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That dress will always be the quintessential Marilyn Monroe look. Chanel, Fendi and of course, Prada, not to mention cameos from designers like Valentino. Who didn't want to rip the curtains off their windows after seeing Scarlett's Vivien Leigh creation? With fashion from the biggest designers, she brought the four ladies into the present. The critics didn't love it, but the fashion made it worth seeing just once though. And Cher's Alicia Silverstone closet? Come on. Natalie Portman and Mila Kunis were the picture of ballerina perfection. Do we need to say anything else? The dress moved beautifully in their signature dance number, even if it was known to create quite a mess on set. From the photo shoots to runway shows, it was absolutely packed with fashion. Her character never wore the same dress twice, which meant more looks to lust after. Pictures via Everett Collection The signature look of this film can be picked out at every Halloween and costume party: the bowler hat, white shirt and pants, black boots, cane and The Fashion of Film: How Cinema Has Inspired Fashion. Michael Corleone's Al Pacino wardrobe evolves and changes as he himself transforms before the audience's eyes. It looks as amazing today as it did then. Pictures via Everett Collection The plot may have been hard to follow, but no one had a hard time paying attention to the men of this action film, dressed in the very finest menswear. And Marion Cotillard's blue dress? Ripley," there was this gem that showcased the best The Fashion of Film: How Cinema Has Inspired Fashion true American style, expertly tailored. Click here - to use the wp menu builder Click here - to use the wp menu builder. Where Are They Now? Want More? Sign Up for Our Newsletter! Follow hollywood. The voluptuous Marilyn Monroe in that beautifully cut, billowing white dress is one of the most famous moments in American film, and one of the most reproduced. Superstars Anne Hathaway and Meryl Streep wore only the best of the best in the big screen adaptation of the best-selling book. Diane Keaton, in the title role, started a style craze thanks to her layering of menswear items for a completely unique look that is still copied to this day. This classic captured The Fashion of Film: How Cinema Has Inspired Fashion height of southern glamour with impeccably tailored suits and lavish gowns. Bringing back Patricia Field, who styled the television show, for the film was the best decision the producers could have made. Clueless was one of the defining films of the 90s that both showcased and inspired some of the decade's biggest trends like baggy pants, slip dresses, mini skirts, and over-the-knee socks. Only the sisters behind Rodarte, Kate and Laura Mulleavy, could create such hauntingly beautiful costumes for this ballet thriller. That little black Givenchy dress with the pearls and gloves cemented Audrey Hepburn's place as a fashion icon, and it's a look that still translates to this day. Stars Fred Astaire and Ginger Rogers are timeless in his sleek tails and top hat and her ostrich feather dress. In the title role, Hepburn again showcased the incredible designs of Givenchy, including that incredible white gown. Another Baz Luhrmann film, all of star Nicole Kidman's outfits were to die for and added to the magical quality of the film. Sofia Coppola's visually stunning film cost millions to produce with extravagant sets and costumes that were inspired by desserts. What could be more sophisticated than Grace Kelly's elegant dresses and chic separates. The signature look of this film can be picked out at every Halloween and costume party: the bowler hat, white shirt and pants, black boots, cane and suspenders. Jennifer Beals' sweatshirt with the cut neck casually slouched to reveal one shoulder took an everyday item and elevated it to create a fashion craze. The Beatles' well-tailored suits and sportswear and their mop-top haircuts truly became their signature in this The Fashion of Film: How Cinema Has Inspired Fashion released at the height of Beatlemania. The gangsters of this mob classic weren't cartoonish in their style, but showed their wealth and sophistication. The poodle skirts, the personalized leather jackets, Sandy's Olivia Newton John skintight pants -- this movie musical had so many major fashion moments it's hard to keep track. The plot may have been hard to follow, but no one had a hard time paying attention to the men of this action film, dressed in the very finest menswear. Before 's "The Talented Mr. Richard Gere's turn as a gigolo helped put Giorgio Armani on the map, thanks to his sleek suits and striking jackets, all of which gave off an air of sophistication and cool. Oct 21, 6 Fashion Collections Inspired by Film - Fashionista

