John Updike, a Lyrical Writer of the Middle-Class More Article Man, Dies at 76 Get Urba
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Best Fiction 2015
From The New York Times Top .From The New York Times Top 100 *God Help the Child – Toni Morrison Preparation for the Next Life – Atticus Lish Child abuse cuts a jagged scar through Morrison’s novel, a Lish’s gorgeous, upsetting debut novel follows the doomed Ten of 2015 List of 2015 brisk modern-day fairy tale with shades of the Brothers love affair of a traumatized soldier and a Muslim immigrant. *The Door – Magda Szabo Grimm, and a blunt moral: What you do to children matters. Beatlebone – Kevin Barry *Purity – Jonathan Franzen In Szabo’s haunting novel, a writer’s intense relationship In razor-sharp prose, Barry’s novel imagines John Lennon in Harriet Wolf’s Seventh Book of Wonders – Connections emerge slowly as lies and secrets are revealed in with her servant — an older woman who veers from aloof 1978, on a journey through the west of Ireland in search of Julianna Baggott this intricately plotted novel about the corruptions of money indifference to inexplicable generosity to fervent, implacable his creative self, conversing with an Irish driver. The title character’s final novel has gone missing in this and power. rage — teaches her more about people and the world than her tenderhearted story about the legacy of loss. – Valeria -Luiselli long days spent alone, in front of her typewriter. This supple The Beautiful Bureaucrat – Helen Phillips *The Story of My Teeth translation shows how a story about two women in 20th- Hollow Land – Jane Gardam This playful collaborative novel invites reader participation. An administrative worker’s experiences pose existential century Hungary can resonate in a very different time and questions in Phillips’s riveting, drolly -surreal debut novel. -
British Fiction Today
Birkbeck ePrints: an open access repository of the research output of Birkbeck College http://eprints.bbk.ac.uk Brooker, Joseph (2006). The middle years of Martin Amis. In Rod Mengham and Philip Tew eds. British Fiction Today. London/New York: Continuum International Publishing Group Ltd., pp.3-14. This is an author-produced version of a paper published in British Fiction Today (ISBN 0826487319). This version has been peer-reviewed but does not include the final publisher proof corrections, published layout or pagination. All articles available through Birkbeck ePrints are protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Citation for this version: Brooker, Joseph (2006). The middle years of Martin Amis. London: Birkbeck ePrints. Available at: http://eprints.bbk.ac.uk/archive/00000437 Citation for the publisher’s version: Brooker, Joseph (2006). The middle years of Martin Amis. In Rod Mengham and Philip Tew eds. British Fiction Today. London/New York: Continuum International Publishing Group Ltd., pp.3-14. http://eprints.bbk.ac.uk Contact Birkbeck ePrints at [email protected] The Middle Years of Martin Amis Joseph Brooker Martin Amis (b.1949) was a fancied newcomer in the 1970s and a defining voice in the 1980s. He entered the 1990s as a leading player in British fiction; by his early forties, the young talent had grown into a dominant force. Following his debut The Rachel Papers (1973), he subsidised his fictional output through the 1970s with journalistic work, notably as literary editor at the New Statesman. -
If You Like My Ántonia, Check These Out!
