Arts, Culture, & Creative Economy
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More- for Immediate Release CENTER THEATRE GROUP
For immediate release CENTER THEATRE GROUP ANNOUNCES 2018 — 2019 SEASON AT THE MARK TAPER FORUM AND KIRK DOUGLAS THEATRE THE 2018 — 2019 SEASONS FEATURE TWO WORLD PREMIERES, A PULITZER PRIZE-WINNING PLAY, A NEW WORK BY A PULITZER WINNER, A POWERFUL WORK BY A LOS ANGELES FAVORITE, AN EXCITING SOLO WORK, A RECENT NEW YORK HIT, AN ACCLAIMED PRODUCTION OF A CLASSIC PIECE AND THE THIRD ANNUAL BLOCK PARTY: CELEBRATING LOS ANGELES THEATRE The 2018-2019 Season at the Mark Taper Forum Includes “Sweat,” “Valley of the Heart,” “Linda Vista,” “Lackawanna Blues” and “Happy Days” Begins August 29, 2018, and Runs Through June 30, 2019 The 2018-2019 Season at the Kirk Douglas Theatre Includes “School Girls; Or, the African Mean Girls Play,” “Quack,” Block Party: Celebrating Los Angeles Theatre and “From the Words and Writings of Dana H.” Begins September 2, 2018, and Runs Through June 23, 2019 Two Subscriber Bonus Options Offered as Part of Off Center Center Theatre Group Collaborations with Arts Partners Around Town [For complete listing of plays and performance dates, please see final pages of release.] Center Theatre Group Artistic Director Michael Ritchie has set the 2018 — 2019 seasons at both the Mark Taper Forum and Kirk Douglas Theatre. Together, the seasons feature new plays, classic works and the continuation of Block Party, which celebrates the rich array of theatre produced every year in Los Angeles. “The eight shows scheduled in the 51st season at the Taper and the 15th season at the Douglas run the gamut from world premiere comedies to enduring classics,” said Ritchie. -
Ripe Frenzy Program (Download PDF)
WELCOME Greenway Arts Alliance has been honored to serve thousands of students, artists and community members for the last twenty years. Did you know that you are on the campus of Fairfax High School in a building designed and constructed by Fairfax students as a “Social Hall” in the 1940’s? Based on articles in the school newspaper, the students were committed to building a home in which to “socialize.” Greenway continues this commit- ment through our mission to unite communities through our productions at the Greenway Court Theatre, which give our patrons the opportunity to share in the communal experience of live theatre. Jennifer Barclay's Ripe Frenzy, produced through the National New Play Network's Rolling World Premiere program, is the culminating production of Greenway's 20th Anniversary season. In it we showcase our recommitment to producing important new works that explore the pressing social issues of our time. As we write this letter in preparation for Opening Night, we do so with the knowledge that students, teachers and parents in Santa Fe, Texas, are mourning their friends and children lost in yet another school shooting. Since Columbine, we have watched in horror as 85 similar shootings have occurred, killing 223 people. As a theatre in residence on a high school campus, we say ENOUGH, and hope that this produc- tion will inspire our audiences to interrogate society's role in the proliferation of these events, and look for ways to work toward ending them. We regard Greenway Court Theatre as our home and are grateful that you are here. -
How the Wende Museum Revises East German History (And Why It Matters)
Whither Alltag?: How the Wende Museum Revises East German History (and why it matters) SARA BLAYLOCK University of California - Santa Cruz This paper argues for the significance of the Alltagsgeschichte (everyday history) as both a source of information about the past and as a site of resistance against a master narrative that has excluded East Germans from self-determination. More than just a question of East German culture, I will illustrate that this challenge to history threatens West and united German self-identifications, which maintain the East as subordinate. I will focus my analysis on the Wende Museum, a private non-profit archive and museum of Cold War culture located in Culver City, California. Considering the significance that location has had on the narrating of the East German past, I seek to demonstrate how as neither mileux de mémoire (environment of memory) nor lieux de mémoire (site of memory), the Wende Museum avoids the prospect of representing the past in a unifying “authentic” East German narrative. Facing the future for and through the past, the Wende Museum represents a Cold War tabula rasa with space for infinite pasts. 1. Introduction In order to imitate the visual reality of East Germany, director Florian Henckel von Donnersmarck filtered The Lives of Others’ (2006) color to a dull hum (“The Lives of Others – Sound, Set and Colour”). Even today, a visit to Berlin’s Alexanderplatz evinces the socialist country’s yen for concrete. Such images confirm the East Germany in mind, which is to say, the anticipated subject, but inadequately represent its lived experience. -
