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UPA : Redesigning Animation
This document is downloaded from DR‑NTU (https://dr.ntu.edu.sg) Nanyang Technological University, Singapore. UPA : redesigning animation Bottini, Cinzia 2016 Bottini, C. (2016). UPA : redesigning animation. Doctoral thesis, Nanyang Technological University, Singapore. https://hdl.handle.net/10356/69065 https://doi.org/10.32657/10356/69065 Downloaded on 05 Oct 2021 20:18:45 SGT UPA: REDESIGNING ANIMATION CINZIA BOTTINI SCHOOL OF ART, DESIGN AND MEDIA 2016 UPA: REDESIGNING ANIMATION CINZIA BOTTINI School of Art, Design and Media A thesis submitted to the Nanyang Technological University in partial fulfillment of the requirement for the degree of Doctor of Philosophy 2016 “Art does not reproduce the visible; rather, it makes visible.” Paul Klee, “Creative Credo” Acknowledgments When I started my doctoral studies, I could never have imagined what a formative learning experience it would be, both professionally and personally. I owe many people a debt of gratitude for all their help throughout this long journey. I deeply thank my supervisor, Professor Heitor Capuzzo; my cosupervisor, Giannalberto Bendazzi; and Professor Vibeke Sorensen, chair of the School of Art, Design and Media at Nanyang Technological University, Singapore for showing sincere compassion and offering unwavering moral support during a personally difficult stage of this Ph.D. I am also grateful for all their suggestions, critiques and observations that guided me in this research project, as well as their dedication and patience. My gratitude goes to Tee Bosustow, who graciously -
Season 2014-2015
23 Season 2014-2015 Wednesday, January 28, at 8:00 The Philadelphia Orchestra Friday, January 30, at 2:00 Saturday, January 31, Yannick Nézet-Séguin Conductor at 8:00 Kirill Gerstein Piano Beethoven Symphony No. 5 in C minor, Op. 67 I. Allegro con brio II. Andante con moto III. Allegro— IV. Allegro Intermission Shostakovich Piano Concerto No. 2 in F major, Op. 102 I. Allegro II. Andante III. Allegro Shostakovich/from Suite from The Gadfly, Op. 97a: arr. Atovmyan I. Overture: Moderato con moto III. People’s Holiday: [Allegro vivace] VII. Prelude: Andantino XI. Scene: Moderato This program runs approximately 1 hour, 40 minutes. The January 28 concert is sponsored by MEDCOMP. designates a work that is part of the 40/40 Project, which features pieces not performed on subscription concerts in at least 40 years. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM. Visit www.wrti.org to listen live or for more details. 24 Please join us immediately following the January 30 concert for a Chamber Postlude, featuring members of The Philadelphia Orchestra. Brahms Piano Quartet No. 3 in C minor, Op. 60 I. Allegro non troppo II. Scherzo: Allegro III. Andante IV. Finale: Allegro lomodo Mark Livshits Piano Kimberly Fisher Violin Kirsten Johnson Viola John Koen Cello 3 Story Title 25 The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra is one of the preeminent orchestras in the world, renowned for its distinctive sound, desired for its keen ability to capture the hearts and imaginations of audiences, and admired for a legacy of imagination and innovation on and off the concert stage. -
Title Director Screening Section Premiere Status
Title Director Screening Section Premiere Status An Evening With Sacred Bones Records Jacqueline Castel Special Events World Premiere Bernie Richard Linklater Special Events Best of Vimeo Shorts: Vimeo Loves Various Special Events Big Star: Nothing Can Hurt Me Drew DeNicola Special Events Casa de mi Padre Matt Piedmont Special Events Coffin Joe's "This Night I Will Possess Jose Mojica Marins Special Events Your Corpse" Girl Walk // All Day Jacob Krupnick Special Events Re: Generation Music Project Amir Bar Lev Special Events Adam Russell, Renga Special Events North American Premiere John Sear SXSW & The Alamo Drafthouse present: Special Events World Premiere Epic Meal Time The Oyster Princess (1919) Ernst Lubitsch Special Events with live score by Bee vs. Moth when you find me presented by Canon Bryce Dallas Howard Special Events U.S. Premiere George Dunning, Yellow Submarine (1968) Newly Restored (UK) Robert Balser, Special Events Jack Stokes Title Director Screening Section Premiere Status Phil Lord, 21 Jump Street Headliners World Premiere Christopher Miller BIG EASY EXPRESS Emmett Malloy Headliners World Premiere Decoding Deepak Gotham Chopra Headliners World Premiere Girls Lena Dunham Headliners World Premiere Killer Joe William Friedkin Headliners U.S. Premiere MARLEY Kevin Macdonald Headliners North American Premiere The Cabin in the Woods Drew Goddard Headliners World Premiere The Hunter Daniel Nettheim Headliners U.S. Premiere Blue Like Jazz Steve Taylor Narrative Spotlight World Premiere Crazy Eyes Adam Sherman Narrative Spotlight World Premiere Fat Kid Rules The World Matthew Lillard Narrative Spotlight World Premiere frankie go boom Jordan Roberts Narrative Spotlight World Premiere Hunky Dory Marc Evans Narrative Spotlight North American Premiere In Our Nature Brian Savelson Narrative Spotlight World Premiere Keyhole Guy Maddin Narrative Spotlight U.S. -
