I Chose to Die (Siren Suicides, Book 1)
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The Emerald City of Oz by L. Frank Baum Author of the Road to Oz
The Emerald City of Oz by L. Frank Baum Author of The Road to Oz, Dorothy and The Wizard in Oz, The Land of Oz, etc. Contents --Author's Note-- 1. How the Nome King Became Angry 2. How Uncle Henry Got Into Trouble 3. How Ozma Granted Dorothy's Request 4. How The Nome King Planned Revenge 5. How Dorothy Became a Princess 6. How Guph Visited the Whimsies 7. How Aunt Em Conquered the Lion 8. How the Grand Gallipoot Joined The Nomes 9. How the Wogglebug Taught Athletics 10. How the Cuttenclips Lived 11. How the General Met the First and Foremost 12. How they Matched the Fuddles 13. How the General Talked to the King 14. How the Wizard Practiced Sorcery 15. How Dorothy Happened to Get Lost 16. How Dorothy Visited Utensia 17. How They Came to Bunbury 18. How Ozma Looked into the Magic Picture 19. How Bunnybury Welcomed the Strangers 20. How Dorothy Lunched With a King 21. How the King Changed His Mind 22. How the Wizard Found Dorothy 23. How They Encountered the Flutterbudgets 24. How the Tin Woodman Told the Sad News 25. How the Scarecrow Displayed His Wisdom 26. How Ozma Refused to Fight for Her Kingdom 27. How the Fierce Warriors Invaded Oz 28. How They Drank at the Forbidden Fountain 29. How Glinda Worked a Magic Spell 30. How the Story of Oz Came to an End Author's Note Perhaps I should admit on the title page that this book is "By L. Frank Baum and his correspondents," for I have used many suggestions conveyed to me in letters from children. -
The Project Gutenberg Ebook of Mcguffey's Fifth Eclectic Reader by William Holmes Mcguffey
The Project Gutenberg EBook of McGuffey's Fifth Eclectic Reader by William Holmes McGuffey This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: McGuffey's Fifth Eclectic Reader Author: William Holmes McGuffey Release Date: February 14, 2005 [EBook #15040] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK MCGUFFEY'S FIFTH ECLECTIC READER *** Produced by Don Kostuch Transcriber's Note: Welcome to the schoolroom of 1900. The moral tone is plain. "She is kind to the old blind man." The exercises are still suitable, and perhaps more helpful than some contemporary alternatives. Much is left to the teacher. Explanations given in the text are enough to get started teaching a child to read and write. Counting in Roman numerals is included as a bonus in the form of lesson numbers. The "non-ASCI" text remains as images. The "non-ASCI" text is approximated in text boxes to right of the image. The form of contractions includes a space. The contemporary word "don't" was rendered as "do n't". The author, not listed in the text is William Holmes McGuffey. Don Kostuch ECLECTIC EDUCATIONAL SERIES. McGUFFEY'S® FIFTH ECLECTIC READER. REVISED EDITION. McGuffey Editions and Colophon are Trademarks of John Wiley & Sons, Inc. New York-Chichester-Weinheim-Brisbane-Singapore-Toronto Copyright, 1879, by VAN ANTWERP, BRAGG & CO. Copyright, 1896, by AMERICAN BOOK COMPANY. -
2015 Spring Voices
VOICES FROM THE WRITING CENTER SPRING 2015 A CELEBRATION OF WRITING DONE IN AND AROUND THE UNIVERSITY OF IOWA WRITING CENTER EDITED BY CASSANDRA BAUSMAN TABLE OF CONTENTS From Father to Son, Tanner King ................................................ 3 Forget Me Not , De'Shea Coney .................................................. 6 Standoff, Devin Van Dyke ........................................................ 11 Storm of War, Abe Kline ......................................................... 113 Wilderness Appreciation, Natalie Himmel .................................. 17 The Sticky Note, Mingfeng Huang ............................................ 22 Odd and Even, Wenxiu Zou ...................................................... 26 World Apart (Excerpt), Cody Connor .................................... 44 Narrativa, Sarah Jansen ............................................................. 