PARADE Study Guide Written by Talia Rockland Edited by Yuko Kurahashi
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Against Expression?: Avant-Garde Aesthetics in Satie's" Parade"
Against Expression?: Avant-garde Aesthetics in Satie’s Parade A thesis submitted to the Division of Graduate Studies and Research of the University of Cincinnati In partial fulfillment of the requirements for the degree of MASTER OF MUSIC In the division of Composition, Musicology, and Theory of the College-Conservatory of Music 2020 By Carissa Pitkin Cox 1705 Manchester Street Richland, WA 99352 [email protected] B.A. Whitman College, 2005 M.M. The Boston Conservatory, 2007 Committee Chair: Dr. Jonathan Kregor, Ph.D. Abstract The 1918 ballet, Parade, and its music by Erik Satie is a fascinating, and historically significant example of the avant-garde, yet it has not received full attention in the field of musicology. This thesis will provide a study of Parade and the avant-garde, and specifically discuss the ways in which the avant-garde creates a dialectic between the expressiveness of the artwork and the listener’s emotional response. Because it explores the traditional boundaries of art, the avant-garde often resides outside the normal vein of aesthetic theoretical inquiry. However, expression theories can be effectively used to elucidate the aesthetics at play in Parade as well as the implications for expressability present in this avant-garde work. The expression theory of Jenefer Robinson allows for the distinction between expression and evocation (emotions evoked in the listener), and between the composer’s aesthetical goal and the listener’s reaction to an artwork. This has an ideal application in avant-garde works, because it is here that these two categories manifest themselves as so grossly disparate. -
Abby Wiggins, Soprano Junior Recital
THE BELHAVEN COLLEGE DEPARTMENT OF MUSIC Dr. Stephen W. Sachs, Chair presents Abby Wiggins, soprano Junior Recital assisted by Hannah Thomas, accompanist John Mathieu, bass & Eleana Davis, soprano Saturday, March 27, 2010 2:00 p.m. Belhaven University Center for the Arts Concert Hall BELHAVEN UNIVERSITY DEPARTMENT OF MUSIC MISSION STATEMENT The Music Department seeks to produce transformational leaders in the musical arts who will have profound influence in homes, churches, private studios, educational institutions, and on the concert stage. While developing the God-bestowed musical talents of music majors, minors, and elective students, we seek to provide an integrative understanding of the musical arts from a Christian world and life view in order to equip students to influence the world of ideas. The music major degree program is designed to prepare students for graduate study while equipping them for vocational roles in performance, church music, and education. The Belhaven University Music Department exists to multiply Christian leaders who demonstrate unquestionable excellence in the musical arts and apply timeless truths in every aspect of their artistic discipline. The Music Department of Belhaven University directs you to “Arts Ablaze 2009-2010.” Read about many of the excellent performances and presentations scheduled throughout this academic year at Belhaven University by the Arts Division. Please take a complimentary copy of “Arts Ablaze 2009-2010” with you. The Music Department would like to thank our many community partners for their support of Christian Arts Education at Belhaven University through their advertising in “Arts Ablaze 2009-2010”. It is through these and other wonderful relationships in the greater Jackson community that makes an afternoon like this possible at Belhaven. -
Into the Woods Is Presented Through Special Arrangement with Music Theatre International (MTI)
PREMIER SPONSOR ASSOCIATE SPONSOR MEDIA SPONSOR Music and Lyrics by Book by Stephen Sondheim James Lapine June 28-July 13, 2019 Originally Directed on Broadway by James Lapine Orchestrations by Jonathan Tunick Original Broadyway production by Heidi Landesman Rocco Landesman Rick Steiner M. Anthony Fisher Frederic H. Mayerson Jujamcyn Theatres Originally produced by the Old Globe Theater, San Diego, CA. Scenic Design Costume Design Shoko Kambara† Megan Rutherford Lighting Design Puppetry Consultant Miriam Nilofa Crowe† Peter Fekete Sound Design Casting Director INTO The Jacqueline Herter Michael Cassara, CSA Woods Musical Director Choreographer/Associate Director Daniel Lincoln^ Andrea Leigh-Smith Production Stage Manager Production Manager Myles C. Hatch* Adam Zonder Director Michael Barakiva+ Into the Woods is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIShows.com Music and Lyrics by Book by STEPHEN JAMES Directed by SONDHEIM LAPINE MICHAEL * Member of Actor’s Equity Association, † USA - Member of Originally directed on Broadway by James LapineBARAKIVA the Union of Professional Actors and United Scenic Artists Orchestrations by Jonathan Tunick Stage Managers in the United States. Local 829. ^ Member of American Federation of Musicians, + Local 802 or 380. CAST NARRATOR ............................................................................................................................................HERNDON LACKEY* CINDERELLA -
Stockholm, Sweden
