DOCSLIB.ORG

Return of Organization Exempt from Income

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Return of Organization Exempt from Income l efile GRAPHIC p rint - DO NOT PROCESS As Filed Data - DLN: 93490135002428 Return of Organization Exempt From Income Tax OMB No 1545-0047 Form 990 Under section 501 (c), 527, or 4947( a)(1) of the Internal Revenue Code (except black lung benefit trust or private foundation) 2 00 6_ Department of the Open to Public Treasury -The organization may have to use a copy of this return to satisfy state reporting requirements Inspection Internal Revenue Service A For the 2006 calendar year, or tax year beginning 07 -01-2006 and ending 06 -30-2007 C Name of organization D Employer identification number B Check if applicable Please CENTER THEATRE GROUP 1 Address change use IRS 95-2466183 label or Number and street (or P 0 box if mail is not delivered to street address ) Room/ suite E Telephone number (- Name change print or 601 W Temple St type . See (213 ) 972-7349 F Initial return S p ecific Instruc - City or town, state or country, and ZIP + 4 FAccounting method fl Cash F Accrual (- Final return tions . Los Angeles, CA 90012 Other ( specify) 0- F-Amended return (- Application pending * Section 501(c)(3) organizations and 4947(a)(1) nonexempt charitable H and I are not applicable to section 527 organizations trusts must attach a completed Schedule A (Form 990 or 990-EZ). H(a) Is this a group return for affiliates? 1 Yes F No H(b) If "Yes" enter number of affiliates 0- G Web site: - www centertheatregroup org H(c) Are all affiliates included? (- Yes F_ No (If "No," attach a list See instructions ) I Organization type (check only one) 1- F 95 501(c) (3) -4 (insert no ) 1 4947(a)(1) or F_ 527 H(d) Is this a separate return filed by an organization K Check here 1- 1 if the organization is not a 509(a)(3) supporting organization and its gross receipts are covered by a group ruling? F Yes F No normally not more than 25,000 A return is not required, but if the organization chooses to file a return, be sure to file a complete return I Group Exemption Number 0- M Check - 1 if the organization is not required to L Gross receipts Add lines 6b, 8b, 9b, and 10b to line 12 0- 50,471,000 attach Sch B (Form 990, 990-EZ, or990-PF) n i Revenue . Expenses . and Chances in Net Assets or Fund Balances (See the instructions.) 1 Contributions, gifts, grants, and similar amounts received a Contributions to donor advised funds la 0 b Direct public support (not included on line 1a) . lb 10,441,000 c Indirect public support (not included on line 1a) . 1c 0 d Government contributions (grants) (not included on line 1a) ld 228,000 10,669,000 e Total (add lines la through 1d) (cash $ 10,631,000 noncash $ 38,000 1e 2 Program service revenue including government fees and contracts (from Part V II, line 93) 2 36,383,000 3 Membership dues and assessments 3 0 4 Interest on savings and temporary cash investments 4 162,000 5 Dividends and interest from securities 5 650,000 6a Gross rents 6a 0 b Less rental expenses 6b 0 c Net rental income or (loss) subtract line 6b from line 6a . 6c 0 W 7 Other investment income (describe - ) 7 0 8a Gross amount from sales of assets (A) Securities (B) Other 16 a other than inventory . 1,683,000 8a 0 b Less cost or other basis and sales expenses 317,000 8b 0 c Gain or (loss) (attach schedule) . 95 1,366,000 Sc 0 d Net gain or (loss) Combine line 8c, colum ns (A) and (B) . 8d 1,366,000 9 Special events and activities (attach schedule) If any amount is from gaming , check here 0-F a Gross revenue (not including $ of contributions reported on line 1b) 9a 726,000 b Less direct expenses other than fundraising expenses . 9b 726,000 c Net income or (loss) from special events Subtract line 9b from line 9a . c 0 10a Gross sales of inventory, less returns and allowances 10a 0 b Less cost of goods sold 10b 0 c Gross profit or (loss) from sales of inventory (attach schedule) Subtract line 10b from line 10a 10c 0 11 Other revenue (from Part VII, line 103) 11 198,000 12 Total revenueAdd lines le, 2, 3, 4, 5, 6c, 7, 8d, 9c, 10c, and 11 . 12 49,428,000 13 Program services (from line 44, column (B)) . 13 41,432,000 14 Management and general (from line 44, column (C)) . 14 4,244,000 u 15 Fundraising (from line 44, column (D)) . 15 2,369,000 4, 16 Payments to affiliates (attach schedule) 16 0 17 Total expenses Add lines 16 and 44, column (A) . 17 48,045,000 ,A 18 Excess or (deficit) for the year Subtract line 17 from line 12 . 