Illustrated Catalogue of Mexican Art Goods And
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Mexico's Indigenous and Folk Art Comes to Chapala
Mexico’s indigenous and folk art comes to Chapala Each year Experience Mex‐ECO Tours promotes a trip which we call the ‘Chapala Artisan Fair’, but this is much more than just a shopping trip; so what’s it really all about? The Feria Maestros del Arte (Masters of Art Fair) is the name given to this annual event in Chapala, and also the name of the non‐profit organization which puts in an incredible amount of work to make it happen. In 2002 an amazing lady called Marianne Carlson came up with the idea of bringing some of the artists and artisans she came across in rural Mexico to Ajijic to sell their high quality traditional work. After a successful first fair, with 13 artists being very well received by the public, Marianne decided to make this an annual event. Providing an outlet for traditional Mexican artists and artisans to sell their work, the Feria Maestros del Arte has provided many families with the opportunity to continue creating Experience Mex‐ECO Tours S.A. de C.V. | www.mex‐ecotours.com | info@mex‐ecotours.com their important cultural representations by allowing them to pursue this as a career, rather than seeking alternative employment. Here is their mission as a non‐profit organization: “To preserve and promote Mexican indigenous and folk art. We help preserve these art forms and the culture that produces them by providing the artists a venue to sell their work to galleries, collectors, museums and corporations. We promote regional and international awareness to the value of these endangered arts.” The efforts made by the Feria committee and its many volunteers mean that the artists and artisans not only have a chance to generate more income in a few days than they may otherwise generate in a year, but also the chance to be recognized by buyers and collectors from around the world. -
Elizabeth and Harold Hinds
Elizabeth and Harold Hinds Imholte Hall, University of Minnesota-Morris Imholte Hall, Main Floor Walk-in Display Huichol yarn art. This piece depicts a ceiba tree with a bird. Beside it a man shoots a bow and arrow. Other insect- like forms fly about. These hallucinatory images are traditional for the Huicholes, who used peyote to bring on visions. Originally a traditional art form, yarn paintings became popular as tourist art. This piece was purchased at Tlaquepaque, a town just outside of Guadalajara, in the 1970’s. The story on the back reads: Los Huicholes no conocían el maíz en tiempos antiguos. Una vez un niño se enteró de que había gente allende las montañas “que tienen algo que llaman maíz,” y fue en su busaca. En camino se encontró con un grupo de hombres que le dijeron que (h)iba a comprar maíz y el, confiando, les acompañó. Lo que no sabía es que esa gente eran en realidad hormigas (los insectos en esta ilustración). La Gente Hormiga que ro(b)e todo lo que encuentra. Al llegar la madrugada se despertó. Bajo un gran pino y descubrió que le habían roido (robado) toda la ropa, el cabello e inclusive las cejas, y que solamente le quedaban el arco y las flechas. Oyó que un pájaro se pasaba en un árbol, y le apuntó con una flecha, pues tenía hambre. El pájaro le reveló que era Tatey Kukurú Uimári, Nuestra Madre Paloma Muchacha, la Madre del Maíz. Le dijo que siguiera a su casa, donde le daría maíz. Translation: The Huichol people didn’t know about maize in ancient times. -
An Examination of Setting in Six Selected Short Novels of Katherine Anne Porter
