Download Resume

Total Page：16

File Type：pdf, Size：1020Kb

JUDY BOALS, INC. A Talent & Literary Agency 307 West 38th Street – Suite 812 – NY, NY 10018 (212) 500-1424 [email protected] AURY KREBS AEA 5’8” Brown Eyes / Hair Mezzo-Soprano, Db3 to C6 TOUR Charlotte’s Web Charlotte Theatreworks USA Travis Greisler REGIONAL THEATER Rent Joanne Quisisana Resort Amy Rogers Hairspray Velma Quisisana Resort Bob Cline EDUCATIONAL THEATER Rope Queen Vic Schaeberle Studio Amy Rogers, Ryan Scott Oliver Great Wall Grace Schaeberle Studio Amy Rogers The Light in the Piazza Signora Naccarelli The Sheen Center Victoria Clark, Matt Aument Once On This Island Erzulie Schaeberle Studio, Bob Cline The Stephen Schwartz Project Female Swing No Rules Theatre Company Matt Cowart, Zak Sandler Dogfight Ruth/Chippy Schaeberle Studio Amy Rogers I Capture the Castle Topaz Pace New Musicals Amy Rogers, Robert Meffe, Peter Foley CONCERTS & WORKSHOPS Lincoln Center’s American Songbook Soloist Lincoln Center Ryan Scott Oliver Lezcab Winter Benefit Soloist Joe’s Pub I Capture the Castle Soloist New York Theatre Barn Peter Foley, Cara Reichel, Marion Adler Jasper in Deadland Persephone Smash Studios Ryan Scott Oliver Adam Guettel Workshop Ensemble Pace University Adam Guettel, Craig Lucas TRAINING BFA Musical Theatre Pace University, Amy Rogers, JV Mercanti Acting Alexandra Silber, JV Mercanti Film/TV Paul Urcioli Swing/Understudy Training Sara Brians, Joel Waggoner Private Voice Leslie Giammanco Music Theory Ryan Scott Oliver Rutgers Summer Acting Conservatory Kevin Kittle, Colleen Hawks-Pierce SPECIAL SKILLS Dialects: Italian/Irish/Korean/British; Intermediate Saxophone; Conversational French; Field Hockey; Lacrosse; Horseback Riding.

Copy Link

Recommended publications

July 8-18, 2021
July 8-18, 2021 Val Underwood Artistic Director ExecutiveFrom Directorthe Dear Friends: to offer a world-class training and performance program, to improve Throughout education, and to elevate the spirit of history, global all who participate. pandemics have shaped society, We are delighted to begin our season culture, and with Stars of Tomorrow, featuring institutions. As many successful young alumni of our we find ourselves Young Singer Program—including exiting the Becca Barrett, Stacee Firestone, and COVID-19 crisis, one pandemic and many others. Under the direction subsequent recovery that comes to of both Beth Dunnington and Val mind is the bubonic plague—or Black Underwood, this performance will Death—which devastated Europe and celebrate the art of storytelling in its Asia in the 14th century. There was a most simple and elegant state. The silver lining, however, as it’s believed season also includes performances that the socio-economic impacts of by many of our very own, long- the Plague on European society— time Festival favorites, and two of particularly in Italy—helped create Broadway’s finest, including HPAF the conditions necessary for what is Alumna and 1st Place Winner of arguably the greatest post-pandemic the 2020 HPAF Musical Theatre recovery of all time—the Renaissance. Competition, Nyla Watson (Wicked, The Color Purple). Though our 2021 Summer Festival is not what was initially envisioned, As we enter the recovery phase and we are thrilled to return to in-person many of us eagerly await a return to programming for the first time in 24 “normal,” let’s remember one thing: we months.
