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The Project Gutenberg Ebook of Mcguffey's Fifth Eclectic Reader by William Holmes Mcguffey
The Project Gutenberg EBook of McGuffey's Fifth Eclectic Reader by William Holmes McGuffey This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: McGuffey's Fifth Eclectic Reader Author: William Holmes McGuffey Release Date: February 14, 2005 [EBook #15040] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK MCGUFFEY'S FIFTH ECLECTIC READER *** Produced by Don Kostuch Transcriber's Note: Welcome to the schoolroom of 1900. The moral tone is plain. "She is kind to the old blind man." The exercises are still suitable, and perhaps more helpful than some contemporary alternatives. Much is left to the teacher. Explanations given in the text are enough to get started teaching a child to read and write. Counting in Roman numerals is included as a bonus in the form of lesson numbers. The "non-ASCI" text remains as images. The "non-ASCI" text is approximated in text boxes to right of the image. The form of contractions includes a space. The contemporary word "don't" was rendered as "do n't". The author, not listed in the text is William Holmes McGuffey. Don Kostuch ECLECTIC EDUCATIONAL SERIES. McGUFFEY'S® FIFTH ECLECTIC READER. REVISED EDITION. McGuffey Editions and Colophon are Trademarks of John Wiley & Sons, Inc. New York-Chichester-Weinheim-Brisbane-Singapore-Toronto Copyright, 1879, by VAN ANTWERP, BRAGG & CO. Copyright, 1896, by AMERICAN BOOK COMPANY. -
2015 Spring Voices
VOICES FROM THE WRITING CENTER SPRING 2015 A CELEBRATION OF WRITING DONE IN AND AROUND THE UNIVERSITY OF IOWA WRITING CENTER EDITED BY CASSANDRA BAUSMAN TABLE OF CONTENTS From Father to Son, Tanner King ................................................ 3 Forget Me Not , De'Shea Coney .................................................. 6 Standoff, Devin Van Dyke ........................................................ 11 Storm of War, Abe Kline ......................................................... 113 Wilderness Appreciation, Natalie Himmel .................................. 17 The Sticky Note, Mingfeng Huang ............................................ 22 Odd and Even, Wenxiu Zou ...................................................... 26 World Apart (Excerpt), Cody Connor .................................... 44 Narrativa, Sarah Jansen ............................................................. 57 Why Everyone Should "Bilbo Up', Sarah Kurtz...........................59 Authoethnography, Ying Chen......................................................62 Voir Dire, Raquel Baker.............................................................64 2 FROM FATHER TO SON Stepping over one childhood memory after another, I make my way toward the chest. I look into it, and there it is, TANNER KING staring up at me. A faded brown teddy bear, with so many patches and stitch jobs that I wonder how much of the original The front door of the old farmhouse opens with a loud fabric is actually there. It looks like it could be centuries old. creak, and my childhood living room greets me as if no time has Maybe it is. It has black beads for eyes, one of which is hanging passed. This is clearly not the case. Plaster is missing from the loosely by a thread. The other one looks up at me, as if it's wall in large chunks, some of it to be found on the dusty brown wondering where I've been. sofa sitting against the staircase to my right. Graffiti litters the Written down the inside of its right leg is “ALBert.” My walls, covering up what is left of the brown striped wallpaper. -
Mar Customer Order Form
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Drawn&Quarterly
