Roquiah Sakhawat Hossein1 to Taslima Nasrin
ASIATIC, VOLUME 10, NUMBER 1, JUNE 2016 From Islamic Feminism to Radical Feminism: Roquiah Sakhawat Hossein1 to Taslima Nasrin Niaz Zaman2 Independent University, Bangladesh Abstract This paper examines four women writers who have contributed through their writings and actions to the awakening of women in Bangladesh: Roquiah Sakhawat Hossein, Sufia Kamal, Jahanara Imam and Taslima Nasrin. The first three succeeded in making a space for themselves in the Bangladesh tradition and carved a special niche in Bangladesh. All three of them were writers in different genres – poetry, prose, fiction – with the last best known for her diary about 1971. While these iconic figures contributed towards women’s empowerment or people’s rights in general, Taslima Nasrin is the most radically feminist of the group. However, while her voice largely echoes in the voices of young Bangladeshi women today – often unacknowledged – she has been shunned by her own country. The paper attempts to explain why, while other women writers have also said what Taslima Nasrin has, she alone is ostracised. Keywords Islamic feminism, radical feminism, gynocritics, purdah, 1971, Shahbagh protests In this paper, I wish to examine four women writers who have contributed through their writings and actions to the awakening of women in Bangladesh. Beginning with Roquiah Sakhawat Hossein (1880-1932), I will also discuss the roles played by Sufia Kamal (1911-99), Jahanara Imam (1929-94) and Taslima Nasrin (1962-). The first three succeeded in making a space for themselves in the Bangladesh tradition and carved a special niche in Bangladesh. All three of them were writers: Roquiah wrote poems, short stories, a novel, as well as prose pieces; Sufia Kamal was primarily a poet but also wrote a number of short 1 There is some confusion over the spelling of her name.
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