A List of Louies, Part 2
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Quick Study Guide
WH07_te_ch06_rev_MOD_s.fm Page 240 Monday, March 5, 2007 5:10WH07MOD_se_CH06_rev_s.fm PM Page 240 Friday, January 26, 2007 12:12 PM Quick Study Guide CHAPTER Progress Monitoring Online 6 6 For: Self-test with vocabulary practice 6 Web Code: nba-1851 Quick Study Guide ■ Have students use the Quick Study ■ What Inspired the French Revolution? ■ Causes and Effects of the French Guide to prepare for this chapter’s Revolution test. Students may wish to refer to • Social: Enlightenment ideas such as equality and justice the following pages as they review: • Political: Ideas from the American Revolution • Economic: Inequalities among classes; unrest due to Cause and Effect extravagant monarchy Long-Term Causes Immediate Causes What Inspired the French Revolution? • Corrupt and inconsistent • Huge government debt Section 1, pp. 210–213 leadership • Poor harvests and rising ■ Reforms of the National Assembly • Prosperous members of price of bread Third Estate resent • Failure of Louis XVI to Causes and Effects of the French Revolution Political privileges of First and accept financial reforms Second Estates. Section 1, pp. 210–215; Section 2, • Proclaimed all male citizens equal before the law. • Formation of National • Spread of Enlightenment • Limited the power of the monarchy. Assembly pp. 217–222; Section 3, pp. 223–227; ideas Section 4, pp. 230–238 • Established the Legislative Assembly to make laws. • Storming of Bastille • Granted all tax-paying male citizens the right to elect members of the Legislative Assembly. Reforms of the National Assembly The French Revolution Section 2, pp. 217–220 Social and Economic • Abolished special privileges of the nobility. Immediate Effects Long-Term Effects • Announced an end to feudalism. -
Nationalism in the French Revolution of 1789
The University of Maine DigitalCommons@UMaine Honors College 5-2014 Nationalism in the French Revolution of 1789 Kiley Bickford University of Maine - Main Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Cultural History Commons Recommended Citation Bickford, Kiley, "Nationalism in the French Revolution of 1789" (2014). Honors College. 147. https://digitalcommons.library.umaine.edu/honors/147 This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. NATIONALISM IN THE FRENCH REVOLUTION OF 1789 by Kiley Bickford A Thesis Submitted in Partial Fulfillment of the Requirement for a Degree with Honors (History) The Honors College University of Maine May 2014 Advisory Committee: Richard Blanke, Professor of History Alexander Grab, Adelaide & Alan Bird Professor of History Angela Haas, Visiting Assistant Professor of History Raymond Pelletier, Associate Professor of French, Emeritus Chris Mares, Director of the Intensive English Institute, Honors College Copyright 2014 by Kiley Bickford All rights reserved. Abstract The French Revolution of 1789 was instrumental in the emergence and growth of modern nationalism, the idea that a state should represent, and serve the interests of, a people, or "nation," that shares a common culture and history and feels as one. But national ideas, often with their source in the otherwise cosmopolitan world of the Enlightenment, were also an important cause of the Revolution itself. The rhetoric and documents of the Revolution demonstrate the importance of national ideas. -
The Political Story, 1814-1900
The Political Story: 1815-1900. From Monarchy to Republic, the struggle for stability and compromise • Republicanism a minority allegiance up to 1880 • Critics associate it with Jacobinism, violent democracy, “Bolshevism” in its day. • By 1880, a permanent majority of the French converted to the republican ideal (Wright, 205) • Transition was exceptional, not normal, it its day A series of experiments in search of stability and compromise (Wright) • The Bourbon Experiment (1814-1830) • The Orléanist Experiment (1830-1848) • The Republican Experiment (1848-1852) • The Imperial Experiment (1852-1870) • The Rooting of the Republican System (1870-1919) Louis XVIII, King of France (1814-1824) Louis-Philippe, King of the French, 1830-1848 Official portrait of Louis XVIII by Jean-Baptiste-Louis Gros Official portrait by Franz Xavier Winterhalter, 1839 Louis XVIII and the Royal Family Charles X, King of France 1824-1830 Official portrait François GERARD, 1825 1814-1848 Struggles for Compromise that Failed How to blend the Revolution and the Old Regime? How to bridge deep divisions created by the Revolution? • Louis XVIII (1814-1824) & the Charter—divine right and a nobility with a legislature • 1817—90,000 men of the wealthy elite had the right to vote • The Chamber: ultras, moderates, liberals (constitutional monarchists, a few republicans) • Charles X (1824-1830) “Stubbornly Unwise” • Coronation at Reims (symbol of the Old Regime) • Compensation of noble émigrés • Partial restoration of the Church—seminaries and missions • Trio of unpopular -