DRAWN & QUARTERLY spring 2012 catalogue EXCERPT FROM GUY DELISLE’S JERUSALEM EXCERPT FROM GUY DELISLE’S JERUSALEM EXCERPT FROM GUY DELISLE’S JERUSALEM CANADIAN AUTHOR GUY DELISLE JERUSALEM Chronicles from the Holy City Acclaimed graphic memoirist Guy Delisle returns with his strongest work yet, a thoughtful and moving travelogue about life in Israel. Delisle and his family spent a year in East Jerusalem as part of his wife’s work with the non-governmental organiza- tion Doctors Without Borders. They were there for the short but brutal Gaza War, a three-week-long military strike that resulted in more than 1000 Palestinian deaths. In his interactions with the emergency medical team sent in by Doctors Without Borders, Delisle eloquently plumbs the depths of the conflict. Some of the most moving moments in Jerusalem are the in- teractions between Delisle and Palestinian art students as they explain the motivations for their work. Interspersed with these simply told, affecting stories of suffering, Delisle deftly and often drolly recounts the quotidian: crossing checkpoints, going ko- sher for Passover, and befriending other stay-at-home dads with NGO-employed wives. Jerusalem evinces Delisle’s renewed fascination with architec- ture and landscape as political and apolitical, with studies of highways, villages, and olive groves recurring alongside depictions of the newly erected West Bank Barrier and illegal Israeli settlements. His drawn line is both sensitive and fair, assuming nothing and drawing everything. Jerusalem showcases once more Delisle’s mastery of the travelogue. “[Delisle’s books are] some of the most effective and fully realized travel writing out there.” – NPR ALSO AVAILABLE: SHENZHEN 978-1-77046-079-9 • $14.95 USD/CDN BURMA CHRONICLES 978-1770460256 • $16.95 USD/CDN PYONGYANG 978-1897299210 • $14.95 USD/CDN GUY DELISLE spent a decade working in animation in Europe and Asia. -
English-Language Graphic Narratives in Canada
Drawing on the Margins of History: English-Language Graphic Narratives in Canada by Kevin Ziegler A thesis presented to the University of Waterloo in fulfilment of the thesis requirement for the degree of Doctor of Philosophy in English Waterloo, Ontario, Canada, 2013 © Kevin Ziegler 2013 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract This study analyzes the techniques that Canadian comics life writers develop to construct personal histories. I examine a broad selection of texts including graphic autobiography, biography, memoir, and diary in order to argue that writers and readers can, through these graphic narratives, engage with an eclectic and eccentric understanding of Canadian historical subjects. Contemporary Canadian comics are important for Canadian literature and life writing because they acknowledge the importance of contemporary urban and marginal subcultures and function as representations of people who occasionally experience economic scarcity. I focus on stories of “ordinary” people because their stories have often been excluded from accounts of Canadian public life and cultural history. Following the example of Barbara Godard, Heather Murray, and Roxanne Rimstead, I re- evaluate Canadian literatures by considering the importance of marginal literary products. Canadian comics authors rarely construct narratives about representative figures standing in place of and speaking for a broad community; instead, they create what Murray calls “history with a human face . the face of the daily, the ordinary” (“Literary History as Microhistory” 411). -
Whiskey River (Take My Mind) I
whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams. -
Reagan's Victory
Reagan’s ictory How HeV Built His Winning Coalition By Robert G. Morrison Foreword by William J. Bennett Reagan’s Victory: How He Built His Winning Coalition By Robert G. Morrison 1 FOREWORD By William J. Bennett Ronald Reagan always called me on my birthday. Even after he had left the White House, he continued to call me on my birthday. He called all his Cabinet members and close asso- ciates on their birthdays. I’ve never known another man in public life who did that. I could tell that Alzheimer’s had laid its firm grip on his mind when those calls stopped coming. The President would have agreed with the sign borne by hundreds of pro-life marchers each January 22nd: “Doesn’t Everyone Deserve a Birth Day?” Reagan’s pro-life convic- tions were an integral part of who he was. All of us who served him knew that. Many of my colleagues in the Reagan administration were pro-choice. Reagan never treat- ed any of his team with less than full respect and full loyalty for that. But as for the Reagan administration, it was a pro-life administration. I was the second choice of Reagan’s to head the National Endowment for the Humanities (NEH). It was my first appointment in a Republican administration. I was a Democrat. Reagan had chosen me after a well-known Southern historian and literary critic hurt his candidacy by criticizing Abraham Lincoln. My appointment became controversial within the Reagan ranks because the Gipper was highly popular in the South, where residual animosities toward Lincoln could still be found. -
