The Project Gutenberg Ebook of Mcguffey's Fifth Eclectic Reader by William Holmes Mcguffey
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2015 Spring Voices
VOICES FROM THE WRITING CENTER SPRING 2015 A CELEBRATION OF WRITING DONE IN AND AROUND THE UNIVERSITY OF IOWA WRITING CENTER EDITED BY CASSANDRA BAUSMAN TABLE OF CONTENTS From Father to Son, Tanner King ................................................ 3 Forget Me Not , De'Shea Coney .................................................. 6 Standoff, Devin Van Dyke ........................................................ 11 Storm of War, Abe Kline ......................................................... 113 Wilderness Appreciation, Natalie Himmel .................................. 17 The Sticky Note, Mingfeng Huang ............................................ 22 Odd and Even, Wenxiu Zou ...................................................... 26 World Apart (Excerpt), Cody Connor .................................... 44 Narrativa, Sarah Jansen ............................................................. 57 Why Everyone Should "Bilbo Up', Sarah Kurtz...........................59 Authoethnography, Ying Chen......................................................62 Voir Dire, Raquel Baker.............................................................64 2 FROM FATHER TO SON Stepping over one childhood memory after another, I make my way toward the chest. I look into it, and there it is, TANNER KING staring up at me. A faded brown teddy bear, with so many patches and stitch jobs that I wonder how much of the original The front door of the old farmhouse opens with a loud fabric is actually there. It looks like it could be centuries old. creak, and my childhood living room greets me as if no time has Maybe it is. It has black beads for eyes, one of which is hanging passed. This is clearly not the case. Plaster is missing from the loosely by a thread. The other one looks up at me, as if it's wall in large chunks, some of it to be found on the dusty brown wondering where I've been. sofa sitting against the staircase to my right. Graffiti litters the Written down the inside of its right leg is “ALBert.” My walls, covering up what is left of the brown striped wallpaper. -
Outkast'd and Claimin' True
OUTKAST’D AND CLAIMIN’ TRUE: THE LANGUAGE OF SCHOOLING AND EDUCATION IN THE SOUTHERN HIPHOP COMMUNITY OF PRACTICE by JOYCELYN A. WILSON (Under the direction of Judith Preissle) ABSTRACT The hiphop community of practice encompasses a range of aesthetic values, norms, patterns, and traditions. Because of its growth over the last three decades, the community has come to include regionallyspecific networks linked together by community members who engage in meaningful practices and experiences. Expressed through common language ideologies, these practices contribute to the members’ communal and individual identity while simultaneously providing platforms to articulate social understandings. Using the constructs of community of practice and social networks, this research project is an interpretive study grounded primarily in the use of lyrics and interviews to investigate the linguistic patterns and language norms of hip hop’s southern network, placing emphasis on the Atlanta, Georgia southern hiphop network. The two main goals are to gain an understanding of the role of school in the cultivation of the network and identify the network’s relationship to schooling and education. The purpose is to identify initial steps for implementing a hiphop pedagogy in curriculum and instruction. INDEX WORDS: Hiphop community of practice, social network, language ideology, hiphop generation, indigenous research, schooling, education OUTKAST’D AND CLAIMIN’ TRUE: THE LANGUAGE OF SCHOOLING AND EDUCATION IN THE SOUTHERN HIPHOP COMMUNITY OF PRACTICE by JOYCELYN A. WILSON B.S., The University of Georgia, 1996 M.A., Pepperdine University, 1998 A Dissertation Submitted to the Graduate Faculty of the University of Georgia in Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY ATHENS, GEORGIA 2007 ã 2007 Joycelyn A. -
[Ismailov Is] a Writer of Immense Poetic Power