Central Washington University ScholarWorks@CWU All Master's Theses Master's Theses 1967 An Examination of Setting in Six Selected Short Novels of Katherine Anne Porter Laurel N. Piippo Central Washington University Follow this and additional works at: https://digitalcommons.cwu.edu/etd Part of the Liberal Studies Commons, and the Scholarship of Teaching and Learning Commons Recommended Citation Piippo, Laurel N., "An Examination of Setting in Six Selected Short Novels of Katherine Anne Porter" (1967). All Master's Theses. 749. https://digitalcommons.cwu.edu/etd/749 This Thesis is brought to you for free and open access by the Master's Theses at ScholarWorks@CWU. It has been accepted for inclusion in All Master's Theses by an authorized administrator of ScholarWorks@CWU. For more information, please contact [email protected]. AN EXAMINATION OF SETTING IN SIX SELECTED SHORT NOVELS OF KATHERINE ANNE PORTER A Thesis Presented to the Graduate Faculty Central Washington State College In Partial Fulfillment of the Requirements of the Degree Master of Education by Laurel N. Piippo December, 1967 ' 1" r · 1•21111111 ••• ti NOU.CJTIO::J Tt':8J.-JS atz £0Jd ~·tu,g CT'I APPROVED FOR THE GRADUATE FACULTY ________________________________ H. L. Anshutz, COMMITTEE CHAIRMAN _________________________________ Keith Rinehart _________________________________ John E. Davis ACKNOWLEDGMENT The writer wishes to express appreciation and gratitude to Dr. H. H. Anshutz, without whose help and encouragement my completion of the require ments for a Master's Degree would not be possible. TABLE OF CONTENTS CHAPTER PAGE I. REVIEW OF LITERATURE AND METHOD OF RESEARCH • • l Review of Critical Literature • • • • • • • • l Method of Research • • • • • • • • • • • • • • 3 II. -
Coiled and Plaited Basketry from the Southeastern Periphery of the Greater Southwest
Coiled and plaited basketry from the southeastern periphery of the greater southwest Item Type text; Thesis-Reproduction (electronic) Authors Harrison, Gayle Goodwin, 1942- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 01/10/2021 04:16:48 Link to Item http://hdl.handle.net/10150/552061 COILED AND PLAITED BASKETRY FROM THE SOUTHEASTERN PERIPHERY OF THE GREATER SOUTHWEST Gayle Goodwin Harrison A Thesis Submitted to the Faculty of the DEPARTMENT OF ANTHROPOLOGY In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 1 9 6 9 STATEMENT BY AUTHOR This thesis has been submitted In partial fulfill ment of requirements for an advanced degree at The Univer sity of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Li brary . Brief quotations from this thesis are allowable without special permission, provided that accurate acknow ledgment of source is made* Requests for permission for ex tended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his judgment the proposed use of the material is in the inter ests of scholarship* In all other instances, however, per mission must be obtained from the author. -
This Electronic Thesis Or Dissertation Has Been Downloaded from the King’S Research Portal At
This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ The charro cantor : a mediation between rural and urban culture Luna de Morris, Talia Magdalena The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 09. Oct. 2021 ACADEMIC REG1STRAFJ ROOM 261 OFLONDON 'AALETSTREET LONDONWC1 E71 THE CHARRO CANTOR: A MEDIATION BETWEEN RURAL AND URBAN CULTURE Thesissubmitted for the degreeof Ph.D. in SpanishAmerican Studiesby Talia MagdalenaLuna de Morris King's College London University of London 2004 THESIS CONTAINS CD/DVD ABSTRACT This study is a cultural history of the charro cantor who appeared with the development of the mass media in Mexico: the "talkies" and the radio in the 1930s. -
Encounter with the Plumed Serpent