18 1,383,000 19 Net assets or fund balances at beginning of year (from line 73, column (A)) 19 49,816,000 20 Other changes in net assets or fund balances (attach explanation) 20 4,779,000 21 Net assets or fund balances at end of year Combine lines 18, 19, and 20 . 21 55,978,000 For Privacy Act and Paperwork Reduction Act Notice, see the separate instructions . Cat No 11282Y Form 990 (2006) Form 990 (2006) Page 2 RIEULEM Statement of All organizations must complete column (A) Columns (B), (C), and (D) are required for section Functional Expenses 501(c)(3) and (4) organizations and section 4947(a)(1) nonexempt charitable trusts but optional for others (See the instructions.) Do not include amounts reported on line (B) Program (C) Management (A) Total (D) Fundraising 6b, 8b, 9b, 1Ob, or 16 of Part I. services and general 22a Grants paid from donor advised funds (attach Schedule) (cash $ noncash $ If this amount includes foreign grants, check here F 22a 0 0 22b Other grants and allocations (attach schedule) (cash $ noncash $ If this amount includes foreign grants, check here F 22b 0 0 23 Specific assistance to individuals (attach schedule) 23 0 0 24 Benefits paid to or for members (attach schedule) 24 0 0 25a Compensation of current officers, directors, key employees etc Listed in Part V-A (attach schedule) 25a 1,007,000 409,000 598,000 0 b Compensation of former officers, directors, key employees etc listed in Part V-B (attach schedule) . 25b 0 0 0 0 c Compensation and other distributions not icluded above to disqualified persons (as defined under section 4958(f)(1)) and persons described in section 4958(c)(3)(B) (attach schedule) 25c 0 0 0 0 26 Salaries and wages of employees not included on lines 25a, b and c 26 16,912,000 14,133,000 1,161,000 1,618,000 27 Pension plan contributions not included on lines 25a, b and c 27 1,158,000 1,007,000 90,000 61,000 28 Employee benefits not included on lines 25a - 27 28 2,434,000 2,179,000 155,000 100,000 29 Payroll taxes 29 1,377,000 1,139,000 116,000 122,000 30 Professional fundraising fees 30 25,000 0 0 25,000 31 Accounting fees 31 60,000 0 60,000 0 32 Legal fees 32 166,000 0 166,000 0 33 Supplies 33 102,000 48,000 46,000 8,000 34 Telephone 34 181,000 70,000 105,000 6,000 35 Postage and shipping 35 448,000 393,000 8,000 47,000 36 Occupancy 36 1,164,000 852,000 312,000 0 37 Equipment rental and maintenance 37 132,000 55,000 75,000 2,000 38 Printing and publications 38 725,000 654,000 2,000 69,000 39 Travel 39 395,000 350,000 34,000 11,000 40 Conferences, conventions, and meetings 40 63,000 14,000 38,000 11,000 41 Interest 41 70,000 59,000 11,000 0 42 Depreciation, depletion, etc (attach schedule) r^+ 42 166,000 0 166,000 0 43 Other expenses not covered above (itemize) a Physical Production Costs 43a 12,973,000 12,973,000 0 0 b Insurance 43b 403,000 245,000 158,000 0 c Promotion and Advertising 43c 3,676,000 3,662,000 0 14,000 d Investment managemnt/adman 43d 205,000 0 205,000 0 e Miscellaneous 43e 4,203,000 3,190,000 738,000 275,000 f 43f g 43g 44 Total functional expenses . Add lines 22a through 43g (Organizations completing columns (B)-(D), carry these totals to lines 13-15) 44 48,045,000 41,432,000 4,244,000 2,369,000 Joint Costs . Check - fl if you are following SOP 98-2 Are any joint costs from a combined educational campaign and fundraising solicitation reported in (B) Program services ' fl Yes 17 No If "Yes," enter ( i) the aggregate amount of these joint costs $ , ( ii) the amount allocated to Program services $ (iii) the amount allocated to Management and general $ , and (iv ) the amount allocated to Fundraising $ Form 990 (2006) Form 990 ( 2006) Page 3 f iii Statement of Program Service Accomplishments (See the instructions.) Form 990 is available for public inspection and, for some people, serves as the primary or sole source of information about a particular organization How the public perceives an organization in such cases may be determined by the information presented on its return Therefore, please make sure the return is complete and accurate and fully describes, in Part III, the organization's programs and accomplishments What is the organization's primary exempt purpose? 