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~La6(8Ill COMPA.NIES INC
October 1999 Brooklyn Academy of Music 1999 Next Wave Festival BAMcinematek Brooklyn Philharmonic 651 ARTS ~' pi I'" T if II' II i fl ,- ,.. til 1 ~ - - . I I I' " . ,I •[, II' , 1 , i 1'1 1/ I I; , ~II m Jennifer Bartleli, House: Large Grid, 1998 BAM Next Wave Festival sponsored by PHILIP MORRIS ~lA6(8Ill COMPA.NIES INC. Brooklyn Academy of Music Bruce C. Ratner Chairman of the Board Karen Brooks Hopkins Joseph V. Melillo President Executive Prod ucer presents Moby Dick Running time: BAM Opera House approximately ninety October 5, 1999, at 7:00 p.m. (Next Wave Festival Gala) minutes. Songs and October 6-9 & 12-16, 1999, at 7:30 p.m. Stories from Moby Dick is performed without an Visual Design, Music, and Lyrics Laurie Anderson intermission. Performers Pip, The Whale, A Reader Laurie Anderson Ahab, Noah, Explorer Tom Nelis The Cook, Second Mate, Running Man Price Waldman Standing Man Anthony Turner Falling Man Miles Green Musicians Violin, keyboards, guitar, talking stick Laurie Anderson Bass, prepared bass, samples Skuli Sverrisson Artistic Collaborators Co-Visual Design Christopher Kondek Co-Set Design James Schuette Lighting Design Michael Chybowski Sound Design Miles Green Costume Design Susan Hilferty Electronics Design Bob Bielecki Video Systems Design Ben Rubin Staging Co-Direction Anne Bogart General Management Julie Crosby Production Management Bohdan Bushell Production Stage Management Lisa Porter Major support for this presentation was provided by The Ford Foundation with additional support from The Dime Savings Bank of New York, FSB. Next Wave Festival Gala is sponsored by Philip Morris Companies Inc. 17 Produced by electronic theater company, Inc. -
Abby Wiggins, Soprano Junior Recital
THE BELHAVEN COLLEGE DEPARTMENT OF MUSIC Dr. Stephen W. Sachs, Chair presents Abby Wiggins, soprano Junior Recital assisted by Hannah Thomas, accompanist John Mathieu, bass & Eleana Davis, soprano Saturday, March 27, 2010 2:00 p.m. Belhaven University Center for the Arts Concert Hall BELHAVEN UNIVERSITY DEPARTMENT OF MUSIC MISSION STATEMENT The Music Department seeks to produce transformational leaders in the musical arts who will have profound influence in homes, churches, private studios, educational institutions, and on the concert stage. While developing the God-bestowed musical talents of music majors, minors, and elective students, we seek to provide an integrative understanding of the musical arts from a Christian world and life view in order to equip students to influence the world of ideas. The music major degree program is designed to prepare students for graduate study while equipping them for vocational roles in performance, church music, and education. The Belhaven University Music Department exists to multiply Christian leaders who demonstrate unquestionable excellence in the musical arts and apply timeless truths in every aspect of their artistic discipline. The Music Department of Belhaven University directs you to “Arts Ablaze 2009-2010.” Read about many of the excellent performances and presentations scheduled throughout this academic year at Belhaven University by the Arts Division. Please take a complimentary copy of “Arts Ablaze 2009-2010” with you. The Music Department would like to thank our many community partners for their support of Christian Arts Education at Belhaven University through their advertising in “Arts Ablaze 2009-2010”. It is through these and other wonderful relationships in the greater Jackson community that makes an afternoon like this possible at Belhaven. -
PARADE Study Guide Written by Talia Rockland Edited by Yuko Kurahashi