Maarten Jansen and Gabina Aurora Pérez Jiménez ENCOUNTENCOUNTEERR withwith thethe Drama and Power in the Heart of Mesoamerica Preface Encounter WITH THE plumed serpent i Mesoamerican Worlds From the Olmecs to the Danzantes GENERAL EDITORS: DAVÍD CARRASCO AND EDUARDO MATOS MOCTEZUMA The Apotheosis of Janaab’ Pakal: Science, History, and Religion at Classic Maya Palenque, GERARDO ALDANA Commoner Ritual and Ideology in Ancient Mesoamerica, NANCY GONLIN AND JON C. LOHSE, EDITORS Eating Landscape: Aztec and European Occupation of Tlalocan, PHILIP P. ARNOLD Empires of Time: Calendars, Clocks, and Cultures, Revised Edition, ANTHONY AVENI Encounter with the Plumed Serpent: Drama and Power in the Heart of Mesoamerica, MAARTEN JANSEN AND GABINA AURORA PÉREZ JIMÉNEZ In the Realm of Nachan Kan: Postclassic Maya Archaeology at Laguna de On, Belize, MARILYN A. MASSON Life and Death in the Templo Mayor, EDUARDO MATOS MOCTEZUMA The Madrid Codex: New Approaches to Understanding an Ancient Maya Manuscript, GABRIELLE VAIL AND ANTHONY AVENI, EDITORS Mesoamerican Ritual Economy: Archaeological and Ethnological Perspectives, E. CHRISTIAN WELLS AND KARLA L. DAVIS-SALAZAR, EDITORS Mesoamerica’s Classic Heritage: Teotihuacan to the Aztecs, DAVÍD CARRASCO, LINDSAY JONES, AND SCOTT SESSIONS Mockeries and Metamorphoses of an Aztec God: Tezcatlipoca, “Lord of the Smoking Mirror,” GUILHEM OLIVIER, TRANSLATED BY MICHEL BESSON Rabinal Achi: A Fifteenth-Century Maya Dynastic Drama, ALAIN BRETON, EDITOR; TRANSLATED BY TERESA LAVENDER FAGAN AND ROBERT SCHNEIDER Representing Aztec Ritual: Performance, Text, and Image in the Work of Sahagún, ELOISE QUIÑONES KEBER, EDITOR The Social Experience of Childhood in Mesoamerica, TRACI ARDREN AND SCOTT R. HUTSON, EDITORS Stone Houses and Earth Lords: Maya Religion in the Cave Context, KEITH M. -
Gender and Race in the Making of Afro-Brazilian Heritage by Jamie Lee Andreson a Dissertation S
Mothers in the Family of Saints: Gender and Race in the Making of Afro-Brazilian Heritage by Jamie Lee Andreson A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Anthropology and History) in the University of Michigan 2020 Doctoral Committee: Professor Paul Christopher Johnson, Chair Associate Professor Paulina Alberto Associate Professor Victoria Langland Associate Professor Gayle Rubin Jamie Lee Andreson [email protected] ORCID iD: 0000-0003-1305-1256 © Jamie Lee Andreson 2020 Dedication This dissertation is dedicated to all the women of Candomblé, and to each person who facilitated my experiences in the terreiros. ii Acknowledgements Without a doubt, the most important people for the creation of this work are the women of Candomblé who have kept traditions alive in their communities for centuries. To them, I ask permission from my own lugar de fala (the place from which I speak). I am immensely grateful to every person who accepted me into religious spaces and homes, treated me with respect, offered me delicious food, good conversation, new ways of thinking and solidarity. My time at the Bate Folha Temple was particularly impactful as I became involved with the production of the documentary for their centennial celebrations in 2016. At the Bate Folha Temple I thank Dona Olga Conceição Cruz, the oldest living member of the family, Cícero Rodrigues Franco Lima, the current head priest, and my closest friend and colleague at the temple, Carla Nogueira. I am grateful to the Agência Experimental of FACOM (Department of Communications) at UFBA (the Federal University of Bahia), led by Professor Severino Beto, for including me in the documentary process. -
Mexican Folk Art and Culture
Mexican Folk Art Mexican Folk Art Written and Designed by Nicole Mullen Based in part by the exhibition Tesoros Escondidos: Hidden Treasures from the Mexican Collections curated by Ira Jacknis, Research Anthropologist, Phoebe A. Hearst Museum of Anthropology. Object Photography: Therese Babineau Intern assistance: Elizabeth Lesch Copyright © 2004. Phoebe A. Hearst Museum of Anthropology and the Regents of the University of California. All rights reserved. This publication was made possible in part by a generous grant from the William Randolph Hearst Foundation. PHOEBE A. HEARST MUSEUM OF ANTHROPOLOGY TABLE OF CONTENTS Mexico 4 Map 