U.S. Embassy Stockholm, Sweden Please follow the steps below before your immigrant visa interview at the U.S. Embassy Contact information in Stockholm, Sweden. Please note that interviews for applicants residing in Sweden, Denmark and Norway are conducted in Stockholm. U.S. Embassy Dag Hammarskjölds Väg 31 115 89 Stockholm Step 1: Register your appointment online Sweden If you are a resident of Sweden, you need to register your address online. Registering Email: your address provides us with the information we need to return your passport to [email protected] you after your interview. Registration is free. Click the “Register” button below to Website: register. Please make sure to register your delivery location before your interview in se.usembassy.gov order to avoid delay in the return of the immigrant visa. Residents of Denmark and Norway should not register their address online. The address registration will be Cancel and Reschedule: handled at the time of the interview. [email protected] Map: If you want to cancel or reschedule your appointment, you will be able to do so after you register your appointment. Register Step 2: Get a medical exam in Sweden, Denmark or Norway As soon as you receive your appointment date, you must schedule a medical exam in Sweden, Denmark or Norway. Click the “Medical Exam Instructions” button below for a list of designated doctors’ offices in Sweden, Denmark or Norway. Please schedule and attend a medical exam with one of these doctors before your interview. Other links Diversity visa instructions Medical Exam Instructions After your interview Frequently asked questions Step 3: Complete your pre-interview checklist Where to find civil documents It is important that you bring all required original documents to your interview. -
Breast Cancer Patients and Survivors in the Eu Workforce Finland: Supporting Return to Work
A report by The Economist Intelligence Unit THE ROAD TO A BETTER NORMAL: Breast cancer patients and survivors in the EU workforce BREAST CANCER PATIENTS AND SURVIVORS IN THE EU WORKFORCE FINLAND: SUPPORTING RETURN TO WORK Sponsored by: This report is part of a series of profiles focusing on the main employment-related issues affecting female breast 1 Although male breast 1 cancer does occur, it is cancer patients and survivors in selected EU countries. very rare, with an age- adjusted incidence of less Key data than 1 per 100,000 in most Crude breast cancer incidence rate per 100,000: 162.9 (2012, IARC) of Europe and no clear sign of increase or decrease Breast cancer prevalence (five-year) per 100,000: 809.2 (2012, IARC) (Diana Ly et al., “An Labour force participation rate—general: 75.9% (2015, OECD) International Comparison Labour force participation rate—women aged 40-64: 79.8% (2015, EIU calculations from OECD data) of Male and Female Breast Unemployment rate—general: 9.5% (2015, OECD) Cancer Incidence Rates”, International Journal of Unemployment rate—women aged 40-64: 6.6% (2015, EIU calculations from OECD data) Cancer, 2012). This study Breast cancer is a substantial health challenge for Finland. In 2012 the country had Europe’s, and therefore deals exclusively the world’s, seventh-highest crude incidence rate at 162.9 per 100,000 women.2 While this is less with female breast cancer. than Denmark’s burden (185.4 per 100,000), it is well ahead of the rates recorded in its Nordic 2 Unless otherwise stated, neighbours: the average for northern Europe as a whole is 153.6 per 100,000 women. -
Marvin Hamlisch
tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE MUSIC OF MARVIN HAMLISCH Monday, October 19, 2015 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building The Ira and Leonore Gershwin Fund in the Library of Congress was established in 1992 by a bequest from Mrs. Gershwin to perpetuate the name and works of her husband, Ira, and his brother, George, and to provide support for worthy related music and literary projects. "LIKE" us at facebook.com/libraryofcongressperformingarts loc.gov/concerts Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. • Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Monday, October 19, 2015 — 8 pm tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE mUSIC OF MARVIN hAMLISCH WHITNEY BASHOR, VOCALIST | CAPATHIA JENKINS, VOCALIST LINDSAY MENDEZ, VOCALIST | BRYCE PINKHAM, VOCALIST -
P R E S S R E L E A
P R E S S R E L E A S E Contact: Tara Wibrew, OCT associate producer [email protected] 541.953.1038 (cell) For Immediate Release: November 30, 2020 From the Tony and Olivier Award-Winning Director of Les Misérables and Nicholas Nickleby John Caird and the Tony Nominated Composer of Jane Eyre Paul Gordon: A World Premiere Streaming Holiday Musical that Uniquely Blends Theatre, Film and Cutting-Edge Animation For a first look at the Trailer, click here: Estella Scrooge EUGENE, OR – Just in time for the holidays, Oregon Contemporary Theatre brings audiences a magical musical created with new cutting-edge technology that is sure to become new a holiday tradition – the World Premiere of Estella Scrooge: A Christmas Carol with a Twist! Estella Scrooge is now available for streaming through the holidays. Tickets are now on sale and may be purchased at https://bit.ly/OCTEstellaScrooge, or visit OCT’s website at octheatre.org. The production features a cast of 24 award-winning Broadway notables, and is the creation of John Caird, (the Tony and Olivier Award-winning director of Les Misérables and Nicholas Nickleby), and Tony Award nominee Paul Gordon (Jane Eyre, Pride and Prejudice). Caird and Gordon also paired to create Daddy Long Legs, which played at numerous regional theatres throughout the country and in four countries before enjoying a successful Off-Broadway run where Caird received a Drama Desk. The story follows Estella Scrooge, a modern-day Wall Street tycoon with a penchant for foreclosing. A hotelier in her hometown of Pickwick, Ohio has defaulted on his mortgage and Estella fancies the idea of lowering the boom personally. -
Musical! Theatre!
