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Profiles in Style
PROFILES IN STYLE spring fashion issue Collection RALPHLAURENCOLLECTION.COM 888.475.7674 FLÂNEUR FOREVER 1-800-441-4488 Hermes.com CHANEL BOUTIQUES 800.550.0005 chanel.com ©2015 CHANEL®, Inc. B® Reine de Naples Collection in every woman is a queen BREGUET BOUTIQUES – NEW YORK 646 692-6469 – BEVERLY HILLS 310 860-9911 BAL HARBOUR 305 866-1061 – LAS VEGAS 702 733-7435 – TOLL FREE 877-891-1272 – WWW.BREGUET.COM CAROLINAHERRERA.COM 888.530.7660 © 2015 Estée Lauder Inc. DRIVEN BY DESIRE esteelauder.com NEW. PURE COLOR ENVY SHINE Sculpt. Hydrate. Illuminate. On Carolyn: Empowered NEW ORIGINAL HIGH-IMPACT CREME AND NEW SHINE FINISH BALENCIAGA.COM 870 MADISON AVENUE NEW YORK MAXMARA.COM 1.866.MAX MARA BOUTIQUES 1-888-782-6357 OSCARDELARENTA.COM H® AC CO 5 01 ©2 Coach Dreamers Chloë Grace Moretz/ Actress Coach Swagger 27 in patchwork floral Fluff Jacket in pink coach.com Advertisement EVENTS HOLIDAY LUNCH NewYOrk,NY|12.1.14 On Monday,December 1, WSJ. Magazine hosted its annual holiday luncheon at Le Bernardin Privé in New York. The event welcomed WSJ. Magazine’seditorial and advertising partners and celebrated their 2014 collaborations. Publisher Anthony Cenname toasted WSJ. Mag’sstrongest year in history and stirred excitement about the new year ahead. Photos by Kelly Taub/BFAnyc.com Robert Chavez, Heather Vandenberghe, Shauna Brook Frank Furlan, Rosita Wheeler, Lynn Reid Brad Nelson, Tate Magner Colleen Caslin, Anthony Cenname Jon Spring, Arwa Al Shehhi Desiree Gallas Sandeep Dasgupta, Kevin Dailey Alberto Apodaca, Julia Erdman Jenny Oh, Dana Drehwing, Maria Canale Kevin Harter, Jason Weisenfeld, Vira Capeci Follow @WSJnoted or visit us at wsjnoted.com ©2015Dow Jones &Company,InC.all RIghts ReseRveD.6ao1412 ART DIR: PAUL MARCIANO PH: DAVID BELLEMERE GUESS?©2015 women’s style march 2015 54 EDITOR’S LETTER 58 ON THE COVER 60 CONTRIBUTORS 62 COLUMNISTS on Ambition 65 THE WSJ. -
Mise En Page 1
REPRESENTATION EVENT S MARKETING ACADEMIES MEDIA CONSULTING REPRESENTATION ACADEMIES EVENTS MEDIA MARKETING CONSULTING A WORLDWIDE LEADER IN THE MEDIA INDUSTRY, LAGARDÈRE IS COMMITTED TO GROWING ITS SPORTS AND ENTERTAINMENT BUSINESS THROUGH LAGARDÈRE UNLIMITED LEVERAGING COMPLEMENTARITY MEDIA AT THE HEART OF THE OFFER Lagardère Unlimited innovates and leverages the comple - By placing the media at the heart of image management, mentarity between six universes: representation of promi - Lagardère Unlimited offers athletes and artists a new way to nent artists and athletes, management of sports academies, build their own brand personalities and develop their careers. events planning and logistics, management of medias, mar - keting and consulting. A PERSONALIZED APPROACH Lagardère Unlimited differentiates itself through a qualita - SPORTS AND ENTERTAINMENT tive approach to client relationships, remaining in touch on Originally specialized in sports talent management, Lagar - a daily basis, thanks to a responsive organization that puts dère Unlimited has rapidly opened its books to all types of people first. creative and artistic talent with one common denominator: the sharing of emotion. AN INTERNATIONAL DIMENSION Already representing more than 350 high-profile clients UNIQUE EXPERTISE from 30 countries as well as 20 global events, 1 academy Lagardère Unlimited offers its clients a comprehensive in Paris and 1 partnership with another in Florida, Lagar - range of integrated services to meet the every need of: dère Unlimited’s goal is to quickly become a key interna - THE INDIVIDUAL ATHLETE from training through to the ne - tional player. gotiation of sponsorship contracts as well as image mana - Founded in Paris, the company also has offices located all gement during tournaments; over the world including New York, London, Los Angeles ORGANIZATIONS, CLUBS OR MANAGEMENT COMPANIES by and Miami in order to remain close to athletes, artists, en - providing them with the facilities to get buyers for adver - tertainers and related professionals in their fields. -
Instituto Tecnológico Y De Estudios Superiores De Occidente