Study Guide, Parade PARADE Study Guide Written by Talia Rockland Edited by Yuko Kurahashi TABLE OF CONTENTS ABOUT THE PLAY ................................................................. 2 GLOSSARY ............................................................................. 3 CONTEXT ............................................................................... 6 MARY PHAGAN MURDER AND LEO FRANK TRIAL TIMELINE ............................................................................... 9 HISOTRICAL INFLUENCES ON THE EVENTS OF PARADE11 TRIAL OUTCOMES .............................................................. 11 SOURCES .............................................................................. 12 1 Study Guide, Parade ABOUT THE PLAY Parade was written by Alfred Uhry and lyrically and musically composed by Jason Robert Brown in 1998. The show opened at the Lincoln Center Theatre on December 17th, 1998 and closed February 28th, 1999 with a total of 39 previews and 85 performances. It won the Tony Award for Best Book of a Musical and Best Original Score and the New York Drama Critics Circle for Best Musical. It also won Drama Desk awards for Outstanding Musical, Outstanding Actor (Brent Carver), Outstanding Actress (Carolee Carmelo), Outstanding Book of a Musical, Outstanding Orchestrations (Don Sebesky), and Outstanding Score of a Musical. Alfred Uhry is a playwright, lyricist and screenwriter. Born in Atlanta, Georgia from German- Jewish descendants, Uhry graduated Brown University in 1958 with a degree in English and Drama. Uhry relocated to New York City where he taught English and wrote plays. His first success was the musical adaption of The Robber Bridegroom. He received a Tony Award nomination for Best Book of a Musical. His other successful works include Driving Miss Daisy, Last Night of Ballyhoo, and LoveMusik. Jason Robert Brown is a composer, lyricist, conductor, arranger, orchestrator, director and performer. He was born in Ossining, New York and was raised Jewish. He attended the Eastman School of Music in Rochester, New York. -
Marvin Hamlisch
tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE MUSIC OF MARVIN HAMLISCH Monday, October 19, 2015 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building The Ira and Leonore Gershwin Fund in the Library of Congress was established in 1992 by a bequest from Mrs. Gershwin to perpetuate the name and works of her husband, Ira, and his brother, George, and to provide support for worthy related music and literary projects. "LIKE" us at facebook.com/libraryofcongressperformingarts loc.gov/concerts Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. • Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Monday, October 19, 2015 — 8 pm tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE mUSIC OF MARVIN hAMLISCH WHITNEY BASHOR, VOCALIST | CAPATHIA JENKINS, VOCALIST LINDSAY MENDEZ, VOCALIST | BRYCE PINKHAM, VOCALIST -
Musical! Theatre!
Premier Sponsors: Sound Designer Video Producer Costume Coordinator Lance Perl Chrissy Guest Megan Rutherford Production Stage Manager Assistant Stage Manager Stage Management Apprentice Mackenzie Trowbridge* Kat Taylor Lyndsey Connolly Production Manager Dramaturg Assistant Director Adam Zonder Hollyann Bucci Jacob Ettkin Musical Director Daniel M. Lincoln Directors Gerry McIntyre+ & Michael Barakiva+ We wish to express our gratitude to the Performers’ Unions: ACTORS’ EQUITY ASSOCIATION AMERICAN GUILD OF MUSICAL ARTISTS AMERICAN GUILD OF VARIETY ARTISTS SAG-AFTRA through Theatre Authority, Inc. for their cooperation in permitting the Artists to appear on this program. * Member of the Actor's Equity Association, the Union of Professional Actors and Stage Managers in the United States. + ALEXA CEPEDA is delighted to be back at The KRIS COLEMAN* is thrilled to return to the Hangar. Hangar! Select credits: Mamma Mia (CFRT), A Broadway Credit: Jersey Boys (Barry Belson) Chorus Line (RTP), In The Heights (The Hangar Regional Credit: Passing Strange (Narrator), Jersey Theatre), The Fantasticks (Skinner Boys - Las Vegas (Barry Belson), Chicago (Hangar Barn), Cabaret (The Long Center), Anna in the Theatre, Billy Flynn), Dreamgirls (Jimmy Early), Sister Tropics (Richard M Clark Theatre). She is the Act (TJ), Once on This Island (Agwe), A Midsummer founder & host of Broadway Treats, an annual Nights Dream (Oberon) and Big River (Jim). benefit concert organized to raise funds for Television and film credits include: The Big House Animal Lighthouse Rescue (coming up! 9/20/20), and is (ABC), Dumbbomb Affair, and The Clone. "As we find ourselves currently working on her two-person musical Room 123. working through a global pandemic and race for equality, work Proud Ithaca College BFA alum! "Gracias a mamacita y papi." like this shows the value and appreciation for all. -
