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Malamud Release 2013
FOR IMMEDIATE RELEASE PRESS CONTACT: Wednesday, April 3, 2013 Peter Eramo, (202) 675-0344, [email protected] Emma Snyder, (202) 898-9061, [email protected] George Saunders to receive 2013 PEN/Malamud Award for Excellence in the Short Story Washington, D.C.—George Saunders has been selected to receive the 2013 PEN/Malamud Award. Given annually since 1988 in honor of the late Bernard Malamud, this award recognizes a body of work that demonstrates excellence in the art of short fiction. The announcement was made today by the directors of the PEN/Faulkner Foundation, Robert Stone and Susan Richards Shreve, Co-Chairs. George Saunders is an acclaimed essayist and author of novellas, but he is best known for his energetic, inventive, and deeply humane short stories. In the words of Alan Cheuse, a member of the Malamud Award Committee, “Saunders is one of the most gifted and seriously successful comic short story writers working in America today. And his comedy, like most great comedy, is dark. George Saunders is the real thing, the successor to such dark comedians of ordinary speech as Donald Barthelme and Grace Paley. He's a Vonnegutian in his soul and, paradoxically, a writer like no one but himself.” This singular writing voice is equal parts hilarious and compassionate, merging colloquial language with technocratic jargon, surreal futuristic landscapes with everyday homes and yards, foreboding undercurrents with sparks of enormous optimism. The first of Saunders’s four published story collections, CivilWarLand in Bad Decline, arrived in 1996 and moved Thomas Pynchon to describe Saunders as, “An astoundingly tuned voice—graceful, dark, authentic, and funny—telling just the kinds of stories we need to get us through these times.” His most recent collection, Tenth of December, was published to near universal acclaim in January of 2013 and inspired a New York Times Magazine cover story titled, “George Saunders Has Written the Best Book You’ll Read This Year.” Charles Yu, reviewing it in the L.A. -
Daniel Green
DANIEL GREEN 2 TABLE OF CONTENTS RADICAL REALISTS “Like Life: Radical Realism and the Fiction of Sam Pink” (5) “Reinforcing Hard Reality: Stephen Dixon” (14) “Sincerity and the Surface: On Nicholson Baker” (19) “Not Somewhere or Anywhere” (Ottessa Moshfegh) (26) “Entering Cross River” (Rion Amilcar Scott) (30) “Contextualized Naturalism: The Artfulness of Russell Banks's Affliction” (36) “Sleights of Hand” (Philip Roth) (46) REGRESSIVE REALISTS “Richard Powers I: Forsaking Illusions” (50) “Lost in the Woods: Richard Powers, The Overstory” (58) “Safely Familiar” (Denis Johnson) (63) “Getting At The Thing Itself” (Kent Haruf” (66) “Endless Talk” (Richard Ford) (71) “Killing the Joke” (Lorrie Moore) (80) “Until the Movie Comes Out” (Richard Russo) (84) “Illusions of Substance” (Charles Baxter) (89) 3 PREFACE The underlying assumption of most of my critical writing has been that, far from representing a tangential, eccentric practice (as much of current literary culture would have it), “experimental” fiction in fact provides an indispensable service in helping to keep the literary resources of fiction refreshed. Often this entails contrasting such fiction with a conventionalized or exhausted realism, which despite the interventions of fabulists and postmodernists (not to mention the efforts of many genre writers) remains more or less the default preference in both American fiction and general-interest literary criticism. But the problem with a blanket critique of realism, especially from the years after World War II, and even more especially -
John Updike, a Lyrical Writer of the Middle-Class More Article Man, Dies at 76 Get Urba
LIKE RABBITS Welcome to TimesPeople TimesPeople Lets You Share and Discover the Bes Get Started HOME PAGE TODAY'S PAPER VIDEO MOST POPULAR TIMES TOPICS Books WORLD U.S. N.Y. / REGION BUSINESS TECHNOLOGY SCIENCE HEALTH SPORTS OPINION ARTS STYL ART & DESIGN BOOKS Sunday Book Review Best Sellers First Chapters DANCE MOVIES MUSIC John Updike, a Lyrical Writer of the Middle-Class More Article Man, Dies at 76 Get Urba By CHRISTOPHER LEHMANN-HAUPT Sig Published: January 28, 2009 wee SIGN IN TO den RECOMMEND John Updike, the kaleidoscopically gifted writer whose quartet of Cha Rabbit novels highlighted a body of fiction, verse, essays and criticism COMMENTS so vast, protean and lyrical as to place him in the first rank of E-MAIL Ads by Go American authors, died on Tuesday in Danvers, Mass. He was 76 and SEND TO PHONE Emmetsb Commerci lived in Beverly Farms, Mass. PRINT www.Emme REPRINTS U.S. Trus For A New SHARE Us Directly USTrust.Ba Lanco Hi 3BHK, 4BH Living! www.lancoh MOST POPUL E-MAILED 1 of 11 © 2009 John Zimmerman. All rights reserved. 7/9/2009 10:55 PM LIKE RABBITS 1. Month Dignit 2. Well: 3. GLOB 4. IPhon 5. Maure 6. State o One B 7. Gail C 8. A Run Meani 9. Happy 10. Books W. Earl Snyder Natur John Updike in the early 1960s, in a photograph from his publisher for the release of “Pigeon Feathers.” More Go to Comp Photos » Multimedia John Updike Dies at 76 A star ALSO IN BU The dark Who is th ADVERTISEM John Updike: A Life in Letters Related An Appraisal: A Relentless Updike Mapped America’s Mysteries (January 28, 2009) 2 of 11 © 2009 John Zimmerman. -