Place Saint-Michel the Place Saint-Michel Is
Place Saint-Michel The Place Saint-Michel is simple – a triangle between two streets, uniform buildings along both, designed by the same architect, a walk of smooth cobblestone. The centerpiece is St. Michael defeating a devil; far above them are four statues symbolizing the four cardinal virtues of prudence, fortitude, temperance, and justice. This monument came to be because of the 1848 Revolution and a cholera epidemic in Paris that followed it which killed thousands. This idea of abstract concepts given human form had been popular during the Revolution, the big one, representing the kind of big virtues – like the Four Cardinal Virtues – that everyone could strive for, instead of a single human being whose actions and legacy would turn people against each other. Simultaneous with the creation of Place Saint-Michel, Napoleon III’s renovation brought the Boulevard Saint-Michel into being, and that is the next part of our walk. Facing the fountain with the river at your back, walk on Boulevard Saint-Michel, it’s the street to your left. Walk away from the river along that street. Ultimately, you’ll be turning left on Rue des Écoles, but it’ll be about five minutes to get there, and you can listen to the next track on the way. Boulevard Saint-Michel The character of the street you’re on – wide-open space lined with trees and long, harmonious buildings, plus, often, a view of some landmark in the distance – was a central part of the renovation plan, or the Haussmann plan, as it’s also known. -
New Working Papers Series, Entitled “Working Papers in Technology Governance and Economic Dynamics”
Working Papers in Technology Governance and Economic Dynamics no. 74 the other canon foundation, Norway Tallinn University of Technology, Tallinn Ragnar Nurkse Department of Innovation and Governance CONTACT: Rainer Kattel, [email protected]; Wolfgang Drechsler, [email protected]; Erik S. Reinert, [email protected] 80 Economic Bestsellers before 1850: A Fresh Look at the History of Economic Thought Erik S. Reinert, Kenneth Carpenter, Fernanda A. Reinert, Sophus A. Reinert* MAY 2017 * E. Reinert, Tallinn University of Technology & The Other Canon Foundation, Norway; K. Car- penter, former librarian, Harvard University; F. Reinert, The Other Canon Foundation, Norway; S. Reinert, Harvard Business School. The authors are grateful to Dr. Debra Wallace, Managing Director, Baker Library Services and, Laura Linard, Director of Baker Library Special Collections, at Harvard Business School, where the Historical Collection now houses what was once the Kress Library, for their cooperation in this venture. Above all our thanks go to Olga Mikheeva at Tallinn University of Technology for her very efficient research assistance. Antiquarian book dealers often have more information on economics books than do academics, and our thanks go to Wilhelm Hohmann in Stuttgart, Robert H. Rubin in Brookline MA, Elvira Tasbach in Berlin, and, above all, to Ian Smith in London. We are also grateful for advice from Richard van den Berg, Francesco Boldizzoni, Patrick O’Brien, Alexandre Mendes Cunha, Bertram Schefold and Arild Sæther. Corresponding author [email protected] The core and backbone of this publication consists of the meticulous work of Kenneth Carpenter, librarian of the Kress Library at Harvard Busi- ness School starting in 1968 and later Assistant Director for Research Resources in the Harvard University Library and the Harvard College 1 Library. -
Court of Versailles: the Reign of Louis XIV
Court of Versailles: The Reign of Louis XIV BearMUN 2020 Chair: Tarun Sreedhar Crisis Director: Nicole Ru Table of Contents Welcome Letters 2 France before Louis XIV 4 Religious History in France 4 Rise of Calvinism 4 Religious Violence Takes Hold 5 Henry IV and the Edict of Nantes 6 Louis XIII 7 Louis XIII and Huguenot Uprisings 7 Domestic and Foreign Policy before under Louis XIII 9 The Influence of Cardinal Richelieu 9 Early Days of Louis XIV’s Reign (1643-1661) 12 Anne of Austria & Cardinal Jules Mazarin 12 Foreign Policy 12 Internal Unrest 15 Louis XIV Assumes Control 17 Economy 17 Religion 19 Foreign Policy 20 War of Devolution 20 Franco-Dutch War 21 Internal Politics 22 Arts 24 Construction of the Palace of Versailles 24 Current Situation 25 Questions to Consider 26 Character List 31 BearMUN 2020 1 Delegates, My name is Tarun Sreedhar and as your Chair, it's my pleasure to welcome you to the Court of Versailles! Having a great interest in European and political history, I'm eager to observe how the court balances issues regarding the French economy and foreign policy, all the while maintaining a good relationship with the King regardless of in-court politics. About me: I'm double majoring in Computer Science and Business at Cal, with a minor in Public Policy. I've been involved in MUN in both the high school and college circuits for 6 years now. Besides MUN, I'm also involved in tech startup incubation and consulting both on and off-campus. When I'm free, I'm either binging TV (favorite shows are Game of Thrones, House of Cards, and Peaky Blinders) or rooting for the Lakers. -