"D" PLATINUM CONTRACTING SERVICES, LLC #THATZWHY LLC (2Nd) Second Chance for All (H.E.L.P) Helping Earth Loving People (Ieec) - FELMA.Inc 1 Campus Road Ventures L.L.C
Entity Name "D" PLATINUM CONTRACTING SERVICES, LLC #THATZWHY LLC (2nd) Second Chance for All (H.E.L.P) Helping Earth Loving People (ieec) - FELMA.Inc 1 Campus Road Ventures L.L.C. 1 Love Auto Transport, LLC 1 P STREET NW LLC 1 Vision, INC 1,000 Days 10 FLORIDA AVE DDR LLC 10 Friends L.L.C. 100 EYE STREET ACQUISITION LLC 100 REPORTERS 100,000 Strong Foundation (The) 1000 CONNECTICUT MANAGER LLC 1000 CRANES LLC 1000 NEW JERSEY AVENUE, SE LLC 1000 VERMONT AVENUE SPE LLC 1001 CONNECTICUT LLC 1001 K INC. 1001 PENN LLC 1002 22ND STREET L.L.C. 1002 3RD STREET, SE LLC 1003 8TH STREET LLC 1005 E Street SE LLC 1008 Monroe Street NW Tenants Association of 2014 1009 NEW HAMPSHIRE LLC 101 41ST STREET, NE LLC 101 5TH ST, LLC 101 GALVESTON PLACE SW LLC 101 P STREET, SW LLC 101 PARK AVENUE PARTNERS, Inc. 1010 25th St 107 LLC 1010 25TH STREET LLC 1010 IRVING, LLC 1010 V LLC 1010 VERMONT AVENUE SPE LLC 1010 WISCONSIN LLC 1011 NEW HAMPSHIRE AVENUE LLC 1012 ADAMS LLC 1012 INC. 1013 E Street LLC 1013 U STREET LLC 1013-1015 KENILWORTH AVENUE LLC 1014 10th LLC 1015 15TH STREET, Inc. 1016 FIRST STREET LLC 1018 Florida Avenue Condominium LLC 102 O STREET, SW LLC 1020 16TH STREET, N.W. HOLDINGS LLC 1021 EUCLID ST NW LLC 1021 NEW JERSEY AVENUE LLC 1023 46th Street LLC 1025 POTOMAC STREET LLC 1025 VERMONT AVENUE, LLC 1026 Investments, LLC 1030 PARK RD LLC 1030 PERRY STREET LLC 1031 4TH STREET, LLC 1032 BLADENSBURG NE AMDC, LLC 104 O STREET, SW LLC 104 RHODE ISLAND AVENUE, N.W. -
Report of the President Daniel Sher Dean, College of Music University of Colorado-Boulder
NATIONAL ASSOCIATION OF SCHOOLS OF MUSIC 2006 Annual Meeting Report of the President Daniel Sher Dean, College of Music University of Colorado-Boulder Last year our annual meeting centered on the issues of developing a positive future for art music, and we are continuing the theme this year. I chose this subject for my Report to you today, partly because it is surely one of the major challenges we face, and partly because I was inspired by Sam Hope’s beautifully concise and comprehensive paper, “Creating a Positive Future for Art Music,” which I read as a call to arms. In fact, I asked the NASM staff to place another copy of it in your packet again this year with the idea that you may find guidance and inspiration in it, as I have. My train of thought went this way: First, I wondered whether there is any point to considering that there is a cumulative effect to the activities and advocacy each of us engage in at our local level. And then, it occurred to me how important it might be to consider whether our advocacy role depends upon our abil- ity to understand the critically important, but often nuanced differences between music’s intrinsic and extrinsic values. This latter point seems especially important now, given the complex and often over- whelmingly commercial environment for messaging, branding, and marketing in which we live. I’ll frame these two issues by asking two fundamental questions: First, “What is our message?” Second, “How do we best advance it?” Given the challenges in messaging I referred to a moment ago, it seems essential that, first and foremost, we try our best to understand what comprises music’s intrinsic values, so as not to confuse them with extrinsic ones. -
Gray Area: Thinking with a Damaged Brain
