Resisting Conformity in Philip Roth's Late Writing
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John Updike, a Lyrical Writer of the Middle-Class More Article Man, Dies at 76 Get Urba
LIKE RABBITS Welcome to TimesPeople TimesPeople Lets You Share and Discover the Bes Get Started HOME PAGE TODAY'S PAPER VIDEO MOST POPULAR TIMES TOPICS Books WORLD U.S. N.Y. / REGION BUSINESS TECHNOLOGY SCIENCE HEALTH SPORTS OPINION ARTS STYL ART & DESIGN BOOKS Sunday Book Review Best Sellers First Chapters DANCE MOVIES MUSIC John Updike, a Lyrical Writer of the Middle-Class More Article Man, Dies at 76 Get Urba By CHRISTOPHER LEHMANN-HAUPT Sig Published: January 28, 2009 wee SIGN IN TO den RECOMMEND John Updike, the kaleidoscopically gifted writer whose quartet of Cha Rabbit novels highlighted a body of fiction, verse, essays and criticism COMMENTS so vast, protean and lyrical as to place him in the first rank of E-MAIL Ads by Go American authors, died on Tuesday in Danvers, Mass. He was 76 and SEND TO PHONE Emmetsb Commerci lived in Beverly Farms, Mass. PRINT www.Emme REPRINTS U.S. Trus For A New SHARE Us Directly USTrust.Ba Lanco Hi 3BHK, 4BH Living! www.lancoh MOST POPUL E-MAILED 1 of 11 © 2009 John Zimmerman. All rights reserved. 7/9/2009 10:55 PM LIKE RABBITS 1. Month Dignit 2. Well: 3. GLOB 4. IPhon 5. Maure 6. State o One B 7. Gail C 8. A Run Meani 9. Happy 10. Books W. Earl Snyder Natur John Updike in the early 1960s, in a photograph from his publisher for the release of “Pigeon Feathers.” More Go to Comp Photos » Multimedia John Updike Dies at 76 A star ALSO IN BU The dark Who is th ADVERTISEM John Updike: A Life in Letters Related An Appraisal: A Relentless Updike Mapped America’s Mysteries (January 28, 2009) 2 of 11 © 2009 John Zimmerman. -
CBS Cuts $ on CD Front -Lines
iUI 908 (t,14 **,;t*A,<*fi,? *3- DIGIT 4401 8812 MAR90UHZ 000117973 MONTY GREENLY APT A TOP 3740 ELM 90P07 LONG BEACH CA CONCERTS & VENUES Follows page 56 VOLUME 100 NO. 13 THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENT March 26, 1988/$3.95 (U.S.), $5 (CAN.) 3-Inch CD Gets Big Play Dealers Get A Big Spring Break As Majors Start Ball Rolling CD Front This story was prepared by Dave said Lew Garrett, vice president of CBS Cuts $ On -lines DiMartino and Geoff Mayfield. purchasing for North Canton, Ohio- will cut prices on selected black, front -line level and will translate based Camelot Music, speaking at a BY KEN TERRY country, and new artist releases and roughly to a $1 drop in wholesale LOS ANGELES The 3 -inch compact seminar. "Now, we're more excited LOS ANGELES In a surprise MCA plans to reduce the cost of its cost. At the same time, CBS will disk got major play at the National about it." move that may have a profound ef- country CD releases (see story, start offering new and developing Assn. of Record- Discussion among many label exec- fect on industry page 71), the CBS package repre- artist product at the $12.98 list ing Merchandis- utives shifted from general concerns pricing of com- sents the most comprehensive as- equivalent, which represents a ers convention with product viability to more specific pact disks, CBS wholesale cut of about $2. NAHM here March 11 -14. matters of packaging. One executive HARM Records plans to Teller keynote, p. -
Philip Roth's Confessional Narrators: the Growth of Consciousness
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1979 Philip Roth's Confessional Narrators: The Growth of Consciousness. Alexander George Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the English Language and Literature Commons Recommended Citation George, Alexander, "Philip Roth's Confessional Narrators: The Growth of Consciousness." (1979). Dissertations. 1823. https://ecommons.luc.edu/luc_diss/1823 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1979 Alexander George PHILIP ROTH'S CONFESSIONAL NARRATORS: THE GROWTH OF' CONSCIOUSNESS by Alexander George A Dissertation Submitted to the Faculty of the Graduate School of Loyola University of Chicago in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 1979 ACKNOWLEDGE~£NTS It is a singular pleasure to acknowledge the many debts of gratitude incurred in the writing of this dissertation. My warmest thanks go to my Director, Dr. Thomas Gorman, not only for his wise counsel and practical guidance, but espec~ally for his steadfast encouragement. I am also deeply indebted to Dr. Paul Messbarger for his careful reading and helpful criticism of each chapter as it was written. Thanks also must go to Father Gene Phillips, S.J., for the benefit of his time and consideration. I am also deeply grateful for the all-important moral support given me by my family and friends, especially Dr. -