Praise for The Devils’ Dance Winner of the EBRD Literature Prize 2019 ‘[Ismailov is] a writer of immense poetic power.’ — Guardian ‘Ismailov shows that even under extreme duress, a writ- er’s mind will still swim with ideas and inspiration… Rebellious, ironic, witty and lyrical… A work that both honours and renews that rich tradition [of Central Asian literature]. For all its complexity, The Devils’ Dance is utterly readable.’ — Caroline Eden, Financial Times ‘Captivating… A rare example of Uzbek literature trans- lated into the English language – in this case admirably so by Donald Rayfield.’ — Natasha Randall, Times Literary Supplement ‘With its spies, police, princes, poets and great plot, [The Devils’ Dance] is an Uzbek Game of Thrones. The sto- rytelling style captures perfectly the prose and poetry of Central Asia while being incredibly readable in English.’ — Rosie Goldsmith, chair of judges, EBRD Prize ‘Might Hamid Ismailov’s The Devils’ Dance open Central Asian literature to the world as Gabriel García Márquez’s novels did for Latin America? Probably not – things rarely work out like that – but perhaps it deserves to.’ — Peter Gordon, Asian Review of Books ‘An intricate mixture of fact and fiction… Defiant’ — Jane Shilling, New Statesman ‘Brilliantly translated by Donald Rayfield… A rich and enthralling book’ — Tatler.com ‘Effective and moving… [Ismailov completes] his impres- sive portrait of the artist and his culture – and his dreadful times’ — Complete Review ‘A beguiling tale of khans, commissars, spies and poet- queens… feature in a rare English translation of modern Uzbek fiction.’ — Economist ‘Throughout these parallel stories, Ismailov finds moments of utter horror and of quiet relief.’ — Words Without Borders ‘A beautiful evocation of different Central Asian historical worlds… The Devils’ Dance is a powerful symbol of hope in Uzbekistan.’ — Calvert Journal ‘My book of the year.’ — Caroline Eden ‘A mesmerising – and terrifying – novel of tremendous range, energy and potency. -
Santa Clara Review, Vol. 99, No. 1 Santa Clara University
Santa Clara University Scholar Commons Santa Clara Review SCU Publications Fall 2012 Santa Clara Review, vol. 99, no. 1 Santa Clara University Follow this and additional works at: http://scholarcommons.scu.edu/sc_review Part of the Fiction Commons, Nonfiction Commons, and the Poetry Commons Recommended Citation Santa Clara University, "Santa Clara Review, vol. 99, no. 1" (2012). Santa Clara Review. Book 9. http://scholarcommons.scu.edu/sc_review/9 This Book is brought to you for free and open access by the SCU Publications at Scholar Commons. It has been accepted for inclusion in Santa Clara Review by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. This issue of santa clara review proudly features cover art by Koninia Biswas. Illuminate, 2010 Screenprint/Digital The santa clara review is published biannually by Santa Clara University in Santa Clara, California and accepts submissions of poetry, fiction, nonfiction, drama, and art year round. The santa clara review is not responsible for unsolicited submissions of artwork. Subscription rates are $14.00 for one year and $26.00 for two years. Single and back issues are available for $7.50 (includes $1.00 for postage and handling). To facilitate accurate reproduction of your piece, we welcome submissions online via our website: www.santaclarareview.com You may also send correspondence, including address changes, subscrip- tion information, etc., to: santa clara review Santa Clara University 500 El Camino Real, Box 3212 Santa Clara, CA, 95053-3212 (408) 554-4484 No manuscripts or artwork can be returned unless accompanied by a self- addressed, stamped envelope. -
England, France Deadlocked Over Security Treaty