57 Why Everyone Should "Bilbo Up', Sarah Kurtz...........................59 Authoethnography, Ying Chen......................................................62 Voir Dire, Raquel Baker.............................................................64 2 FROM FATHER TO SON Stepping over one childhood memory after another, I make my way toward the chest. I look into it, and there it is, TANNER KING staring up at me. A faded brown teddy bear, with so many patches and stitch jobs that I wonder how much of the original The front door of the old farmhouse opens with a loud fabric is actually there. It looks like it could be centuries old. creak, and my childhood living room greets me as if no time has Maybe it is. It has black beads for eyes, one of which is hanging passed. This is clearly not the case. Plaster is missing from the loosely by a thread. The other one looks up at me, as if it's wall in large chunks, some of it to be found on the dusty brown wondering where I've been. sofa sitting against the staircase to my right. Graffiti litters the Written down the inside of its right leg is “ALBert.” My walls, covering up what is left of the brown striped wallpaper. -
DAVID WILLIAMSON Is Australia's Best Known and Most Widely
DAVID WILLIAMSON is Australia’s best known and most widely performed playwright. His first full-length play The Coming of Stork was presented at La Mama Theatre in 1970 and was followed by The Removalists and Don’s Party in 1971. His prodigious output since then includes The Department, The Club, Travelling North, The Perfectionist, Sons of Cain, Emerald City, Top Silk, Money and Friends, Brilliant Lies, Sanctuary, Dead White Males, After the Ball, Corporate Vibes, Face to Face, The Great Man, Up For Grabs, A Conversation, Charitable Intent, Soulmates, Birthrights, Amigos, Flatfoot, Operator, Influence, Lotte’s Gift, Scarlet O’Hara at the Crimson Parrot, Let the Sunshine and Rhinestone Rex and Miss Monica, Nothing Personal and Don Parties On, a sequel to Don’s Party, When Dad Married Fury, At Any Cost?, co-written with Mohamed Khadra, Dream Home, Happiness, Cruise Control and Jack of Hearts. His plays have been translated into many languages and performed internationally, including major productions in London, Los Angeles, New York and Washington. Dead White Males completed a successful UK production in 1999. Up For Grabs went on to a West End production starring Madonna in the lead role. In 2008 Scarlet O’Hara at the Crimson Parrot premiered at the Melbourne Theatre Company starring Caroline O’Connor and directed by Simon Phillips. As a screenwriter, David has brought to the screen his own plays including The Removalists, Don’s Party, The Club, Travelling North and Emerald City along with his original screenplays for feature films including Libido, Petersen, Gallipoli, Phar Lap, The Year of Living Dangerously and Balibo. -
Directing an Immersive Adaptation of Strindberg's a Dream Play
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses Dissertations and Theses October 2018 Interpreting Dreams: Directing an Immersive Adaptation of Strindberg's A Dream Play Mary-Corinne Miller University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/masters_theses_2 Part of the Dramatic Literature, Criticism and Theory Commons, Interactive Arts Commons, Other Theatre and Performance Studies Commons, Performance Studies Commons, and the Theatre History Commons Recommended Citation Miller, Mary-Corinne, "Interpreting Dreams: Directing an Immersive Adaptation of Strindberg's A Dream Play" (2018). Masters Theses. 730. https://doi.org/10.7275/12087874 https://scholarworks.umass.edu/masters_theses_2/730 This Open Access Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. INTERPRETING DREAMS: DIRECTING AN IMMERSIVE ADAPTATION OF STRINDBERG’S A DREAM PLAY A Thesis Presented By MARY CORINNE MILLER Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF FINE ARTS September 2018 Department of Theater © Copyright by Mary Corinne Miller 2018 All Rights Reserved INTERPRETING DREAMS: DIRECTING AN IMMERSIVE ADAPTATION OF STRINDBERG’S A DREAM PLAY A Thesis Presented By MARY CORINNE MILLER Approved as to style and content by: ____________________________________ Gina Kaufmann, Chair ____________________________________ Harley Erdman, Member ____________________________________ Gilbert McCauley, Member ____________________________________ Amy Altadonna, Member ____________________________ Gina Kaufmann, Department Head Department of Theater DEDICATION To my son, Everett You are my dream come true. -