I Was Not Dull
What, Me Dull? Listen, one of the reasons those crazy French overthrew me, supposedly, was because I was dull and boring. I want you to know the truth. Just listen to a bit of my life and let me know if you think it was dull. I was born in Paris (never a boring city) on October 6, 1773. My father was Louis Philippe Joseph. He was a member of the younger branch of the royal family known as the Orleans branch. He was probably the richest man in France. Did you ever hear of him? Probably not, because he is better known as Philippe Egalite, which means Philip Equality. You see, he supported the French Revolution to such a great extent that he was elected to the most revolutionary body of that period, the Convention. In fact, he also voted for the execution of King Louis XVI. My father’s vote was crucial because the vote to have King Louis executed was close and passed by only one vote. So you see, he was a loyal son of the French Revolution even to the point that my father was guillotined (the revolution had a reputation of devouring its own children). Anyway, I also supported the French Revolution and fought in important battles. I liked our general, Dumouriez, so much that I followed him right down to the time he went over to the Austrians—the Revolution. I spent a lot of time in exile during the First French Republic and later while Napoleon reigned. Since you are Americans, it might interest you to know that among the places I lived was Philadelphia, where I stayed for four years. -
Discover the Styles and Techniques of French Master Carvers and Gilders
LOUIS STYLE rench rames F 1610–1792F SEPTEMBER 15, 2015–JANUARY 3, 2016 What makes a frame French? Discover the styles and techniques of French master carvers and gilders. This magnificent frame, a work of art in its own right, weighing 297 pounds, exemplifies French style under Louis XV (reigned 1723–1774). Fashioned by an unknown designer, perhaps after designs by Juste-Aurèle Meissonnier (French, 1695–1750), and several specialist craftsmen in Paris about 1740, it was commissioned by Gabriel Bernard de Rieux, a powerful French legal official, to accentuate his exceptionally large pastel portrait and its heavy sheet of protective glass. On this grand scale, the sweeping contours and luxuriously carved ornaments in the corners and at the center of each side achieve the thrilling effect of sculpture. At the top, a spectacular cartouche between festoons of flowers surmounted by a plume of foliage contains attributes symbolizing the fair judgment of the sitter: justice (represented by a scale and a book of laws) and prudence (a snake and a mirror). PA.205 The J. Paul Getty Museum © 2015 J. Paul Getty Trust LOUIS STYLE rench rames F 1610–1792F Frames are essential to the presentation of paintings. They protect the image and permit its attachment to the wall. Through the powerful combination of form and finish, frames profoundly enhance (or detract) from a painting’s visual impact. The early 1600s through the 1700s was a golden age for frame making in Paris during which functional surrounds for paintings became expressions of artistry, innovation, taste, and wealth. The primary stylistic trendsetter was the sovereign, whose desire for increas- ingly opulent forms of display spurred the creative Fig. -
The Faces of History. the Imagined Portraits of the Merovingian Kings at Versailles (1837-1842)
The faces of history. The imagined portraits of the Merovingian kings at Versailles (1837-1842) Margot Renard, University of Grenoble ‘One would expect people to remember the past and imagine the future. But in fact, when discoursing or writing about history, they imagine it in terms of their own experience, and when trying to gauge the future they cite supposed analogies from the past; till, by a double process of repeti- tion, they imagine the past and remember the future’. (Namier 1942, 70) The historian Christian Amalvi observes that during the first half of the nine- teenth century, most of the time history books presented a ‘succession of dyn- asties (Merovingians, Carolingians, Capetians), an endless row of reigns put end to end (those of the ‘rois fainéants’1 and of the last Carolingians especially), without any hierarchy, as a succession of fanciful portraits of monarchs, almost interchangeable’ (Amalvi 2006, 57). The Merovingian kings’ portraits, exhib- ited in the Museum of