Iran Leaves the World Speechless
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8-USA-BWH BARBARA HUTTON. Les Riches Pleurent Aussi
LES RICHES PLEURENT AUSSI (LOS RICOS TAMBIÉN LLORAN ) ) d e p p o r c ( s 0 4 9 1 , e c i n e V n i n o t t u H a r a b r a B . i l l e m o c a i G o i d u t S Weekly transmission 51-2017 presents: Barbara Hutton was dubbed the "Poor Little Rich Girl" II Weekly Drawing by éophile Bouchet: Les Riches pleurent aussi... IV Selection from the Barbara Hutton albums 1-18 e Rich Also Cry, a Mexican telenovela 19 Previous transmissions can be found at: www.plantureux.fr s 0 4 9 1 , d o o w y l l o H n i n o t t u H a r a b r a B . s n o n n a C e g r o e G Barbara Hutton was dubbed the "Poor Little Rich Girl" “Barbara Woolworth Hutton (November 14, 1912 – May 11, 1979) was an American debutante, socialite, heiress and philanthropist. She was dubbed the "Poor Little Rich Girl," first when she was given a lavish and expensive debutante ball in 1930, amid the Great Depression, and later due to a notoriously troubled private life. Heiress to the retail tycoon Frank Winfield Woolworth, Hutton was one of the wealthiest women in the world. (Wikipedia) The e-bulletins present articles as well as selections of books, albums, photographs and documents as they have been handed down to the actual owners by their creators and by amateurs from past generations. -
Suburban Over Crossfire Bryant Caught
".-.--...------------------- .....---......-----....;---.-_--'----~-_.....---- - ~. -- Section rosse Point.e / ews A 30e Pe, Copy Pliblished a. SeCoftd CI.... MaUe, .. t the $U Per Ye ... 44 Pages-Three Sections-Section A VOL. 42-NO. 24 Po.t OWce 01 Detroll, Mlchigon GROSSE POINTE, MICHIG,AN, THURSDAY, JUNE II, 1981 ----------- ------- -- - ----------------_ ...~-- -- • Bryant caught In crossfire over suburban tax Bryant outlines his views on the to put the burden on Detroit and the stable and reasonable people in the backing of the govnnor and legi,la. By Wilbur Elston tive leader~, including Bryant him. controversial issue in a brieC signed Detroit metropolitan area, including whole slate." article which appears else~ here in commuters who work in Detroit. self, went down to a resounding de- Rep. William Bryant believes f{'at al the polls. It was at this point he has emerged unscatched from today's issue oC the Grosse Pointe Eventually Ihey prevailed, with the Asked if his vote would change his News but was asked to elaborate on ,upport oCthe Detroit representatives, relations with Gov. Milliken, Bryant that the Detroit tax probi.::'n reached a legislative crossfire that found crisi, proportions, So, in Bryant's some of his comments in a discussion in the plan to be put to Detroit voters said he always listens to the gover- flr;n;nn thnr('ll'" h(',...n l;t~~~ hr"'')~ni!'g him being criticized last week Jt:!lC 23. ~~:- ~~:! hJ5 g:~.1t rc.:p..:-ct !o: h;:r: by some members of both poli- but on this issue the Secrest commit. space all session. tical parties for his opposition But Bryant al,o disagreed wilh his lee had offered Ihe Legislature and The representative. -
The Foreign Service Journal, October 1946
<7/,c AMERICAN FOREIGN SERVICE v o “'” ‘" JOURNAL OCTOBER, 194f> NEW HEADQUARTERS OF THE OFFICE OF THE FOREIGN SERVICE IN NEW YORK... “EL MOROCCO” is one spot sure to be visited by anyone eager to see the best in New York. Schenley Reserve Whiskey is one of the good things to be found there. for connoisseurs anywhere in the world ... OVERSEAS ...Wherever people of discriminating taste gather, Schenley is always in evidence. It is one of the fine, things that are always in demand wherever the discerning meet. • Always ask for Schenley Reserve, the bright, light American Whiskey with a rich, mellow flavor that is superbly different. Enjoy it with soda, ginger ale, or water — use it in cocktails and other mixed drinks. Its excellence is a tradition. Schenley International Corpora¬ tion, Empire State Building, New York 1, N. Y., U. S. A. In the Smart World, it’s