Culture Monster Wall Project to Close Wilshire Boulevard at Midnight Instead of Afternoon September 28, 2009 | 2:23 Pm
Culture Monster Wall Project to close Wilshire Boulevard at midnight instead of afternoon September 28, 2009 | 2:23 pm Instead of blocking traffic on busy Wilshire Boulevard for three afternoon hours on Sunday, Nov. 8, the Wende Museum Wall Project's public art installation "The Wall Across Wilshire" -- commemorating the 20th anniversary of the fall of the Berlin Wall -- will instead be temporarily constructed across Wilshire near the Los Angeles County Museum of Art shortly before midnight on Nov. 8, and will be symbolically toppled at midnight by artists who will paint on the symbolic wall. Justinian Jampol, president and founder of the Wende Museum and Archive of the Cold War, said Monday that a second part of the Wall Project -- "The Wall Along Wilshire," which will stand in front of the 5900 Wilshire Building from Oct. 17-Nov. 14 -- will now be constructed of 10 newly-acquired segments of the real Berlin Wall instead of newly-fabricated replicas. Included in the installation will be an original Berlin Wall border tower, donated along with the wall segments by a Berlin resident, Thomas Goerner, who owns the property on which the segments stood. "The Wall Along Wilshire" will be painted by artists Kent Twitchell and Thierry Noir, with a section of reserved to be painted by the public. The painted segments will become part of the Wende Museum collection. Jampol said that the time was changed for the "Wall Across Wilshire" installation because the event was beginning to take on a "block party, street event" quality rather than a historical one. -
The Los Angeles Independent • 4201 Wilshire Blvd
The Los Angeles Independent • 4201 Wilshire Blvd. #600 • Los Angeles • CA • 90010 • Ph: 323-556-5720 • Fax: 323-556-5704 Monday, DEC 04, 2006 Revisiting a Cold War Icon NEWS INDEX · Front Page · Hollywood · West Hollywood · Culver City · Entertainment · Photo Gallery · Jerome Cleary · Rachel Bailit · Alene Dawson PUBLICATION · Staff · Classifieds · Subscribe Today · Place a Classified Ad Guest Book By ANNA SCOTT 09.NOV.06 A new exhibit at the Wende Museum fuses art and geopolitics. Cold War-era Berlin, reinterpreted through the eyes of modern American teenagers and children, Guest Book made its Culver City debut last weekend at the Wende Museum. The local Cold War museum hosted a reception Sunday afternoon to showcase 15 painted Email Us panels designed to replicate sections of the Berlin Wall and decorated by art students from Culver City High School’s Academy for the Visual and Performing Arts (AVPA), members of the Los Angeles Girl Scouts and children from L.A.’s Temple Kehillat Israel and St. Agatha’s Parish. The works are the first fruits of the museum’s “Berlin Wall-Los Angeles” project, a community Email Us outreach program created by museum founder Justinian Jampol to teach stude nts about the Cold War in a way that specifically allows them to understand how politics affect everyday life. “This is a wall that had real impact on people’s lives. … It shows you the ways in which political events very much affect people’s lives,” Jampol said during his introductory remarks Sunday. “[The students’ panels] reflect various aspects of division in every day life here in Los Angeles,” he added. -
The 2017 Remodel of LA Theater
The 2017 remodel of LA theater laobserved.com/intell/2017/12/the_2017_remodel_of_la_theater.php By Don Shirley | December 23, 2017 9:09 AM If you see only one satire of musicals this month, "Something Rotten!" is the better choice. Photo by Jeremy Daniel. 2017 was a pivotal year for Los Angeles theater, but not because the quality was better or worse than usual. It's because of institutional changes. After two years of heated debate, new Actors' Equity rules finally took full effect in smaller theaters. Receiving far less attention were changes in the leadership of four of LA's larger nonprofit theater companies. Meanwhile, "Hamilton" - at the Pantages -- dominated the second half of the year, not only in terms of attendance, attention and profits but also in terms of innovation. In most of my previous year-end summaries, I briefly comment on my favorite shows, arranged in alphabetical order. I'm still mentioning most of my personal theatrical faves this year, but I'm weaving my references to them into the context of discussions about these larger changes. Because I've already written about most of my favorites in earlier columns (which are available here), I'm going to restrict longer mentions only to those few shows that were highlights but which didn't fit into earlier columns. 1/7 Also, for those readers who simply want some recommendations about what to see during the holidays, feel free to skip to the last section of the column. Let's start with our biggest nonprofit company, Center Theatre Group - the proprietor of the Ahmanson, Mark Taper Forum and Kirk Douglas Theatre. -