The Plot Against America by Philip Roth
2 Go The Plot Against America by Philip Roth Discussion Questions 1. In what ways does The Plot Against America differ from conventional historical fiction? What effects does Roth achieve by blending personal history, historical fact, and an alternative history? 2. The novel begins "Fear presides over these memories, a perpetual fear" [p. 1]. With this sentence Roth establishes that his story is being told from an adult point of view by an adult narrator who is remembering what befell his family, over sixty years earlier, when he was a boy between the ages of seven and nine. Why else does Roth open the novel this way? What role does fear play throughout the book? 3. How plausible is the alternative history that Roth imagines? How would the world be different if America had not entered the war, or entered it on the side of Germany? 4. When the Roth family plans to go to Washington, young Philip wants to take his stamp collection with him because he fears that, since he did not remove the ten- cent Lindbergh stamp, "a malignant transformation would occur in my absence, causing my unguarded Washingtons to turn into Hitlers, and swastikas to be im- printed on my National Parks" [p. 57]. What does this passage suggest about how the Lindbergh election has affected the boy? Where else does this kind of magical thinking occur in the novel? 5. Herman Roth asserts, "History is everything that happens everywhere. Even here in Newark. Even here on Summit Avenue. Even what happens in this house to an ordinary man --- that’ll be history too someday" [p. -
The Ghostwriter
Van Damme 1 Karen Van Damme Dr. Leen Maes Master thesis English literature 30 July 2008 The evolution of Nathan Zuckerman in Philip Roth’s The Ghost Writer and Exit Ghost. 0. Introduction I was introduced to Philip Roth and the compelling voice of his fiction during a series of lectures on the topic of Jewish-American authors by Prof. Dr. Versluys in 2006 at Ghent University. The Counterlife (1986) was one of the novels on the reading list, in which I encountered for the first time his famous protagonist, Nathan Zuckerman. Ever since I have read this novel, I have been intrigued by Roth‟s work. My introduction to Jewish-American writing has made a lasting impression through him, which is why the choice was an easy one to make when we were asked to select a topic for this master thesis. I will not be dealing with Philip Roth‟s whole oeuvre, since the man is such a prolific writer and his work is in title to a thorough discussion. I will write about the first and the last novel in his Zuckerman-series, namely The Ghost Writer (1979) and Exit Ghost (2007). Nathan Zuckerman can be seen as Roth‟s alter-ego, an American- Jewish writer with a sharp pen. Since I have, unfortunately, only had the opportunity to read four of the eight Zuckerman-novels, I want to make it absolutely clear that the two novels mentioned here will be the sole basis for my analysis of the story-line and the character named Nathan Zuckerman. -
Philip Roth, Henry Roth and the History of the Jews
CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 16 (2014) Issue 2 Article 9 Philip Roth, Henry Roth and the History of the Jews Timothy Parrish Florida State University Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the American Literature Commons, Comparative Literature Commons, Jewish Studies Commons, Modern Literature Commons, and the Other Arts and Humanities Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Parrish, Timothy. "Philip Roth, Henry Roth and the History of the Jews." CLCWeb: Comparative Literature and Culture 16.2 (2014): <https://doi.org/10.7771/1481-4374.2411> This text has been double-blind peer reviewed by 2+1 experts in the field. -
Addition to Summer Letter