Premier Sponsors: Sound Designer Video Producer Costume Coordinator Lance Perl Chrissy Guest Megan Rutherford Production Stage Manager Assistant Stage Manager Stage Management Apprentice Mackenzie Trowbridge* Kat Taylor Lyndsey Connolly Production Manager Dramaturg Assistant Director Adam Zonder Hollyann Bucci Jacob Ettkin Musical Director Daniel M. Lincoln Directors Gerry McIntyre+ & Michael Barakiva+ We wish to express our gratitude to the Performers’ Unions: ACTORS’ EQUITY ASSOCIATION AMERICAN GUILD OF MUSICAL ARTISTS AMERICAN GUILD OF VARIETY ARTISTS SAG-AFTRA through Theatre Authority, Inc. for their cooperation in permitting the Artists to appear on this program. * Member of the Actor's Equity Association, the Union of Professional Actors and Stage Managers in the United States. + ALEXA CEPEDA is delighted to be back at The KRIS COLEMAN* is thrilled to return to the Hangar. Hangar! Select credits: Mamma Mia (CFRT), A Broadway Credit: Jersey Boys (Barry Belson) Chorus Line (RTP), In The Heights (The Hangar Regional Credit: Passing Strange (Narrator), Jersey Theatre), The Fantasticks (Skinner Boys - Las Vegas (Barry Belson), Chicago (Hangar Barn), Cabaret (The Long Center), Anna in the Theatre, Billy Flynn), Dreamgirls (Jimmy Early), Sister Tropics (Richard M Clark Theatre). She is the Act (TJ), Once on This Island (Agwe), A Midsummer founder & host of Broadway Treats, an annual Nights Dream (Oberon) and Big River (Jim). benefit concert organized to raise funds for Television and film credits include: The Big House Animal Lighthouse Rescue (coming up! 9/20/20), and is (ABC), Dumbbomb Affair, and The Clone. "As we find ourselves currently working on her two-person musical Room 123. working through a global pandemic and race for equality, work Proud Ithaca College BFA alum! "Gracias a mamacita y papi." like this shows the value and appreciation for all. -
The Drowsy Chaperone Opens Thursday, August 3
CO N3 CO CO * O = T3 2 ■o * oO Toss a pie at the mayor & council to benefit Social Services Saturday at Christmas in July. =- >r -A ^ C S c^ * o V * o * o — 2 > c * - n * fUlNFIELD PUBUC UBRAB'' == g ? r * n * CD * INFIELD AVE. f ^ * ^ b a > * IFIEUD, N.J. D * 0708 ° > b 5 * ~ o <: > ^ ' * ::z 03 rn X ^ * o "< *n * — w * — C/? CO * =; CO * * * > X1 73 -H r O * * o 0 N) 01 VOL. 20, NO. 47 75 CENTS WWW.SPOBSERVER.COM Member New Jersey Press Association JULY 28, 2017 New BOE Policy Restricts THE DROWSY CHAPERONE OPENS THURSDAY, AUGUST 3. FOR MORE, SEE THE CENTERFOLD. Members From Exec Boards The Board of Education BOE member enters a school, approved a policy last week re it could possibly cause teach stricting members from serving ers and administrators to feel on an executive committee as an intimidated. officer in a school-connected or Another reason for the new ganization such as a PTA, PTO, policy, as explained by Board parent or booster club. President Bill Seesselberg, was The policy was introduced at that it would give parents a chance last month’s BOE meeting and to serve on the executive board. was tabled until the July 19 meet BOE member Douglas Chap ing after a two-hour discussion. man, who said he was originally Currently this policy will only against the policy change, said affect two board members, Sha he felt it was best if a board ron Miller and Debbie Boyle, member not serve on an execu who serve as officers on the high tive board to prevent any ques- .school and middle school PTOs, don of impropriety. -
Book, Music and Lyrics by Jason Robert Brown the Last Five Years Is Presented Through Special Arrangement with Music Theater International (MTI)
The Last Five Years Book, Music and Lyrics by Jason Robert Brown The Last Five Years is presented through special arrangement with Music Theater International (MTI). All authorized performance materials are also supplied by MTI. 421 West 54th Street, New York, NY 10019, www.MTIShows.com Book, Music and Lyrics by JASON ROBERT BROWN Director’s Note They say, “there are two sides to every story” and in the case of The Last Five Years, “they” couldn’t be more right! We all have our own story, our own goals, our own experiences, that we carry with us throughout our lives. When two lives come together in a relationship, often with different societal parameters of what love is, how relationships should be, and countless other expectations, the