An Examination of Setting in Six Selected Short Novels of Katherine Anne Porter
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The Depiction of Women and Slavery in Margaret Mitchell's
“Tomorrow is Another Day”: The Depiction of Women and Slavery in Margaret Mitchell’s Gone With the Wind and Robert Hicks’ The Widow of the South. Table of Contents Introduction ....................................................................................................................... 2 Chapter I: Before the Civil War ........................................................................................ 5 Chapter II: During the Civil War .................................................................................... 12 Chapter III: After the Civil War ..................................................................................... 23 Conclusion..………………………………………………………………………….....31 Works Cited……………………………………………………………………………34 1 Introduction Gone with the Wind and The Widow of the South are both Civil War novels written by first time writers. Margaret Mitchell‘s Gone with the Wind was published in 1936 and Robert Hicks‘ The Widow of the South was published in 2005. These two novels are written nearly seventy years apart. The protagonists of these two Civil War novels are very different, but still it is worth taking a look at the difference in attitude that the two novelists have in regard to women and slavery in the seventy-year span between the two novels. It is interesting to take a closer look at the portrayal by the two authors of the kind of lives these women lived, and what similarities and differences can be seen in the protagonists as pertaining to their education and upbringing. Also, how the women‘s lives were affected by living in a society which condoned slave ownership. The Civil War brought about changes in the women‘s lives both during its course and in its aftermath. Not only were the lives of the women affected but that of the slaves as well. The authors, through their writing, depicted aspects of the institution of slavery, especially how the slave hierarchy worked and what made one slave ―better‖ than the next. -
READING JOHN STEINBECK ^ Jboctor of $Iitldfi
DECONSTRUCTING AMERICA: READING JOHN STEINBECK ABSTRACT OF THE THESIS SUBMITTED FOR THE AWARD OF THE DEGREE OF ^ JBoctor of $IitlDfi;opI)p IN ENGLISH \ BY MANISH SINGH UNDER THE SUPERVISION OF DR. MADIHUR REHMAN DEPARTMENT OF ENGLISH ALIGARH MUSLIM UNIVERSITY ALIGARH (INDIA) 2013 Abstract The first chapter of the thesis, "The Path to Doom: America from Idea to Reality;'" takes the journey of America from its conception as an idea to its reality. The country that came into existence as a colony of Great Britain and became a refuge of the exploited and the persecuted on one hand and of the outlaws on other hand, soon transformed into a giant machine of exploitation, persecution and lawlessness, it is surprising to see how the noble ideas of equality, liberty and democracy and pursuit of happiness degenerated into callous profiteering. Individuals insensitive to the needs and happiness of others and arrogance based on a sense of racial superiority even before they take root in the virgin soil of the Newfoundland. The effects cf this degenerate ideology are felt not only by the Non-White races within America and the less privileged countries of the third world, but even by the Whites within America. The concepts of equality, freedom, democracy and pursuit of happiness were manufactured and have been exploited by the American ruling class.The first one to experience the crawling effects of the Great American Dream were original inhabitants of America, the Red Indians and later Blacks who were uprooted from their home and hearth and taken to America as slaves. -
THE WINTER of OUR DISCONTENT by John Steinbeck
THE WINTER OF OUR DISCONTENT by John Steinbeck THE AUTHOR John Steinbeck (1902-1968) was born in Salinas, California, and grew up in the region made so memorable in the greatest of his novels. He entered Stanford University in 1919, but never graduated, supporting himself through the decade of the twenties with odd jobs, including writing for a newspaper. In 1929, he published his first novel, Cup of Gold. Two novels about migrant workers in California, The Pastures of Heaven (1932) and To a God Unknown (1933) followed. He finally achieved commercial success with the publication in 1935 of Tortilla Flat. The late thirties witnessed the release of what many consider his finest fiction, including Of Mice and Men (1937) and The Grapes of Wrath (1939). A ceaseless experimenter with writing techniques and genres, he tried his hand at movie scripts, comedies, plays, travelogues, and a non-fiction work on marine biology. After the Second World War, he returned to long fiction with the semi- autobiographical East of Eden (1952). He received the Nobel Prize for Literature in 1962, despite the scoffing of critics who considered him a populist rather than a serious writer. He died in 1968. Steinbeck always considered himself a man of the people, and he identified much more readily with the migrants about whom he wrote so frequently than with the intelligentsia who criticized his writings as too elementary in structure and language. He was a convinced supporter of democracy and an enemy of fascism, though conservatives thought him too much of a socialist and leftists argued that he should be more vociferous in his condemnation of the evils of the capitalist system. -