' ^ ■ v';^,'*. v'.';.- “ii ■■'A-i!^, 1 . , ^sii^v J '■ f >■.. '7 .■L . ■»...*^; A'iti...;-- ■ ■; ■- - ■> '4 THE WEATHEB n e t p b e s s b e n ; Foreeant by C. Sr Weattwr BveaUi AVEBAGE UAUUT GlBCUliATION Haitford. for the Month of February, 1930 Fair tonight: Tuesday increasing 5,503 cloudiness and warmer. M cjnbera of the Aadit Bnrean of V ^iis t e Cirenlatlona , PRICE THREE CENTS SOUTH MANCHESTER, CONN., MONDAY,' MARCH 31, 1930. ^ PAGES VOL. XLIV., NO. 154. (Clashed Advertising on Page 10) HOUSE FAILS Chinese Tong to Help I LABOR LOSES Mother Kidnaped, Tied to Auto ENGLAND, FRANCE TO AGREE ON Garrett Case Witness i DiVOTEFOR DEADLOCKED OVER ADJOURNIRENF i m e i u . Boston, March 31.— (AP.)—Theft The Tong had learned of Sidlin- Orient and the Occident met today ’ ger’s misfortune and called a meet- 1 ^ j i.- r 4.U i tag' to consider the case. Yee Mon SECURITY TREATY I on terms of friendship of the urst I friends were convinced that Western Republicans Want I water. j Sidlinger had been “framed,” and Not Considered a Matter In j ■ Albert Sidlinger, aformer pro- , they voted to take_ up with nation- al headquarters of the Hip Sings I fessional bondsman, who is serving volving Political Conse MAN DROPS DEAD Americans Are Discouraged House to Accept Higher the proposition of furnishing funds I I two years in jail for conspiracy to for a new trial for Sidlinger. It was j extort, was at the State House in also voted to send a committee to quences to MacDonald Re Over Outlook— French Agricultural Rates Sug 1 connection with the investigation Governor Allen to protest Sidlin-j ON WAY TO WORK I into the pensioning of Oliver B. -
Depaul's Blue Book
Depaul’s Blue Book BEST OF ILLINOIS HIGH SCHOOL WRITING 2018-2019 BOX NO. ISSUE 1 Editor: Chris Green Managing Editor: Chris Watkins Series Editors: Editing Students in DePaul’s Masters in Writing and Publishing Subject: Creative Writing Department: English Editor: Chris Green Managing Editor: Chris Watkins Anthology & Website Design: Whitney Rauenhorst Series Editors, 2018-2019: Emmanuel Bara-Hart Eric Canan Ana Carolina Da Silva Moreira Jorge Paulina Freedman Madelyn Funk Amy Jesnionowski Rebecca Harrison Mina Kalkatechi Eva Lopez Benedi Miranda Malinowski Clare McKitterick Caitlin Pierson Anne Redd Layne Ruda Caitlin Stout Emily Winkler DePaul’s Blue Book Best of Illinois High School Writing 2018-2019 DePaul University, Chicago, IL 60614 © 2020 by DePaul University Book Design by Whitney Rauenhorst All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission, except in the case of brief quotations in critical articles and reviews. For more information, contact DePaul’s Blue Book: www.depaulsbluebook.com. Published 2019 Created in the United States DePaul would like to acknowledge the following faculty and staff moderators of the literary magazines from which pieces were chosen for the anthology: Adlai Stevenson High School James Barnabee Amos Alonzo High School Giedre Kazlauskas Belleville West High School Amber Thurnau Belvidere High School Janey Marinaro Benet Academy High School Lori Rogalski Chicago Lab High School Allen Ambrosini and Mark Krewatch CHI Arts Tina Boyer Brown CICS Northtown Academy James Klise East Aurora High School Amanda G Bussman Geneva High School Heather Peters Glenbrook South High School John Allen Hoffman Estates High School Kirsten A. -
I Put My Sword Away: an Iraqi Soldier's Journey from Battlefield To
I PUT MY SWORD AWAY “Each time I IN THIS TRUE STORY OF returned to my batallioin FINDING FAITH in the midst of death and after a furlough, my superiors would thrust my destruction, Yacoub Yousif describes the I PUT Kalashnikov into my hands hell he endured in the Iraqi army during and send me straight to the Iraq-Iran War, and his agony of soul the front. This put me in a when forced to decide between killing or MY quandary. If I was to believe being killed. Refusing to ght in Saddam the words of Jesus, now Hussein’s Iraq meant summary execution, that I was a committed to but as he trusted in God’s faithfulness, following Christ, I could no SWORD longer kill for any reason. Yacoub was able to nd the courage to My friends told me, “Don’t make life-changing decisions that led be stupid! Don’t let the him on an amazing journey toward peace, enemy kill you!” I agonized reconciliation, and true brotherhood. AWAY over this question. At fi rst I thought I would simply go to the military authorities and tell them that I could no longer participate in the army because my faith Yacoub Yousif forbids me to harm other people. But I was afraid; I knew that they would certainly execute me on the spot... “ Yacoub Yousif Yacoub —from the book Bruderhof Rifton, New York, USA Robertsbridge, East Sussex, UK An Iraqi Soldier’s Journey from Elsmore, NSW, Australia www.bruderhof.com Battlefi eld to Brotherhood i I Put My Sword Away_cover.indd 1 24/10/2015 10:30:49 Yacoub Yousif I PUT MY SWORD AWAY An Iraqi Soldier’s Journey from Battlefield to Brotherhood Bruderhof ii Please share a link to this e-book with your friends. -