Dear Collectors, Curators, Colleagues, and Friends, This Email Includes A
Dear Collectors, Curators, Colleagues, and Friends, This email includes a selection of multiple imagery by Eastern European artists who incorporated photography in their creations during the 1960s through 1980s. The fertile nature of this work, often created clandestinely, in societies intent on tamping down any creativity that did not benefit the state, demonstrates the determination of the human spirit even under trying circumstances. To view more of our inventory, visit our website Best wishes, Susan and Paul GEZA PERNECZKY: HUNGARY/GERMANY Geza Perneczky [Hungary, born 1936]. Art Bubbles Triptych/three vintage silver prints, 1972. 22 x 11 5/8" Signed, dated and annotated in pencil on the mount. Number 2 from an edition of 5. Illustrated: Cheroux & Ziebinska-Lewandowska, Qu'est-ce que la Photographie? Editions du Centre Pompidou, Paris, 2015, p. 22. $18,000 A major figure among Hungarian artists, Geza Perneczky has made photographs, artists books, and visual poetry that have had a profound impact on conceptual art. He is renowned also as one of the founders of the mail art movement. Art Bubbles investigates not only what art is and how it appears but also the uncanny ways it comes into being. Art Bubbles is Perneczky's best known photographic work. As a mounted triptych it exists in an edition of five. Examples are in the Pompidou Center, the San Francisco Museum of Modern Art and a private collection in Budapest. The location of the fifth example is not known. The Museum of Modern Art, New York has only the three individual prints. PETER TURK: HUNGARY Peter Turk [1943-2015]]. -
WAR of NERVES: PSYCHOLOGICAL LANDSCAPES of the COLD WAR September 16, 2018 to January 13, 2019
WAR OF NERVES: PSYCHOLOGICAL LANDSCAPES OF THE COLD WAR September 16, 2018 to January 13, 2019 A WENDE MUSEUM OF THE COLD WAR INTRODUCTION For forty years, two superpowers faced each other with fear, distrust, and nuclear brinkmanship. The “war of nerves” between East and West involved the promise of mutually assured destruction and an uneasy détente. The Cold War also took place on an individual level, as governments sought to influence their own as well as enemy populations, and experimented with controlling people’s minds, involving both science and pseudo-science. War of Nerves looks at the psychological landscapes in East and West. The exhibition is structured around five sections. A Climate of Fear examines different responses to the frightening new prospect of nuclear war, and the comfort of an organized response. Know Your Enemy explores the role of film in creating stereotypes of the enemy, including the enemy within. At the center of the exhibition, Mind Control looks at the invention of the idea of “brainwashing” and the attempted subversion of individual willpower in the battle for Cold War hegemony. The effect of global politics on children’s psyches is addressed in A Cold War Childhood. The final section, Dissent and Activism, showcases responses from protestors, including members of the medical professions, who refused to accept nuclear war as a possible outcome of the battle of ideologies. The Cold War was not only a period of armed standoff but also a project to shape minds both collectively and personally. While the Cold War now indicates a historical period, Cold War narratives – and nuclear threats – continue to inform and shape our world. -
Dinner Party Politics
1 DINNER PARTY POLITICS April 9 - July 21, 2017 2 Introduction We have strong emotional connections to the things we eat, which are tied to memory, heritage, and tradition. Food also plays a part in constructing national identities and expressing societal values. It is a powerful medium that carries both personal and political meaning. Recipes, food advertisements, and even still-edible food from the Eastern Bloc may not always seem appetizing, but they are undeniably compelling; these objects can establish a uniquely personal connection with the past, based upon our imagined experiences of eating or preparing the depicted dishes. In the collection of The Wende Museum, these types of objects provide a unique lens through which we can learn about daily life behind the Iron Curtain. Including a survey of fine art, posters, menus, and films, this exhibition explores how ideological goals, societal expectations, and individual desires were expressed through the production and consumption of food in socialist countries during the Cold War. 3 Ideology Due to socialist collectivization and planned economies across the Eastern Bloc, the state controlled production, marketing, and the availability of various consumables. Broad oversight was given to central government entities, which made food-related choices that affected millions of people. Oftentimes, these decisions were influenced by political ideology; thus, many socialist food policies demonstrate the values and priorities of those in power. This section explores how three of these initiatives—international solidarity, public health, and modernization—were mediated through food. This metaphorical meat grinder references the millions of people who perished during Joseph Stalin’s political purges and agricultural collectivization campaigns in the 1930s. -