[Show full text]
T H E P Ro G
Friday, February 1, 2019 at 8:30 pm m a r Jose Llana g Kimberly Grigsby , Music Director and Piano o Aaron Heick , Reeds r Pete Donovan , Bass P Jon Epcar , Drums e Sean Driscoll , Guitar h Randy Andos , Trombone T Matt Owens , Trumpet Entcho Todorov and Hiroko Taguchi , Violin Chris Cardona , Viola Clarice Jensen , Cello Jaygee Macapugay , Jeigh Madjus , Billy Bustamante , Renée Albulario , Vocals John Clancy , Orchestrator Michael Starobin , Orchestrator Matt Stine, Music Track Editor This evening’s program is approximately 75 minutes long and will be performed without intermission. Please make certain all your electronic devices are switched off. Lead support provided by PGIM, the global investment management businesses of Prudential Financial, Inc. Endowment support provided by Bank of America This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano The Appel Room Jazz at Lincoln Center’s Frederick P. Rose Hall American Songbook Additional support for Lincoln Center’s American Songbook is provided by Rita J. and Stanley H. Kaplan Family Foundation, The DuBose and Dorothy Heyward Memorial Fund, The Shubert Foundation, Great Performers Circle, Lincoln Center Spotlight, Chairman’s Council, and Friends of Lincoln Center Public support is made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature Nespresso is the Official Coffee of Lincoln Center NewYork-Presbyterian is the Official Hospital of Lincoln Center Artist catering provided by Zabar’s and Zabars.com UPCOMING AMERICAN SONGBOOK EVENTS IN THE APPEL ROOM: Saturday, February 2 at 8:30 pm Rachael & Vilray Wednesday, February 13 at 8:30 pm Nancy And Beth Thursday, February 14 at 8:30 pm St.
[Show full text]
HERRICK GOLDMAN LIGHTING DESIGNER Website: HG Lighting Design Inc
IGHTING ESIGNER HERRICK GOLDMAN L D Website: HG Lighting Design inc. Phone: 917-797-3624 www.HGLightingDesign.com 1460 Broadway 16th floor E-mail: [email protected] New York, NY 10036 Honors & Awards: •2009 LDI Redden Award for Excellence in Theatrical Design •2009 Henry Hewes (formerly American Theatre Wing) Nominee for “Rooms a Rock Romance” •2009 ISES Big Apple award for Best Event Lighting •2010 Live Design Excellence award for Best Theatrical Lighting Design •2011 Henry Hewes Nominee for Joe DiPietro’s “Falling for Eve” Upcoming: Alice in Wonderland Pittsburgh Ballet, Winter ‘17 Selected Experience: •New York Theater (partial). Jason Bishop The New Victory Theater, Fall ‘16 Jasper in Deadland Ryan Scott Oliver/ Brandon Ivie dir. Prospect Theater Company Off-Broadway, NYC March ‘14 50 Shades! the Musical (Parody) Elektra Theatre Off-Broadway, NYC Jan ‘14 Two Point Oh 59 e 59 theatres Off-Broadway, NYC Oct. ‘13 Amigo Duende (Joshua Henry & Luis Salgado) Museo Del Barrio, NYC Oct. ‘12 Myths & Hymns Adam Guettel Prospect Theater co. Off-Broadway, NYC Jan. ‘12 Falling For Eve by Joe Dipietro The York Theater, Off-Broadway NYC July. ‘10 I’ll Be Damned The Vineyard Theater, Off-Broadway NYC June. ‘10 666 The Minetta Lane Theater Off-Broadway, NYC March. ‘10 Loaded Theater Row Off-Broadway, NYC Nov. ‘09 Flamingo Court New World Stages Off-Broadway, NYC June ‘09 Rooms a Rock Romance Directed by Scott Schwartz, New World Stages, NYC March. ‘09 The Who’s Tommy 15th anniversary concert August Wilson Theater, Broadway, NYC Dec. ‘08 Flamingo Court New World Stages Off-Broadway, NYC July ‘08 The Last Starfighter (The musical) Theater @ St.
