You May Read the Script Following This
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Abby Wiggins, Soprano Junior Recital
THE BELHAVEN COLLEGE DEPARTMENT OF MUSIC Dr. Stephen W. Sachs, Chair presents Abby Wiggins, soprano Junior Recital assisted by Hannah Thomas, accompanist John Mathieu, bass & Eleana Davis, soprano Saturday, March 27, 2010 2:00 p.m. Belhaven University Center for the Arts Concert Hall BELHAVEN UNIVERSITY DEPARTMENT OF MUSIC MISSION STATEMENT The Music Department seeks to produce transformational leaders in the musical arts who will have profound influence in homes, churches, private studios, educational institutions, and on the concert stage. While developing the God-bestowed musical talents of music majors, minors, and elective students, we seek to provide an integrative understanding of the musical arts from a Christian world and life view in order to equip students to influence the world of ideas. The music major degree program is designed to prepare students for graduate study while equipping them for vocational roles in performance, church music, and education. The Belhaven University Music Department exists to multiply Christian leaders who demonstrate unquestionable excellence in the musical arts and apply timeless truths in every aspect of their artistic discipline. The Music Department of Belhaven University directs you to “Arts Ablaze 2009-2010.” Read about many of the excellent performances and presentations scheduled throughout this academic year at Belhaven University by the Arts Division. Please take a complimentary copy of “Arts Ablaze 2009-2010” with you. The Music Department would like to thank our many community partners for their support of Christian Arts Education at Belhaven University through their advertising in “Arts Ablaze 2009-2010”. It is through these and other wonderful relationships in the greater Jackson community that makes an afternoon like this possible at Belhaven. -
A Punk Rock Short Film
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Spring 5-15-2015 For Want Of: A Punk Rock Short Film Jonathan P. Kieran University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Film Production Commons Recommended Citation Kieran, Jonathan P., "For Want Of: A Punk Rock Short Film" (2015). University of New Orleans Theses and Dissertations. 1992. https://scholarworks.uno.edu/td/1992 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. For Want Of: A Punk Rock Short Film A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Film Production by Jonathan P. Kieran B.A. Ursinus College, 2007 May, 2015 Dedicated to my mother and sister and to my fellow filmmakers. ii Table of Contents Abstract .............................................................................................................................. -
PARADE Study Guide Written by Talia Rockland Edited by Yuko Kurahashi
Study Guide, Parade PARADE Study Guide Written by Talia Rockland Edited by Yuko Kurahashi TABLE OF CONTENTS ABOUT THE PLAY ................................................................. 2 GLOSSARY ............................................................................. 3 CONTEXT ............................................................................... 6 MARY PHAGAN MURDER AND LEO FRANK TRIAL TIMELINE ............................................................................... 9 HISOTRICAL INFLUENCES ON THE EVENTS OF PARADE11 TRIAL OUTCOMES .............................................................. 11 SOURCES .............................................................................. 12 1 Study Guide, Parade ABOUT THE PLAY Parade was written by Alfred Uhry and lyrically and musically composed by Jason Robert Brown in 1998. The show opened at the Lincoln Center Theatre on December 17th, 1998 and closed February 28th, 1999 with a total of 39 previews and 85 performances. It won the Tony Award for Best Book of a Musical and Best Original Score and the New York Drama Critics Circle for Best Musical. It also won Drama Desk awards for Outstanding Musical, Outstanding Actor (Brent Carver), Outstanding Actress (Carolee Carmelo), Outstanding Book of a Musical, Outstanding Orchestrations (Don Sebesky), and Outstanding Score of a Musical. Alfred Uhry is a playwright, lyricist and screenwriter. Born in Atlanta, Georgia from German- Jewish descendants, Uhry graduated Brown University in 1958 with a degree in English and Drama. Uhry relocated to New York City where he taught English and wrote plays. His first success was the musical adaption of The Robber Bridegroom. He received a Tony Award nomination for Best Book of a Musical. His other successful works include Driving Miss Daisy, Last Night of Ballyhoo, and LoveMusik. Jason Robert Brown is a composer, lyricist, conductor, arranger, orchestrator, director and performer. He was born in Ossining, New York and was raised Jewish. He attended the Eastman School of Music in Rochester, New York. -
Marvin Hamlisch
tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE MUSIC OF MARVIN HAMLISCH Monday, October 19, 2015 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building The Ira and Leonore Gershwin Fund in the Library of Congress was established in 1992 by a bequest from Mrs. Gershwin to perpetuate the name and works of her husband, Ira, and his brother, George, and to provide support for worthy related music and literary projects. "LIKE" us at facebook.com/libraryofcongressperformingarts loc.gov/concerts Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. • Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Monday, October 19, 2015 — 8 pm tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE mUSIC OF MARVIN hAMLISCH WHITNEY BASHOR, VOCALIST | CAPATHIA JENKINS, VOCALIST LINDSAY MENDEZ, VOCALIST | BRYCE PINKHAM, VOCALIST -
Musical! Theatre!