Film has the capacity to make not just a star of its leading women, but a fashion icon too. Whether you're a cinephile or fashion fan, brush up on your trivia with our favourite iconic looks from the movies - each paired with a fun and interesting fact about the style on show in the film. What's your favourite fashionable film? Is there a big screen style icon we've overlooked? Share your views in the comments section below. The image of Anita Ekberg emerging from the Trevi fountain in a black dress is one of the most memorable scenes in film history. FACT: Few knew how much La Dolce Vita was inspired by fashion - director Fellini claimed that Balenciaga's sack dress, with its dramatic silhouette which flutters like Anita's black ballgowninspired the film. The eccentric, menswear-inspired outfits in Annie Hall - vintage men's clothing, baggy trousers and fedora hats - caught on, with pantsuits and men's clothing becoming a major trend for women after the film's release. This emerald green silk dress from the infamous library scene in Atonement sparked high street copycats the world over, and also contributed to costume designer Jacqueline Durran being nominated for an Academy Award. Breakfast at Tiffany's may be the Audrey Hepburn film most often cited as people's favourite, but her chic fifties outfits in Roman Holiday are just as iconic - think skipping around Rome in a dirndl skirt and espadrilles. FACT: The film inspired a true fashion fairytale - at the end of production, Paramount gave Audrey the entire wardrobe from the film, including her hats, shoes, handbags and jewellery. What to wear on the streets of LA in ? A fur coat and pompadour haircut, obviously. Ridley Scott's Blade Runner became a cult hit for the weird and wonderful costumes - a mix of the futuristic and film noir. FACT: Despite a tense atmosphere on set thanks to director Ridley Scott actress Sean Young pictured had "fond memories" of costume designer Charles Knode, who let her keep this fur coat after the film wrapped. He then went on to create the costumes for Braveheart. Jane Fonda's futristic costumes summed up the sixities style - kitsch, playful and more than a little sex kitten-ish. FACT: The costumes in Barbarella are credited to the legendary sixties designer Paco Rabanne, though most were actually created by Jacques Fonteray, and influenced by Jean-Claude Forest, who originally created the character. As The Fashion of Film: How Cinema Has Inspired Fashion sexually-frustrated housewife who turns to prostitution for satisfaction, Catherine Deneuve's wardrobe in Belle Du Jour was sixties-prim with a dash of sexuality - think figure-hugging pencil skirts, silk blouses and stiletto heels. FACT: Shoe designer Manolo Blahnik was so taken aback by this scene he created a whole collection inspired by Charlotte's 'spectator shoes' in the s. Stealing money has never looked this stylish. Although set in the s, the Bonnie's wardrobe has a seventies feel, with its berets, tweed and fine knits. FACT: This iconic scene, where she dances provacatively in a split skirt, led to the film being condemned by the Catholic League of Decency. The white and gold dress pictured weighed a whopping 45 pounds. With their Alaia mini-dresses, matchy-matchy suits, knee-length socks and walk-in wardrobes, who didn't want to dress like Cher and Dionne during the 90s? FACT: There are 53 different kinds of plaid used in Cluelessseven of which are worn by Cher, and twelve by other major characters. The film went on to win the Oscar for Best Costume Design. FACT: Luckily the s style was drop-waisted - Farrow was pregnant during the shooting and the film had to be shot wearing loose, flowing dresses. One of Marlene Dietrich's most iconic film looks can be seen in Desire. This fur-lined dressing gown was created by designer Travis Banton, who did her first movie costumes at Paramount. FACT: Banton was credited with creating the "Dietrich style" - a heady mix of exotic glamour, androgynous pieces, and lots of leg. Little Edie pictured said she dressed "for combat" in old fur coats and with scarves wrapped around her head. FACT: Little Edie's kooky style was evident at the premier of the film - she wore her red dress backwards, with the zip down the front. How to dress if you're in a the cool girl clique in a cult s high school movie? In bright, padded blazers, clashing plaids, multi-coloured tights and lots of scrunchies, of The Fashion of Film: How Cinema Has Inspired Fashion. FACT: A retro hair