Completeandleft
MEN WOMEN 1. Adam Ant=English musician who gained popularity as the Amy Adams=Actress, singer=134,576=68 AA lead singer of New Wave/post-punk group Adam and the Amy Acuff=Athletics (sport) competitor=34,965=270 Ants=70,455=40 Allison Adler=Television producer=151,413=58 Aljur Abrenica=Actor, singer, guitarist=65,045=46 Anouk Aimée=Actress=36,527=261 Atif Aslam=Pakistani pop singer and film actor=35,066=80 Azra Akin=Model and actress=67,136=143 Andre Agassi=American tennis player=26,880=103 Asa Akira=Pornographic act ress=66,356=144 Anthony Andrews=Actor=10,472=233 Aleisha Allen=American actress=55,110=171 Aaron Ashmore=Actor=10,483=232 Absolutely Amber=American, Model=32,149=287 Armand Assante=Actor=14,175=170 Alessandra Ambrosio=Brazilian model=447,340=15 Alan Autry=American, Actor=26,187=104 Alexis Amore=American pornographic actress=42,795=228 Andrea Anders=American, Actress=61,421=155 Alison Angel=American, Pornstar=642,060=6 COMPLETEandLEFT Aracely Arámbula=Mexican, Actress=73,760=136 Anne Archer=Film, television actress=50,785=182 AA,Abigail Adams AA,Adam Arkin Asia Argento=Actress, film director=85,193=110 AA,Alan Alda Alison Armitage=English, Swimming=31,118=299 AA,Alan Arkin Ariadne Artiles=Spanish, Model=31,652=291 AA,Alan Autry Anara Atanes=English, Model=55,112=170 AA,Alvin Ailey ……………. AA,Amedeo Avogadro ACTION ACTION AA,Amy Adams AA,Andre Agasi ALY & AJ AA,Andre Agassi ANDREW ALLEN AA,Anouk Aimée ANGELA AMMONS AA,Ansel Adams ASAF AVIDAN AA,Army Archerd ASKING ALEXANDRIA AA,Art Alexakis AA,Arthur Ashe ATTACK ATTACK! AA,Ashley -
The University of Chicago Looking at Cartoons
THE UNIVERSITY OF CHICAGO LOOKING AT CARTOONS: THE ART, LABOR, AND TECHNOLOGY OF AMERICAN CEL ANIMATION A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF CINEMA AND MEDIA STUDIES BY HANNAH MAITLAND FRANK CHICAGO, ILLINOIS AUGUST 2016 FOR MY FAMILY IN MEMORY OF MY FATHER Apparently he had examined them patiently picture by picture and imagined that they would be screened in the same way, failing at that time to grasp the principle of the cinematograph. —Flann O’Brien CONTENTS LIST OF FIGURES...............................................................................................................................v ABSTRACT.......................................................................................................................................vii ACKNOWLEDGMENTS....................................................................................................................viii INTRODUCTION LOOKING AT LABOR......................................................................................1 CHAPTER 1 ANIMATION AND MONTAGE; or, Photographic Records of Documents...................................................22 CHAPTER 2 A VIEW OF THE WORLD Toward a Photographic Theory of Cel Animation ...................................72 CHAPTER 3 PARS PRO TOTO Character Animation and the Work of the Anonymous Artist................121 CHAPTER 4 THE MULTIPLICATION OF TRACES Xerographic Reproduction and One Hundred and One Dalmatians.......174 -
Article Full Text
~Pryce" Meats and Princes: The Feast as Proving Ground in the Alliterative Marte Arthure and Sir Gawain and the Green Knight Mary Frances Zambreno The Alliterative Marte Arthure and Sir Gawain and the Green Knight are generally acknowledged as two of the gn:atest works of what is called the fourteenth-century Alliterative Revival. The feasts that open the two poems are similar in that both celebrate the new year at Arthur's court and both are interrupted by unexpected in truders-the Green Knight in Gawain and the Roman emissaries in the Alliterative Mo rte. The New Year's celebration emphasizes the importance of each occasion: the holiday begins the calendar year as the feast begins the poem. Gawain then runs from new year to new year, the cyclical passage of the seasons underlying both its tone and any possible interpretation. In contrast, the Allit erative Morie describes the events of several years, but, as Matthews has pointed out, each festival and season is mentioned only once in the poem, creating the overall reflection of a single year (102-03). A New Year's feast thus begins each poem and then contributes directly to organizing the ensuing action. Any two feasts so similar on the surface must be worth com paring in detail. The initial difficulty in making such a comparison is the fact that feasts are extremely common in romance, espe cially Arthurian romance: Chretien's Hiain, Erec and Enide, and Lancelot, Wolfram von &chenbach's Parzival, and the Mort Artu are only a few ofthe many Arthurian works with important feasts. -
Fraternite! Eqalite!