The world9# SCHENLEY largest selling CONTENTS OCTOBER 1946 Cover Picture: New Headquarters of the Ofiice of the Foreign Service: — War Manpower Building, 1778 Penna. Ave., Wash., D. C. This is also the location of the Divisions of Foreign Service Per¬ sonnel, Administration and Planning. The Informal Diplomats i 7 By Dorothy E. Greene Language Training for the Foreign Service and the Department of State—Part II 11 By Henry Lee Smith, Jr. The Foreign Service Officer Speaks 14 By Robert M. McClintock, William C. Afield, Jr., Edward G. True blood and William P. Cochran, Jr. Office of the Military Government for Ger¬ many—Staff Meeting—Photo 17 Committees of Congress 18 By Maud Macdonald Hutcheson STEEL lor the cities Letters to the Editors 20 ol tomorrow Editors’ Column 22 As new buildings of every type replace WELL DONE the old, there will be new conveniences, Press Comment 23 new inventions, new kinds of architec¬ ture. -
Safety Guide
RIDER SAFETY GUIDE Printed January 2016. © 2016 Viacom International Inc. All Rights Reserved. SpongeBob SquarePants created by Stephen Hillenburg. CONTENTS 03 .. WELCOME 05 .. ACCESSIBILITY 06 .. BASIC RIDE INFORMATION 10 .. SPECIAL SERVICES 11 .. ADDITIONAL REQUIREMENTS 15 .. KEY SYMBOLS/RATING SYSTEM 47 .. APPROVED RIDES + ATTRACTIONS 2 WELCOME TO NICKELODEON UNIVERSE® Our goal is to make sure that you experience all the thrills and chills this theme park has to offer while staying safe. This instruction manual was created to assist you in making the correct decision on which rides are right for your use. 3 NICKELODEON UNIVERSE® PROVIDES THESE SAFETY SYSTEMS: Theme park rides incorporate safety systems designed by the manufacturer to accommodate people of average physical stature and body proportions. These safety systems may place restrictions on your ability to safely experience the ride. Guests with the following may want to reconsider riding the ride, as the rider may not be safely accommodated: • History of heart problems • Back or neck troubles • Had recent surgery • Currently pregnant • Body braces, leg or arm casts • Restrictive devices • Physical disabilities The ride admission policy has been developed based on the recommendations of the manufacturer, past experience and evaluation of each ride, in regular and emergency operating conditions. The ultimate consideration is the ability of each person to endure the dynamics of each ride without risk of injury to the individual or other riders. Our ride operators are trained to make your visit a memorable one. However, they are not trained to transfer guests with mobility impairment in or out of the ride. It is essential that a responsible person accompany guests requiring such assistance. -
Sex-On-Tv-4-Full-Report.Pdf
SEX ON TV 2005 A KAISER FAMILY FOUNDatION REPORT DALE KUNKEL, PH.D., KEREN EYAL, PH.D., KELI FINNERTY, ERICA BIELY, & EdWARD DONNERSTEIN, PH.D. UNIVERSITY OF ARIZONA NOVEMBER 2005 ACKNOWLEDGMENTS The authors wish to convey their appreciation and gratitude to a number of individuals who have made significant contributions to this study. At the University of Arizona, Brian Atkinson served as our technology director, and expertly supervised the project’s transition to the digital environment, which required all new equipment for recording, storage, and playback of over 1000 programs. Nic Schoenfeld managed the collection of the program sample adeptly, and Zhongxiang (Edward) Xia devised a sophisticated software interface to track the status of each show from its initial recording to the completion of its coding and analysis. Carey Willets accomplished all administrative and financial aspects of the project helpfully and efficiently. And finally, Priya Raman provided valuable assistance writing many of the scene examples included in the report as illustrations of key content categories. We thank all of them for their efforts and generous contributions. At the Kaiser Family Foundation, Vicky Rideout has been the leader of this project since its inception. This project now ranks as one of the longest-running studies in the realm of media and social effects research, its value growing with each replication that affords stable and precise comparisons of industry trends over time. We greatly appreciate Vicky’s leadership, and the foundation’s continued participation in this research effort.W e also thank Theresa Boston for her excellent supervision of the final report document throughout the publication process. -