French History at the palace of Versailles, could be de- scribed similarly: they represent a succession of kings ‘put end to end’, with imagined ‘fanciful’ appearances, according to Amalvi. However, this vision dis- regards their significance for early nineteenth-century French society. Replac- ing these portraits in the broader context of contemporary history painting, they appear characteristic of a shift in historical apprehension. The French history painting had slowly drifted away from the great tradition established by Jacques-Louis David’s moralistic and heroic vision of ancient history. The 1820s saw a new formation of the historical genre led by Paul De- laroche's sentimental vision and attention to a realistic vision of history, restored to picturesqueness. -
Macroeconomic Features of the French Revolution Author(S): Thomas J
Macroeconomic Features of the French Revolution Author(s): Thomas J. Sargent and François R. Velde Source: Journal of Political Economy, Vol. 103, No. 3 (Jun., 1995), pp. 474-518 Published by: The University of Chicago Press Stable URL: http://www.jstor.org/stable/2138696 . Accessed: 12/04/2013 15:49 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The University of Chicago Press is collaborating with JSTOR to digitize, preserve and extend access to Journal of Political Economy. http://www.jstor.org This content downloaded from 129.199.207.139 on Fri, 12 Apr 2013 15:49:56 PM All use subject to JSTOR Terms and Conditions Macroeconomic Features of the French Revolution Thomas J. Sargent University of Chicago and Hoover Institution, Stanford University Frangois R. Velde Johns Hopkins University This paper describes aspects of the French Revolution from the perspective of theories about money and government budget con- straints. We describe how unpleasant fiscal arithmetic gripped the Old Regime, how the Estates General responded to reorganize France'sfiscal affairs, and how fiscal exigencies impelled the Revo- lution into a procession of monetary experiments ending in hyper- inflation. -
The Basques of Lapurdi, Zuberoa, and Lower Navarre Their History and Their Traditions
Center for Basque Studies Basque Classics Series, No. 6 The Basques of Lapurdi, Zuberoa, and Lower Navarre Their History and Their Traditions by Philippe Veyrin Translated by Andrew Brown Center for Basque Studies University of Nevada, Reno Reno, Nevada This book was published with generous financial support obtained by the Association of Friends of the Center for Basque Studies from the Provincial Government of Bizkaia. Basque Classics Series, No. 6 Series Editors: William A. Douglass, Gregorio Monreal, and Pello Salaburu Center for Basque Studies University of Nevada, Reno Reno, Nevada 89557 http://basque.unr.edu Copyright © 2011 by the Center for Basque Studies All rights reserved. Printed in the United States of America Cover and series design © 2011 by Jose Luis Agote Cover illustration: Xiberoko maskaradak (Maskaradak of Zuberoa), drawing by Paul-Adolph Kaufman, 1906 Library of Congress Cataloging-in-Publication Data Veyrin, Philippe, 1900-1962. [Basques de Labourd, de Soule et de Basse Navarre. English] The Basques of Lapurdi, Zuberoa, and Lower Navarre : their history and their traditions / by Philippe Veyrin ; with an introduction by Sandra Ott ; translated by Andrew Brown. p. cm. Translation of: Les Basques, de Labourd, de Soule et de Basse Navarre Includes bibliographical references and index. Summary: “Classic book on the Basques of Iparralde (French Basque Country) originally published in 1942, treating Basque history and culture in the region”--Provided by publisher. ISBN 978-1-877802-99-7 (hardcover) 1. Pays Basque (France)--Description and travel. 2. Pays Basque (France)-- History. I. Title. DC611.B313V513 2011 944’.716--dc22 2011001810 Contents List of Illustrations..................................................... vii Note on Basque Orthography......................................... -
The Story of the Nation's
' THE STO RY O F TH E NATIO NS. r c mum 800 Cla/h [Hm/mud 68. La g C , , , ' 73: Volume: are aimbe}! in [I nfol/mmng Special B indings ' al Pfru an ( Io/lo ill to F u m 110 exlra ” l , g p ll y, 1/ , r 0 d s Tree ( al ill d s o d ol ma /1a! e ge f. g e ge , g l r l imidc u ilt MM . , f ll g x P G NI IA. l w 8. H O f. B O 8 01112 . Anrnuu G u u G . 1 . By , By Pro R W LINSO N. MA . A m “W S. B f. K. 1 . MEDI A. ZBNMDB . 9 . y Pro J 9 By A R GO ZIN. Ma nn . A exa m . Rev . S. 2 0. TH E H ANSA T WNS. 3. B O By — i “A . H B LB N Z IMNERN. B agu o 000m . f. A un t) n EARL Y R T . By Pro . B I AIN By Prof R A LF ED J . CH URCH . TH E R Y . as. BAR BA COR SAIR S STA NLEY N - O O By LA E P LE. U 2 . R SS . W . By 3 IA By R . MO R y Prot mws UNDER TH E W . Do u R OM ANS. By vc xs Amm Mo nmso n. Prof. C T ND . O H N M AC 2 5 . S O LA By J xmro su LL D. an a n o ue.