Book, Music and Lyrics by Jason Robert Brown the Last Five Years Is Presented Through Special Arrangement with Music Theater International (MTI)
The Last Five Years Book, Music and Lyrics by Jason Robert Brown The Last Five Years is presented through special arrangement with Music Theater International (MTI). All authorized performance materials are also supplied by MTI. 421 West 54th Street, New York, NY 10019, www.MTIShows.com Book, Music and Lyrics by JASON ROBERT BROWN Director’s Note They say, “there are two sides to every story” and in the case of The Last Five Years, “they” couldn’t be more right! We all have our own story, our own goals, our own experiences, that we carry with us throughout our lives. When two lives come together in a relationship, often with different societal parameters of what love is, how relationships should be, and countless other expectations, the relationship is no longer living in each moment, but rather moving from one expectation to the next. The characters of Jamie and Cathy continually remind us of the dangers that expectation can have on, not just romantic, but all variations of human relationships. I chose to produce The Last Five Years because this musical so brilliantly portrays the intimate and often hidden moments that make up a relationship; making it unmistakably familiar to audiences who have experienced the trials of love and loss. Vulnerably told through Jason Robert Brown’s soaring melodies and tight, witty lyrics, The Last Five Years tells the very human story of the struggles we face when we commit ourselves to blind love. Brown wrote this piece after concluding his own five-year marriage, influencing him to create a unique and dynamic form of storytelling; having the show begin at the end of the relationship for Cathy and the beginning for Jamie. -
FY19 Annual Report View Report
Annual Report 2018–19 3 Introduction 5 Metropolitan Opera Board of Directors 6 Season Repertory and Events 14 Artist Roster 16 The Financial Results 20 Our Patrons On the cover: Yannick Nézet-Séguin takes a bow after his first official performance as Jeanette Lerman-Neubauer Music Director PHOTO: JONATHAN TICHLER / MET OPERA 2 Introduction The 2018–19 season was a historic one for the Metropolitan Opera. Not only did the company present more than 200 exiting performances, but we also welcomed Yannick Nézet-Séguin as the Met’s new Jeanette Lerman- Neubauer Music Director. Maestro Nézet-Séguin is only the third conductor to hold the title of Music Director since the company’s founding in 1883. I am also happy to report that the 2018–19 season marked the fifth year running in which the company’s finances were balanced or very nearly so, as we recorded a very small deficit of less than 1% of expenses. The season opened with the premiere of a new staging of Saint-Saëns’s epic Samson et Dalila and also included three other new productions, as well as three exhilarating full cycles of Wagner’s Ring and a full slate of 18 revivals. The Live in HD series of cinema transmissions brought opera to audiences around the world for the 13th season, with ten broadcasts reaching more than two million people. Combined earned revenue for the Met (box office, media, and presentations) totaled $121 million. As in past seasons, total paid attendance for the season in the opera house was 75%. The new productions in the 2018–19 season were the work of three distinguished directors, two having had previous successes at the Met and one making his company debut. -
Musical Theatre Cabaret Show Program