0- The Center Theatre Group of Los Angeles is a Program Service nonprofit corporation organized for the purpose of Expenses stimulating and promoting interest in the dramatic (Required for 501(c)(3) and arts (4) orgs , and 4947(a)(1) All organizations must describe their exempt purpose achievements in a clear and concise manner State the number of clients served, trusts, but optional for publications issued, etc Discuss achievements that are not measurable (Section 501(c)(3) and (4) organizations and 4947(a)(1) nonexempt others charitable trusts must also enter the amount of grants and allocations to others ) a See Additional Data Table (Grants and allocations $ If this amount includes foreign grants, check here - fl (Grants and allocations $ If this amount includes foreign grants, check here - fl (Grants and allocations $ If this amount includes foreign grants, check here - fl d (Grants and allocations $ If this amount includes foreign grants, check here - fl e Other program services ( attach schedule) (Grants and allocations $ ) If this amount includes foreign grants, check here F- f Total of Program Service Expenses (should equal line 44, column (B), Program services) 41,432,000 Form 990 (2006) Form 990 (2006) Page 4 Balance Sheets (See the instructions.) Note : Where required, attached schedules and amounts within the description (A) (B) column should be for end-of-year amounts only.
Load more

Recommended publications
  • July 8-18, 2021
    July 8-18, 2021 Val Underwood Artistic Director ExecutiveFrom Directorthe Dear Friends: to offer a world-class training and performance program, to improve Throughout education, and to elevate the spirit of history, global all who participate. pandemics have shaped society, We are delighted to begin our season culture, and with Stars of Tomorrow, featuring institutions. As many successful young alumni of our we find ourselves Young Singer Program—including exiting the Becca Barrett, Stacee Firestone, and COVID-19 crisis, one pandemic and many others. Under the direction subsequent recovery that comes to of both Beth Dunnington and Val mind is the bubonic plague—or Black Underwood, this performance will Death—which devastated Europe and celebrate the art of storytelling in its Asia in the 14th century. There was a most simple and elegant state. The silver lining, however, as it’s believed season also includes performances that the socio-economic impacts of by many of our very own, long- the Plague on European society— time Festival favorites, and two of particularly in Italy—helped create Broadway’s finest, including HPAF the conditions necessary for what is Alumna and 1st Place Winner of arguably the greatest post-pandemic the 2020 HPAF Musical Theatre recovery of all time—the Renaissance. Competition, Nyla Watson (Wicked, The Color Purple). Though our 2021 Summer Festival is not what was initially envisioned, As we enter the recovery phase and we are thrilled to return to in-person many of us eagerly await a return to programming for the first time in 24 “normal,” let’s remember one thing: we months.
    [Show full text]
  • More- for Immediate Release CENTER THEATRE GROUP
    For immediate release CENTER THEATRE GROUP ANNOUNCES 2018 — 2019 SEASON AT THE MARK TAPER FORUM AND KIRK DOUGLAS THEATRE THE 2018 — 2019 SEASONS FEATURE TWO WORLD PREMIERES, A PULITZER PRIZE-WINNING PLAY, A NEW WORK BY A PULITZER WINNER, A POWERFUL WORK BY A LOS ANGELES FAVORITE, AN EXCITING SOLO WORK, A RECENT NEW YORK HIT, AN ACCLAIMED PRODUCTION OF A CLASSIC PIECE AND THE THIRD ANNUAL BLOCK PARTY: CELEBRATING LOS ANGELES THEATRE The 2018-2019 Season at the Mark Taper Forum Includes “Sweat,” “Valley of the Heart,” “Linda Vista,” “Lackawanna Blues” and “Happy Days” Begins August 29, 2018, and Runs Through June 30, 2019 The 2018-2019 Season at the Kirk Douglas Theatre Includes “School Girls; Or, the African Mean Girls Play,” “Quack,” Block Party: Celebrating Los Angeles Theatre and “From the Words and Writings of Dana H.” Begins September 2, 2018, and Runs Through June 23, 2019 Two Subscriber Bonus Options Offered as Part of Off Center Center Theatre Group Collaborations with Arts Partners Around Town [For complete listing of plays and performance dates, please see final pages of release.] Center Theatre Group Artistic Director Michael Ritchie has set the 2018 — 2019 seasons at both the Mark Taper Forum and Kirk Douglas Theatre. Together, the seasons feature new plays, classic works and the continuation of Block Party, which celebrates the rich array of theatre produced every year in Los Angeles. “The eight shows scheduled in the 51st season at the Taper and the 15th season at the Douglas run the gamut from world premiere comedies to enduring classics,” said Ritchie.