May 2020 Dear Student, You are enrolled in Advanced Placement English Literature and Composition for the coming school year. Bowling Green High School has offered this course since 1983. I thought that I would tell you a little bit about the course and what will be expected of you. Please share this letter with your parents or guardians. A.P. Literature and Composition is a year-long class that is taught on a college freshman level. This means that we will read college level texts—often from college anthologies—and we will deal with other materials generally taught in college. You should be advised that some of these texts are sophisticated and contain mature themes and/or advanced levels of difficulty. In this class we will concentrate on refining reading, writing, and critical analysis skills, as well as personal reactions to literature. A.P. Literature is not a survey course or a history of literature course so instead of studying English and world literature chronologically, we will be studying a mix of classic and contemporary pieces of fiction from all eras and from diverse cultures. This gives us an opportunity to develop more than a superficial understanding of literary works and their ideas. Writing is at the heart of this A.P. course, so you will write often in journals, in both personal and researched essays, and in creative responses. You will need to revise your writing. I have found that even good students—like you—need to refine, mature, and improve their writing skills. You will have to work diligently at revising major essays. -
Philip Roth by Erica Wagner for the Financial Times It Was Towards The
Philip Roth by Erica Wagner for the Financial Times It was towards the end of our hour-long conversation that Philip Roth asked me what I made of one of the characters in his novel The Humbling. It was 2009, the year his penultimate book was published, the first year of Barack Obama’s presidency. I had flown to New York on a day’s notice to meet with Roth in a bland conference room in the office of his agent, Andrew Wylie. I was glad I hadn’t had more warning; less time to worry about how this encounter with prickly titan of American letters would go. The protagonist of The Humbling is an actor, Simon Axler, sliding into despair as he ages. Drawn to suicide, he checks himself into a psychiatric hospital where he encounters a woman, Sybil Van Buren, who asks Axler to kill her husband -- he’s been abusing their daughter. Axler’s encounter with Van Buren is a strange subplot in this peculiar, unsatisfying novel that doesn’t rank among Roth’s best work. But he noticed that in the course of our talk I hadn’t mentioned her at all. Why was that? I didn’t know what to make of her, I said. I thought her story, her connection with Axler, was going to go in a different direction; I was puzzled by what Roth had done. The moment I said this it was as if I was suddenly observing myself from a great height. Philip Roth is sitting across from me, and I am telling him I don’t like what he’s done. -
Everyman’S Body: Self and Exchange in Philip Roth’S Everyman
The Other in Everyman’s Body: Self and Exchange in Philip Roth’s Everyman Jéssica Moreira FACULDADE DE LETRAS DA UNIVERSIDADE DO PORTO – CETAPS Citation: Jéssica Moreira. “The Other in Everyman’s Body: Self and Exchange in Philip Roth’s Everyman.” Via Panoramica: Revista de Estudos Anglo-Americanos, série 3, vol. 8, n.º 1, 2019, pp. 30-47. ISSN: 1646-4728. Web: http://ojs.letras.up.pt/. Abstract Departing from Baudrillard’s account on economic exchange and symbols, the aim of the present paper is to demonstrate how Philip Roth’s Everyman can be interpreted in terms of exchange – cultural instead of economic – between mainstream culture and Jewish subculture and, simultaneously, how death and sex provide the sign values for these exchanges, characterising, in themselves, cultural tendencies. These exchanges will be interpreted mainly as trades between Self – or Same – and Other since, in the same way the Self defines itself through reference to what is Other, so these tendencies will be defined – or tried to be defined by the protagonist – as existing only insofar an Other opposes to it. This attempt can be read as a form of construction of a signification theory that is defined through differentiation and pervades the whole novel. The act of binary construction, nevertheless, results in failure as the Self finds itself unable to refer back to itself through the creation of “badges of difference” (Neill 8). This failure ultimately leads the protagonist to a disenchanted attitude, provoked by a sense of alienation towards his own body – supposed centre of selfhood. What I intend to prove by the end of the essay is that the plot of Everyman can be read as: 1. -
Romanian Journal of English Studies Rjes 17 /2020 16 Doi