If you like My Ántonia, check these out! This event is part of The Big Read, an initiative of the National Endowment for the Arts in partnership with the Institute of Museum and Library Services and Arts Midwest. Other Books by Cather About Willa Cather Alexander's Bridge (CAT) Willa Cather: The Emerging Voice Cather's first novel is a charming period piece, a love by Sharon O'Brien (920 CATHER, W.) story, and a fatalistic fable about a doomed love affair and the lives it destroys. Willa Cather: A Literary Life by James Leslie Woodress (920 CATHER, W.) Death Comes for the Archbishop (CAT) Cather's best-known novel recounts a life lived simply Willa Cather: The Writer and her World in the silence of the southwestern desert. by Janis P. Stout (920 CATHER, W.) A Lost Lady (CAT) Willa Cather: The Road is All This Cather classic depicts the encroachment of the (920 DVD CATHER, W.) civilization that supplanted the pioneer spirit of Nebraska's frontier. My Mortal Enemy (CAT) First published in 1926, this is Cather's sparest and most dramatic novel, a dark and oddly prescient portrait of a marriage that subverts our oldest notions about the nature of happiness and the sanctity of the hearth. One of Ours (CAT) Alienated from his parents and rejected by his wife, Claude Wheeler finally finds his destiny on the bloody battlefields of World War I. O Pioneers! (CAT) Willa Cather's second novel, a timeless tale of a strong pioneer woman facing great challenges, shines a light on the immigrant experience. -
Discussion Guide
ROSENBERG LIBRARY Additional Resources: This program, slideshow, and links below can be PROGRAM AGENDA found at Rosenberg Library www.rosenberg-library.org Spring 2015 April 8 · May 21 For additional web resources, please visit: 12:00 noon Welcome & Introductions http://www.vanityfair.com/culture/2014/07/goldfinch-donna-tartt- 12:00-12:20 Screening of Author Interview literary-criticism 12:20-1:00 Book Discussion http://www.latimes.com/entertainment/movies/moviesnow/la-et- mn-donna-tartt-goldfinch-warner-bros-pulitzer-20140728-story.html http://www.nationalgallery.org.uk/artists/carel-fabritius AUTHOR BIO Born in 1963, novelist Donna Tartt grew up in the small town of Grenada, Mississippi. Her love of literature was evident at an early age, with her first sonnet published at age thirteen. She enrolled the University of Mississippi in 1981, and made an immediate impression on her professors. Recognizing her talent, they encouraged her to transfer to the writing program at Bennington College, a liberal arts school in Vermont. It was there that she began writing her first novel, The Secret History. The book was published in 1992 and became an overnight sensation, making Tartt a literary celebrity at just 28 years old. Her second novel, The Little Friend, was published in 2002, and it too received critical acclaim. Tartt’s much-anticipated, 800- Rosenberg Library’s page third work, The Goldfinch, was released in 2013. It Museum Book Club provides a forum for received the 2013 National Book Critics Circle Award, the 2014 Andrew Carnegie Medal for Excellence in Fiction, and the discovery and discussion, linking literary 2014 Pulitzer Prize for Fiction. -
Author Tom Wolfe
University Events Office presents lecture by "The Right Stuff" author Tom Wolfe May 8, 1986 Tom Wolfe, the man who put La Jolla's Windansea on the map in 1968 when his "Pump House Gang" chronicled the life of the surfers who hung out around the beach's pump house, will speak on "The Novel in an Age of Nonfiction," at 8 p.m. Thursday, May 22, in the University of California, San Diego's Main Gymnasium. Wolfe's book, "The Right Stuff," published in 1979, is a pithy view of the first astronauts and the early days of the National Aeronautics and Space Administration's space program. "The Right Stuff" became a runaway best seller and won the American Book Award for general nonfiction. After his first book, "The Kandy Kolored Tangerine Flake Streamline Baby," Wolfe wrote "The Electric Kool- Aid Acid Test," a tale about LSD and a group of people who drove around the country in a multicolored bus calling themselves the Merry Pranksters; and "The Pump House Gang," all of which became undergraduate student bibles. In 1970, Wolfe published "Radical Chic and Mau-Mauing the Flak Catchers," a devastatingly funny portrayal of American political stances and social styles. In 1975, he published "The Painted Word," a humorous look at the world of modern art, which received a special citation from the National Sculpture Society. "Mauve Gloves and Madmen, Clutter and Vine," is a collection of essays which was published in 1976. In 1980, Wolfe published his first collection of drawings, entitled, "In Our Time." In 1981, he took a distinctive look at contemporary architecture in his book, "From Bauhaus to Our House." This work was followed by "The Purple Decades: A Reader." Wolfe grew up in Richmond, Virginia. -
Paradise Pursuit in John Updike's Works