TAG21 Mag Q1 Web2.Pdf
IATSE LOCAL 839 MAGAZINE SPRING 2021 ISSUE NO. 13 THE ANIMATION GUILD QUARTERLY GIMMIE SHELTER: CREATING CAPTIVATING SPACES IN ANIMATION GIMME SHELTER SPRING 2021 CREATING CAPTIVATING SPACES IN ANIMATION FOR YOUR CONSIDERATION BEST ANIMATED FEATURE GLEN KEANE, GENNIE RIM, p.g.a., PEILIN CHOU, p.g.a. GOLDEN GLOBE ® NOMINEE BEST ANIMATED FEATURE “ONE OF THE MOST GORGEOUS ANIMATED FILMS EVER MADE.” “UNLIKE ANYTHING AUDIENCES HAVE SEEN BEFORE.” “★★★★ VIBRANT AND HEARTFELT.” FROM OSCAR®WINNING FILMMAKER AND ANIMATOR GLEN KEANE FILM.NETFLIXAWARDS.COM KEYFRAME QUARTERLY MAGAZINE OF THE ANIMATION GUILD, COVER 2 NETFLIX: OVER THE MOON PUB DATE: 02/25/21 TRIM: 8.5” X 10.875” BLEED: 8.75” X 11.125” ISSUE 13 CONTENTS 46 11 AFTER HOURS 18 THE LOCAL FRAME X FRAME Jeremy Spears’ passion TAG committees’ FEATURES for woodworking collective power 22 GIMME SHELTER 4 FROM THE 14 THE CLIMB 20 DIALOGUE After a year of sheltering at home, we’re PRESIDENT Elizabeth Ito’s Looking back on persistent journey the Annie Awards all eager to spend time elsewhere. Why not use your imagination to escape into 7 EDITOR’S an animation home? From Kim Possible’s NOTE 16 FRAME X FRAME 44 TRIBUTE midcentury ambience to Kung Fu Panda’s Bob Scott’s pursuit of Honoring those regal mood, these abodes show that some the perfect comic strip who have passed of animation’s finest are also talented 9 ART & CRAFT architects and interior designers too. The quiet painting of Grace “Grey” Chen 46 SHORT STORY Taylor Meacham’s 30 RAYA OF LIGHT To: Gerard As production on Raya and the Last Dragon evolved, so did the movie’s themes of trust and distrust. -
Elements 2019 Edition
King of the World I Am – Eric Short – Visual – 2019 Elements 2019 Editor-in-Chief: Morgan Cusack Faculty Advisor: Dr. Erika T. Wurth Editorial Board: Christian Sessom, Isai Lopez, Emma Dayhoff, Morgan Cusack and Jacob Taylor Alexis Fioroni Connor Sullivan Fairy Tales Evil Crow Unlocked Jewel Woodward everything isn’t what it always seems Angelique Herrera Abandonment Cory Clark Just a Bite Broken Memory In the Dust Kate Birr Caught Austin Middelton Days Gone Sidney Bottino Coffee Curtis Pointer Sound Casey Hendrickson Ekpharastic Cold Human Aaron Mendenall This Evening Jacob Taylor Don’t Blame Your Diagnosis Living in Chicago Kaylee Gundling Emma Dayhoff Meshes of the Afternoon Greenwood Letting Go Director’s Cut Joshua Miller No Longer Alone Morgan Cusack this place you made Matt Barry Chasing the Sun Birdcage Those Left Behind Shelby Davin Emilie Hahn The Boogeyman Overcome: A Sestina Marshelle Kellum Emily Trenter Me a Writer? Frozen Patience Alisa Davis Deadbeat Dads Best Part Winners of the Lois C. Bruner Creative Nonfiction Award: 1st Place - Marissa Purdum The Dog Days 2nd Place - Marcus Sweeten A Dose of Change 3rd Place - Kendrick Keller Flight Winners of the Cordell Larner Award in Fiction: 1st Place - Adam Norris Cheap Rubber Mulch 2nd Place - Angelique Herrera Hush Hush 3rd Place - Brandon Williams End Measured Mile Winners of the Cordell Larner Award in Poetry: 1st Place - Eric Short Speak to us on Freedom The Drinking Game You’re Old Country Now 2nd Place - Marcus Sweeten 102 E. Clay Zerzan 3rd Place - Janae Imeri The Puppeteer and The Puppet Train of Thought Alexis Fioroni “Fairy Tales” What did you do? I did what any woman would do, I filled my bed with the finest queens Searching for you, in their damp skin I kissed the quiet valleys in the cracks of their backs, their celestial mooans, Danced with sacred fairies. -
“The Spongebob Squarepants Movie”