The Mabo Legacy the START of a REWARDING JOURNEY for VICTORIAN BAR MEMBERS
No.152 Spring 2012 ISSN 0159 3285 ISSN The Mabo Legacy THE START OF A REWARDING JOURNEY FOR VICTORIAN BAR MEMBERS. Behind the wheel of a BMW or MINI, what was once a typical commute can be transformed into a satisfying, rewarding journey. With renowned dynamic handling and refined luxurious interiors, it’s little wonder that both BMW and MINI epitomise the ultimate in driving pleasure. The BMW and MINI Corporate Programmes are not simply about making it easier to own some of the world’s safest, most advanced driving machines; they are about enhancing the entire experience of ownership. With a range of special member benefits, they’re our way of ensuring that our corporate customers are given the best BMW and MINI experience possible. BMW Melbourne, in conjunction with BMW Group Australia, is pleased to offer the benefits of the BMW and MINI Corporate Programme to all members of The Victorian Bar, when you purchase a new BMW or MINI. Benefits include: BMW CORPORATE PROGRAMME. MINI CORPORATE PROGRAMME. Complimentary scheduled servicing for Complimentary scheduled servicing for 4 years / 60,000km 4 years / 60,000km Reduced dealer delivery charges Reduced dealer delivery charges Complimentary use of a BMW during scheduled Complimentary valet service servicing* Corporate finance rates to approved customers Door-to-door pick-up during scheduled servicing A dedicated Corporate Sales Manager at your Reduced rate on a BMW Driver Training course local MINI Garage Your spouse is also entitled to enjoy all the benefits of the BMW and MINI Corporate Programme when they purchase a new BMW or MINI. -
After the Ball David Williamson
David Williamson’s first full-length play, The Coming of Stork, premiered at the La Mama Theatre, Carlton, in 1970 and later became the film Stork, directed by Tim Burstall. The Removalists and Don’s Party followed in 1971, then Jugglers Three (1972), What If You Died Tomorrow? (1973), The Department (1975), A Handful of Friends (1976), The Club (1977) and Travelling North (1979). In 1972 The Removalists won the Australian Writers’ Guild AWGIE Award for best stage play and the best script in any medium and the British production saw Williamson nominated most promising playwright by the London Evening Standard. The 1980s saw his success continue with Celluloid Heroes (1980), The Perfectionist (1982), Sons of Cain (1985), Emerald City (1987) and Top Silk (1989); whilst the 1990s produced Siren (1990), Money and Friends (1991), Brilliant Lies (1993), Sanctuary (1994), Dead White Males (1995), Heretic (1996), Third World Blues (an adaptation of Jugglers Three) and After the Ball (both in 1997), and Corporate Vibes and Face to Face (both in 1999). The Great Man (2000), Up for Grabs, A Conversation, Charitable Intent (all in 2001), Soulmates (2002), Birthrights (2003), Amigos, Flatfoot (both in 2004), Operator and Influence(both 2005) have since followed. Williamson is widely recognised as Australia’s most successful playwright and over the last thirty years his plays have been performed throughout Australia and produced in Britain, United States, Canada and many European countries. A number of his stage works have been adapted for the screen, including The Removalists, Don’s Party, The Club, Travelling North, Emerald City, Sanctuary and Brilliant Lies. -
Australian Nationalist Ideological, Historical, and Legal Archive