    [Show full text]
  • Abby Wiggins, Soprano Junior Recital
    THE BELHAVEN COLLEGE DEPARTMENT OF MUSIC Dr. Stephen W. Sachs, Chair presents Abby Wiggins, soprano Junior Recital assisted by Hannah Thomas, accompanist John Mathieu, bass & Eleana Davis, soprano Saturday, March 27, 2010 2:00 p.m. Belhaven University Center for the Arts Concert Hall BELHAVEN UNIVERSITY DEPARTMENT OF MUSIC MISSION STATEMENT The Music Department seeks to produce transformational leaders in the musical arts who will have profound influence in homes, churches, private studios, educational institutions, and on the concert stage. While developing the God-bestowed musical talents of music majors, minors, and elective students, we seek to provide an integrative understanding of the musical arts from a Christian world and life view in order to equip students to influence the world of ideas. The music major degree program is designed to prepare students for graduate study while equipping them for vocational roles in performance, church music, and education. The Belhaven University Music Department exists to multiply Christian leaders who demonstrate unquestionable excellence in the musical arts and apply timeless truths in every aspect of their artistic discipline. The Music Department of Belhaven University directs you to “Arts Ablaze 2009-2010.” Read about many of the excellent performances and presentations scheduled throughout this academic year at Belhaven University by the Arts Division. Please take a complimentary copy of “Arts Ablaze 2009-2010” with you. The Music Department would like to thank our many community partners for their support of Christian Arts Education at Belhaven University through their advertising in “Arts Ablaze 2009-2010”. It is through these and other wonderful relationships in the greater Jackson community that makes an afternoon like this possible at Belhaven.
    [Show full text]
  • Ripe Frenzy Program (Download PDF)
    WELCOME Greenway Arts Alliance has been honored to serve thousands of students, artists and community members for the last twenty years. Did you know that you are on the campus of Fairfax High School in a building designed and constructed by Fairfax students as a “Social Hall” in the 1940’s? Based on articles in the school newspaper, the students were committed to building a home in which to “socialize.” Greenway continues this commit- ment through our mission to unite communities through our productions at the Greenway Court Theatre, which give our patrons the opportunity to share in the communal experience of live theatre. Jennifer Barclay's Ripe Frenzy, produced through the National New Play Network's Rolling World Premiere program, is the culminating production of Greenway's 20th Anniversary season. In it we showcase our recommitment to producing important new works that explore the pressing social issues of our time. As we write this letter in preparation for Opening Night, we do so with the knowledge that students, teachers and parents in Santa Fe, Texas, are mourning their friends and children lost in yet another school shooting. Since Columbine, we have watched in horror as 85 similar shootings have occurred, killing 223 people. As a theatre in residence on a high school campus, we say ENOUGH, and hope that this produc- tion will inspire our audiences to interrogate society's role in the proliferation of these events, and look for ways to work toward ending them. We regard Greenway Court Theatre as our home and are grateful that you are here.