Musical Theatre Cabaret Created by the 2020 Musical Theatre Repertoire Class Nov 19, 2020 This is a musical theatre cabaret that explores connection and the struggles we have all experienced during quarantine over the last year. Cast: Michael Armstrong, Damian Bowden, Sydney Cobb, Reagan Gross, Micayla Johnston, Nelsey Leverette, Tyler McLellan, Josie Patterson “When Will My Life Begin” from Tangled by Menken and Slater ........................................................................ Ensemble “I Can See It” from The Fantasticks by Schmidt and Jones ........................ Michael Armstrong, Damian Bowden “Breathe” by Kooman and Dimond ............................................................. Reagan Gross “Focus on the Negative” from Waitress by Sara Bareilles .......................................... Nelsey Leverette, Sydney Cobb, Micayla Johnston, Josie Patterson “Confrontation” from Jekyll and Hyde by Frank Wildhorn ................................................................. Damian Bowden “Cell Block Tango” from Chicago by Kander and Ebb ............................................................................. Ensemble “How Do I Get You Alone” by Steinberg and Kelly ........................................................................ Ensemble “The Next Ten Minutes” from The Last Five Years by Jason Robert Brown ..................... Michael Armstrong, Josie Patterson “I Who Have Nothing” by Lieber and Stoller ............................................................. Damian Bowden “World Burn” from Mean -
CASEY CLARK Musical Direction by MICHAEL SANTANGELO
Presents 13 the musical Music and Lyrics by Jason Robert Brown Book by Dan Elish and Robert Horn Producer Artistic Director NOEL S. RUIZ BERNADETTE MESCALL RODRIGUEZ Costume/Scenic Design Sound Design PATRICK GROSSMAN MICHAEL SANTANGELO Assistant Director Lighting Design JILLIAN MESCALL TORRE JOSEPH NAFTAL Production Stage Manager CASEY CLARK Musical Direction by MICHAEL SANTANGELO Directed/Choreographed by PATRICK GROSSMAN 13, The Musical is presented through special arrangement with Musical Theatre International (MTI). All authorized performance materials are also supplied by MTI. 421 W 54th Street, New York, NY 10019 Phone: 212-541-4684 Fax: 212-397-4684 www.MTIShows.com – THE CAST – Evan…………………….………..………………..……......……..…….DYLAN WHELAN Patrice………………………...……..…………..………………..…............EMILY SARRA Brett………………………..……………………………….....………...MARK MAURICE Eddie………………………….…………...…………………..…………….MIKE BURKE Malcolm…...……….…………………………..……………..…..HARRISON SCHENKEL Lucy……………………………....………..…………...………….....EMILY HANNAWAY Kendra…………………...........……….……………………...…………….EMILY TORRE Cassie………………………………......…......….………………..…MARISSA CASAZZA Molly…………...............................…………………………………..CATHERINE BROGAN Simon…….....……...…...………………….………………………....KENNY FERGUSON Richie……………………………………...………………………….CHRISTIAN ARMA Charlotte..……………………………………….……………...….COURTNEY KENYON Archie………………………………………………………...……JONATHAN PERSICO Cheerleader………………………..…………….….………………….……ALEX ARSO – THE BAND – Conductor/Keyboard………………………..………..MICHAEL SANTANGELO Guitar…………………………………………...………….CHAD -
Asides Magazine for SALOMÉ
2015|2016 SEASON Issue 1 TABLE OF Dear Friend, CONTENTS A few years ago in New York, I had an unforgettable theatrical experience. It was Mies Julie, ® 1 Title page Yäel Farber’s adaptation of Recipient of the 2012 Regional Theatre Tony Award 3 Cast Strindberg’s play, transferring Artistic Director Michael Kahn from its acclaimed run at the Executive Director Chris Jennings 5 About STC Edinburgh Fringe Festival. Setting the text in post- Apartheid South Africa, Yaël managed to miraculously 5 About ACA re-create the visceral shock of the original play while daringly mapping its exploration of gender and social 6 The Stories Not Told class inequalities onto an unmistakably contemporary by Drew Lichtenberg landscape. I was captivated and excited. Most importantly, I admired Yaël’s ability to transform 10 Director’s Word classical texts to speak to some of the most pressing issues of our time. I was not surprised to see Yaël by Yaël Farber quickly become one of the most sought-after directors 14 Salomé as History in international theatre. Her recent production of The adapted and directed by Yaël Farber Crucible at the Old Vic in London was nominated for and Fetish an Olivier Award, the highest honor in British theatre, by Gail P. Streete and her documentary piece, Nirbhaya, on the subject of a brutal sexual assault in India, has toured the world to Performances begin October 6, 2015 20 Creating Salomé critical acclaim. Opening Night October 13, 2015 21 Cast Biographies We presented Mies Julie to Washington audiences in our Lansburgh Theatre 2013–2014 season, where it was nominated for a Helen 27 Play in Process Hayes Award for Outstanding Visiting Production. -