5 Ancient Mexico 6 The Spanish Conquest 8 The Mexican Revolution and Renaissance 10 Folk Art 11 Masks 13 Pottery 17 Laquerware 21 Clothing and Textiles 24 Baskets, Gourds and Glass 28 Female figurine. Made by Teodora Blanco; Toys and Miniatures 30 Santa María Atzompa, Oaxaca. Teodora Paper Arts 33 Blanco (1928-80) was a major Mexican folk artist. While in her late twenties she began Tin and Copper 35 to make her female figurines, for which she is best known. This pot-carrying figure wears Art of the Huichol 36 a Oaxacan shawl around her head. Oaxacan Woodcarving 38 Fireworks 39 Food 40 Day of the Dead 43 Vocabulary 47 Review Questions 48 Bibliography 50 3 MEXICAN FOLK ART PHOEBE A. HEARST MUSEUM OF ANTHROPOLOGY Mexico Mexico is very diverse geographically. It is made up of fertile valleys, tropical forests, high mountain peaks, deep canyons, and desert landscapes. Clockwise: Pacific coast, south of Puerto Vallarta, Jalisco, 1996. Lake Pátzcuaro, as seen from Tzintzuntzan, Michoacán, 1996. -
Nycfoodinspectionsimple Based on DOHMH New York City Restaurant Inspection Results
NYCFoodInspectionSimple Based on DOHMH New York City Restaurant Inspection Results DBA BORO STREET ZIPCODE ZUCCHERO E POMODORI Manhattan 2 AVENUE 10021 BAGEL MILL Manhattan 1 AVENUE 10128 MERRYLAND BUFFET Bronx ELM PLACE 10458 NI-NA-AB RESTAURANT Queens PARSONS BOULEVARD KFC Queens QUEENS BLVD 11373 QUAD CINEMA, QUAD Manhattan WEST 13 STREET 10011 BAR JADE GARDEN Bronx WESTCHESTER AVENUE 10461 EL VALLE RESTAURANT Bronx WESTCHESTER AVENUE 10459 EL VALLE RESTAURANT Bronx WESTCHESTER AVENUE 10459 CHIRPING CHICKEN Bronx BUHRE AVENUE 10461 UNION HOTPOT, SHI Brooklyn 50 STREET 11220 SHANG SAINTS AND SINNERS Queens ROOSEVELT AVE 11377 SAINTS AND SINNERS Queens ROOSEVELT AVE 11377 HAPPY GARDEN Brooklyn 3 AVENUE 11209 MUGHLAI INDIAN CUISINE Manhattan 2 AVENUE 10128 PAQUITO'S Manhattan 1 AVENUE 10003 CAS' WEST INDIAN & Brooklyn KINGSTON AVENUE 11213 AMERICAN RESTAURANT BURGER INC Manhattan WEST 14 STREET 10014 Page 1 of 556 09/28/2021 NYCFoodInspectionSimple Based on DOHMH New York City Restaurant Inspection Results CUISINE DESCRIPTION INSPECTION DATE Italian 10/31/2019 Bagels/Pretzels 02/28/2020 Chinese 04/22/2019 Latin American 04/09/2018 American 09/09/2019 American 07/27/2018 Chinese 08/02/2021 Latin American 06/14/2017 Latin American 06/14/2017 Chicken 04/11/2018 Chinese 07/25/2019 American 05/06/2019 American 05/06/2019 Chinese 05/02/2018 Indian 10/11/2017 Mexican 04/04/2017 Caribbean 11/16/2017 American 08/27/2018 Page 2 of 556 09/28/2021 NYCFoodInspectionSimple Based on DOHMH New York City Restaurant Inspection Results LA CABANA Manhattan -
Infinity of Nations: Art and History in the Collections of the National Museum of the American Indian
Infinity of Nations: Art and History in the Collections of the National Museum of the American Indian Exhibition Checklist: Kuna Kantule hat Darién Province, Panama Headdresses ca. 1924 Palm leaves, macaw and harpy feathers, reed, cotton Assiniboine antelope-horn headdress cord Saskatchewan, Canada 12/9169 ca. 1850 Antelope horn, deer hide, porcupine quills, feathers, Mapuche head ornament horsehair red wool, brass bells, glass beads Trumpulo Chico, Chile 10/8302 ca. 1975 Wool, ostrich feathers 25/9039 Miccosukee Seminole turban Florida Haida frontlet headdress ca. 1930 Prince of Wales Islands, British Columbia Cotton, silver, ostrich feathers, hide ca. 1850 20/4363 Ermine, wood, haliotis shell, sea lion whiskers, wool, cotton Yup'ik hunting hat 10/4581 Yukon River, Alaska ca. 1870 Wood, ivory, baleen, iron alloy, cordage Patagonia 10/6921 Mapuche machi’s rewe pole Tiwanaku four-cornered hat Collico, Chile Chimbote, Peru ca. 1920 A.D. 600–1000 Wood Alpaca wool, dye 17/5773 22/3722 Diaguita vessel Mebêngôkre krokrokti (feather headdress or cape) Temuco, Chile Brazil A.D. 1500s ca. 1990 Clay, paint Macaw feathers, heron feathers, cotton cordage 17/7543 25/4893 Mapuche breast ornament Yoeme deer dance headdress Chile Sonora, Mexico ca. 1925 ca. 1910 Silver Deer hide, glass eyes, antlers 23/147 11/2382 Diaguita bowl Elqui Province, Chile Karuk headdress A.D. 950–1450 California Clay, paint ca. 1910 17/5128 Deer hide, woodpecker and bluejay feathers 20/9651 1 Infinity of Nations: Art and History in the Collections of the National Museum of the American Indian Early Mapuche whistle Enxet pipe Quitratúe, Chile Paraguay A.D. -