University of Alberta of Primary & Secondary Materials, I948-2007
267 Books in Review I Comptes rendus photographs of first editions. Many of them are luscious and highly evocative, soft-core pornography for bibliophiles to which I am not immune even though I have no special interest in dust jackets of the 1930s and 40s. And in fact I will be quite happy to have a copy of this book in my library, just as I would a picture-book of vintage baseball cards or comic books unaccompanied by very much in the way of analytical text. As eye-candy it is great; as a work of scholarly interest, not so much. WILLIAM BEARD University ofAlberta Jack De Bellis and Michael Broomfield. john Updike: A Bibliography ofPrimary & Secondary Materials, I948-2007. New Castle, DE: Oak Knoll Press, 2007. 624 pp.; US $195.00 ISBN 9781584561958 John Updike's prolificacy is no secret. In addition to nearly sixty books issued by Knopf, he has published scores oflimited editions and broadsides, and his stories, poems, essays, speeches and reviews have appeared in hundreds of periodicals. When I last visited Harvard's Houghton Library, where his papers are stored, the librarian told me that Updike's collection of personal papers was among that library's largest. Although no surprise, keep in mind that the Houghton holds the papers of many major figures in American literature and history. Funher, in the twelve years since that visit, Updike has undoubtedly deposited dozens of additional cartons filled with books, manuscripts, notes, diagrams and correspondence, increasing the size of his collection considerably. Given this unusually abundant creative outpouring, the task of keeping up with Updike's oeuvre is nearly a full-time job requiring a thoroughly dedicated bibliographer. -
Let Me Be Frank with You Richard Ford
BIBLIOTECA TECLA SALA February 15, 2018 Let Me Be Frank With You Richard Ford Introduction A brilliant new work that returns Richard Ford to the hallowed territory that sealed his reputation as an American master: the world of Frank Bascombe, and the landscape of his celebrated novels The Sportswriter, the Pulitzer Prize and PEN/Faulkner winning Independence Day, and The Lay of the Land. In his trio of world-acclaimed novels portraying the life of an entire American generation, Richard Ford has imagined one of the most indelible and widely discussed characters in modern literature, Frank Bascombe. Through Bascombe—protean, funny, profane, wise, often inappropriate—we’ve witnessed the aspirations, sorrows, longings, achievements and failings of an American life in the twilight of the twentieth century. Contents: Now, in Let Me Be Frank with You, Ford reinvents Introduction 1 Bascombe in the aftermath of Hurricane Sandy. In four richly luminous narratives, Bascombe (and Ford) Biography: Richard 2 attempts to reconcile, interpret and console a world Ford undone by calamity. It is a moving and wondrous and extremely funny odyssey through the America we live Living with Frank 3-5 in at this moment. Ford is here again working with the Bascombe: an maturity and brilliance of a writer at the absolute interview with height of his powers. Richard Ford [https://www.harpercollins.com/9780061692062/let- Notes 6 me-be-frank-with-you] Page 2 Biography: Richard Ford Richard Ford, (born February 16, the novellas comprisedin Let Me 1944, Jackson, Mississippi, U.S.), Be Frank with You (2014). American writer of novels and short stories about lonely and In Wildlife (1990) Ford depicted a damaged people. -
Jim Rockford Or Tony Soprano: Coastal Contrasts in American Suburbia
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by PDXScholar Portland State University PDXScholar Urban Studies and Planning Faculty Publications Nohad A. Toulan School of Urban Studies and and Presentations Planning 2-2014 Jim Rockford or Tony Soprano: Coastal Contrasts in American Suburbia Carl Abbott Portland State University, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://pdxscholar.library.pdx.edu/usp_fac Part of the American Popular Culture Commons, and the Urban Studies and Planning Commons Citation Details Abbott, C. (2014). Jim Rockford or Tony Soprano: Coastal Contrasts in American Suburbia. Pacific iH storical Review, Vol. 83, No. 1, pp. 1-23. This Article is brought to you for free and open access. It has been accepted for inclusion in Urban Studies and Planning Faculty Publications and Presentations by an authorized administrator of PDXScholar. For more information, please contact [email protected]. Jim Rockford or Tony Soprano: Coastal Contrasts in American Suburbia CARL ABBOTT The author taught urban history and planning in the Toulan School of Urban Studies and Planning at Portland State University. This was his presidential address at the annual meeting of the Pacific Coast Branch, American Historical Association, in Denver, Colorado, on August 10, 2013. Both in television shows such as The Rockford Files and The Sopranos and in the fiction of writers such as John Updike, Richard Ford, and Douglas Coupland, popular culture draws a distinction between Atlantic Coast and Pacific Coast suburbs. The dif- ferences revolve around two themes. -