Premier Sponsors: Sound Designer Video Producer Costume Coordinator Lance Perl Chrissy Guest Megan Rutherford Production Stage Manager Assistant Stage Manager Stage Management Apprentice Mackenzie Trowbridge* Kat Taylor Lyndsey Connolly Production Manager Dramaturg Assistant Director Adam Zonder Hollyann Bucci Jacob Ettkin Musical Director Daniel M. Lincoln Directors Gerry McIntyre+ & Michael Barakiva+ We wish to express our gratitude to the Performers’ Unions: ACTORS’ EQUITY ASSOCIATION AMERICAN GUILD OF MUSICAL ARTISTS AMERICAN GUILD OF VARIETY ARTISTS SAG-AFTRA through Theatre Authority, Inc. for their cooperation in permitting the Artists to appear on this program. * Member of the Actor's Equity Association, the Union of Professional Actors and Stage Managers in the United States. + ALEXA CEPEDA is delighted to be back at The KRIS COLEMAN* is thrilled to return to the Hangar. Hangar! Select credits: Mamma Mia (CFRT), A Broadway Credit: Jersey Boys (Barry Belson) Chorus Line (RTP), In The Heights (The Hangar Regional Credit: Passing Strange (Narrator), Jersey Theatre), The Fantasticks (Skinner Boys - Las Vegas (Barry Belson), Chicago (Hangar Barn), Cabaret (The Long Center), Anna in the Theatre, Billy Flynn), Dreamgirls (Jimmy Early), Sister Tropics (Richard M Clark Theatre). She is the Act (TJ), Once on This Island (Agwe), A Midsummer founder & host of Broadway Treats, an annual Nights Dream (Oberon) and Big River (Jim). benefit concert organized to raise funds for Television and film credits include: The Big House Animal Lighthouse Rescue (coming up! 9/20/20), and is (ABC), Dumbbomb Affair, and The Clone. "As we find ourselves currently working on her two-person musical Room 123. working through a global pandemic and race for equality, work Proud Ithaca College BFA alum! "Gracias a mamacita y papi." like this shows the value and appreciation for all. -
1-24-21 Sermon
1-24-21 "The Trouble with Mercy" Jonah 3:1-5, 10; 4:1-5 Central Christian Church David A. Shirey The reading began with the words, “The word of the LORD came to Jonah a second time, saying, “Get up, go to Nineveh, that great city, and proclaim to it the message that I tell you.” If this is the “second time” God instructed Jonah to go to Ninevah, what happened the first time? Well, the first time is at the beginning of Chapter 1 when God says, “Arise, go to Ninevah.. and cry against it; for their wickedness has come up before me” (Jonah 1:1, 2). “Go to Ninevah,” God says. Ninevah—capitol city of Assyria. Assyria, the nation that destroyed Israel in 721 B.C. Assyria, the nation that then subjugated and oppressed the southern kingdom of Judah for almost 100 years. Assyria: present-day Iraq. The book of Jonah begins with a prophet called up for duty—drafted to serve in the Persian Gulf as a missionary to his nation’s bitterest foe. Well, Jonah was a draft-dodger. He said, “Go to Ninevah? Nothin’ doin’!” and rather than heading north to Canada, he fled west toward Tarshish. Ninevah was due east by land. Jonah sailed due west by sea. Caught the first ship out of Joppa the next morning and went AWOL from the Lord’s command. Tarshish, many scholars believe, was a coastal city in Spain. Think Acapulco. Maui. Shangri-la. In other words, a much more preferable place to serve God than Ninevah. -
Ernest Glen Wever Biographical Memoir
NATIONAL ACADEMY OF SCIENCES E RNEST GLEN WEVER 1902—1991 A Biographical Memoir by J A C K VERNON Any opinions expressed in this memoir are those of the author(s) and do not necessarily reflect the views of the National Academy of Sciences. Biographical Memoir COPYRIGHT 1997 NATIONAL ACADEMIES PRESS WASHINGTON D.C. ERNEST GLEN WEVER October 16, 1902–September 4, 1991 BY JACK VERNON E WERE DRIVING from Princeton, N.J., to Hibernia, N.