[Show full text]
Marvin Hamlisch
tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE MUSIC OF MARVIN HAMLISCH Monday, October 19, 2015 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building The Ira and Leonore Gershwin Fund in the Library of Congress was established in 1992 by a bequest from Mrs. Gershwin to perpetuate the name and works of her husband, Ira, and his brother, George, and to provide support for worthy related music and literary projects. "LIKE" us at facebook.com/libraryofcongressperformingarts loc.gov/concerts Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. • Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Monday, October 19, 2015 — 8 pm tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE mUSIC OF MARVIN hAMLISCH WHITNEY BASHOR, VOCALIST | CAPATHIA JENKINS, VOCALIST LINDSAY MENDEZ, VOCALIST | BRYCE PINKHAM, VOCALIST
[Show full text]
Parade Diverges: the 1998 Broadway and 2007 London Productions and Their Critical Receptions Julie L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 Parade Diverges: The 1998 Broadway and 2007 London Productions and Their Critical Receptions Julie L. Haverkate Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF VISUAL ARTS, THEATRE & DANCE PARADE DIVERGES: THE 1998 BROADWAY AND 2007 LONDON PRODUCTIONS AND THEIR CRITICAL RECEPTIONS By JULIE L. HAVERKATE A Thesis submitted the School of Theatre in partial fulfillment of the requirements for the degree of Master of Arts Degree Awarded: Spring Semester, 2008 Copyright © 2008 Julie L. Haverkate All Rights Reserved The members of the Committee approve the thesis of Julie L. Haverkate defended on 19 March 2008. ______________________________ Natalya Baldyga Professor Directing Thesis ______________________________ Mary Karen Dahl Committee Member ______________________________ Tom Ossowski Committee Member ______________________________ Fred Chappel Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGEMENTS Much of thesis would not have been possible without the support of Jason Robert Brown. For his infinite patience with my constant barrage of emails and questions, his willingness to meet with me, and his candid discussion of his own work, I offer my warmest and most sincere thanks. Beyond even that, and most importantly, I genuinely thank him for his continuing contributions
[Show full text]
Proquest Dissertations
The marriage of musical theater and the avant-garde: The musical theater of Tina Landau as experimental theater Item Type text; Thesis-Reproduction (electronic) Authors Gordon, Wendy A. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 27/09/2021 05:54:33 Link to Item http://hdl.handle.net/10150/292018 THE MARRIAGE OF MUSICAL THEATER AND THE AVANT-GARDE: THE MUSICAL THEATER OF TINA LANDAU AS EXPERIMENTAL THEATER by Wendy Ann Gordon Copyright © Wendy Ann Gordon A Thesis Submitted to the Faculty of the SCHOOL OF THEATRE ARTS In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2003 UMI Number: 1422479 Copyright 2004 by Gordon, Wendy Ann All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI UMI Microform 1422479 Copyright 2004 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code.
[Show full text]
THOSE MAGIC CHANGES in Case You Haven't Noticed, the American Musical Is Changing Keys and Adding New Voices
THOSE MAGIC CHANGES In case you haven't noticed, the American musical is changing keys and adding new voices. SCOTT MILLER's small theatre in St. Louis is keeping score. BY ROB WEINERT-KENDT HEN THE MUSICAL HIGH FIDELITY CLOSED Though composer abruptly after just 13 unlucky performances on Broad Kitt didn't make the pil Wway, composer Tom Kitt and lyricist Amanda Green grimage, he followed the were nursing their wounds-and then they got a call from St. Louis, show's fortunes admiringly Mo. Somebody there loved, loved, loved their show, and wanted to from afar. mount the first regional production. Though this stage adaptation "Having someone of the beloved ick Hornby novel and Stephen Frears film about a come forward and say, 'I passionate pop-music fan and his rocky love life had been roundly love it and want to do it' panned by critics and resoundingly rejected by audiences in New was really important to the York, a guy named Scott Miller desperatt;ly wanted to do the first show," confirms Kitt, who regional production at his scrappy little New Line Theatre. went on to write Next to The show wasn't yet officially licensed (it's now available via Normal (seen at New Line Playscripts) and the score still needed some cleanup, but Miller in 2013) and the current nabbed the rights, and his 2008 production got raves from St. Louis Broadway outing If/Then. critics. And it still gets high marks from lyricist Green, who attended. "And not only did Scott "Seeing it there in a bare-bones production, a very respectful Miller do it-he did a production that was unanimously praised in production-I don't mean respectful in a boring way, but very atten St.