Addition to Summer Letter
May 2020 Dear Student, You are enrolled in Advanced Placement English Literature and Composition for the coming school year. Bowling Green High School has offered this course since 1983. I thought that I would tell you a little bit about the course and what will be expected of you. Please share this letter with your parents or guardians. A.P. Literature and Composition is a year-long class that is taught on a college freshman level. This means that we will read college level texts—often from college anthologies—and we will deal with other materials generally taught in college. You should be advised that some of these texts are sophisticated and contain mature themes and/or advanced levels of difficulty. In this class we will concentrate on refining reading, writing, and critical analysis skills, as well as personal reactions to literature. A.P. Literature is not a survey course or a history of literature course so instead of studying English and world literature chronologically, we will be studying a mix of classic and contemporary pieces of fiction from all eras and from diverse cultures. This gives us an opportunity to develop more than a superficial understanding of literary works and their ideas. Writing is at the heart of this A.P. course, so you will write often in journals, in both personal and researched essays, and in creative responses. You will need to revise your writing. I have found that even good students—like you—need to refine, mature, and improve their writing skills. You will have to work diligently at revising major essays. -
JOHN UPDIKE First Editions from the Library of Theodore Vrettos
C L O U D S H I L L B O O K S P.O. Box 1004 • VILLAGE STATION • NEW YORK, NY 10014 212-414-4432 • [email protected] JOHN UPDIKE First Editions from the Library of Theodore Vrettos 1. RABBIT, RUN. New York: Alfred A. Knopf, 1961. First Edition, fourth printing in dust jacket. This copy has been inscribed by Updike to Theodore Vrettos and his wife Vassille on the front free endpaper: “For Ted & Vas / Good wishes / John Updike.” The inscription has been written beneath the ownership bookplate of Theodore and Vassille Vrettos. Foxed at the fore-edges, else a very good copy in a foxed and rubbed, very good jacket. $125 2. COUPLES. New York: Alfred A. Knopf, 1968. First Edition, later printing in dust jacket This copy has been inscribed by Updike to Theodore Vrettos and his wife Vassille on the front free endpaper: “For Ted & Vas / much affection / John.” With Theodore Vrettos’s ink ownership signature also on the front free endpaper above Updike’s inscription. Foxed at the fore-edges, else a very good copy in a like jacket. $75 3. BECH: A BOOK. New York: Alfred A. Knopf, 1970. First Edition, fifth printing in dust jacket. This copy has been inscribed by Updike to Vassille Vrettos on the front free endpaper: “For Vas / May you become / like Henry Bech / John Updike.” Foxed, else a very good copy in a like jacket. $50 4. RABBIT REDUX. New York: Alfred A. Knopf, 1971. First Edition, third printing in dust jacket. This copy has been inscribed by Updike to Theodore Vrettos and his wife Vassille on the front free endpaper: “For Ted and Vas / keep swinging / John.” Foxed, else a very good or better copy in a like, price-clipped jacket. -
A Word from the Editor
JAMES SCHIFF A Word from the Editor It’s been five years since our first issue appeared in November 2011, which calls for modest celebration, some self-examination, and thoughts on where we’re headed. From the beginning, the objective of the John Updike Review has been, sim- ply, to provide a space where those interested in writing about John Updike can participate in discussion. In five years we have released eight issues, containing thirty-six essays, fifteen critical responses to five works of fiction (“Leaves,” “Ges- turing,” “Trust Me,” The Widows of Eastwick, and Villages), twelve book reviews, two tributes, one panel discussion, and one bibliography—sixty-seven pieces in all, excluding the three reprinted short stories. A respectable start. Though the novels, particularly the Rabbit novels, have historically garnered the lion’s share of attention in Updike studies, in our pages the short stories have drawn the most interest: ten essays, nine responses in the “Three Writers” section, and two reviews, which comes to twenty-one pieces, nearly a third of our offerings. This is good news. Many have argued that the short story is Updike’s strongest suit, a genre in which he has few rivals, so this focus is gratifying, especially given how often short fiction is neglected. As for the novels discussed in theJUR , attention has been spread rather evenly, with the Rabbit books holding a slight edge over Couples, In the Beauty of the Lilies, Toward the End of Time, Gertrude and Claudius, and Villages. I’m hesitant, though, to read much significance here—one or two new essays could alter these preliminary findings. -