accessory, the scrunchy also signifies a turning point in the film when Heather Duke played by Shannen Doherty takes her old rival's red scrunchie and wears it, making the statement that she is now the most powerful Heather in the group. Jane Russells' chest is often jokingly referred to as the star of The Outlaw. But did you know director Howard Hughes created a breathrough in bra The Fashion of Film: How Cinema Has Inspired Fashion to ensure Russell's chest looked its best? He had designers create a seamless underwire brassiere, leaving no visible support lines underneath Russell's skimpy shirts. But Russell later said she did not wear the contraption during filming because it was too uncomfortable. FACT: Brassiere or no, The Outlaw was still contraversail, and was withdrawn from cinemas when the censorship department of The Motion Picture Producers and Distributors of America ruled that the film had broken too many decency code, even though Hughes had purposefully cut 37 scenes in which he felt Russell's breasts were overemphasized. From her gamine pixie haircut to a wardrobe of breton tops, chinos and ballet flats, Jean Seberg's look in French New Wave film Breathless has now become iconic - and often copied. FACT: There was no costume designer or official costumes for the movie - director Jean-Luc Godard encouraged actors to wear their own clothing and make choices they thought appropriate for each character. Joan Crawford was always known for her strong-shouldered look, a style that was displayed to perfection in Mildred Pierce. She was told to buy clothes "off the rack" to look like a working mother. But Joan refused to look dowdy, and had her own The Fashion of Film: How Cinema Has Inspired Fashion fit the waists and pad out the shoulders. With fashion designer Tom Ford as the director the wardrobe for A Single Man was always going to wow. He The Fashion of Film: How Cinema Has Inspired Fashion legendary Hollywood stylist Arianne Phillips to do the costumes - with Julianne Moore's monochrome house dress the standout piece. Taxi Driver caused controversy when released for Jodie Foster's character Iris, a Lolita-esque child prostitute dressed in hot pants, floppy hats and platforms. Does that make sense? FACT: To keep the look authentic, Jodie was advised on her wardrobe by an The Fashion of Film: How Cinema Has Inspired Fashion young prostitute, who appears in the film. Despite playing a prostitue, many of Julia Roberts' looks from Pretty Woman became iconic - particularly brown polka dot ensemble, complete with hat and matching gloves, from the polo scene. FACT: Roberts admitted she kept the dress to keep on eye on her figure - and can still fit into it. Dr Zhivago elevated Julie Christie to star status, and her breathtaking wardrobe of fur coats, hats and romantic white gowns was used to The Fashion of Film: How Cinema Has Inspired Fashion social change in a Russia torn apart by war, revolution and ideological upheaval. Katharine said that the designer, was "a charmer" and knew just what to wear because she had been brought up in Africa herself. She also said the director was "fascinated" by the underwear Doris brought in. Based on the novel of the same name, Stanley Kuberick's Lolita adaptation faced controversey with its theme of the sexualisation of a young girl. So powerful wass the story that the term 'Lolita' quickly came into use in relation to grown women adopting a child-like style, and has prompted an entire style movement in Japan. FACT: The famous heart-shaped sunglasses that Lolita wears appear only in the publicity photos - she actually wears cat eye sunglasses in the movie. As a silent movie, the costumes in Pandora's Box had to work extra hard. That they did, with star Louise Brooks dazzling in a string of innocent yet sexual outfits much like her characterdesigned by Jean Patou. FACT: Following the film's release, Brooks' bobbed hairstyle became the widely copied and has since become synonomous with the s. The director took a chance on Madonna in lead role because of the pop star's personal style. The gamble paid off - Desperately Seeking Susan brought Madonna's signature look to the mainstream in the s, with its eclectic jumble of thrift store finds and wacky accessories. Margot's offbeat wardrobe of Lacoste tennis dresses, fur coats, vintage bags and barrattes showed Gwyneth Paltrow in a whole new light in The Royal Tenenbaums. FACT: Director Wes Anderson wanted to make the Tenenbaums appear "trapped in the era of their heyday", so made sure all clothes were from the s and characters stayed in the same or similar outfits throughout the movie. This infamous shot of