[Show full text]
Ethan Carlson Resume NEW19
BLOC NYC, INC. Talent Agency 630 9th Avenue, Suite 702 New York, NY 10036 P: 212.924.6200 www.blocnyc.com Ethan Carlson AEA Height: 5’7” Eyes: Green Hair Color: Red Vocal Range: Tenor THEATRE FLY Slightly Reading | Dir. Jeffrey Seller Beauty And The Beast LeFou Maine State Music Theatre LeFou Fulton Theatre Mamma Mia! Eddie Lake Dillon Theatre Company Evangeline: A Curious Journey Andy Worthe Reading | Davenport Theatre ¡Havana! Ensemble Singer Reading | Dir. Warren Carlyle ‘Twas The Night Before Christmas Rudolph Fulton Theatre | Dir. Marc Robin Concert | Ryan Scott Oliver, Duncan Sheik, Lincoln Center: American Songbook Soloist Tom Kitt Rope Shy Workshop | Ryan Scott Oliver The Pajama Game Hines Schimmel Theatre | Dir. JV Mercanti Darling Hoax Workshop | Ryan Scott Oliver Dir: Robert Longbottom Lysistrata Jones Xander Schimmel Theatre The Invisible Man Griffon Private Workshop | Adam Guettel Dog Opera Jackie The Little Times Square Theatre High School Musical Ryan Enlightened Theatrics Interlochen Center For The Arts West Side Story Baby John FILM Dallas Holocaust & Human Rights Museum Film Host Cortina Productions | Dir. Evan Marshall TRAINING Pace University (Graduated) BFA Musical Theatre Dir | Amy Rogers Acting JV Mercanti, Al Silber Interlochen Arts Academy (Jr & Sr Year) Theatre Dir | William Church Copeland Gymnastics Company Gymnastics Dir | John Copeland | 2000-2007 SPECIAL SKILLS Pianist, Tumbling, Gymnastics, Composer (NYMF Grassroots, Trailblazers, The Festival of New American Musicals), Strong Falsetto, Sight- singing, Excellent Musicianship .
[Show full text]
THE LIGHT in the PIAZZA Book by Craig Lucas Music and Lyrics by Adam Guettel
50th Season • 477th Production SEGERSTROM STAGE / JANUARY 24 - FEBRUARY 23, 2014 Marc Masterson Paula Tomei ARTISTIC DIRECTOR MANAGING DIRECTOR David Emmes & Martin Benson FOUNDING ARTISTIC DIRECTORS presents THE LIGHT IN THE PIAZZA book by Craig Lucas music and lyrics by Adam Guettel Neil Patel Leah Piehl Lap Chi Chu Michael K. Hooker SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN Philip D. Thompson Joshua Marchesi Jamie A. Tucker* DIALECT COACH PRODUCTION MANAGER STAGE MANAGER Choreography by Kelly Todd Musical Direction by Dennis Castellano Directed by Kent Nicholson Joan and Andy Fimiano Laurie Smits Staude Honorary Producers Honorary Producer Corporate Producer Produced by arrangement with Turner Entertainment Co. Owner of the original motion picture “Light in the Piazza” based on the novel by Elizabeth Spencer Original Broadway Production by Lincoln Center Theater, New York City, 2005 The World Premiere of THE LIGHT IN THE PIAZZA was produced by the Intiman Theatre, Seattle, Washington Opening Night: June 14, 2003; Bartlett Sher, Artistic Director; Laura Penn, Managing Director and The Goodman Theatre, Chicago, Illinois Opening Night: January 20, 2004; Robert Falls, Artistic Director; Roche Schulfer, Executive Director THE LIGHT IN THE PIAZZA is presented through special arrangement with R&H Theatricals: www.rnh.com The Light in the Piazza • SOUTH COAST REPERTORY • P1 CAST OF CHARACTERS (In order of appearance) Clara Johnson ..............................................................................................