Redox DAS Artist List for Period: 01.12.2020
Page: Redox D.A.S. Artist List for01.12.2020 period: - 31.12.2020 Date time: Title: Artist: min:sec 01.12.2020 00:06:24 HAVE A HOLLY JOLLY CHRISTMAS JOHNNY MATHIS 00:01:57 01.12.2020 00:08:31 BURNING UP MADONNA 00:03:39 01.12.2020 00:12:10 ZLOMLJENO SRCE PIKA BOŽIČ KONTREC 00:03:43 01.12.2020 00:16:13 DON T PAY THE FERRYMAN CHRIS DE BURGH 00:03:24 01.12.2020 00:19:35 NELL ARIA MARCELLA BELLA 00:03:48 01.12.2020 00:23:25 POVEJ NAGLAS ANDREJ IKICA 00:03:13 01.12.2020 00:26:45 LOVE ASHLEE SIMPSON 00:02:31 01.12.2020 00:29:17 SWEET CAROLINA NEIL DIAMOND 00:03:19 01.12.2020 00:32:34 AMAZONKA SAŠKA SMODEJ 00:03:03 01.12.2020 00:35:37 POP N SYNC 00:02:54 01.12.2020 00:38:37 PUTTING ON THE RITZ TACO 00:03:18 01.12.2020 00:41:55 PLOVEMO TRETJI KANU 00:04:30 01.12.2020 00:46:23 TOUCH LITTLE MIX 00:03:28 01.12.2020 00:49:57 EXTENDED DREAM SPAGNA 00:05:44 01.12.2020 00:55:40 THAT S THE TRUTH MCFLY 00:03:48 01.12.2020 00:59:28 MOMENTS IN LOVE BO ANDERSEN AND BERNIE PAUL00:04:27 01.12.2020 01:04:16 NAPOVEDNIK krajše 7 NOČ 00:02:29 01.12.2020 01:04:24 1 DEL 7 NOČ 00:00:43 01.12.2020 01:04:59 OBLADI OBLADA ORG MARMALADE 00:02:59 01.12.2020 01:07:54 VMESNI 2 7 NOČ 00:00:44 01.12.2020 01:07:59 ANOTHER SATURDAY NIGHT SAM COOKE 00:02:38 01.12.2020 01:10:36 PRIDI DALA TI BOM CVET EVA SRŠEN 00:02:50 01.12.2020 01:13:27 VMESNI 2 7 NOČ 00:00:44 01.12.2020 01:13:31 THAT S AMORE DEAN MARTIN FEAT FRANK SINATRA00:03:06 01.12.2020 01:16:38 2 DEL 7 NOČ 00:00:49 01.12.2020 01:17:27 MY WAY FRANK SINATRA 00:04:35 01.12.2020 01:21:55 VMESNI 2 7 NOČ 00:00:44 01.12.2020 -
2018Verdant.Pdf
Acknowledgements Thanks goes to all of those who helped with Verdant: all contributors of writings; Principal Ginger Gustavson; Assistant Principals Marie Eakin, Maria Edwards, Chenita McDonald and Robert Silvie; Librarians Mrs. Annette Williford and Ms. Pamela Williams; Captain Shreve’s English teachers Mr. Michael Scott and Mrs. Maureen Barclay. Staff Editors: Mary Catherine Douglas Georgia Hilburn Lonniqua James Faculty Advisor: Michael Scott Verdant 18 is a collection of Captain Shreve’s best student writing from the 2017-2018 school year as selected by the Verdant editorial staff. In this collection you will find poetry, prose, and essays that have received recognition from the Scholastic Writing Awards, Seedlings, Artbreak, and the PTSA Reflections Arts Program. Entries are copyright of their respective owners and may be reproduced for personal or educational purposes only. For more information, please contact Michael Scott at [email protected]. 1 Table of Contents Poetry Living With an African Name………………………………………………………………………………………………….10 Naima Bomani Tigerland, My Home Away from Home……………………………………………………………….…………………13 Javin Bowman I am the Warrior……………………………………………………………………………………………………………….………….15 Rachel Clottey The Memories of My Home ………………………………………………………………………………………………………16 Rachel Clottey A Good Man …………………………………………………………………………………………………………………………..………19 Karissa Cook Beating the Odds ………………..………………………………………………………………………………………………..…….21 Karissa Cook The PC………………………...……………………………………………………………………………………………………………..…..22 -
2016, Volume 9