AUSTRALIAN NATIONALIST IDEOLOGICAL, HISTORICAL, AND LEGAL ARCHIVE www.alphalink.com.au/~radnat MISSION STATEMENT (as updated, August 24 2002): This Site is a document archive linked to other Australian Nationalist political and information sites. A few Australian authors are on-line. As further works are prepared for Internet publication, additional Australian authors shall appear here. This document archive shall: (i) Ground Australian Nationalism ideologically and historically; this task is related to the legitimacy of the cause as well as the discussion of its favoured political expressions and historical place and activism; providing an accurate analysis is vital in combatting the misrepresentation of Nationalist ideology and politics by its opponents in politics and the media. (ii) Answer (when appropriate) the State-liberal-political-police propaganda which attempts to delegitimize the Nationalist organizations by an assertion that they have operated, or do operate, in a criminal manner; this task shall be addressed by relevant exposé of various "legal processes" operated against Nationalist leaders and other patriotic identities in the past. This Archive shall be continually updated and maintained as a resource for the instruction of a new generation of Nationalist leaders and activists. Texts of a general relevancy to the development of Australian Nationalist ideology and politics will also be placed upon this site. This includes material drawn from the corpus of Euro-nationalist discourse. The Editors welcome that our attention is drawn to selective material. The Editors will permit some debate around the issue of ideological and political formation and shall not censor any reasonable view on any subject which advances this objective. -
Lista De Músicas
LISTA DE MÚSICAS CANTOR CÓD TITULO DA MÚSICA INÍCIO DA LETRA 365 6549 SÃO PAULO Tem dias que eu digo não…. 6 14 Bis 3755 LINDA JUVENTUDE Zabelê, zumbi, besouro ... 2 14 Bis 6074 PLANETA SONHO Aqui ninguém mais ficará ... 4 14 Bis 6197 TODO AZUL DO MAR Foi assim como ver o mar… 5 14 Bis 7392 NATURAL Penso em você no seu jeito ... 10 A Cor Do Som 6402 ABRI A PORTA Abri a porta apareci… 6 A Cor Do Som 7175 MENINO DEUS Menino Deus um corpo ... 9 A Cor Do Som 7480 ZANZIBAR No azul de Jezebel no céu ... 10 Absyntho 6355 SÓ A LUA Lembro que ela disse meio... 5 Adalberto E Adriano 3726 SEPARAÇÃO Qual terá sido o motivo da ... 2 Adílson Ramos 6982 SONHAR CONTIGO Sonhar contigo por toda vida… 8 Adoniran Barbosa 7062 AS MARIPOSAS As mariposa quando chega... 9 Adriana Calcanhoto 4160 MAIS FELIZ O nosso amor não vai parar 3 Adriana Calcanhoto 4161 MENTIRAS Nada ficou no lugar 3 Adriana Calcanhoto 4138 VAMBORA Entre por essa porta agora 3 Adriana Calcanhoto 6126 DEVOLVA-ME Rasgue as minhas cartas... 5 Adriana Calcanhoto 6573 JUSTO AGORA Eu ouvi dizer que você assim… 6 Adriana Calcanhoto 6822 FICO ASSIM SEM VOCÊ Avião sem asa fogueira sem... 7 Adryana e a Rapaziada 4458 SÓ FALTAVA VOCÊ Só faltava você... 4 Adryana e a Rapaziada 6035 TUDO PASSA Tudo na vida passa tudo na... 4 Adryana e a Rapaziada 6121 AMOR PRA VALER Já faz tanto tempo não consigo... 5 Adryana e a Rapaziada 6294 EU TE AMO (AND I LOVE HER) Foi tanto que eu te amei.. -
Bibliographie Sur Les Mangas
FORMATION THEMATIQUE Jeudi 30 juin 2016 Direction Déléguée du Livre et de la Lecture Publique d'Indre et Loire 1 2 Si vous consultez cette bibliographie en pdf, cliquez sur les chapitres pour aller à la page correspondante. Avant-propos 4 Bibliographie 5 Editeurs français 49 Fonds professionnel 50 Webographie 52 Index 53 3 AVANT PROPROS Cette bibliographie a été distribuée lors d'une formation proposée le 30 juin 2016 à Tours par la Direction du Livre et de la Lecture Publique d'Indre et Loire. Elle propose uniquement les titres et séries présents au catalogue de la Bibliothèque Départementale. Le choix a été fait de ne présenter que des séries complètes et terminées de moins de 20 tomes. Les séries sont classées par ordre alphabétique de titre (sans l'article). Vous pouvez les retrouver dans l'Index à la fin de la bibliographie. Les notices proviennent du site