    [Show full text]
  • PARADE Study Guide Written by Talia Rockland Edited by Yuko Kurahashi
    Study Guide, Parade PARADE Study Guide Written by Talia Rockland Edited by Yuko Kurahashi TABLE OF CONTENTS ABOUT THE PLAY ................................................................. 2 GLOSSARY ............................................................................. 3 CONTEXT ............................................................................... 6 MARY PHAGAN MURDER AND LEO FRANK TRIAL TIMELINE ............................................................................... 9 HISOTRICAL INFLUENCES ON THE EVENTS OF PARADE11 TRIAL OUTCOMES .............................................................. 11 SOURCES .............................................................................. 12 1 Study Guide, Parade ABOUT THE PLAY Parade was written by Alfred Uhry and lyrically and musically composed by Jason Robert Brown in 1998. The show opened at the Lincoln Center Theatre on December 17th, 1998 and closed February 28th, 1999 with a total of 39 previews and 85 performances. It won the Tony Award for Best Book of a Musical and Best Original Score and the New York Drama Critics Circle for Best Musical. It also won Drama Desk awards for Outstanding Musical, Outstanding Actor (Brent Carver), Outstanding Actress (Carolee Carmelo), Outstanding Book of a Musical, Outstanding Orchestrations (Don Sebesky), and Outstanding Score of a Musical. Alfred Uhry is a playwright, lyricist and screenwriter. Born in Atlanta, Georgia from German- Jewish descendants, Uhry graduated Brown University in 1958 with a degree in English and Drama. Uhry relocated to New York City where he taught English and wrote plays. His first success was the musical adaption of The Robber Bridegroom. He received a Tony Award nomination for Best Book of a Musical. His other successful works include Driving Miss Daisy, Last Night of Ballyhoo, and LoveMusik. Jason Robert Brown is a composer, lyricist, conductor, arranger, orchestrator, director and performer. He was born in Ossining, New York and was raised Jewish. He attended the Eastman School of Music in Rochester, New York.
    [Show full text]
  • T H E P Ro G
    Friday, February 1, 2019 at 8:30 pm m a r Jose Llana g Kimberly Grigsby , Music Director and Piano o Aaron Heick , Reeds r Pete Donovan , Bass P Jon Epcar , Drums e Sean Driscoll , Guitar h Randy Andos , Trombone T Matt Owens , Trumpet Entcho Todorov and Hiroko Taguchi , Violin Chris Cardona , Viola Clarice Jensen , Cello Jaygee Macapugay , Jeigh Madjus , Billy Bustamante , Renée Albulario , Vocals John Clancy , Orchestrator Michael Starobin , Orchestrator Matt Stine, Music Track Editor This evening’s program is approximately 75 minutes long and will be performed without intermission. Please make certain all your electronic devices are switched off. Lead support provided by PGIM, the global investment management businesses of Prudential Financial, Inc. Endowment support provided by Bank of America This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano The Appel Room Jazz at Lincoln Center’s Frederick P. Rose Hall American Songbook Additional support for Lincoln Center’s American Songbook is provided by Rita J. and Stanley H. Kaplan Family Foundation, The DuBose and Dorothy Heyward Memorial Fund, The Shubert Foundation, Great Performers Circle, Lincoln Center Spotlight, Chairman’s Council, and Friends of Lincoln Center Public support is made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature Nespresso is the Official Coffee of Lincoln Center NewYork-Presbyterian is the Official Hospital of Lincoln Center Artist catering provided by Zabar’s and Zabars.com UPCOMING AMERICAN SONGBOOK EVENTS IN THE APPEL ROOM: Saturday, February 2 at 8:30 pm Rachael & Vilray Wednesday, February 13 at 8:30 pm Nancy And Beth Thursday, February 14 at 8:30 pm St.
    [Show full text]
  • HERRICK GOLDMAN LIGHTING DESIGNER Website: HG Lighting Design Inc
    IGHTING ESIGNER HERRICK GOLDMAN L D Website: HG Lighting Design inc. Phone: 917-797-3624 www.HGLightingDesign.com 1460 Broadway 16th floor E-mail: [email protected] New York, NY 10036 Honors & Awards: •2009 LDI Redden Award for Excellence in Theatrical Design •2009 Henry Hewes (formerly American Theatre Wing) Nominee for “Rooms a Rock Romance” •2009 ISES Big Apple award for Best Event Lighting •2010 Live Design Excellence award for Best Theatrical Lighting Design •2011 Henry Hewes Nominee for Joe DiPietro’s “Falling for Eve” Upcoming: Alice in Wonderland Pittsburgh Ballet, Winter ‘17 Selected Experience: •New York Theater (partial). Jason Bishop The New Victory Theater, Fall ‘16 Jasper in Deadland Ryan Scott Oliver/ Brandon Ivie dir. Prospect Theater Company Off-Broadway, NYC March ‘14 50 Shades! the Musical (Parody) Elektra Theatre Off-Broadway, NYC Jan ‘14 Two Point Oh 59 e 59 theatres Off-Broadway, NYC Oct. ‘13 Amigo Duende (Joshua Henry & Luis Salgado) Museo Del Barrio, NYC Oct. ‘12 Myths & Hymns Adam Guettel Prospect Theater co. Off-Broadway, NYC Jan. ‘12 Falling For Eve by Joe Dipietro The York Theater, Off-Broadway NYC July. ‘10 I’ll Be Damned The Vineyard Theater, Off-Broadway NYC June. ‘10 666 The Minetta Lane Theater Off-Broadway, NYC March. ‘10 Loaded Theater Row Off-Broadway, NYC Nov. ‘09 Flamingo Court New World Stages Off-Broadway, NYC June ‘09 Rooms a Rock Romance Directed by Scott Schwartz, New World Stages, NYC March. ‘09 The Who’s Tommy 15th anniversary concert August Wilson Theater, Broadway, NYC Dec. ‘08 Flamingo Court New World Stages Off-Broadway, NYC July ‘08 The Last Starfighter (The musical) Theater @ St.