VOL. 119 - NO. 3 BOSTON, MASSACHUSETTS, JANUARY 16, 2015 $.35 A COPY Liberte! Fraternite! Eqalite! by Sal Giarratani This past Saturday, a large How can we defeat an en- crowd gathered on the emy if we won’t even prop- Boston Common standing in erly identify who that enemy solidarity with millions of is? Even the new Presi- people in Paris’ Place de la dent of Egypt Abdel-Fattah Republique against Radical el-Sissi has courageously Islamic acts of terror that spoken for the need for a killed 17 people last week. Revolution in Islam and for Some 40 world leaders countering those who mis- joined arms together in sup- use the religion of Muslims. port of France and against On second thought, per- those seeking civilization haps Obama didn’t belong jihad. in that recent gathering in Many marched together in Paris since the world needed support of those values of to see leaders linking arms modern civilization under with one another. attack today. It was a march We insulted not only for liberty. It was a march for the French of 2015, we in- all of us. It was also a march sulted the bond between against those using reli- our nations built up since gious fanaticism and killing the days of the American innocents in the name of White House, it was a dumb send Vice President Joe was a deliberate move not to Revolution. their God. mistake that America went Biden or Secretary of State link the United States of We must not be afraid to Why wasn’t President AWOL at this world-wide John F. -
American WWII Propaganda Cartoons
Name _____________________________________ Date ________________________ Period ______ American WWII Propaganda Cartoons “Blitz Wolf” – A cartoon produced in 1942 by Metro-Goldwyn-Mayer (MGM). It was nominated for the Academy Award for Best Short Subject Cartoon. The plot is a parody of the Three Little Pigs, told from a WWII anti-German propaganda perspective. As you watch the cartoon, answer the following questions: Who do the Three Little Pigs represent? Who does the Wolf represent? What does this cartoon say about America’s view of Germany and Hitler? “You’re a Sap, Mr. Jap” - A 1942 one-reel animated cartoon short subject released by Paramount Pictures. It is one of the best-known World War II propaganda cartoons. The cartoon gets its title from a novelty song written by James Cavanaugh, John Redmond and Nat Simon. As you watch the cartoon, answer the following questions: Who does Popeye represent? How are the Japanese portrayed? What does this cartoon say about America’s view of Japan and its people? Using complete sentences, answer the following questions about the use of animated cartoons for anti- war propaganda. 1. Is the use of animation and humor appropriate for depicting the serious nature of war? Use at least 2 specific examples to explain your opinion. 2. The U.S. has been fighting the War on Terror for over a decade. If such propaganda cartoons were made today featuring Iraqis, Afghans, or others targeted in the War on Terror, would they be accepted? Would they be considered offensive? Use at least 2 specific examples to explain your opinion. -
The Myth of Redemptive Violence by Walter Wink
THE MYTH OF REDEMPTIVE VIOLENCE BY WALTER WINK The story that the rulers of domination societies told each other and their subordinates is what we today might call the Myth of Redemptive Violence. It enshrines the belief that violence saves, that war brings peace, that might makes right. It is one of the oldest continuously repeated stories in the world. Here Walter Wink describes just how pervasive this myth still is in the mores of Western culture. The belief that violence ”saves” is so successful because it doesn’t seem to be mythic in the least. Violence simply appears to be the nature of things. It’s what works. It seems inevitable, the last and, often, the first resort in conflicts. If a god is what you turn to when all else fails, violence certainly functions as a god. What people overlook, then, is the religious character of violence. It demands from its devotees an absolute obedience- unto-death. This Myth of Redemptive Violence is the real myth of the modern world. It, and not Judaism or Christianity or Islam, is the dominant religion in our society today. When my children were small, we let them log an unconscionable amount of television, and I became fascinated with the mythic structure of cartoons. This was in the 1960s, when the ”death of God” theologians were being feted on talk shows, and secular humanity’s tolerance for religious myth and mystery were touted as having been exhausted. I began to examine the structure of cartoons, and found the same pattern repeated endlessly: an indestructible hero is doggedly opposed to an irreformable and equally indestructible villain. -
Town of Lake Arthur "Nature's Beauty Spot"