D E V O L U M E 9 PAUL UNIVERSITY PAUL 2016 Creating Knowledge Creating D E PAUL UNIVERSITY THE LAS JOURNAL OF UNDERGRADUATE SCHOLARSHIP JOURNAL OF UNDERGRADUATE THE LAS Creating Knowledge THE LAS JOURNAL OF UNDERGRADUATE SCHOLARSHIP V O L U M E 9 | 2 0 1 6 CREATING KNOWLEDGE The LAS Journal of Undergraduate Scholarship 2016 EDITOR Warren C. Schultz ART JURORS Chi Jang Yin, Coordinator Laura Kina Steve Harp COPY EDITORS Eric Houghton Whitney Rauenhorst Samantha Schorsch TABLE OF CONTENTS 7 Foreword, by Dean Guillermo Vásquez de Velasco, PhD STUDENT RESEARCH 8 Kevin C. Quin Moral Economy: Black Consumerism and Racial Uplift in Tan Confessions, 1950-51 (African and Black Diaspora Studies Program) 16 Zoe Krey Cokeys, Gongs, and the Reefer Man: Cab Calloway’s Use of Strategic Expressionism during the Harlem Renaissance (Department of American Studies) 26 Emily Creek Icelandic Coffee Shops and Wes Anderson Amorphous Time (Department of Anthropology) 36 Ryan Martire The Eyes of Christ (Department of Catholic Studies) 44 Austin Shepard Woodruff “What My Eyes Have Seen”: Consolidating Narrative Memory and Community Identity in The History of Mary Prince, A West Indian Slave: Related by Herself (Department of English) 52 Florence Xia Commémoration, par Maya Angelou (French Program, Department of Modern Languages) 54 Megan M. Osadzinski Eine nietzscheanische Auslegung von Frank Wedekinds Frühlings Erwachen (German Program, Department of Modern Languages) 60 Christie A. Parro Tristan Tzara: Dada in Print (Department of History of Art and Achitecture) -
An Investigation of Music and Paranormal Phenomena
PARAMUSICOLOGY: AN INVESTIGATION OF MUSIC AND PARANORMAL PHENOMENA Melvyn J. Willin Ph. D. Music Department University of Sheffield February 1999 IMAGING SERVICES NORTH Boston Spa, Wetherby West Yorkshire, LS23 7BQ www.bl.uk THESIS CONTAINS TAPE CASSETTE PARAMUSICOLOGY: AN INVESTIGATION OF MUSIC AND PARANORMALPBENOMENA Melvyn J. Willin SUMMARY The purpose of this thesis is to explore musical anomalies that are allegedly paranormal in origin. From a wide range of categories available, three areas are investigated: • music and telepathy • music written by mediums professedly contacted by dead composers • music being heard where the physical source of sound is unknown and presumed to be paranormal. In the first part a method of sensory masking (referred to as ganzfeld) is used to study the possibility of the emotional or physical content of music being capable of mind transference. A further experiment presents additional results relating to the highest scoring individuals in the previous trials. No systematic evidence for the telepathic communication of music was found. In the second section a number of mediums and the music they produced are investigated to examine the truthfulness of their claims of spiritual intervention in compositions and performances. Methods of composition are investigated and the music is analysed by experts. For the final part of the thesis locations are specified where reports of anomalous music have been asserted and people claiming to have heard such music are introduced and their statements examined. Literature from a variety of data bases is considered to ascertain whether the evidence for paranormal music consists of genuine material, misconceived perceptions or fraudulent claims. -
The Fantastic Life of Rock Stars
City University of New York (CUNY) CUNY Academic Works Dissertations and Theses City College of New York 2012 The Fantastic Life of Rock Stars MacAdam Smith CUNY City College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cc_etds_theses/456 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] The Fantastic Life of Rock Stars by MacAdam Smith advisor: Linsey Abrams April 20, 2011 Submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts of the City College of the City University of New York The Fantastic Life of Rock Stars Chapter 1 Dust particles glow as they dance in the light above my head; I can imagine myself at the Beacon, haloed by the stage lights, in front of 3,000 packed seats that fan out from the stage. Heads crane from the balcony, knees twitch, a chain of excited coughs. I pull a string into tune. The crowd waits, would wait for hours, just to listen. We are about to begin an event, a shared experience of collective spirituality tapped through primal desire for music. I am the crier, they the devotees, ready to sing along to my naked intimacy, to the feelings and melodies that make them think of me as an intimate. Adjust myself on the stool, take a deep breath. Tap my foot in rhythm: 1 and 2 and— A glass breaks behind the bar and a drunken giggle follows from someone near the far wall.