Travel Guide TOLUCA Contents
Travel Guide TOLUCA Contents DISCOVER TOLUCA 01 TOLUCA PROFILE 02 TOLUCA ATTRACTIONS 03 TOLUCA DINING 09 TOLUCA SHOPPING 10 TOLUCA NIGHTLIFE 12 THINGS TO DO IN TOLUCA 13 DISCOVER TOLUCA Toluca, officially calledToluca de Lerdo is the modern capital of the State of Mexico, located 40 miles west of Mexico City and flanked by the Nevado de Toluca Volcano rising 8,792 feet up above sea level. The city is in the Valley of Matlazinco, a privileged region in the country’s center with fertile soils, unique scenery, historic landmarks and rich culture. Many of the older houses in Toluca boast French neoclassical architecture, a style popular in the 19th century. Toluca offers a blend of old and new with modern, major, industrial parks and residential areas, as well as a well-preserved historic district and landmarks, such as Los Portales and the cathedral, considered among the most important buildings of the colonial period and the 19th century. MODERN, INDUSTRIALIZED CITY AND BUSINESS DESTINATION The city is currently undergoing a transformation in urban development and is one of the most popular destinations for meetings and conventions. Toluca attracts a lot of visitors and investors that have stimulated the region’s economy and created jobs. Toluca is home to international company headquarters, like Nestle, General Motors, Bimbo and Cerveceria Cuauhtemoc, a Mexican brewing company. CAPITAL OF ART AND CULTURE Toluca offers a lot of cultural attractions with several traditions and religious festivities throughout the year, including the Solemn Procession of Silence on Good Friday. Toluca ranks second in the list of cities with the most museums in Mexico, many of which are located at the Centro Cultural Mexiquense. -
Foodinspectionbasic Based on Food Inspections
FoodInspectionBasic Based on Food Inspections DBA Name IPSENTO FLAT GRILL 7- ELEVEN CHICAGO BY NIGHT THE NEW GRACE RESTAURANT FURIOUS SPOON EN PASSANT Beaubien Elementary School UNCOMMON GROUND THE DRAKE HOTEL LIME LEAF Kozminski THIRD RAIL TAVERN MAX'S TAKE OUT SAIGON PHO GOGI NARA SUBWAY Subway ROYALTY ARYA BHAVAN Page 1 of 478 09/27/2021 FoodInspectionBasic Based on Food Inspections AKA Name Risk IPSENTO Risk 2 (Medium) FLAT GRILL Risk 1 (High) 7- ELEVEN Risk 2 (Medium) CHICAGO BY NIGHT Risk 1 (High) THE NEW GRACE RESTAURANT Risk 1 (High) FURIOUS SPOON Risk 1 (High) EN PASSANT Risk 1 (High) Beaubien Elementary School Risk 1 (High) UNCOMMON GROUND Risk 1 (High) THE DRAKE HOTEL Risk 1 (High) LIME LEAF Risk 1 (High) Kozminski Risk 1 (High) THIRD RAIL TAVERN Risk 1 (High) MAX'S TAKE OUT Risk 1 (High) SAIGON PHO Risk 1 (High) GOGI NARA Risk 1 (High) SUBWAY Risk 1 (High) Subway Risk 1 (High) ROYALTY Risk 1 (High) ARYA BHAVAN Risk 1 (High) Page 2 of 478 09/27/2021 FoodInspectionBasic Based on Food Inspections ROSATI'S GRANT PARK MIMI'S TACOS THE ORIGINA GINO'S EAST CHICAGO BUTTERDOUGH KIMBALL MINI MART PRET A MANAGER FLASH FOOD MART SUMMER COQ D OR M & M FOOD DAYGLOW SUBWAY SUBWAY #44541 TRATTORIA ULTIMO MISS SAIGON GRAZE TACO MAYA BIAN BLACK DOG GELATO DUNKIN DONUTS NANDO'S PERI-PERI BROTHER'S SUBMARINE INC Page 3 of 478 09/27/2021 FoodInspectionBasic Based on Food Inspections ROSATI'S Risk 1 (High) MIMI'S TACOS Risk 1 (High) GINO'S EAST Risk 1 (High) BUTTERDOUGH Risk 1 (High) KIMBALL MINI MART Risk 3 (Low) PRET A MANGER Risk 1 (High) FLASH