ROMANIAN JOURNAL OF ENGLISH STUDIES RJES 17 /2020 DOI: 10.1515/RJES-2020-0003 OLD AGE AS MASSACRE: PHILIP ROTH’S ELEGIES OF AGING IN EVERYMAN AND AMERICAN PASTORAL GABRIELA GLĂVAN West University of Timișoara Abstract: I intend to explore Philip Roth’s representation of aging in his 1997 novel, American Pastoral, and in the allegorical, medical life story of his generic hero, Everyman (2006). My arguments connect the writer’s constant preoccupation with the biological life of the body and the cultural significance of aging, divergently projected in these two novels. Keywords: literature and medicine, aging, illness, biography, sexuality, death. 1. Introduction Although present in many of his novels, aging and the pitfalls of diminishing physical ability dominate the background of Roth’s late novels. Either voiced by his predilect alter-ego or by anonymous protagonists, the burden of the aging body is one of the allegories that anchor Roth’s interest in individual destiny in the vast soil of contemporary history and the condition of modern man. Rather masculine than universally human, the writer’s perspective could be read as an ironic elegy hesitating between bitter nostalgia and cynical resentment. I intend to focus on two novels, published almost a decade apart, American Pastoral (1997) and Everyman (2006). Apparently, the two novels share very little beyond Roth’s trademark interrogations concerning older age as pretext for reevaluating the past. My aim is to identify Roth’s strategy concerning the connection between the individual past and collective history in his recurrent interest in the ages of man. I intend to argue that this strategy projects one of the writer’s specific manners of contrastively revealing the relationship between limited, private and ultimately subjective life and the greater framework of an interval (specifically, postwar and contemporary America). -
Introduction
Notes Introduction 1. I witnessed the demonstrations against Terrence McNally’s play, Corpus Christi, in 1999 at Edinburgh’s Bedlam Theatre, the home of the University’s student theatre company. But these protests were not taken seriously by any- one I knew: acknowledged as a nuisance, certainly, but also judged to be very good for publicity in the competitive Festival fringe. 2. At ‘How Was it for You? British Theatre Under Blair’, a conference held in London on 9 December 2007, the presentations of directors Nicholas Hytner, Emma Rice and Katie Mitchell, writers Mark Lawson, Kwame Kwei-Armah, Tanika Gupta and Mark Ravenhill, and actor and Equity Rep Malcolm Sinclair all included reflection upon issues of censorship, the policing of per- formance or indirect forms of constraint upon content. Ex-Culture Minister Tessa Jowell’s opening presentation also discussed censorship and the closure of Behzti. 3. Andrew Anthony, ‘Amsterdammed’, The Observer, 5 December 2004; Alastair Smart, ‘Where Angels Fear to Tread’, The Sunday Telegraph, 10 December 2006. 4. Christian Voice went on to organise protests at the theatre pro- duction’s West End venue and then throughout the country on a national tour. ‘Springer protests pour in to BBC’, BBC News, 6 January 2005, http://news.bbc.co.uk/1/hi/entertainment/tv_and_radio/4152433.stm [accessed 1 August 2007]. 5. Angelique Chrisafis, ‘Loyalist Paramilitaries Drive Playwright from His Home’, The Guardian, 21 December 2005. 6. ‘Tate “Misunderstood” Banned Work’, BBC News, 26 September 2005, http://news.bbc.co.uk/1/entertainment/arts/4281958.stm [accessed 1 August 2007]; for discussion of the Bristol Old Vic’s decision, see Ian Shuttleworth, ‘Prompt Corner’, Theatre Record, 25.23, 6 December 2005, pp. -
Roth's Graveyards, Narrative Desire, and "Professional Competition with Death"
CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 16 (2014) Issue 2 Article 2 Roth's Graveyards, Narrative Desire, and "Professional Competition with Death" Debra Shostak College of Wooster Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the American Studies Commons, Comparative Literature Commons, Education Commons, European Languages and Societies Commons, Feminist, Gender, and Sexuality Studies Commons, Other Arts and Humanities Commons, Other Film and Media Studies Commons, Reading and Language Commons, Rhetoric and Composition Commons, Social and Behavioral Sciences Commons, Television Commons, and the Theatre and Performance Studies Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Shostak, Debra.