Svu News Fall 2018
Volume LX, A.D. MMXVIII Fall 2018 Q3, № 3 Jarmila Novotná Happy Birthday to You! á’s archive Ludmila Matrtajov nd ue National Theatre Archive a Crédits photo: source © G. Maillard Kesslère, origin Prag SVU News № 3/2018 2 In the next edition, we’ll bring more about Chateau Liteň reviving the name of Jarmila Novotná for the past seven years, her musical legacy as a famous opera singer, a celebrity and great patriot, and restoring the Daubek family name through the creation of a cultural center in their former Liteň residence. Learn more about Jarmila Novotná Festival at www.zamekliten.cz You may want to get a CD or a biography, check out their e-shop as well. Jarmila Novotná, My Life in Song: Book Launch and Musical Tribute Wednesday, October 10, 2018 @ 7 PM Bohemian National Hall, 321 East 73rd Street, New York by Author and editor William V. Madison will speak about the international triumphs of this multi-talented celebrity, who acted as a cultural ambassador for the Czechoslovak nation throughout her career - beginning in Prague with her opera debut as a lyric soprano at age 17 and including 16 years with New York's Metropolitan Opera. Her granddaughter, Tatiana Daubek, with Daubek’s ensemble House of Time, will pay musical tribute with a program featuring music of Mozart, Krommer, and Dvořák. Visit the Dvořák Room exhibition of archival Novotná images, courtesy of the George Daubek Collection. See more at: www.dvoraknyc.org The book, Jarmila Novotná, My Life in Song (University Press of Kentucky, 2018), will be available for purchase and signing there. -
Bengal Tiger at the Baghdad Zoo
BENGAL TIGER AT THE BAGHDAD ZOO BY RAJIV JOSEPH DRAMATISTS PLAY SERVICE INC. BENGAL TIGER AT THE BAGHDAD ZOO Copyright © 2012, Rajiv Joseph All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of BENGAL TIGER AT THE BAGHDAD ZOO is subject to payment of a royalty. It is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including without limitation professional/amateur stage rights, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical, electronic and digital reproduction, transmission and distribution, such as CD, DVD, the Internet, private and file-sharing networks, information storage and retrieval systems, photocopying, and the rights of translation into foreign languages are strictly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Author’s agent in writing. The English language stock and amateur stage performance rights in the United States, its territories, possessions and Canada for BENGAL TIGER AT THE BAGHDAD ZOO are controlled exclusively by DRAMATISTS PLAY SERVICE, INC., 440 Park Avenue South, New York, NY 10016. No professional or nonprofessional performance of the Play may be given without obtaining in advance the written permission of DRAMATISTS PLAY SERVICE, INC., and paying the requisite fee. -
Artistic Interpretations of the Cold War
1 ARTISTIC INTERPRETATIONS OF THE COLD WAR April 9 - August 12, 2016 2 Introduction The Wende Museum aims to reflect on the legacy and topical relevance of the Cold War. Therefore, the Museum supports cutting-edge research by national and international scholars and artists who creatively reinterpret the remnants and ramifications of the past. The Museum has collaborated with renowned artists Jeremy Deller, Thomas Demand, Shepard Fairey, Thierry Noir, Taryn Simon, Kent Twitchell and Retna, among many others. For this exhibition, The Wende Museum invited Jennifer Vanderpool, Farrah Karapetian and the Dutch collective DRR (Richtje Reinsma and Daphne Rosenthal) to develop art installations inspired by the Museum’s collection. Farrah Karapetian, who participated in the Museum’s Wall Project (2009), took the jeans from our Soviet hippie collection as starting point for a critical yet poetic reflection on the cycle of consumption and desire in the East and West. East Bloc telephones are the protagonists of DRR’s installation and film Free Things, which addresses issues of privacy, surveillance and human agency that are as relevant as ever in our present day. In her work Piter, Jennifer Vanderpool evokes the city of Leningrad (now Saint Petersburg) around 1990 at the time of radical political transition, addressing both the sociopolitical and the personal aspects of memories and their potential to shape the present. Installation photo of Artistic Interpretation of the Cold War. 3 Farrah Karapetian, Nothing Comes Between Me and My Calvins and Me Between Comes Nothing (2016) Humans especially want what we cannot have, and advertisements, like propaganda, are always aspirational.