<<

THE AWARD-WINNING VOCALISTS OF THE SU DEPARTMENT OF MUSIC, THEATRE AND DANCE PRESENT

NATS EDITION

WEDNESDAY, FEBRUARY 1, 018 7:30 PM HOLLOWAY HALL, GREAT HALL

Dr. John Wesley Wright, Artistic Director Dr. William Folger & Veronica Tomanek, Pianists

www.salisbury.edu S NGERS’ SHOWCASE NATS ED T ON PROGRAM Dr. John Wesley Wright, Artistic Director Dr. William Folger & Veronica Tomanek, Pianists

The students performing tonight will compete in the MD-DC National Association of Teachers of Singing (NATS) Student Auditions on Saturday, February 24, at the Community College of Baltimore County, Essex Campus

Non posso disperar ...... Giovanni Battista Bononcini Non posso disperar, I cannot despair, Sei troppo cara al cor. You are far too dear to my heart. Il solo sperare The mere hope D'aver a gioire Of enjoying you M’è un dolce languire, Is for me a sweet suffering, M'è un caro dolor. Is for me a dear pain.

“Where’er You Walk” from Semele ...... George Frideric Handel Jessica Johnson, soprano

Give Me Jesus ...... arr. Hall Johnson

My Good Lord Done Been Here ...... arr. Hall Johnson

Jeremiah Copeland, tenor

“Easy to Love” from Anything Goes ...... “I’m Calm” from A Funny Thing Happened on the Way to the Forum ...... Joshua Dennis, tenor

“What Only Love Can See” from Chaplin ...... Christopher Curtis “Killer Instinct” from Bring It On: The Musical ...... , Lin-Manuel Miranda, Gianna Pesaniello, soprano

“Proud of Your Boy” from Aladdin ...... “Sibella” from A Gentlemen’s Guide to Love and Murder ...... , Robert L. Freeman Adam Beres, tenor

“I Am Aldolpho” from ...... , “It All Fades Away” from The Bridges of Madison County ...... Patrick Gover, bass-baritone

1 “Love Changes Everything” from Aspects of Love ...... “There’s a Boat Dat’s Leavin’ Soon” from Porgy and Bess ...... George Gershwin, Jeremiah Copeland, tenor

“I’m Alive” from ...... Tom Kitt, “Anthem” from Chess ...... Benny Andersson, Bjorn Ulvaeus, Justin Kriger, tenor

"Ò vin, dissippe la tristesse" from Hamlet ...... Ambroise Thomas

Ò vin, dissipe la tristesse Oh wine, dissipate the sadness Qui pèse sur mon coeur! That lies heavy upon my heart! A moi les rèves de l'ivresse To me give dreams of intoxication Et le rire moqueur! And mocking laughter! O liqueur enchanteresse, O enchanting liqueur, Verse l'ivresse Pour drunkeness Et l'oubli dans mon coeur! And forgetfulness into my heart! Douce liqueur! Sweet liqueur! La vie est sombre Life is somber; Les ans sont courts; The years are short. De nos beaux jours Of our beautiful days Dieu sait le nombre. God knows the number. Chacun hélas porte ici-bas Each person, alas, carries here Sa lourde chaîne! His heavy chain! Cruels devoirs, Cruel duties, Longs désespoirs Slow despairs De l'âme humaine! Of the human soul! Loin de nous, noirs présages! Away from us, black omens! Ah! Ah!

Auf dem Kirchhofe ...... Johannes Brahms

Der Tag ging regenschwer und sturmbewegt, The day was rainy and stormy, Ich war an manch’ vergess’nem Grab’ gewesen, I was among many forgotten graves, Verwittert Stein und Kreuz, die Kränze alt, Weatherworn stones and crosses, the old wreaths, Die Namen überwachsen, kaum zu lessen. The names overgrown, hard to read. Der Tag ging sturmbewegt und regenschwer, The day was rainy and stormy, Auf allen Gräbern fror das Wort: Gewesen. On all the graves froze the words: Has Been. Wie sturmestot die Särge schlummerten; Like the eye of a storm, the coffins slumbered; Auf allen Gräbern taute still: Genesen. On all the graves thawed quietly (the word : Healed.