Marilyn Monroe's halterneck white dress blowing up around her legs as she stands over a subway grating was originally shot on Manhattan's Lexington Avenue for a scene in The Seven Year Itch. Onlookers whistled and cheered through take after take as Marilyn repeatedly missed her lines - and eventually the scene had to be reshot in a studio. In Working GirlMelanie Griffiths plays dowdy employee Tess, who is given a makeover by her power-suit-wearing boss Katherine, played by Signourney Weaver. Weaver paraphrased Coco Chanel in the film, telling Tess, The Fashion of Film: How Cinema Has Inspired Fashion shabbily and they notice the dress; dress impeccably and they notice the woman. Meryl Streep's colonial and safari style wardrobe in Out of Africa was effortlessly elegant. Director Stephen Grimes sent the film's costume designer Milena Canonero colour copies of the paintings he did whilst in Kenya in order for her to match the colour palette of the wardrobe to those on-set. FACT: Streep ran into a spot of bother on set when a huge beetle crawled into The Fashion of Film: How Cinema Has Inspired Fashion high- collard shirt, and got trapped during a scene. Like a true professional Streep carried on - then ripped her jacket off after the take. Mia Farrow's wardrobe in this film mirrors the actress's own sixities style, featuring plenty of A-line dresses, Peter Pan collars and eye-popping colours. Her severe hair cut was also an act of rebellion, and was created by legendary hairdresser Vidal Sassoon. FACT: Gaultier designer costumes for the film, and was present on set each day of filming to ensure the outfits were as he envisaged them. She also wrote the bestseller How to Dress for Success. In GildaRita Hayworth performs a striptease in a black dress - and it became the most iconic example of a femme fatale in film. FACT: The dress The Fashion of Film: How Cinema Has Inspired Fashion created by American costume designer Jean Louis, who collaborated with Rita on nine films and was responsible for cultivating her glamorous image. In the original novel, Dorothy wore silver shoes, but her ruby slippers in the film are now among the most treasured and valuable of film memorabilia. FACT: A number of pairs were made for the film though no one knows exactly how many and five pairs are known to have survived - one of these was stolen in and never found again. Olivia Newton John's development from 'good Sandy' to 'bad Sandy' in Grease is one of film's most iconic transformations - her character's wholesome s full skirts, fitted sweaters and cheearleader pom-poms were replaced by killer red mules and a skin-tight black catsuit for the infamous final scene. The sheer scale of 's Gone With The Wind was reflected in the 19th century outfits - over 5, individal items of clothing were crated by the film's costume designer, Walter Plunkett. FACT: The memorable green dress pictured was made from a pair of old curtains in the film - Scarlett wanted to look perfect for Rhett Butler's return, and show she could still look elegant despite the hardships of the Civil War. Ellen stated in Clothes on Film she wanted to make the character of Catherine look like "the icy blonde, similar to a Hitchcockian character". Whilst the remake starring Nicole Kidman featured prim s styling, the original Stepford Wives was s through and through, including high-waisted, wide-leg trousers, tonal colours and free-flowing hair. FACT: The supermarket scene, in which lead character Joanna appears to have become 'robotic' like the other wives, could have looked a lot raunchier. Screenwriter Goldman wanted the wives to dress like provocative models, but after Nannette Newman was cast in the lead role, Goldman decided the wives should look dowdier - hence the Victorian-inspired maxi dresses. Hitchcock controlled every aspect of his films, even down to the colour of Tippi Hedren's clothes. He specified she should wear a green dress during the infamous crow chase scene in The Birdsso designer Edith Head created a wardrobe of only blue and green designs throughout the film. Probably the most famous example of swimwear on screen save Daniel Craig's trunks in Casino Royal Ursula Andress became the quintiessential Bond Girl when she emerged from the Caribbean sea in that belted bikini in Dr No. Skip to content. But what of the stories behind these inspiring and award-winning wardrobes? La Dolce Vita. The Fashion of Film: How Cinema Has Inspired Fashion Story. Grey Gardens. A Single Man. Working Girl. Film and Fashion |