␣ J., Wwhen I asked Glen Wever, “What do we know about hearing in bats?” He answered, “About all we know is what Donald Griffin has written; that is, they detect and catch their prey by echo location, a term invented by Griffin. We really know nothing about their hearing ability except that it must be amazing; after all, they do with their ears what the rest of us do with our eyes.” This conversation took place over forty years ago. Glen Wever and I were driving to Hibernia to try to lo- cate an abandoned zinc mine that we had heard was the home of hibernating bats. We were on a bat-collecting trip, the first of many to follow, from which we hoped to acquire some bats (Myotis Lucifugus, as it turned out) for experi- mental purposes. We planned to record the AC cochlear potentials from the bats’ inner ears, which, at that time, had never been done. A filling-station attendant in Hibernia directed us to the zinc mine, where we found the entrance blocked with a heavy steel plate and a sign that read “KEEP OUT.” Left to my own devices, I think I would have obeyed the sign, but Glen said, “I think we can just manage to crawl 371 372 BIOGRAPHICAL MEMOIRS under that barricade.” We proceeded to do just that. -
Book, Music and Lyrics by Jason Robert Brown the Last Five Years Is Presented Through Special Arrangement with Music Theater International (MTI)
The Last Five Years Book, Music and Lyrics by Jason Robert Brown The Last Five Years is presented through special arrangement with Music Theater International (MTI). All authorized performance materials are also supplied by MTI. 421 West 54th Street, New York, NY 10019, www.MTIShows.com Book, Music and Lyrics by JASON ROBERT BROWN Director’s Note They say, “there are two sides to every story” and in the case of The Last Five Years, “they” couldn’t be more right! We all have our own story, our own goals, our own experiences, that we carry with us throughout our lives. When two lives come together in a relationship, often with different societal parameters of what love is, how relationships should be, and countless other expectations, the relationship is no longer living in each moment, but rather moving from one expectation to the next. The characters of Jamie and Cathy continually remind us of the dangers that expectation can have on, not just romantic, but all variations of human relationships. I chose to produce The Last Five Years because this musical so brilliantly portrays the intimate and often hidden moments that make up a relationship; making it unmistakably familiar to audiences who have experienced the trials of love and loss. Vulnerably told through Jason Robert Brown’s soaring melodies and tight, witty lyrics, The Last Five Years tells the very human story of the struggles we face when we commit ourselves to blind love. Brown wrote this piece after concluding his own five-year marriage, influencing him to create a unique and dynamic form of storytelling; having the show begin at the end of the relationship for Cathy and the beginning for Jamie. -
Musical Theatre Cabaret Show Program
Musical Theatre Cabaret Created by the 2020 Musical Theatre Repertoire Class Nov 19, 2020 This is a musical theatre cabaret that explores connection and the struggles we have all experienced during quarantine over the last year. Cast: Michael Armstrong, Damian Bowden, Sydney Cobb, Reagan Gross, Micayla Johnston, Nelsey Leverette, Tyler McLellan, Josie Patterson “When Will My Life Begin” from Tangled by Menken and Slater ........................................................................ Ensemble “I Can See It” from The Fantasticks by Schmidt and Jones ........................ Michael Armstrong, Damian Bowden “Breathe” by Kooman and Dimond ............................................................. Reagan Gross “Focus on the Negative” from Waitress by Sara Bareilles .......................................... Nelsey Leverette, Sydney Cobb, Micayla Johnston, Josie Patterson “Confrontation” from Jekyll and Hyde by Frank Wildhorn ................................................................. Damian Bowden “Cell Block Tango” from Chicago by Kander and Ebb ............................................................................. Ensemble “How Do I Get You Alone” by Steinberg and Kelly ........................................................................ Ensemble “The Next Ten Minutes” from The Last Five Years by Jason Robert Brown ..................... Michael Armstrong, Josie Patterson “I Who Have Nothing” by Lieber and Stoller ............................................................. Damian Bowden “World Burn” from Mean -