    [Show full text]
  • Marvin Hamlisch
    tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE MUSIC OF MARVIN HAMLISCH Monday, October 19, 2015 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building The Ira and Leonore Gershwin Fund in the Library of Congress was established in 1992 by a bequest from Mrs. Gershwin to perpetuate the name and works of her husband, Ira, and his brother, George, and to provide support for worthy related music and literary projects. "LIKE" us at facebook.com/libraryofcongressperformingarts loc.gov/concerts Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. • Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Monday, October 19, 2015 — 8 pm tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE mUSIC OF MARVIN hAMLISCH WHITNEY BASHOR, VOCALIST | CAPATHIA JENKINS, VOCALIST LINDSAY MENDEZ, VOCALIST | BRYCE PINKHAM, VOCALIST
    [Show full text]
  • Musical! Theatre!
    Premier Sponsors: Sound Designer Video Producer Costume Coordinator Lance Perl Chrissy Guest Megan Rutherford Production Stage Manager Assistant Stage Manager Stage Management Apprentice Mackenzie Trowbridge* Kat Taylor Lyndsey Connolly Production Manager Dramaturg Assistant Director Adam Zonder Hollyann Bucci Jacob Ettkin Musical Director Daniel M. Lincoln Directors Gerry McIntyre+ & Michael Barakiva+ We wish to express our gratitude to the Performers’ Unions: ACTORS’ EQUITY ASSOCIATION AMERICAN GUILD OF MUSICAL ARTISTS AMERICAN GUILD OF VARIETY ARTISTS SAG-AFTRA through Theatre Authority, Inc. for their cooperation in permitting the Artists to appear on this program. * Member of the Actor's Equity Association, the Union of Professional Actors and Stage Managers in the United States. + ALEXA CEPEDA is delighted to be back at The KRIS COLEMAN* is thrilled to return to the Hangar. Hangar! Select credits: Mamma Mia (CFRT), A Broadway Credit: Jersey Boys (Barry Belson) Chorus Line (RTP), In The Heights (The Hangar Regional Credit: Passing Strange (Narrator), Jersey Theatre), The Fantasticks (Skinner Boys - Las Vegas (Barry Belson), Chicago (Hangar Barn), Cabaret (The Long Center), Anna in the Theatre, Billy Flynn), Dreamgirls (Jimmy Early), Sister Tropics (Richard M Clark Theatre). She is the Act (TJ), Once on This Island (Agwe), A Midsummer founder & host of Broadway Treats, an annual Nights Dream (Oberon) and Big River (Jim). benefit concert organized to raise funds for Television and film credits include: The Big House Animal Lighthouse Rescue (coming up! 9/20/20), and is (ABC), Dumbbomb Affair, and The Clone. "As we find ourselves currently working on her two-person musical Room 123. working through a global pandemic and race for equality, work Proud Ithaca College BFA alum! "Gracias a mamacita y papi." like this shows the value and appreciation for all.
