshall, that will take on a new twist this known Event II), worth 10 points; bed must come in for a change year. In addition to occurring on Routing Entrenched Troops (Tlug- of sheets. Five of the points to be a Friday for the first time, Field of-war), worth 15 points; and awarded for the event go to the Day will have a unifying theme Hand-to-hand C o m b a t (Glove class with the "best-made" bed underlying each of its events. Fight), worth 35 points. and nurse combination. Field Day theme Bed Marathon For the Field-Repair Maneuv- The theme of Field Day will be The Field Ambulance Service ers, each class must construct an that of war game exercises by will be a half-hour race on a extra-terrestial combat tank. The Galactic Rivals, centered on Ve- standard single bed, equipped tank must be pushed across an nus. Whenever possible, this with rubber wheels and safety de- erratic course, laid out by Beaver theme is to be worked into each vices. The bed, along with one Key to avoid enemy fire. -
Senate Keeps Health
20--MANCHESTER HERALD. Friday. Oci. 6., 1989 TOWN OF MANCHESTER LEGAL NOTICE CARS I CARS b e c a u s e y o u never FOR SALE know when someone will DEADLINES; For classified odvertlsments to Zoning Commission will hold a public hear- FOR SALE be searching for the Item be published Tuesday through Saturday, the Monday October 16, 1989 at 7:00 P.M. in ttie Hearing w u have for sale, it's BUICK 1979 Skvhawk - 2 deadline Is noon on the day before publica Center, 494 Main Street, Manchester, Connec better to run your want ad door hatch, good con- 1984 HONDA Civic Wagon tion. For advertisements to be published ticut to hear and consider the following petition: - 646-0767 or 649-4554, for several days ... cancel dltlon, standard. Monday, the deadline Is 2:30 p.m. on Frldoy. MANCHESTER - DAY CARE REGULATIONS Jack.__________ ing It os soon os you aet $700/best offer. 644- results. Application to amend the following Sections of the 6343. 1986 JEEP Wagoneer Ll- Manchester Zoning Regulations: Article I. Section 2.01; Article SUBARU 198'2-GL, red, 5 mlted - Excellent con II. Sections 2.01.08, 2.01.14 Now; 2.02.09; 2.02.16 New; Soc- dition, 43,000 miles, CARS jg i I CARS 3.01.07 New; 3.02.07 New; Sections 4.01 03- speed, air, sunroof. CARS 140K miles. $600/best automatic, air condl- FOR SALE CARS 4.01.08 New; 4.02.08 New; 4.02.09 New; Sections 5.01 04- tlonlng, am/fm FOR SALE L l j FOR SALE FOR SALE 5.01.12 New; 5.02.08 New; 5.02.09 New; Sections 6.01 04- offer. -
Performing the Mexican Revolution in Neoliberal Times
ABSTRACT Since the time of the Mexican Revolution of 1910, images associated with this nation-defining event have been presented in an array of media and cultural productions. Within the past two decades these images have been re-imagined, re-coded and re/de- constructed in reaction to social and cultural changes associated with a crisis of political legitimation and the demise of hegemonic revolutionary ideology, as espoused by the long-ruling Party of the Institionalized Revolution (PRI), amid the generalized implementation of neoliberal policies in the county. My dissertation argues that the ascendance of neoliberalism, with the opening of Mexican economic and political systems, has resulted in changes in the socio-cultural work performed by the Revolution- Nation-Gender triad. This trinity, solidified in the post-Revolutionary national imaginary, weaves the three notions together such that as hegemonic discourses of Revolutionary nationalism enter in crisis, discourses of gender are also destabilized. The dissertation consists of three main sub-arguments. First, I argue that the discourse(s) surrounding Revolutionary heroes has been integral to the (re)definition of the Mexican nation and that analyzing recodings of this discourse through the example of Emiliano Zapata reveals a destabilization of hegemonic nationalism. These changes have allowed alternatives to surface both in Mexico and across the border as part of a recoded ii transnational Revolutionary nationalism. As cracks opened in the Revolutionary edifice allowing alternatives to emerge, they have also opened space for alternative gender discourses. I next argue that a close analysis of representations of masculine gender roles as manifested in a variety of cultural texts, specifically through Revolutionary icons Pancho Villa and Emiliano Zapata, reveals a crisis of the macho archetype in the contemporary Mexican nation. -
Lucy Kroll Papers [Finding Aid]. Library of Congress
Lucy Kroll Papers A Finding Aid to the Collection in the Library of Congress Manuscript Division, Library of Congress Washington, D.C. 2002 Revised 2010 April Contact information: http://hdl.loc.gov/loc.mss/mss.contact Additional search options available at: http://hdl.loc.gov/loc.mss/eadmss.ms006016 LC Online Catalog record: http://lccn.loc.gov/mm82078576 Prepared by Donna Ellis with the assistance of Loren Bledsoe, Joseph K. Brooks, Joanna C. Dubus, Melinda K. Friend, Alys Glaze, Harry G. Heiss, Laura J. Kells, Sherralyn McCoy, Brian McGuire, John R. Monagle, Daniel Oleksiw, Kathryn M. Sukites, Lena H. Wiley, and Chanté R. Wilson Collection Summary Title: Lucy Kroll Papers Span Dates: 1908-1998 Bulk Dates: (bulk 1950-1990) ID No.: MSS78576 Creator: Kroll, Lucy Extent: 308,350 items ; 881 containers plus 15 oversize ; 356 linear feet Language: Collection material in English Location: Manuscript Division, Library of Congress, Washington, D.C. Summary: Literary and talent agent. Contracts, correspondence, financial records, notes, photographs, printed matter, and scripts relating to the Lucy Kroll Agency which managed the careers of numerous clients in the literary and entertainment fields. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Braithwaite, E. R. (Edward Ricardo) Davis, Ossie. Dee, Ruby. Donehue, Vincent J., -1966. Fields, Dorothy, 1905-1974. Foote, Horton. Gish, Lillian, 1893-1993. Glass, Joanna M. Graham, Martha. Hagen, Uta, 1919-2004.