INSTITUTO TECNOLÓGICO Y DE ESTUDIOS SUPERIORES DE OCCIDENTE Reconocimiento de validez oficial de estudios de nivel superior según acuerdo secretarial 15018, publicado en el Diario Oficial de la Federación el 29 de noviembre de 1976. Departamento de Estudios Socioculturales MAESTRÍA EN COMUNICACIÓN DE LA CIENCIA Y LA CULTURA La mexicanidad en Vogue. Una aproximación discursiva a la configuración de identidades culturales. Proyecto de investigación – Coloquio Otoño 2018 Maestría en Comunicación de la Ciencia y la Cultura Presenta Sandra Patricia Silva Aguilar Dirección de tesis: Mtro. Carlos Eduardo Luna Cortés San Pedro Tlaquepaque, Jalisco. 20 de noviembre de 2018 Índice Introducción ····· 01 Contexto ····· 04 Marco teórico-metodológico ····· 07 Tabla de coherencia metodológica ····· 14 Resultados ····· 15 Conclusiones ···· 21 Bibliografía ····· 22 ANEXOS Introducción Pareciera que antes, cuando mis abuelos eran jóvenes por ejemplo -mediados del siglo XX- todo era más sencillo, o al menos así lo contaban ellos. Decían que en México había trabajo para todos, se comía mejor que ahora, más saludable, los políticos siempre corruptos pero menos de como son hoy, la gente era más amable y menos maliciosa “dormíamos con la puerta abierta y a pierna tirante, porque no estábamos asustados como ahora” decía mi abuela, no había la necesidad de irse a otros países a buscar mejores oportunidades porque en México se vivía bien, y éste era el argumento central de su queja. Mi abuela estaba renegando porque yo me había casado con un turco y creía que me podía ir en cualquier momento “al otro lado del mundo” donde no hay cocos ni palmeras en cada esquina como en Colima, “allá hace mucho frío y no hay mangos, ni pepinos, tan ricos que son” me decía, y yo le contestaba “abue, hay muchísimos pepinos”, “¡ya ves!, ¿a quién le gusta el pepino? Guácala, a mí no” se contradecía. -
GENERAL MEETING DOCUMENT on 27 April 2010
LAGARDÈRE SCA A French limited partnership with shares with capital of €799,913,044.60 Head office: 4, rue de Presbourg - Paris 16th (75) Commercial Register 320 366 446 R.C.S. Paris GENERAL MEETING DOCUMENT ON 27 ApRIL 2010 This English version has been prepared for the convenience of English language readers. It is a translation of the original French Document d’Assemblée Générale prepared for the Annual General Meeting. It is intended for general information only and in case of doubt the French original shall prevail. GENERAL MEETING DOCUMENT 2009 SUMMARY Chapter 1 Agenda _____________________________________________ 4 Chapter 2 Message from the Managing Partners _____________________ 6 Chapter 3 Reports of the Managing Partners ________________________ 8 3.1 Management Report of the Managing Partners _____________ 9 3.1.1 Statement of results and activities for 2009 ___________ 10 3.1.2 Presentation of the resolutions ____________________ 26 Annex I - Results of the last five financial years _________________ 28 II - Delegations of authority and powers of attorney voted by the Shareholders’ Meeting to the Managing Partners for capital increases _____________________________ 29 3.2 Special report of the Managing Partners on share subscription and purchase options ______________________________ 30 3.3 Special report by the Managing Partners on the allocation of free shares _______________________ 32 Chapter 4 Reports of the Supervisory Board and its Chairman __________ 34 4.1 Report of the Supervisory Board _______________________ 35 -
2010 First-Half Results August 26, 2010 Disclaimer 2010 First-Half Results
2010 First-Half Results August 26, 2010 Disclaimer 2010 First-Half Results Certain of the statements contained in this document are not historical facts but rather are statements of future expectations and other forward-looking statements that are based on management’s beliefs. These statements reflect such views and assumptions as of the date of the statements and involve known and unknown risks and uncertainties that could cause future results, performance or future events to differ materially from those expressed or implied in such statements. • When used in this document, words such as “anticipate”, “believe”, “estimate”, “expect”, “may”, “intend” and “plan” are intended to identify forward-looking statements which address our vision of expected future business and financial performance. Such forward-looking statements include, without limitation, projections for improvements in process and operations, revenues and operating margin growth, cash flow, performance, new products and services, current and future markets for products and services and other trend projections as well as new business opportunities. • These forward-looking