Edna Ferber Last
EDNA FERBER’S WOMEN CHARACTERS, 1911 – 1930, AND THE REINTERPRETATION OF THE AMERICAN DREAM THROUGH A FEMALE LENS A Thesis Submitted to the Faculty of The School of Continuing Studies And the Graduate School of Arts and Sciences In partial fulfillment of the requirements for the degree of Master of Arts In Liberal Studies By Anne Efman Abramson, B.A. Georgetown University Washington, D.C. April 30, 2010 EDNA FERBER’S WOMEN CHARACTERS, 1911 – 1930, AND THE REINTERPRETATION OF THE AMERICAN DREAM THROUGH A FEMALE LENS Anne E. Abramson, B.A. Mentor: Michael Collins, Ph. D. ABSTRACT Edna Ferber (1885‐1963) was a Pulitzer Prize‐winning author and one of the most popular writers of her time. Today, however, she is rarely read in schools or colleges, although her plays are still produced, and the films based on her novels, plays and short stories continue to be appreciated by classic film lovers. This thesis demonstrates how Edna Ferber created female characters in the early years of the twentieth century who struggled against the constraints of society’s traditional female roles, who were the first in their nontraditional professions, and who achieved their own version of the American Dream. Edna Ferber also revisited American history with stories that highlighted women’s contributions to America. This thesis first introduces Edna Ferber, her background and her early years drawing from Ferber’s two autobiographies, A Peculiar Treasure, 1939, and ii A Kind of Magic, 1963. Second, it discusses the New Woman at the turn of the century; the American Dream, historically and in relation to Ferber’s female characters; and Edna Ferber as a middlebrow modern writer whose literary output had powerful cultural agency. -
This Electronic Thesis Or Dissertation Has Been Downloaded from the King’S Research Portal At
This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ The charro cantor : a mediation between rural and urban culture Luna de Morris, Talia Magdalena The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 09. Oct. 2021 ACADEMIC REG1STRAFJ ROOM 261 OFLONDON 'AALETSTREET LONDONWC1 E71 THE CHARRO CANTOR: A MEDIATION BETWEEN RURAL AND URBAN CULTURE Thesissubmitted for the degreeof Ph.D. in SpanishAmerican Studiesby Talia MagdalenaLuna de Morris King's College London University of London 2004 THESIS CONTAINS CD/DVD ABSTRACT This study is a cultural history of the charro cantor who appeared with the development of the mass media in Mexico: the "talkies" and the radio in the 1930s. -
The Pulitzer Prize for Fiction Honors a Distinguished Work of Fiction by an American Author, Preferably Dealing with American Life
Pulitzer Prize Winners Named after Hungarian newspaper publisher Joseph Pulitzer, the Pulitzer Prize for fiction honors a distinguished work of fiction by an American author, preferably dealing with American life. Chosen from a selection of 800 titles by five letter juries since 1918, the award has become one of the most prestigious awards in America for fiction. Holdings found in the library are featured in red. 2017 The Underground Railroad by Colson Whitehead 2016 The Sympathizer by Viet Thanh Nguyen 2015 All the Light we Cannot See by Anthony Doerr 2014 The Goldfinch by Donna Tartt 2013: The Orphan Master’s Son by Adam Johnson 2012: No prize (no majority vote reached) 2011: A visit from the Goon Squad by Jennifer Egan 2010:Tinkers by Paul Harding 2009:Olive Kitteridge by Elizabeth Strout 2008:The Brief and Wondrous Life of Oscar Wao by Junot Diaz 2007:The Road by Cormac McCarthy 2006:March by Geraldine Brooks 2005 Gilead: A Novel, by Marilynne Robinson 2004 The Known World by Edward Jones 2003 Middlesex by Jeffrey Eugenides 2002 Empire Falls by Richard Russo 2001 The Amazing Adventures of Kavalier & Clay by Michael Chabon 2000 Interpreter of Maladies by Jhumpa Lahiri 1999 The Hours by Michael Cunningham 1998 American Pastoral by Philip Roth 1997 Martin Dressler: The Tale of an American Dreamer by Stephan Milhauser 1996 Independence Day by Richard Ford 1995 The Stone Diaries by Carol Shields 1994 The Shipping News by E. Anne Proulx 1993 A Good Scent from a Strange Mountain by Robert Olen Butler 1992 A Thousand Acres by Jane Smiley -
Illustrated Catalogue of Mexican Art Goods And