ISSN 1923-1555[Print] Studies in Literature and Language ISSN 1923-1563[Online] Vol. 13, No. 3, 2016, pp. 53-58 www.cscanada.net DOI:10.3968/8867 www.cscanada.org Paradise Pursuit in John Updike’s Works LIU Qingzheng[a],[b],* [a]College of International Studies, Southwest University, Chongqing, However, what has been never changed in the human’s China. minds of humans is their expectation to find the lost [b]School of Foreign Language, Hezhou University, Hezhou, China. *Corresponding author. dreamy paradise with milk and honey which God has promised to keep for humans. Received 24 June 2016; accepted 13 August 2016 In his series of novels, Updike has been trying to find Published online 26 September 2016 a place that is similar to the original pure ideal place, and create the original natural state—Eden. The finding and Abstract reconstruction of the Garden of Eden are going throughout In the “Rabbit” series and The Centaur, the disappearance Updike’s entire novel writing, whether in his novels and of human ideal world and unpleasant work and daily life short stories, or novellas. In his writing, this belief, ideal are revealed from different angles by the author Updike, and life are in a poetic fusion, showing elegance and in which their protagonists have been always pursuing an harmony with a primitive pastoral atmosphere. On the one ideal, in order to get rid of the mediocrity and depression hand, it responds to people’s inner demands; on the other in their daily life. In this paper, the author discusses hand, it expresses the author’s dissatisfaction and criticism the thoughts and feelings towards the pursuit of human to the real society . -
Philip Roth's Confessional Narrators: the Growth of Consciousness
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1979 Philip Roth's Confessional Narrators: The Growth of Consciousness. Alexander George Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the English Language and Literature Commons Recommended Citation George, Alexander, "Philip Roth's Confessional Narrators: The Growth of Consciousness." (1979). Dissertations. 1823. https://ecommons.luc.edu/luc_diss/1823 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1979 Alexander George PHILIP ROTH'S CONFESSIONAL NARRATORS: THE GROWTH OF' CONSCIOUSNESS by Alexander George A Dissertation Submitted to the Faculty of the Graduate School of Loyola University of Chicago in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 1979 ACKNOWLEDGE~£NTS It is a singular pleasure to acknowledge the many debts of gratitude incurred in the writing of this dissertation. My warmest thanks go to my Director, Dr. Thomas Gorman, not only for his wise counsel and practical guidance, but espec~ally for his steadfast encouragement. I am also deeply indebted to Dr. Paul Messbarger for his careful reading and helpful criticism of each chapter as it was written. Thanks also must go to Father Gene Phillips, S.J., for the benefit of his time and consideration. I am also deeply grateful for the all-important moral support given me by my family and friends, especially Dr. -
B E N N I N G T O N W R I T I N G S E M I N A
MFAW PUBLIC SCHEDULE June 15–24, 2017 NOTE: Schedule subject to change All faculty, guest, and graduate lectures and readings will be held in Tishman Lecture Hall, unless otherwise indicated. All evening Faculty and Guest Readings will be held in the Deane Carriage Barn. Thursday, June 15 7:00 Faculty & Guest Readings: Kaitlyn Greenidge and Amy Hempel Friday, June 16 Graduate Readings 4:00 Alexander Benaim 4:20 Andrea Caswell 4:40 Michael Connor 7:00 Faculty & Guest Readings: Benjamin Anastas and Mark Wunderlich 8:00 Historical Presentation: Lynne Sharon Schwartz: “Historic Recordings of Great 20th Century American Authors Reading their Work.” Deane Carriage Barn Saturday, June 17 Graduate Lectures 8:20 Ashley Olsen: “50 Shades of Consent: Sexual Desire and Sexual Violence in Contemporary Short Stories.” This lecture will examine tests from contemporary female authors including Mary Gaitskill, Margaret Atwood, and Roxane Gay. 9:00 Katie Pryor: “Persona & Violence in Ai’s Cruelty & Iliana Rocha’s Karankawa.” Both of these poets use persona poems to explore violence. What is powerful about this poetic device? How does the persona poem involve the reader and interrogate our notions of self? We’ll explore the connections and differences between these poets and their first books. 9:40 Karen Rile: “The Bad Writing Competition: Introducing Narrative Distance to Undergraduates.” A technique-centered workshop that offers coordinated readings and prompts can help beginning writers focus on discrete, achievable goals. But demonstrating smooth narrative distance shifts presents a practical challenge in an undergraduate workshop setting. The Bad Writing Competition, or mastery through parody, is a deft solution—with some unexpected ancillary benefits. -
William Faulkner and George Washington Harris: Frontier Humor in the Snopes Trilogy