statements are based upon a number of assumptions which are subject to uncertainty and trends that may differ materially from future results, depending on a variety of factors including without limitation: • General economic and labor conditions, including in particular economic conditions in Europe and North America • Legal, financial and governmental risks (including, without limitation, certain market risks) related to the businesses • Certain risks related to the media industry (including, without limitation, technological risks) • The cyclical nature of some of the businesses. • Please refer to the most recent Reference Document (Document de référence) filed by Lagardère SCA with the French Autorité des marchés financiers for additional information in relation to such factors, risks and uncertainties. -
Art of Success Magazine
Art of Success magazine 1 Art of Success magazine Art of Success magazine Art of Success рекомендует! Праздники и События ЯНВАРЯ, благодаря которым вы напомните своим клиентам о своем бизнесе. } 3 Января День соломинки Декабрьский номер журнала о рекламе, дизайне и брендинге 11 Января от компании Art of Success Всемирный день «СПАСибо» журнал выходит ежемесячно Constantine Pankin Главный Редактор Nina Gorina Технический Редактор издатели: 21 Января Art of Success PhotoModel Международный день vvv Права на публикуемые материалы объятий Принадлежат компании Art of Success California | US +1 760-782-7005 [email protected] [email protected] 14 Января vvv СтАРый Условия перепечатки материалов с сайтов www.successpins.com НоВый гоД и www.photomodelportfolio.com Перепечатка и распространение в любом виде в интернете, на веб-страницах и на веб-сайтах материалов компании Art of Success разрешено только при выполнении следующих правил: При перепечатке статей в газетах и журналах обязательно указание первоисточника При перепечатке в интернете обязательно указать прямую активную гиперссылку на сайты компании - ссылка должна быть четко видна пользователям; - ссылка не должна быть закрыта от индексирования поисковыми системами; - ссылка должна находиться неотрывно от перепечатываемого текста и указываться на каждой странице Каждый Праздник, Каждое Событие, 25 Января перепечатываемого текста, если текст разбивается постранично. Ваша фирма или Вы лично, можете использовать с максимальной День студентов Имя, фамилия автора статьи должны -
Couture Fall 2016 President of Customer Growth Partners
DAILY EDITION 6 JULY 2016 1 No Fireworks All-Star Cast New York-Bound Business at fashion retailers Calvin Klein is launching Akris will hold its spring and department stores over a digital-led campaign 2017 show during New York the Fourth of July weekend featuring Kate Moss, Margot Fashion Week in September. was a definite fizzle. PAGE 3 Robbie, Bella Hadid, Grace PAGE 13 Coddington and more. PAGE 14 Fashion. Beauty. Business. FASHION Première Class The atelier came to the runway at Chanel’s fall couture show. Karl Lagerfeld paid tribute to the premières and seamstresses who make his designs a reality — presenting them at work onstage at the Grand Palais as his models strode past in looks that included his chic new pantsuit, a lean jacket over wide cropped pants. For more on couture, see pages 4 to 10. Couture Fall 2016 Photograph by Stéphane Feugère Stéphane by Photograph 6 JULY 2016 3 RETAIL semiannual sale appeared more muted after running for nearly a month. Retailers’ Fourth of July Most retailers were “modestly more promotional” TOP 5 year-over-year as they cleared through leftover summer product to make room for fall merchandise, Weekend: No Firecracker Konik added. TRENDING Jan Rogers Kniffen, chief executive officer of the ON WWD.COM ● Retailers for the most part but at least they won’t get crushed on the profitabil- consulting firm that bears his name, said June was didn’t see as much of a traffic ity. We didn’t see that in Q1.” the best month in a long time, and that the Fourth of Amazon is more of a factor than ever, particularly July weekend was a little more promotional than last lift as Memorial Day weekend. -
Ilor! După El Vin Ulterior Mulți Alții, Se Spune Că Acesta Și-A Târât Piciorul