Parade Diverges: the 1998 Broadway and 2007 London Productions and Their Critical Receptions Julie L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 Parade Diverges: The 1998 Broadway and 2007 London Productions and Their Critical Receptions Julie L. Haverkate Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF VISUAL ARTS, THEATRE & DANCE PARADE DIVERGES: THE 1998 BROADWAY AND 2007 LONDON PRODUCTIONS AND THEIR CRITICAL RECEPTIONS By JULIE L. HAVERKATE A Thesis submitted the School of Theatre in partial fulfillment of the requirements for the degree of Master of Arts Degree Awarded: Spring Semester, 2008 Copyright © 2008 Julie L. Haverkate All Rights Reserved The members of the Committee approve the thesis of Julie L. Haverkate defended on 19 March 2008. ______________________________ Natalya Baldyga Professor Directing Thesis ______________________________ Mary Karen Dahl Committee Member ______________________________ Tom Ossowski Committee Member ______________________________ Fred Chappel Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGEMENTS Much of thesis would not have been possible without the support of Jason Robert Brown. For his infinite patience with my constant barrage of emails and questions, his willingness to meet with me, and his candid discussion of his own work, I offer my warmest and most sincere thanks. Beyond even that, and most importantly, I genuinely thank him for his continuing contributions -
Season Premiere of Tosca Glitters
2019–20 Season Repertory and Casting Casting as of November 12, 2019 *Met debut The Gershwins’ Porgy and Bess By George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin New Production Sep 23, 27, 30, Oct 5mat, 10, 13mat, 16, Jan 8, 11, 15, 18, 24, 28, Feb 1mat Conductor: David Robertson Bess: Angel Blue/Elizabeth Llewellyn* Clara: Golda Schultz/Janai Brugger Serena: Latonia Moore Maria: Denyce Graves Sportin’ Life: Frederick Ballentine* Porgy: Eric Owens/Kevin Short Crown: Alfred Walker Jake: Ryan Speedo Green/Donovan Singletary Production: James Robinson* Set Designer: Michael Yeargan Costume Designer: Catherine Zuber Lighting Designer: Donald Holder Projection Designer: Luke Halls The worldwide copyrights in the works of George Gershwin and Ira Gershwin for this presentation are licensed by the Gershwin family. GERSHWIN is a registered trademark of Gershwin Enterprises. Porgy and Bess is a registered trademark of Porgy and Bess Enterprises. A co-production of the Metropolitan Opera; Dutch National Opera, Amsterdam; and English National Opera Production a gift of The Sybil B. Harrington Endowment Fund Additional funding from Douglas Dockery Thomas Manon Jules Massenet Sep 24, 28mat, Oct 2, 5, 19, 22, 26mat ____________________________________________________________________________________________________________ PRESS DEPARTMENT The Metropolitan Opera Press: 212.870.7457 [email protected] 30 Lincoln Center Plaza General: 212.799.3100 metopera.org New York, NY 10023 Fax: 212.870.7606 Conductor: Maurizio Benini Manon: Lisette Oropesa Chevalier des Grieux: Michael Fabiano Guillot de Morfontaine: Carlo Bosi Lescaut: Artur Ruciński de Brétigny: Brett Polegato* Comte des Grieux: Kwangchul Youn Production: Laurent Pelly Set Designer: Chantal Thomas Costume Designer: Laurent Pelly Lighting Designer: Joël Adam Choreographer: Lionel Hoche Associate Director: Christian Räth A co-production of the Metropolitan Opera; Royal Opera House, Covent Garden, London; Teatro alla Scala, Milan; and Théâtre du Capitole de Toulouse Production a gift of The Sybil B.