LIBRARY OF CONGRESS 11111111111111111111111111111111111111111111111111111111111111111 00009482131 ILLUSTRATED CATALOGUE -OF MEXICAN ~ ART ~ GOODS -AND CURIOSITIES. JltLSO, *INDI1={N· GOODS* FOR SALE BY THE w. G. WALZ, PROPRIETOR. EL PASO, TEXAS, U. S. A. COPYRIGHT, 1888 BY W. G. WALZ.\1- ___ l'ress of EDWARD STERN & CO. J25-127 North Seventh Street, Philadelphia, Pa., U. S. A. INTRODUCTORY. The Mexican Art and Curiosity Store was established in Paso del Norte, Mexico (opposite the city of EI Paso, Tex.), in 1884. From the beginning the patronage accorded the enter prise by the public was very liberal, and it was not long until a removal was necessitated to EI Paso, Tex., in order to secure facilities for doing the increasing business. This removal also enabled the proprietor to pay the duties on the goods in bulk, thus obviating the annoyance previously experienced by cus tomer.s in passing small Jots through the custom-house. The cut on the second page of cover shows the elegant quarters now occupied, where visitors can see the largest stock in the world of the curi~us and beautiful goods described in the following catalogue. The numerous requests received from pe'rsons in all parts of the country for price lists have induced the proprietor to establish a Retail Mail Order Department, and this catalogue has been prepared for the accommodation ofsuch as desire to order by mail. To the thousands of tourists and others who have visited the Mexican Art and Curiosity Store in person the proprietor needs no introduction, but for the information of those to whom he is a stranger he respectfully refer& to the First National Bank of EI Paso, or to any of the Commercial Reo ports. -
Gender and Race in the Making of Afro-Brazilian Heritage by Jamie Lee Andreson a Dissertation S
Mothers in the Family of Saints: Gender and Race in the Making of Afro-Brazilian Heritage by Jamie Lee Andreson A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Anthropology and History) in the University of Michigan 2020 Doctoral Committee: Professor Paul Christopher Johnson, Chair Associate Professor Paulina Alberto Associate Professor Victoria Langland Associate Professor Gayle Rubin Jamie Lee Andreson [email protected] ORCID iD: 0000-0003-1305-1256 © Jamie Lee Andreson 2020 Dedication This dissertation is dedicated to all the women of Candomblé, and to each person who facilitated my experiences in the terreiros. ii Acknowledgements Without a doubt, the most important people for the creation of this work are the women of Candomblé who have kept traditions alive in their communities for centuries. To them, I ask permission from my own lugar de fala (the place from which I speak). I am immensely grateful to every person who accepted me into religious spaces and homes, treated me with respect, offered me delicious food, good conversation, new ways of thinking and solidarity. My time at the Bate Folha Temple was particularly impactful as I became involved with the production of the documentary for their centennial celebrations in 2016. At the Bate Folha Temple I thank Dona Olga Conceição Cruz, the oldest living member of the family, Cícero Rodrigues Franco Lima, the current head priest, and my closest friend and colleague at the temple, Carla Nogueira. I am grateful to the Agência Experimental of FACOM (Department of Communications) at UFBA (the Federal University of Bahia), led by Professor Severino Beto, for including me in the documentary process. -
The Phenomena of Book Clubs and Literary Awards in Contemporary America
What Is America Reading?: The Phenomena of Book Clubs and Literary Awards in Contemporary America Author: Lindsay Winget Persistent link: http://hdl.handle.net/2345/569 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2008 Copyright is held by the author, with all rights reserved, unless otherwise noted. What Is America Reading?: The Phenomena of Book Clubs and Literary Awards in Contemporary America Lindsay Winget Advisor: Professor Judith Wilt English Department Honors Thesis Submitted April 14, 2008 CONTENTS Preface: Conversation in Books, Books in Conversation 2 Chapter One: “Go Discuss with Your Book Club…”: My Sister’s Keeper by Jodi Picoult and The Memory Keeper’s Daughter by Kim Edwards 19 Chapter Two: “And the Prize for Fiction Goes to…”: Gilead by Marilynne Robinson and Interpreter of Maladies by Jhumpa Lahiri 52 Conclusion: Literature, All on the Same Shelf 78 Works Cited 84 Acknowledgements 87 “But the act of reading, the act of seeing a story on the page as opposed to hearing it told—of translating story into specific and immutable language, putting that language down in concrete form with the aid of the arbitrary handful of characters our language offers, of then handing the story on to others in a transactional relationship—that is infinitely more complex, and stranger, too, as though millions of us had felt the need, over the span of centuries, to place messages in bottles, to ameliorate the isolation of each of us, each of us a kind of desert island made less lonely by words.” - ANNA QUINDLEN, HOW READING CHANGED MY LIFE 1 PREFACE: CONVERSATION IN BOOKS, BOOKS IN CONVERSATION Seventeen years ago, I proudly closed the cover of Hop on Pop by Dr. -