Nr. 754 2929 octombrie,octombrie, 20142014 AtunciLa când unPu[c~rie, om important merge pe un drum nou șiBandi]ilor! după el vin ulterior mulți alții, se spune că acesta și-a târât piciorul. Se vede că Adrian Năstase, cu vreo 3 - 4 ani în urmă, a apăsat bine cu piciorul în pământ. Din Sumar Este halucinant ce se descoperă, ce a fost și mai este azi în Româ- nia. De necrezut cum, în ultimul timp, ies la iveală atât de mulți și de mari nemernici ai neamului nostru. Cum este posibil să târguiești și să primești mită de milioane și zeci de milioane de euro, furați in- direct de la cei din jurul tău care rabdă de foame și de frig? Tu, • Furtul de pe piața șpăgarule, tu, megașpăgarule, te-ai gândit vreodată că, furând sumele • enorme și cheltuindu-le pe plăcerile tale, ai contribuit și la rușinea nea- mului și țării tale? În mare parte, datorită ție, România se află la coada datelor personale ..... PG. 3 Europei... Știi tu, ticălosule, că prin ce ai făcut, pe noi, românii plecați de acasă, ne- ai determinat să spunem cu o jumătate de gură că suntem români? Trăim azi printre străini datorită ție și altor mizerabili ca tine. Să-ți fie rușine, hoțule! Dar ție nu-ți este •• Creşterea majoră a pentru că, la fel ca tine, sunt prea multe hiene și de aceea lumea nu mai poate reține numele și pozele voastre de pe televizor și din ziare. V-am văzut la televizor cum, înainte de a fi aleși sau numiți pe locul nemeritat, stăteați smeriți și vă taxelor în 2015 ............. -
2010 Full-Year Results March 9, 2011 2010 Full-Year Results
2010 Full-Year Results March 9, 2011 2010 Full-Year Results Contents Key figures ………………………….…..pages 4 to 6 Financial indicators by division……......pages 7 to 24 Summary financial information ….…….pages 25 to 33 Appendices ………..…………………….pages 34 to 44 Significant events ……………………….pages 45 to 75 March 9, 2011 2 Disclaimer Certain of the statements contained in this document are not historical facts but rather are statements of future expectations and other forward-looking statements that are based on management’s beliefs. These statements reflect such views and assumptions as of the date of the statements and involve known and unknown risks and uncertainties that could cause future results, performance or future events to differ materially from those expressed or implied in such statements. • When used in this document, words such as “anticipate”, “believe”, “estimate”, “expect”, “may”, “intend” and “plan” are intended to identify forward-looking statements which address our vision of expected future business and financial performance. Such forward-looking statements include, without limitation, projections for improvements in process and operations, revenues and operating margin growth, cash flow, performance, new products and services, current and future markets for products and services and other trend projections as well as new business opportunities. • These forward-looking statements are based upon a number of assumptions which are subject to uncertainty and trends that may differ materially from future results, depending on a variety of factors including without limitation: • general economic and labor conditions, including in particular economic conditions in Europe and North America; • legal, financial and governmental risks (including, without limitation, certain market risks) related to the businesses; • certain risks related to the media industry (including, without limitation, technological risks); • the cyclical nature of some of the businesses. -
LE MONDE/PAGES<UNE>
www.lemonde.fr 58e ANNÉE – Nº 17993 – 1,20 ¤ – FRANCE MÉTROPOLITAINE --- SAMEDI 30 NOVEMBRE 2002 FONDATEUR : HUBERT BEUVE-MÉRY – DIRECTEUR : JEAN-MARIE COLOMBANI Alain Gomez Israël redoute de devenir accusé d’avoir organisé un complot la cible principale d’Al-Qaida contre Matra ISRAËL est sous le choc après les f ALAIN GOMEZ, PDG du grou- deux attentats survenus au Kenya, Les attaques pe Thomson de 1982 à 1996, fait 12 MORT DE DANIEL GÉLIN jeudi 28 novembre. Le bilan de l’ex- simultanées l’objet de nouvelles accusations. plosion d’une voiture piégée dans Entendue le 30 octobre par le juge Le comédien est décédé le hall du Paradise Hotel (photo) est contre un hôtel d’instruction Guy Ripoll, l’assistan- de seize morts, dont au moins trois te de l’avocat américain William à Paris à 81 ans p. 30 Israéliens. Mais la double attaque et un avion de ligne Lee avait assuré que l’ancien terroriste aurait pu provoquer un visaient à provoquer patron lui avait remis de l’argent VILLE DE PARIS carnage. L’avion de la compagnie en liquide pour financer une opéra- israélienne Arkia, avec 270 person- un carnage tion de déstabilisation de Matra- Robert Pandraud nes à bord, n’a échappé que d’extrê- Hachette. Interrogé les 26 et mis en examen me justesse au tir de deux missiles f Les Israéliens 28 novembre, M. Lee a confirmé dans l’affaire des alors qu’il décollait de l’aéroport de les déclarations de sa collaboratri- Mombasa. soupçonnent ce. Il a indiqué avoir reçu des chargés de mission p. -