Ann Street ...... Charles Ives Jeffrey Todd, baritone

2 “The Boy From...” from The Mad Show ...... Mary Rodgers, Stephen Sondheim “The Flagmaker, 1775” from ...... Jason Robert Brown Maggie Jones, mezzo-soprano

“No One Else” from Natasha, Pierre & the Great Comet of 1 12 ...... David Malloy “Your Daddy’s Son” from ...... , Jordyn Stokes-James, soprano

“I Didn’t Plan It” from Waitress ...... Sara Bareilles “I Don’t Need a Roof ” from Big Fish ...... Desiree Borges, soprano

“What Do I Need with Love” from Thoroughly Modern Millie ...... , Dick Scanlan “The Confrontation” from Jekyll and Hyde ...... Frank Wildhorn, Leslie Bricusse, Steve Cuden “’Til I Hear You Sing” from Love Never Dies ...... Andrew Lloyd Webber, Glenn Slater Lance Fisher, tenor

Welcome to our special guests, SU’s Sq awkappella, recent Third Place winners of the 2018 International Championship of Collegiate A Cappella (ICCA) Mid-Atlantic Quarterfinal Tournament

Man in the Mirror ...... Glen Ballard and Siedah Garrett, arr. Ryan Donoghue Jeremiah Copeland, soloist

3 Department of Music, Theatre and Dance UPCOMIN EVENTS

SU Annual Trombone Day World Drum Experience March 6 • Holloway Hall, Great Hall April 14 • Fulton Hall, Black Box Theatre 7:30 p.m. 7:30 p.m.

Hairspray - The Musical Celebration of Great Composers April 6-8* & 13-15* • Holloway Hall Auditorium April 15 • Holloway Hall, Great Hall 8 p.m. & *2 p.m. 1:30 p.m. & 3:30 p.m.

Salisbury Percussion estival - SU Dance Spring Concert An Evening of Percussion April 19-22*, 2018 • Holloway Hall Auditorium April 12 • Fulton Hall, Black Box Theatre 8 p.m. & *2 p.m. 7:30 p.m.

Salisbury Percussion estival with Guest Artist Nani Agbeli April 13 • Fulton Hall, Black Box Theatre 7:30 p.m. For a full listing of upcoming events or to join our mailing list, please visit www salisbury edu/performingarts

Thank You for Attending ur Performance The audience plays an integral part in the success of our program. As an involved audience member,please take a few minutes to read this friendly reminder on concert etiquette.

A Few Helpful Reminders of How to Be an Involved Audience Member • Please arrive early to ensure that you will have a seat. • Please turn off your cell phone instead of just silencing it so you will not be tempted to text during the performance. Untimely cell phone interruptions during a performance disrupt the performers and the other audience members, please be mindful of others. • Please remain in your seat during the performance. If you must leave the concert hall, please wait until intermission. If it is an emergency,please try to leave during the applause. • Please respect the performers by staying seated for the entire performance. • As an involved audience member,it is polite to clap at the entrance of the performers. • It is polite to save quiet whispering or talking, if necessary,between songs, as opposed to during a performance.

Ideas adapted from Concert Etiquette Tips from ENC’s Teacher Success Kit.

4 ACKNOWLED EMENTS

r. Janet udley-Eshbach, President r. Karen Olmstead, Interim Provost & Vice President of Academic Affairs Mrs. Martha N. Fulton & the late Charles R. Fulton r. Maarten Pereboom, Dean, Fulton School of Liberal Arts r. William M. Folger, Co-Chair, Department of Music, Theatre and Dance Robert Smith, Co-Chair, Department of Music, Theatre and Dance Sally Choquette, Administrative Assistant II, Department of Music, Theatre and Dance Brooke Church, Administrative Assistant II, Department of Music, Theatre and Dance

If you would like to make a donation to support other performances like this one, please make your check payable to the Performing Arts Fund, specifying the organization in the memo line and mail in care of the Salisbury University Foundation, Inc. at P.O. Box 2655, Salisbury MD 21802.

Please call 410-543-6385 for information regarding upcoming Department of Music, Theatre and Dance performances.

For more information about our academic program, please visit us on the Web at www.salisbury.edu/musicdept.

Department of usic, Theatre and Dance Fulton School of Liberal Arts Salisbury University 1101 Camden Avenue, Salisbury, MD 21801 Phone: 410-543-6385 Fax: 410-548-3002 Email: [email protected] www.salisbury.edu

SU is an Equal Opportunity AA Title IX university and provides reasonable accommodation given suffcient notice to the University offce or staff sponsoring the event or program.