Toni Morrison's Reclamation of Her Past
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1992 Toni Morrison's Reclamation of Her Past Timothy Kelly Nixon College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Literature Commons Recommended Citation Nixon, Timothy Kelly, "Toni Morrison's Reclamation of Her Past" (1992). Dissertations, Theses, and Masters Projects. Paper 1539625744. https://dx.doi.org/doi:10.21220/s2-p95n-x845 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. TONI MORRISON'S RECLAMATION OF HER PAST A Thesis Presented to The Faculty of the Department of English The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Timothy K. Nixon 1992 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts ( v / 1/Author Approved, July 1992 >anne Braxton Colleen Kennedy Christopher MacGowan ABSTRACT This study is a close reading of three of Toni Morrison*s novels, Song of Solomon. Tar Babv. and Beloved. The critical stance taken by the author, regarding these novels, is that they were written as an attempt by Morrison to reconnect herself with her African-American heritage. Central to this paper is the idea that an individual, especially an African-American in the U.S., would feel separated from his or her heritage on account of the isolating effects of what is called the postmodern condition. -
02 Jul-Sep 10.Pub
Fine Bainbridge Island’s New community & Used bookstore Books since 1970 recommendations new releases SUMMER 2010 events, book groups & offerings ENJOY RECEIVING BOOKSTORE NEWS? FROM BAD TO VERSE: SUBSCRIBE TO OUR LIMERICK ANTHOLOGY E-NEWSLETTER FOR FINALLY OFF THE PRESS! BI-WEEKLY UPDATES! The wait is over for the versifiers and fans of the three-year-old Bainbridge Island Limerick Contest. The anthology From Bad to TO SIGN UP, Verse: Celebrating Three Years of Bainbridge Island Limericks is finally off the presses. VISIT From Bad to Verse weighs in at 104 pages and, in addition to www.eagleharborbooks.com winners, honorable mentions, and editors’ choice selections from the contest’s first three years starting in 2008, there are illustrations and prefatory notes for all three contests. a handful of staff picks: see inside for more! The idea for a limerick competition around Bainbridge places grew from a pipe dream of staff members Ann Combs and John BLOOD MERIDIAN: OR THE EVENING REDNESS IN THE WEST Willson during their dark hours closing Monday nights at the store. by Cormac McCarthy (Vintage) The project took on a life of its own, and in the first three years, “The greatest living American writer of fiction,” my long-suffering colleagues at we’ve received over 250 submissions from an enthusiastic commu- the bookstore keep hearing me say of Cormac McCarthy. Almost as often, they nity. alert me to a new book whose publishers advertise that it “brings to mind the To physically bring the book into the work of Cormac McCarthy.” Those books never measure up. -
Beloved, Mothering and Psychotherapy Bernadette Hawkes in This Chapter I Intend to Explore Three Issues Raised by Toni Morrison
Beloved, Mothering and Psychotherapy Bernadette Hawkes In this chapter I intend to explore three issues raised by Toni Morrison’s novel, Beloved. The link between literary fiction and psychotherapy, the issue of mothering, both in its universality and with particular regard to slavery, and the implications of the legacy of slavery in literature for writers, readers and partners in the psychotherapeutic relationship. Writing Away the Pain – Slavery and Storytelling The purposes of slave narratives, autobiographies and novels about black people have in my view been written to write away the pain. To some extent these writings were censored to protect the writers, and in other cases the sensibilities of the reader. In the case of slave narratives, which Morrison and myself have integrated into our thinking on race matters, the writing has been severely censored. Abolitionists often used slave narratives in their campaign against slavery. Hence the full story could not be told. Women could only hint at acts of sexual abuse, although they could write about whippings and other acts of torture. This denied black women the opportunity to define themselves as women. However, they were allowed to speak about being mothers but this was done somewhat defensively. The black woman constantly had to prove that she had motherly feelings, that it hurt her when children were sold away. Like Sethe she had to ‘unlock the tobacco tin’ of which Paul D spoke (her heart) in order to tell of her motherly love. When the black woman was granted permission to tell her story, it was in order to claim her right to ‘true womanhood’.