LOST Magazine - Gray Area: Thinking With a Damaged Brain by Floyd Skloot My entire brain, the organ by which my very consciousness is controlled, was reorganized one day ten years ago. I went to sleep here and woke up there; the place looked the same but nothing in it worked the way it used to. I used to be able to think. My brain's circuits were all connected and I had spark, a quickness of mind that let me function well in the world. There were no problems with numbers or abstract reasoning; I could find the right word, could hold a thought in mind, match faces with names, converse coherently in crowded hallways, learn new tasks. I had a memory and an intuition that I could trust. All that changed on December 7, 1988, when I contracted a virus that targeted my brain. A decade later, my cane and odd gait are the most visible evidence of damage. But most of the damage is hidden. My cerebral cortex, the gray matter that M.I.T. neuroscientist Steven Pinker likens to "a large sheet of two- dimensional tissue that has been wadded up to fit inside the spherical skull," has been riddled with tiny perforations. This sheet and the thinking it governs are now porous. Invisible to the naked eye, but readily seen through brain imaging technology, are areas of scar tissue that constrict blood flow. Anatomic holes, the lesions in my gray matter, appear as a scatter of white spots like bubbles or a ghostly pattern of potshots. -
Download Writing Circle Anthology
CALS WRITING CIRCLE Spring Poetry Anthology APRIL 2020 Copyright © 2020 by CALS Writing Circle All rights reserved. No part of this book may be reproduced or used in any manner without written permission of the copyright owner. www.cals.org CALS WRITING CIRCLE 2020 2 In certain ways writing is a form of prayer. — DENISE LEVERTOV CALS WRITING CIRCLE 2020 3 CALS WRITING CIRCLE Editors — JESSICA HALSEY — PAULETTE MEHTA — DEB MOORE —REBEKAH SMITH —ANNA M. WALTHALL CALS WRITING CIRCLE 2020 4 CALS WRITING CIRCLE Contents INTRODUCTION 6 ABOUT CALS WRITING CIRCLE 7 — ANNA M. WALTHALL 8 - 10 — JAN HAMLETT 11 - 13 — RACHEL LUEBKE 14 — LUIS UZCATEGNI 15 - 17 — MARY HALEY PERRY 18 - 21 — MICAH MATTSON 22 - 30 — SHIRLEY STICHT SCHUETTE 31 — TOM HUTCHISON 32 - 62 CONTRIBUTORS 63 - 64 CALS WRITING CIRCLE 2020 5 CALS WRITING CIRCLE Introduction Every April, writers and creatives across the map celebrate National Poetry Month. For thirty days, we honor the great poets of our past by spotlighting new and promising works and encouraging everyone (and anyone) to connect with their inner poet. This year, the CALS Writing Circle hosted a month-long challenge. For every day in the month of April, a new prompt in the form of a single word was given to our writers--words like wake, spark, thaw, clear. When we sat down to plan the challenge, we set a few goals. We agreed that if April came to an end and we had at least fifteen poems, we would consider the contest a success. The days ticked by, but our inboxes never came up empty; every morning there were new poems to be read. -
Days & Hours for Social Distance Walking Visitor Guidelines Lynden
53 22 D 4 21 8 48 9 38 NORTH 41 3 C 33 34 E 32 46 47 24 45 26 28 14 52 37 12 25 11 19 7 36 20 10 35 2 PARKING 40 39 50 6 5 51 15 17 27 1 44 13 30 18 G 29 16 43 23 PARKING F GARDEN 31 EXIT ENTRANCE BROWN DEER ROAD Lynden Sculpture Garden Visitor Guidelines NO CLIMBING ON SCULPTURE 2145 W. Brown Deer Rd. Do not climb on the sculptures. They are works of art, just as you would find in an indoor art Milwaukee, WI 53217 museum, and are subject to the same issues of deterioration – and they endure the vagaries of our harsh climate. Many of the works have already spent nearly half a century outdoors 414-446-8794 and are quite fragile. Please be gentle with our art. LAKES & POND There is no wading, swimming or fishing allowed in the lakes or pond. Please do not throw For virtual tours of the anything into these bodies of water. VEGETATION & WILDLIFE sculpture collection and Please do not pick our flowers, fruits, or grasses, or climb the trees. We want every visitor to be able to enjoy the same views you have experienced. Protect our wildlife: do not feed, temporary installations, chase or touch fish, ducks, geese, frogs, turtles or other wildlife. visit: lynden.tours WEATHER All visitors must come inside immediately if there is any sign of lightning. PETS Pets are not allowed in the Lynden Sculpture Garden except on designated dog days.