Manga-news qui précise le public concerné : - Kodomo : ces mangas sont destinés aux jeunes lecteurs (6-10 ans) avec pour personnages des enfants ou des jeunes animaux, et sont identifiables par leur style kawai (= mignon) et enfantin. - Shonen : ces mangas visent principalement un public adolescent et masculin, et véhiculent des valeurs telles que le dépassement de soi, l'amitié, la justice, la bravoure... - Shojo : ces mangas visent principalement un public adolescent et féminin, et abordent des sujets aussi variés que la musique, l'école, la mode… avec souvent comme toile de fond des histoires d'amour. - Seinen : ces mangas ont pour cible éditoriale les hommes, et s'adressent donc à un public plus mature, avec des intrigues plus complexes et des personnages plus subtils, torturés ou réalistes. -
[ INSTANT PARTY MUSIC by ARTIST ] [ No of Tunes = 287 ] a TEENS
[ INSTANT PARTY MUSIC by ARTIST ] [ No of Tunes = 287 ] A TEENS >> MAMMA MIA {K} ABBA >> I DO I DO I DO I DO I DO {K} ABBA >> MAMMA MIA {K} ABBA >> RING RING {K} AC DC >> DIRTY DEEDS DONE DIRT CHEAP {K} AC DC >> HIGH VOLTAGE AC DC >> HIGHWAY TO HELL {K} AC DC >> IT'S A LONG WAY TO THE TOP {K} AC DC >> JAILBREAK {K} AC DC >> ROCK N ROLL AIN'T NOISE POLLUTION {K} AC DC >> T N T {K} AC DC >> THUNDERSTRUCK {K} AC DC >> YOU SHOOK ME ALL NIGHT LONG {K} ADAM ANT >> ANT MUSIC {K} ALAN O'DAY >> SKINNY GIRLS ALICE D J >> BACK IN MY LIFE {K} ALVIN STARDUST >> MY COO CA CHOO {K} AMERICAN AUTHORS >> BEST DAY OF MY LIFE {K} AMII STEWART >> KNOCK ON WOOD {K} ANGELS >> AM I EVER GOING TO SEE YOUR FACE AGAIN {K} ANGELS >> COMING DOWN AQUA >> BARBIE GIRL ARROW >> HOT HOT HOT AUSTRALIAN CRAWL >> BEAUTIFUL PEOPLE AUSTRALIAN CRAWL >> LOUIE LOUIE AXEL F >> CRAZY FROG B52'S >> LOVE SHACK {K} B52'S >> PLANET CLAIRE B52'S >> PRIVATE IDAHO {K} B52'S >> ROCK LOBSTER {K} BAHA MEN >> BEST YEARS OF OUR LIVES {K} BAHA MEN >> WHO LET THE DOGS OUT {K} BANGLES >> WALK LIKE AN EGYPTIAN BEACH BOYS >> BARBARA ANN {K} BEACH BOYS >> BEACH BOYS MEDLEY BEACH BOYS >> CALIFORNIA GIRLS {K} BEACH BOYS >> HELP ME RHONDA {K} BEACH BOYS >> SURFIN' U S A {K} BEATLES >> ALL MY LOVING {K} BEATLES >> BACK IN THE U S S R {K} BEATLES >> BIRTHDAY {K} BEATLES >> I SAW HER STANDING THERE {K} BEATLES >> I SHOULD HAVE KNOWN BETTER {K} BEATLES >> OB-LA-DI OB-LA-DA {K} BEATLES >> PLEASE PLEASE ME {K} BEATLES >> ROCK AND ROLL MUSIC BEATLES >> ROLL OVER BEETHOVEN BEATLES >> SHE LOVES YOU {K} BEATLES -
LISTA DE MÚSICAS 11.523 Músicas Ordem: Título Da Música
LISTA DE MÚSICAS 11.523 Músicas www.videoland.com.br Ordem: Título da Música Pacote 11523 Cód Cantor Título Início de Letra Pacote 15966 Maiara e Maraísa 0,1 Tô escorada na mesa 6 2821 Mamonas Assassinas 1406 Eu queria um apartamento no Guarujá INT01 19991 Smashing Pumpkins 1979 Shakedown nineteen seventy nine INT10 4908 Rolling Stones (I CAN'T GET NO) SATISFACTION I can't get no satisfaction INF 4910 James Brown (I GOT YOU) I FEEL GOOD Whoa! 2 9121 Celine Dion (IF THERE WAS) ANY OTHER WAY Sorry I know I'm late… 10 19761 John Lennon (JUST LIKE) STARTING OVER Our life together is so precious together 4 19681 B-52's (The) (MEET) THE FLINTSTONES Flintstones meet the Flintstones 11 19721 Elvis Presley (YOU'RE THE) DEVIL IN DISGUISE You look like an angel you look like an 5 16081 Sorriso Maroto 1 METRO E 65 AlôHoje criançada acordei e o me Bozo lembrei chegou do trazendoque sonhei 13 15201 Bozo 1, 2, 3...VAMOS LÁ alegria JAP7 1481 Ana Carolina 10 MINUTOS Por que você não atende as minhas INT01 15981 Victor e Léo - Henrique e Juliano 10 MINUTOS LONGE DE VOCÊ Dizem que os olhos são como o espelho INT04 16984 Sorriso Maroto - Belo 100 LIKES Uma foto arrumada e legendada INT01 15281 Thaeme e Thiago - Lucas Lucco 100% LOUCO Dez por cento de Red Bull dez por cento 24 15441 Lucas Lucco 11 VIDAS Me pareço tanto com você INT10 16171 Simone e Simaria 126 CABIDES CaroContando é transformar-se são cento e vintenum arremendoe seis cabides de si 25 15202 Agridoce (Pitty) 130 ANOS Quandopróprio me sinto assim volto a ter quinze 21 16701 IRA! 15 ANOS anos