relationship is no longer living in each moment, but rather moving from one expectation to the next. The characters of Jamie and Cathy continually remind us of the dangers that expectation can have on, not just romantic, but all variations of human relationships. I chose to produce The Last Five Years because this musical so brilliantly portrays the intimate and often hidden moments that make up a relationship; making it unmistakably familiar to audiences who have experienced the trials of love and loss. Vulnerably told through Jason Robert Brown’s soaring melodies and tight, witty lyrics, The Last Five Years tells the very human story of the struggles we face when we commit ourselves to blind love. Brown wrote this piece after concluding his own five-year marriage, influencing him to create a unique and dynamic form of storytelling; having the show begin at the end of the relationship for Cathy and the beginning for Jamie. -
YMTC "Parade" Press Release
Youth Musical Theater Company FOR IMMEDIATE RELEASE Press Inquiries: Laura Soble/YMTC Phone 510-595-5514 Email: [email protected] Website: www.ymtcbayarea.org PARADE COMING TO EL CERRITO, JULY 20–29. Berkeley, California, June 11, 2019—Youth Musical Theater Company (YMTC) concludes its 13th season with the award-winning musical Parade. It will run July 20–29 at El Cerrito High School Performing Arts Theater. Set in 1913, Parade tells the true story of Leo Frank, a Brooklyn-raised Jew living in Georgia. Frank is put on trial for the murder of thirteen-year-old Mary Phagan, a factory worker he employed. Already deemed guilty in the eyes of everyone around him, Frank suffered the added consequences of sensationalist news stories and a janitor's false testimony. His only defenders were a governor with a conscience and, eventually, his assimilated Southern wife, who finds the strength and love to become his greatest champion. “Parade is a story about one of the most glaring miscarriages of justice in recent American history,” says Director Jennifer Boesing. “It’s also a cautionary tale, a warning against scapegoating, racism, xenophobia, and sensationalism in the media—all issues that we can see playing out in American politics today.” Boesing adds, “Underneath these issues, Parade reveals a deeply human lesson about how love and human connection can be forged, even in a climate of intolerance—a story that needs to be told now more than ever. Theater has the power to change hearts and minds, and the young artists at the heart of YMTC take their role as storytellers very seriously.” The book was written by Alfred Uhry (Driving Miss Daisy), and the music and lyrics by Jason Robert Brown (The Last Five Years, The Bridges of Madison County). -
Denmark Ranked 1 out of 128 Countries on Rule of Law
UNDER EMBARGO – DO NOT PUBLISH UNTIL: 11 March 2020 (3:00 AM Washington DC / Eastern Standard Time) DENMARK RANKED 1 OUT OF 128 COUNTRIES ON RULE OF LAW 2020 WJP Rule of Law Index Shows Sustained Negative Slide Toward Weaker Rule of Law Around the World Denmark Placed 1st out of 24 in the European Union, European Free Trade Association, and North America Region WASHINGTON, DC (11 March 2020) – The World Justice Project (WJP) today released the WJP Rule of Law Index® 2020, an annual report based on national surveys of more than 130,000 households and 4,000 legal practitioners and experts around the world. The WJP Rule of Law Index measures rule of law performance in 128 countries and jurisdictions across eight primary factors: Constraints on Government Powers, Absence of Corruption, Open Government, Fundamental Rights, Order and Security, Regulatory Enforcement, Civil Justice, and Criminal Justice. The Index is the world’s leading source for original, independent data on the rule of law. Denmark’s overall rule of law score remained the same in this year’s Index. At 1st place out of 128 countries and jurisdictions worldwide, Denmark remained in the same position in global rank. Denmark’s score places it at 1 out of 24 countries in the European Union, European Free Trade Association, and North America region* and 1 out of 37 among high income** countries. Denmark, Norway, and Finland topped the WJP Rule of Law Index rankings in 2020. Venezuela, RB; Cambodia; and Democratic Republic of the Congo had the lowest overall rule of law scores—the same as in 2019.