WILLIAM FAULKNER AND GEORGE WASHINGTON HARRIS: FRONTIER HUMOR IN THE SNOPES TRILOGY by Hugh M. Stilley B.A., University of Southern California, 196l A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of Engli sh We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA October, I964 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that per• mission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives,, It is understood that copying or publi• cation of this thesis for financial gain shall not be allowed without my written permission. Department of English The University of British Columbia Vancouver 8, Canada Date September 3. 1965. ABSTRACT The influence of the pre-Civil War Southwestern humorists on the work of William Faulkner has long been hypothesized. But it has received scant critical attention, much of it erroneous or so general as to be almost meaningless. While Faulkner's total vision is more than merely humorous, humor is a significant part of that vision. And the importance of frontier humor to Faulkner's art is further substantiated by the fact that many of his grotesque passages derive from ele• ments of this humor. Frontier humor flourished from I83O to I860, and while a large group of men then flooded American newspapers with contributions, it now survives in anthologies and the book- length collections of its most prominent writers — Augustus Baldwin Longstreet, Joseph Glover Baldwin, Johnson Jones Hooper, William Tappan Thompson, Thomas Bangs Thorpe, and George Washington Harris. -
The Depiction of Law in the Bonfire of the Vanities
University of Chicago Law School Chicago Unbound Journal Articles Faculty Scholarship 1988 The Depiction of Law in the Bonfire of the Vanities Richard A. Posner Follow this and additional works at: https://chicagounbound.uchicago.edu/journal_articles Part of the Law Commons Recommended Citation Richard A. Posner, "The Depiction of Law in the Bonfire of the Vanities," 98 Yale Law Journal 1653 (1988). This Article is brought to you for free and open access by the Faculty Scholarship at Chicago Unbound. It has been accepted for inclusion in Journal Articles by an authorized administrator of Chicago Unbound. For more information, please contact [email protected]. The Depiction of Law in The Bonfire of the Vanities Richard A. Posnert Tom Wolfe's best-selling novel, The Bonfire of the Vanities, first pub- lished in 1987 and recently reissued in paperback, illustrates an aspect of the interaction between law and literature not discussed in my recent book on the law and literature movement, and indeed rather neglected (but per- haps benignly) by the movement as a whole. This is the depiction of law in popular literature.1 The popularity of Wolfe's novel and the salience of law in it make it a natural subject for consideration in a symposium on the treatment of law in popular culture. And if, as I shall argue, The Bonfire of the Vanities is not an especially rewarding subject for the study of law in popular culture after all, this may serve as a warning against unwarranted expectations concerning how much we can learn about law from its representation in popular culture, or about popular culture from its representation of law, or even about popular understanding of law. -
Philip Roth, Henry Roth and the History of the Jews
CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 16 (2014) Issue 2 Article 9 Philip Roth, Henry Roth and the History of the Jews Timothy Parrish Florida State University Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the American Literature Commons, Comparative Literature Commons, Jewish Studies Commons, Modern Literature Commons, and the Other Arts and Humanities Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Parrish, Timothy. "Philip Roth, Henry Roth and the History of the Jews." CLCWeb: Comparative Literature and Culture 16.2 (2014): <https://doi.org/10.7771/1481-4374.2411> This text has been double-blind peer reviewed by 2+1 experts in the field. -
Chinese Scholars' Perspective on John Updike's "Rabbit Tetralogy"1
Linguistics and Literature Studies 8(1): 8-13, 2020 http://www.hrpub.org DOI: 10.13189/lls.2020.080102 Chinese Scholars' Perspective on John Updike's 1 "Rabbit Tetralogy" Zhao Cheng Foreign Languages Studies School, Soochow University, China Received Ocotber 15, 2019; Revised November 25, 2019; Accepted December 4, 2019 Copyright©2020 by authors, all rights reserved. Authors agree that this article remains permanently open access under the terms of the Creative Commons Attribution License 4.0 International License Abstract Updike's masterpiece, using skillful realism, most productive, and most awarded writers in the United succeeded in drawing a panoramic picture of the American States in the second half of the twentieth century. "Rabbit society from the 1950s to the early 1990s in the "Rabbit Tetralogy", Updike’s masterpiece, the core of the entire Tetralogy." Updike strives to reflect the changes in literary creation system of Updike, composed of "Rabbit contemporary American social culture for nearly half a Run" (1960), "Rabbit Redux" (1971), "Rabbit is Rich" century from the "rabbit" Harry, the everyman of the (1981), and "Rabbit at Rest" (1991), represents the highest American society and the life experiences of his ordinary achievement of the writer’s novel creation. In famil y. "Rabbit Tetralogy" truly reflects the living contemporary American literature, the publication of conditions of the contradictions of contemporary Rabbit Tetralogy is considered as a landmark event, and Americans: endless pursuit of free life or independent self Updike’s character "Rabbit" Harry, one of the "most and the embarrassment and helplessness of it; the confusing literary figures in traditional American customary life and hedonism under the traditional values, literature", has become a classic figure in contemporary the intense collision of self-indulgent lifestyles inspired by American literature.