CASEY CLARK Musical Direction by MICHAEL SANTANGELO
Presents 13 the musical Music and Lyrics by Jason Robert Brown Book by Dan Elish and Robert Horn Producer Artistic Director NOEL S. RUIZ BERNADETTE MESCALL RODRIGUEZ Costume/Scenic Design Sound Design PATRICK GROSSMAN MICHAEL SANTANGELO Assistant Director Lighting Design JILLIAN MESCALL TORRE JOSEPH NAFTAL Production Stage Manager CASEY CLARK Musical Direction by MICHAEL SANTANGELO Directed/Choreographed by PATRICK GROSSMAN 13, The Musical is presented through special arrangement with Musical Theatre International (MTI). All authorized performance materials are also supplied by MTI. 421 W 54th Street, New York, NY 10019 Phone: 212-541-4684 Fax: 212-397-4684 www.MTIShows.com – THE CAST – Evan…………………….………..………………..……......……..…….DYLAN WHELAN Patrice………………………...……..…………..………………..…............EMILY SARRA Brett………………………..……………………………….....………...MARK MAURICE Eddie………………………….…………...…………………..…………….MIKE BURKE Malcolm…...……….…………………………..……………..…..HARRISON SCHENKEL Lucy……………………………....………..…………...………….....EMILY HANNAWAY Kendra…………………...........……….……………………...…………….EMILY TORRE Cassie………………………………......…......….………………..…MARISSA CASAZZA Molly…………...............................…………………………………..CATHERINE BROGAN Simon…….....……...…...………………….………………………....KENNY FERGUSON Richie……………………………………...………………………….CHRISTIAN ARMA Charlotte..……………………………………….……………...….COURTNEY KENYON Archie………………………………………………………...……JONATHAN PERSICO Cheerleader………………………..…………….….………………….……ALEX ARSO – THE BAND – Conductor/Keyboard………………………..………..MICHAEL SANTANGELO Guitar…………………………………………...………….CHAD -
Left to My Own Devices
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 12-17-2010 Left to My Own Devices Charisse Celino University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Celino, Charisse, "Left to My Own Devices" (2010). University of New Orleans Theses and Dissertations. 1251. https://scholarworks.uno.edu/td/1251 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Left to My Own Devices A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Fine Arts By Charisse Celino B.A., Loyola University, 2002 B.F.A, Loyola University, 2008 December 2010 Copyright 2010, Charisse Celino ii Acknowledgements I would like to thank my committee; Doyle Gertjejansen for asking the right questions, Cheryl Hayes for heart and soul and Jim Richard for fighting for and believing in me. -
Drood Program
1241 Jefferson Davis Highway Fredericksburg, VA 22401 540-654-3333 Visit a Memorable Place. The Only Place. HYATT PLACE Mr. William Cartwright, The Chairman Alexander Rios John Jasper/Mr. Clive Paget Neal Gallini-Burdick Edwin Drood/Miss Alice Nutting Lydia Hundley Rosa Bud/Miss Deirdre Peregrine Savannah Lunger Helena Landless/Miss Janet Conover Olivia Whicheloe Neville Landless/Mr. Victor Grinstead Abraham Shaikh Rev. Crisparkle/Mr. Cedric Moncrieffe Camarey Chambliss Princess Puffer/Miss Angela Prysock Cindy Wang† Durdles/Mr. Nick Cricker Robert Di Leo*† Deputy/Master Nick Cricker Rick Altenburg Bazzard/Mr. Phillip Bax Diego Encarnacion Mr. James Throttle, The Stage Manager Jacob Savage*† On the campus of the Horace/Mr. Nicholas Michael Mic Townsend*† Beatrice/Miss Violet Balfour Gwen Levey*† University of Mary Washington Flo/Miss Florence Gill Mandy Barnes† Miss Gwendolen Pynn Mahogany Chanel Baker Minutes from Downtown Fredericksburg’s Mr. Montague Pruitt Mitch Coomer Miss Christine Lyon Jessica Elkins Shopping & Historical Sites Miss Mildred Moss Cynthia Mullins Complimentary Miss Sarah Cook Jackie Schuster Hot Breakfast, WI-FI, and Parking Department of Theatre and Dance • November 3-20, 2016 • Klein Theatre The Mystery of Edwin Drood A Musical by Rupert Holmes Original Broadway production produced by the New York Shakespeare Festival, Joseph Papp, Producer THE MYSTERY OF EDWIN DROOD is presented by arrangement with TAMS-WITMARK MUSIC LIBRARY, INC. 560 Lexington Avenue, New York, New York 10022 director Gregg Stull music director Christopher Wingert choreographer Samantha L. Reynolds scenic designer Julie Hodge lighting designer Jason Arnold costume designer Kevin McCluskey sound designer Tony Angelini Cast Mr. William Cartwright, The Chairman Alexander Rios John Jasper/Mr.