    [Show full text]
  • Book, Music and Lyrics by Jason Robert Brown the Last Five Years Is Presented Through Special Arrangement with Music Theater International (MTI)
    The Last Five Years Book, Music and Lyrics by Jason Robert Brown The Last Five Years is presented through special arrangement with Music Theater International (MTI). All authorized performance materials are also supplied by MTI. 421 West 54th Street, New York, NY 10019, www.MTIShows.com Book, Music and Lyrics by JASON ROBERT BROWN Director’s Note They say, “there are two sides to every story” and in the case of The Last Five Years, “they” couldn’t be more right! We all have our own story, our own goals, our own experiences, that we carry with us throughout our lives. When two lives come together in a relationship, often with different societal parameters of what love is, how relationships should be, and countless other expectations, the relationship is no longer living in each moment, but rather moving from one expectation to the next. The characters of Jamie and Cathy continually remind us of the dangers that expectation can have on, not just romantic, but all variations of human relationships. I chose to produce The Last Five Years because this musical so brilliantly portrays the intimate and often hidden moments that make up a relationship; making it unmistakably familiar to audiences who have experienced the trials of love and loss. Vulnerably told through Jason Robert Brown’s soaring melodies and tight, witty lyrics, The Last Five Years tells the very human story of the struggles we face when we commit ourselves to blind love. Brown wrote this piece after concluding his own five-year marriage, influencing him to create a unique and dynamic form of storytelling; having the show begin at the end of the relationship for Cathy and the beginning for Jamie.
    [Show full text]
  • Musical Theatre Cabaret Show Program
    Musical Theatre Cabaret Created by the 2020 Musical Theatre Repertoire Class Nov 19, 2020 This is a musical theatre cabaret that explores connection and the struggles we have all experienced during quarantine over the last year. Cast: Michael Armstrong, Damian Bowden, Sydney Cobb, Reagan Gross, Micayla Johnston, Nelsey Leverette, Tyler McLellan, Josie Patterson “When Will My Life Begin” from Tangled by Menken and Slater ........................................................................ Ensemble “I Can See It” from The Fantasticks by Schmidt and Jones ........................ Michael Armstrong, Damian Bowden “Breathe” by Kooman and Dimond ............................................................. Reagan Gross “Focus on the Negative” from Waitress by Sara Bareilles .......................................... Nelsey Leverette, Sydney Cobb, Micayla Johnston, Josie Patterson “Confrontation” from Jekyll and Hyde by Frank Wildhorn ................................................................. Damian Bowden “Cell Block Tango” from Chicago by Kander and Ebb ............................................................................. Ensemble “How Do I Get You Alone” by Steinberg and Kelly ........................................................................ Ensemble “The Next Ten Minutes” from The Last Five Years by Jason Robert Brown ..................... Michael Armstrong, Josie Patterson “I Who Have Nothing” by Lieber and Stoller ............................................................. Damian Bowden “World Burn” from Mean
    [Show full text]
  • CASEY CLARK Musical Direction by MICHAEL SANTANGELO
    Presents 13 the musical Music and Lyrics by Jason Robert Brown Book by Dan Elish and Robert Horn Producer Artistic Director NOEL S. RUIZ BERNADETTE MESCALL RODRIGUEZ Costume/Scenic Design Sound Design PATRICK GROSSMAN MICHAEL SANTANGELO Assistant Director Lighting Design JILLIAN MESCALL TORRE JOSEPH NAFTAL Production Stage Manager CASEY CLARK Musical Direction by MICHAEL SANTANGELO Directed/Choreographed by PATRICK GROSSMAN 13, The Musical is presented through special arrangement with Musical Theatre International (MTI). All authorized performance materials are also supplied by MTI. 421 W 54th Street, New York, NY 10019 Phone: 212-541-4684 Fax: 212-397-4684 www.MTIShows.com – THE CAST – Evan…………………….………..………………..……......……..…….DYLAN WHELAN Patrice………………………...……..…………..………………..…............EMILY SARRA Brett………………………..……………………………….....………...MARK MAURICE Eddie………………………….…………...…………………..…………….MIKE BURKE Malcolm…...……….…………………………..……………..…..HARRISON SCHENKEL Lucy……………………………....………..…………...………….....EMILY HANNAWAY Kendra…………………...........……….……………………...…………….EMILY TORRE Cassie………………………………......…......….………………..…MARISSA CASAZZA Molly…………...............................…………………………………..CATHERINE BROGAN Simon…….....……...…...………………….………………………....KENNY FERGUSON Richie……………………………………...………………………….CHRISTIAN ARMA Charlotte..……………………………………….……………...….COURTNEY KENYON Archie………………………………………………………...……JONATHAN PERSICO Cheerleader………………………..…………….….………………….……ALEX ARSO – THE BAND – Conductor/Keyboard………………………..………..MICHAEL SANTANGELO Guitar…………………………………………...………….CHAD
    [Show full text]