During the s and s, with the rise in popularity of Hollywood movies, screen idols became role models for the masses. Most major fashion trends no longer were dictated only by the top Paris-based fashion houses. The clothes and hairstyles worn by glamorous movie stars, both on and off the screen, grabbed the attention of American and European moviegoers and launched countless fashion fads. The influence of Hollywood on fashion began during the silent film era, which ended in the late s. Pola Negri c. Once this was publicized, women by the thousands followed her lead. Clara Bow —another silent screen star, helped to popularize bobbed hair, sailor pants, and pleated skirts. Gloria Swanson — made fashionable high-heeled shoes decorated with imitation pearls and rhinestones. Hollywood costume designers played a crucial role in dictating fashion trends. Between andGilbert Adrian — headed the costume department at Metro-Goldwyn-Mayer, then the most prestigious Hollywood movie studio. Not only did Adrian create the signature styles of the studio's top actresses, but he launched various fashion crazes. One was the popularity of the gingham dress, a cotton fabric dress featuring a checked or striped pattern, which he designed for Judy Garland — to wear in The Wizard of Oz and for Katharine The Fashion of Film: How Cinema Has Inspired Fashion — in The Philadelphia Story Another famous Hollywood designer was Hubert de Givenchy —who was a favorite of influential actress Audrey Hepburn and dressed her in such movies as Breakfast at Tiffany'sSabrinaand Funny Face Outfits worn in movies were quickly copied by retailers. A woman who found a dress or gown worn in a movie appealing could The Fashion of Film: How Cinema Has Inspired Fashion a low-priced copy in a department store or from a Sears catalog. Magazines published clothing patterns based on film costumes, allowing women to sew their own Hollywood-style frocks. The era's most favored pattern reportedly was a dress worn by Vivien Leigh — in a picnic scene in Gone with the Windone of the era's most popular and publicized movies. Individual performers became associated with clothes or hairstyles that became their trademarks. In the early s sultry Jean Harlow — was famed for her platinum blonde hair, which was a very light, almost-white blonde color. In fact, Platinum Blonde was the title of one of her early film successes. The platinum blonde effect was achieved by bleaching the hair. When Harlow ascended to stardom, women began coloring their hair in order to copy her look. In the s Veronica Lake —a rising star, launched a trend by wearing her hair in peek-a-boo bangs, with her long blonde locks falling over one eye. Dorothy Lamour — popularized the sarong, a one-piece, wraparound garment worn primarily as a skirt or dress, when she played the exotically beautiful title character in The Fashion of Film: How Cinema Has Inspired Fashion Jungle Princess If Harlow, Lake, and Lamour represented sex appeal, child star Shirley Temple — personified sweetness and innocence. During the mids Temple enjoyed a run as the movie industry's number-one box office star. Mothers dressed their daughters like Temple and styled their hair to copy her trademark ringlet curls. No little girl's toy chest was complete without a Shirley Temple doll, of which over six million were sold. Meanwhile, the great popularity of cowboy movies, particularly among the young, hiked the sales of western-style shirts for adults as well as children. Each preferred wearing trousers at a time when females were expected to convey their womanliness by donning dresses and skirts. Hepburn's, Garbo's, and Dietrich's choice of attire communicated to women that they neither would squander away their femininity nor be any less appealing to men if they chose pants over dresses. Occasionally what stars chose not to wear had a major impact on fashion trends. In the early s men commonly wore undershirts. Then Clark The Fashion of Film: How Cinema Has Inspired Fashion —one of the era's The Fashion of Film: How Cinema Has Inspired Fashion stars and most influential male icons, appeared in It Happened One Night He was not wearing an undershirt. After the release of It Happened One Night, undershirt sales across the United States plummeted by a reported 75 percent. Films and film stars continue to influence fashion trends to the present day. Toggle navigation. Wiki Forum. Actress Audrey Hepburn wearing a gown by Hubert de Givenchy. User Contributions:. Comment about this article, ask questions, or add new information about this topic: Name:. E-mail: Show my email publicly. Human Verification:. Public Comment: characters. Send comment. Other articles you might like:. Follow City-Data. Tweets by LechMazur. Difficult Years: —45 Clothing, —