[Show full text]
Return of Organization Exempt from Income
l efile GRAPHIC p rint - DO NOT PROCESS As Filed Data - DLN: 93490135002428 Return of Organization Exempt From Income Tax OMB No 1545-0047 Form 990 Under section 501 (c), 527, or 4947( a)(1) of the Internal Revenue Code (except black lung benefit trust or private foundation) 2 00 6_ Department of the Open to Public Treasury -The organization may have to use a copy of this return to satisfy state reporting requirements Inspection Internal Revenue Service A For the 2006 calendar year, or tax year beginning 07 -01-2006 and ending 06 -30-2007 C Name of organization D Employer identification number B Check if applicable Please CENTER THEATRE GROUP 1 Address change use IRS 95-2466183 label or Number and street (or P 0 box if mail is not delivered to street address ) Room/ suite E Telephone number (- Name change print or 601 W Temple St type . See (213 ) 972-7349 F Initial return S p ecific Instruc - City or town, state or country, and ZIP + 4 FAccounting method fl Cash F Accrual (- Final return tions . Los Angeles, CA 90012 Other ( specify) 0- F-Amended return (- Application pending * Section 501(c)(3) organizations and 4947(a)(1) nonexempt charitable H and I are not applicable to section 527 organizations trusts must attach a completed Schedule A (Form 990 or 990-EZ). H(a) Is this a group return for affiliates? 1 Yes F No H(b) If "Yes" enter number of affiliates 0- G Web site: - www centertheatregroup org H(c) Are all affiliates included? (- Yes F_ No (If "No," attach a list See instructions ) I Organization type (check only one) 1- F 95 501(c)
[Show full text]
FEATURING the COASTERS Director’S Circle
FEATURING THE COASTERS Director’s Circle Dr. David & Katherine Arnold Bill & Linda Bayless Russell & Joan Bennett Van & Melissa Billingsley Neal & Joanne Cadieu Dr. Al & Pat Covington Wade & Beth Dunbar Ellerbe Pharmacy Joe & Diana Everett Brian & Danielle Goodman Representative Ken & Cindy Goodman Lee & Terry Howell G.R. & Mary Ellen Kindley J.C. & Hilda Lamm Terry & Cheryl Lewis David & Kim Lindsey Duane & Carol Linker Lazelle & Judy Marks Lonnie & Cheryl McCaskill Dr. Dale & Thomasa McInnis Tom & Janice McInnis Social Media Senator Gene & Donna McLaurin Are You Connected to the Cole? Dean & Candy Nichols Jerry & Brenda Purcell Ken & Claudia Robinette Stay in touch with the latest news from the Cole Auditorium. Nicholas & Lucy Sojka Dr. John & Sue Stevenson Thad & Mary Jane Ussery Lee & Tanya Wallace www.facebook.com/coleaud www.twitter.com/coleaud Larry & Michele Weatherly Facebook and Twitter feeds are available to patrons Thank you Director’s Circle Members! without having to register with the services. Just type the web addresses above directly into your Internet Now in it’s fifth year, the Director’s Circle helps Richmond browser’s address bar access to the information posted. Community College raise local funds critical to the success of the Cole Auditorium, RCC, and most importantly, our students. Season Ticket holders interested in joining the Director’s Circle should contact Joey Bennett at (910) 410-1691 or RCC Foundation COLE-MAIL Executive Director Olivia Webb at (910) 410-1807. www.richmondcc.edu www.richmondcc.edu ~Browse
[Show full text]
AUDRA Mcdonald: a Talent Big Enough to Help Others Shine
This copy is for your personal, noncommercial use only. You can order presentation-ready copies for distribution to your colleagues, clients or customers, please click here or use the "Reprints" tool that appears next to any article. Visit www.nytreprints.com for samples and additional information. Order a reprint of this article now. » August 30, 1998 THEATER THEATER; A Talent Big Enough to Help Others Shine By BARRY SINGER DEBUT solo artists who willingly share the spotlight are not the rule in the music-theater business. Audra McDonald doesn't seem to understand this. Her first album, ''Way Back to Paradise,'' to be released Sept. 22 by Nonesuch Records, functions as a primer not merely to the three-time Tony Award winner's vocal gifts, but to the work of several of the most promising young composers in musical theater today: Jason Robert Brown, Ricky Ian Gordon, Adam Guettel and Michael John LaChiusa, plus a talented newcomer, Jenny Giering. Their songs, sequenced as a suite, are the sum of Ms. McDonald's debut: 14 in all. ''We actually looked at Harold Arlen first,'' Ms. McDonald acknowledged recently in her dressing room at the Ford Center for the Performing Arts, where she is appearing in ''Ragtime'' as Sarah, a role that brought her a third Tony in June. ''I wish I could take credit,'' she added, her voice pitched high after a strenuous vocal class. ''But the idea to do new composers was actually Bob Hurwitz's, the president of Nonesuch. I clicked to it immediately, though. People in this business so rarely take chances.'' So why has she? ''When it's music that fills my soul,'' she said, ''there's just no fear.'' Born in Berlin 28 years ago, Ms.
[Show full text]