“THE SPONGEBOB SQUAREPANTS MOVIE” Production Information Ah, the simple, quiet life of Bikini Bottom, where home is a pineapple and a Krabby Patty is always served hot and fresh just around the corner at the Krusty Krab...... But starting on November 19th, the world is going to see just how wild things can get in the underwater paradise that SpongeBob SquarePants calls home. When he and his dimwitted best friend Patrick set out on an epic quest, SpongeBob finds himself driving a sandwich on a road trip where he’ll discover new worlds, dangerous monsters, and that being a kid isn’t such a bad thing after all. Sporting a fleet of famous voice talent that includes Alec Baldwin as Dennis the hit man, Scarlett Johansson as Mindy the mermaid and Jeffrey Tambor as King Neptune, not to mention a surprise appearance by David Hasselhoff as none other than himself, “The SpongeBob SquarePants Movie” is a cleverly drawn expansion of what has become the most watched kids’ show in television history. Co-written/storyboarded by SpongeBob creator Stephen Hillenburg, and featuring the original voice talent from the beloved series, this full-length animated feature is destined to float into the collective consciousness of moviegoers of all ages. Paramount Pictures presents a Nickelodeon Movies Production in association with United Plankton Pictures, “The SpongeBob SquarePants Movie.” Produced and directed by Stephen Hillenburg, written and storyboarded by Derek Drymon & Tim Hill & Stephen Hillenburg & Kent Osborne & Aaron Springer & Paul Tibbitt, the full-length animated feature is based on a story and the series created by Stephen Hillenburg. -
New Disciplinary Board Implemented; Plans Other Motive Was to Allow for Examples of Their Own
Volume LXXXIV, Issue VII St. Louis University High School | Friday, October 11 , 2019 sluh.org/prepnews Voices of SLUH hosts students to talk about stress and anxiety BY Sam Tarter and Carter Spence open themselves to the SLUH STAFF, REPORTER community. The main focus was that we are not alone.” oices of SLUH held indi- The emphasis of the ju- Vvidual class meetings in nior speakers was to let the the Schulte Theater last week sophomore class know to en- to share students’ perspec- joy themselves and to enjoy tives and experiences with the things they love. stress and anxiety. With each “It was great seeing guys class meeting one day dur- that have already made it ing Activity Period, Voices of a year and were feeling the SLUH hopes that they were same way I felt,” said junior able to give students the tools Zak Stevenson, who talked they need to deal with these to the sophomores. “I talked issues, and let students deal- about having that one thing ing with these problems know that you do with no effort and that they are supported. you just love it. It’s an escape To address these topics, from having the job of being a it was decided that each class student and you feel like a free would hear from students human being.” from the year above them to Senior speakers were re- “The Robots are Coming!” Read more about the Robots art exhibit on page 2. photo | John Hilker give an understanding of the garded as being very relatable specific stresses they will be and giving good ways to deal dealing with in that year. -
VIACOM INC. (Exact Name of Registrant As Specified in Its Charter)
Table of Contents UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K ☒ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2006 OR ☐ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File Number 001-32686 VIACOM INC. (Exact name of registrant as specified in its charter) DELAWARE 20-3515052 (State or other jurisdiction of (I.R.S. Employer incorporation or organization) Identification Number) 1515 Broadway New York, NY 10036 (212) 258-6000 (Address, including zip code, and telephone number, including area code, of registrant’s principal executive offices) Securities Registered Pursuant to Section 12(b) of the Act: Name of Each Exchange on Title of Each Class Which Registered Class A Common Stock, $0.001 par value New York Stock Exchange Class B Common Stock, $0.001 par value New York Stock Exchange 6.85% Senior Notes due 2055 New York Stock Exchange Securities Registered Pursuant to Section 12(g) of the Act: None (Title Of Class) Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes ☒ No ☐ Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Act. Yes ☐ No ☒ Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. -