Agaborynfashiontv-Titlepage.Pdf
FASHION TV. THE HISTORY BEHIND THE TV STATION THAT EXCLUSIVELY FOCUSES ON THE PHENOMENON OF TRUE FASHION. Contents Introduction…………………………………………………………………………………….4 1. Chapter I. The history of Fashion TV. 1.1. Founder Michel Adam Lisowski…………………………………………………..6 1.2. How the Fashion TV was founded……………………………………………….10 1.3. The logo of the company………………………………………………………...14 1.4. Operation of the company, country where the Fashion TV take place…………..16 1.5. Definition of fashion……………………………………………………………..20 1.6. Television and the features, current situation of the fashion television market….24 2. Chapter II. Subjects and issues of Fashion TV. 2.1. Fashion – fashion designers in vision of Fashion TV……………………………31 2.2. Fashion Weeks – New York, Lodnon, Milano, Paris……………………………36 2.3. Big Fashion shows. Collection Falls/ Winter, Summer/Spring………………….43 2.4. Brands presented on the Fashon television………………………………………44 2.5. Questionnaire. Audience indicator of Fashion TV………………………………46 2.6. Influence Fashion TV for audience and fashion environment…………………..49 2.7. The most famous fashion models………………………………………………...54 3. Chapter III. The development of Fashion TV company. 3.1. Fashion TV evolution…………………………………………………………...60 3.2. Bars network…………………………………………………………………….62 3.3. Hotels network…………………………………………………………………..66 3.4. Fashion vodka…………………………………………………………………...69 3.5. Fashion beverages……………………………………………………………….72 3.6. Fashion champagne……………………………………………………………...73 3.7. Faashion proseco………………………………………………………………...74 3.8. Fashion water…………………………………………………………………….75 3.9. Fashion shops……………………………………………………………………78 3.10. Internert service……………………………………………………………….79 3.11. Fashion magazine……………………………………………………………..85 3.12. Plans for the future……………………………………………………………91 Ending………………………………………………………………………………………...93 Introduction The theme of this paper is the history of TV station Fashion TV dedicated to the contemporary phenomenon, fashion. I took a job writing on this subject, because fashion is one of the main hobby and passion in my life. -
Universidade Federal Do Pampa – Câmpus Jaguarão Curso De Bacharelado Em Produção E Política Cultural
UNIVERSIDADE FEDERAL DO PAMPA – CÂMPUS JAGUARÃO CURSO DE BACHARELADO EM PRODUÇÃO E POLÍTICA CULTURAL ROGÉRIO DE OLIVEIRA IMPACTO CULTURAL E MIDIÁTICO DE UMA CAPA DA VOGUE: UM GESTO DE ANÁLISE DA VOGUE AMÉRICA Jaguarão/RS, dezembro de 2015 2 ROGÉRIO DE OLIVEIRA IMPACTO CULTURAL E MIDIÁTICO DE UMA CAPA DA VOGUE: UM GESTO DE ANÁLISE DA VOGUE AMÉRICA Trabalho de conclusão de curso apresentado à Universidade Federal do Pampa – UNIPAMPA, como requisito parcial à obtenção do título de Bacharel em Produção e Política Cultural. Orientador: Prof. Dr. Clóvis Da Rolt Jaguarão/RS, dezembro de 2015 3 ROGÉRIO OLIVEIRA IMPACTO CULTURAL E MIDIÁTICO DE UMA CAPA DA VOGUE: UM GESTO DE ANÁLISE DA VOGUE AMÉRICA Trabalho de conclusão de curso apresentado à Universidade Federal do Pampa – UNIPAMPA, como requisito parcial à obtenção do título de Bacharel em Produção e Política Cultural. Trabalho de Conclusão de Curso defendido e aprovado em: Banca examinadora: ______________________________________________________ Prof. Dr. Clóvis Da Rolt Orientador UNIPAMPA ______________________________________________________ Prof. Dr. Sandro Martins Costa Mendes UNIPAMPA ______________________________________________________ Prof. Vera Maria Guimarães UNIPAMPA 4 “Fashion is the most powerful art there is. It's movement, design and architecture all in one. It shows the world who we are and who we'd like to be.” Blair Waldorf (personagem do seriado Gossip Girl) 5 AGRADECIMENTOS Dispenso os maiores clichês de agradecimentos, pois faço questão de fazê- los pessoalmente quando estou em contato com estas devidas pessoas. Sendo assim, meus agradecimentos têm ambições acadêmicas e construtivas. Esse trabalho de conclusão é a página final de uma batalha em favor do conhecimento da moda como legitima parte do conglomerado de assuntos cientificos, e principalmente dentro do campo da cultura.