The Concept of Space in John Updike's Rabbit Tetralogy And
“Location Is Everything”: The Concept of Space in John Updike’s Rabbit Tetralogy and Richard Ford’s Bascombe Trilogy Dissertation zur Erlangung des akademischen Grades eines Doktors der Philosophie der Philosophischen Fakultäten der Universität des Saarlandes vorgelegt von Katja KohlerGolly aus Ottweiler Saarbrücken, 2014 Der Dekan: Herr Univ.‐Prof. Dr. P. Riemer Berichterstatter/in: Frau Univ.‐Prof. Dr. A. Fellner, Herr Univ.‐Prof. Dr. P. Morris Tag der letzten Prüfungsleistung: 11.06.2014 To Jörg and Max Table of Contents List of Titles and Their Abbreviations..........................................................................................vi Acknowledgments...........................................................................................................................vii 1. Introduction...........................................................................................................1 1.1. “Location Is Everything”..................................................................................................................1 1.2. Critical Reception ..............................................................................................................................7 1.2.1. Updike ...............................................................................................................................................................7 1.2.2. Ford ....................................................................................................................................................................9 -
Ambivalence in the Fiction of Jonathan Franzen and Amitav Ghosh
Durham E-Theses The View from Somewhere: Ambivalence in The Fiction of Jonathan Franzen and Amitav Ghosh CHOU, MEGUMI,GRACE How to cite: CHOU, MEGUMI,GRACE (2019) The View from Somewhere: Ambivalence in The Fiction of Jonathan Franzen and Amitav Ghosh, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/13619/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 The View from Somewhere: Ambivalence in The Fiction of Jonathan Franzen and Amitav Ghosh Megumi Grace Chou Submitted for: M.A. by Research Department of English Studies, University of Durham November 2019 Thesis Abstract This thesis seeks to understand experiential ambivalence in the later works of American novelist Jonathan Franzen (1959-) and Indian writer of English Amitav Ghosh (1956-). Both authors note that there is an uncertainty and resistance inherent to our experience of the world, as rooted in contested notions of the past. -
Boyd-Quinson Mainstage July 18–August 3, 2019
AND Sydelle and Lee Blatt PRESENT BY Mark St. Germain BASED ON THE NOVEL BY John Updike FEATURING Elijah Alexander Nick LaMedica Kate MacCluggage Douglas Rees Rocco Sisto Mary Stout Greg Thornton SCENIC DESIGNER COSTUME DESIGNER LIGHTING DESIGNER COMPOSER SOUND DESIGNER Lee Savage Sara Jean Tosetti David Lander Jenny Giering Lindsay Jones WIG DESIGNER PUPPET DESIGNER CHOREOGRAPHY PRODUCTION STAGE MANAGER Anne Ford-Coates Brandon Hardy Barbara Allen Geoff Boronda CASTING PRESS REPRESENTATIVE DIGITAL ADVERTISING Pat McCorkle, Katja Zarolinski, CSA Charlie Siedenburg The Pekoe Group DIRECTED BY Julianne Boyd SPONSORED IN PART BY Hildi and Walter Black & Susan and David Lombard World premiere commissioned and produced by Orlando Shakespeare Theater in Partnership with UCF Artistic Director Jim Helsinger, Managing Director PJ Albert Funding generously provided by Rita and John Lowndes Gertrude and Claudius was workshopped at the Utah Shakespeare Festival in August 2018, as part of its Words Cubed new play development series. BOYD-QUINSON MAINSTAGE JULY 18–AUGUST 3, 2019 TIME ACT I: Late Medieval, spanning a period of 18 years ACT II: Early Renaissance, 12 years later PLACE Elsinore, Denmark CAST IN ORDER OF APPEARANCE Gertrude ...................................................................................... Kate MacCluggage* King Rorik ........................................................................................... Greg Thornton* King Amleth .........................................................................................Douglas