The Obsession ++ Confession Issue Issue 5
THE OBSESSION ++ CONFESSION ISSUE #5 / 2012 $9.99US $9.99CAN SHIRLEY MANSON / SANTIGOLD / BEACH HOUSE SPIRITUALIZED / MARINA & THE DIAMONDS / GOTYE GABRIEL MANN / M.WARD ++MORE ISSUE 5 SO WHAT IF PAGES 8 - 19 READ THE LETTER FROM THE EDITOR MEET THE CONTRIBUTORS YOU CANNOT HIDE. I CAN’T STOP THINKING ABOUT PAGES 20 - 57 SANTIGOLD BEACH HOUSE MARINA AND THE DIAMONDS SHIRLEY MANSON SPIRITUALIZED GABRIEL MANN ALEXANDRA BRECKENRIDGE GOTYE BRADLEY SOILEAU I TOLD MY GIRLS HE COULD GET IT WANTING TO LIKE BE WITH YOU (WITH YOU) PAGES 58-83 NICK WATERHOUSE LISSY TRULLIE SAMANTHA RONSON MIIKE SNOW TYLER BLACKBURN M.WARD SHANE WEST INDIA DE BEAUFORT THE TING TINGS OF MONTREAL SILVERSUN PICKUPS HOT CHIP R.I.P TO THE GIRL YOU USED TO KNOW EVERYONE THINKS YOU’RE FUCKING HOT i know you want to find out about this PAGES 84- 109 ALEX PRAGER DESIGNER OBSESSIONS +CONFESSIONS IN GOD WE TRUST PEOPLE WE LIKE STOLEN GIRLFRIENDS CLUB CONFESSIONS OF A BUNNY LOVER DIRTY SECRETS QUIZ STAFF OBSESSIONS AND CONFESSIONS ON THE STREET SUNGLASSES STOPPING THE WORLD AND MELTING WITH YOU SERIOUSLY DUDE Sweater, THE REFORMATION. Dress, SAVANT. Leggings, IRO. P 110-11 HONEY BUNNY I AM ERICA KANE CONTRIBUTORS Koko Ntuen Editor-In-Chief + Publisher MICHAEL DONOVAN Polly Brown Michael Donovan has found a strong underground following Guest Art Director for being the harbinger of the Post Bourgeois art movement. Mixing fashion and fine art, his distinguishable raucous and raw style mixed with his aggressive nature has been applied to Heather Seidler work for Bullet, Wonderland, Lovecat and many others while Editorial + Music Director his more conservative and exciting observant work has been applied to clients including The Pierre Hotel, MAGIC/Project, Reed Smith, Marie Claire Turkey, and others. -
Register of Culturally Significant Property
THE SECRETARY OF STATE’S REGISTER OF CULTURALLY SIGNIFICANT PROPERTY he Department of State owns or has under long-term lease over 3,500 properties at 265 posts worldwide. Among these are approximately 150 properties that are historically, architecturally, or culturally significant. Building types include chanceries, residences, office buildings, staff apartments, a gardener’s house, and a guesthouse. The Department also has a significant collection of fine and decorative arts in its inventory. These seven criteria were used to evaluate properties for listing by the Secretary of State in the register: • Designation or Acknowledgement by a Government as a Significant Property • Part of the United States’ Overseas Heritage • Association with a Significant Historical Event or Person • Important Architecture and/or by an Important Architect • Distinctive Theme or Assembly • Unique Object or Visual Feature • Archaeological Site The Secretary’s Register is similar to the National Register of Historic Places maintained by the Secretary of the Interior. The Secretary of State’s Register is an important initiative to commemorate our significant international heritage and to promote and preserve American history and architecture. SECRETARY OF STATE Schoenborn Palace Prague, Czech Republic The American Embassy in the Schoenborn Palace in Prague has a long and complex his- tory of adaptations to accommodate a wide range of royal, noble, and governmental own- ers. Today the dominant image dates to 1718 when the Colloredo family renovated the building to the design of the expatriate Italian architect Giovanni Santini. Five medieval residences and a malthouse were combined together by various owners in the early decades of the seventeenth century.