TOWN OF LAKE ARTHUR "NATURE'S BEAUTY SPOT" MAYOR SHERRY CROCHET COUNCIL MEMBERS: DAVID HANKS RICKY MONCEAUX ROBERT PALERMO AULDON ROBINSON SAMPSON LEJEUNE CHIEF OF POLICE TOWN CLERK TOWN ATTORNEY COURT MAGISTRATE KOBI B. TURNER MINDY MARCANTEL BENNETT LAPOINT RICHARD ARCENEAUX NOTICE POSTED: JUNE 25, 2021 TIME POSTED: NOTICE OF PUBLIC HEARING A public meeting will be held as follows: DATE: JUNE 29, 2021 TIME: 9:00 AM PLACE OF MEETING: City Hall: 102 Arthur Ave Lake Arthur, LA 70549 BUDGET HEARING Discussion of Budget Introduce Ordinance No. 596, An Ordinance adopting and enacting a budget of revenues, expenditures and transfers for the Town of Lake Arthur, Louisiana for the fiscal year of 2021 and 2022. AGENDA SPECIAL MEETING 1. Call to Order 2. Prayer 3. Pledge of Allegiance 4. Roll Call 5. Motion to Adopt Agenda 6. Citizen Agenda Item: Open Discussion Re: Garbage collection, fees, quotes to contract services, etc. with representatives from Dillion Disposal, President Jordan Danna and Charles LaGrange, Municipal Sales Manager with Republic Services 7. Motion to Approve minutes of Special Meeting held June 4, 2021, as submitted. 8. Motion to introduce Ordinance No. 596, An Ordinance Amending Ordinance No. 560, Enacting a Budget of Revenues, Expenditures, and Transfers for the Town of Lake Arthur for Fiscal year August 1, 2021, and Ending July 31, 2022 9. Motion to Adjourn meeting Mindy Marcantel; Clerk Town of Lake Arthur 102 Arthur Ave, Lake Arthur, LA 70549 337-774-2211 In accordance with the Americans with Disabilities Act, if you need special assistance, please contact Mindy Marcantel at 337- 774-2211 describing the assistance that is necessary. -
Info Fair Resources
………………………………………………………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….…………… Info Fair Resources ………………………………………………………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….…………… SCHOOL OF VISUAL ARTS 209 East 23 Street, New York, NY 10010-3994 212.592.2100 sva.edu Table of Contents Admissions……………...……………………………………………………………………………………… 1 Transfer FAQ…………………………………………………….…………………………………………….. 2 Alumni Affairs and Development………………………….…………………………………………. 4 Notable Alumni………………………….……………………………………………………………………. 7 Career Development………………………….……………………………………………………………. 24 Disability Resources………………………….…………………………………………………………….. 26 Financial Aid…………………………………………………...………………………….…………………… 30 Financial Aid Resources for International Students……………...…………….…………… 32 International Students Office………………………….………………………………………………. 33 Registrar………………………….………………………………………………………………………………. 34 Residence Life………………………….……………………………………………………………………... 37 Student Accounts………………………….…………………………………………………………………. 41 Student Engagement and Leadership………………………….………………………………….. 43 Student Health and Counseling………………………….……………………………………………. 46 SVA Campus Store Coupon……………….……………….…………………………………………….. 48 Undergraduate Admissions 342 East 24th Street, 1st Floor, New York, NY 10010 Tel: 212.592.2100 Email: [email protected] Admissions What We Do SVA Admissions guides prospective students along their path to SVA. Reach out -
Popeye: Lets You and Him Fight! Volume 3 Free
FREE POPEYE: LETS YOU AND HIM FIGHT! VOLUME 3 PDF E. C. Segar | 168 pages | 02 Dec 2008 | Fantagraphics | 9781560979623 | English | Seattle, United States Popeye - Wikipedia This article is about the franchise as a whole. For the character, see Popeye. For other meanings, see Popeye disambiguation. Popeye the Sailor was created by E. Segar as a supporting character in the daily King Features comic strip Thimble Theatreappearing on January 17, The character has since continued to appear in comics and animated cartoons, in the cinema as well as on television. Popeye also became the strip's title in later years. Even though Segar's Thimble Theatre strip was in its 10th year when Popeye made his debut inthe sailor quickly became the main focus of the strip and Thimble Theatre became one of King Features's most popular properties during the s. Thimble Theatre was continued after Segar's death in by several writers and artists, most notably Segar's assistant Bud Sagendorf. The strip, now titled Popeyecontinues to appear in first-run installments in its Sunday edition, written and drawn by Hy Eisman. The daily strips are reprints of old Sagendorf stories. These cartoons proved to be among the most popular of the s, and the Fleischers — and later Paramount's own Famous Studios — continued production through Over the years, Popeye has also appeared in comic books, television cartoons, arcade and video gameshundreds of advertisements and peripheral products, and a live-action film directed by Robert Altman starring comedian Robin Williams as Popeye. Differences in Popeye 's story and characterization show up depending upon which medium he is presented in.