New Disciplinary Board Implemented; Plans Other Motive Was to Allow for Examples of Their Own
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Suburban Over Crossfire Bryant Caught
".-.--...------------------- .....---......-----....;---.-_--'----~-_.....---- - ~. -- Section rosse Point.e / ews A 30e Pe, Copy Pliblished a. SeCoftd CI.... MaUe, .. t the $U Per Ye ... 44 Pages-Three Sections-Section A VOL. 42-NO. 24 Po.t OWce 01 Detroll, Mlchigon GROSSE POINTE, MICHIG,AN, THURSDAY, JUNE II, 1981 ----------- ------- -- - ----------------_ ...~-- -- • Bryant caught In crossfire over suburban tax Bryant outlines his views on the to put the burden on Detroit and the stable and reasonable people in the backing of the govnnor and legi,la. By Wilbur Elston tive leader~, including Bryant him. controversial issue in a brieC signed Detroit metropolitan area, including whole slate." article which appears else~ here in commuters who work in Detroit. self, went down to a resounding de- Rep. William Bryant believes f{'at al the polls. It was at this point he has emerged unscatched from today's issue oC the Grosse Pointe Eventually Ihey prevailed, with the Asked if his vote would change his News but was asked to elaborate on ,upport oCthe Detroit representatives, relations with Gov. Milliken, Bryant that the Detroit tax probi.::'n reached a legislative crossfire that found crisi, proportions, So, in Bryant's some of his comments in a discussion in the plan to be put to Detroit voters said he always listens to the gover- flr;n;nn thnr('ll'" h(',...n l;t~~~ hr"'')~ni!'g him being criticized last week Jt:!lC 23. ~~:- ~~:! hJ5 g:~.1t rc.:p..:-ct !o: h;:r: by some members of both poli- but on this issue the Secrest commit. space all session. tical parties for his opposition But Bryant al,o disagreed wilh his lee had offered Ihe Legislature and The representative. -
Safety Guide
RIDER SAFETY GUIDE Printed January 2016. © 2016 Viacom International Inc. All Rights Reserved. SpongeBob SquarePants created by Stephen Hillenburg. CONTENTS 03 .. WELCOME 05 .. ACCESSIBILITY 06 .. BASIC RIDE INFORMATION 10 .. SPECIAL SERVICES 11 .. ADDITIONAL REQUIREMENTS 15 .. KEY SYMBOLS/RATING SYSTEM 47 .. APPROVED RIDES + ATTRACTIONS 2 WELCOME TO NICKELODEON UNIVERSE® Our goal is to make sure that you experience all the thrills and chills this theme park has to offer while staying safe. This instruction manual was created to assist you in making the correct decision on which rides are right for your use. 3 NICKELODEON UNIVERSE® PROVIDES THESE SAFETY SYSTEMS: Theme park rides incorporate safety systems designed by the manufacturer to accommodate people of average physical stature and body proportions. These safety systems may place restrictions on your ability to safely experience the ride. Guests with the following may want to reconsider riding the ride, as the rider may not be safely accommodated: • History of heart problems • Back or neck troubles • Had recent surgery • Currently pregnant • Body braces, leg or arm casts • Restrictive devices • Physical disabilities The ride admission policy has been developed based on the recommendations of the manufacturer, past experience and evaluation of each ride, in regular and emergency operating conditions. The ultimate consideration is the ability of each person to endure the dynamics of each ride without risk of injury to the individual or other riders. Our ride operators are trained to make your visit a memorable one. However, they are not trained to transfer guests with mobility impairment in or out of the ride. It is essential that a responsible person accompany guests requiring such assistance. -
Sex-On-Tv-4-Full-Report.Pdf
SEX ON TV 2005 A KAISER FAMILY FOUNDatION REPORT DALE KUNKEL, PH.D., KEREN EYAL, PH.D., KELI FINNERTY, ERICA BIELY, & EdWARD DONNERSTEIN, PH.D. UNIVERSITY OF ARIZONA NOVEMBER 2005 ACKNOWLEDGMENTS The authors wish to convey their appreciation and gratitude to a number of individuals who have made significant contributions to this study. At the University of Arizona, Brian Atkinson served as our technology director, and expertly supervised the project’s transition to the digital environment, which required all new equipment for recording, storage, and playback of over 1000 programs. Nic Schoenfeld managed the collection of the program sample adeptly, and Zhongxiang (Edward) Xia devised a sophisticated software interface to track the status of each show from its initial recording to the completion of its coding and analysis. Carey Willets accomplished all administrative and financial aspects of the project helpfully and efficiently. And finally, Priya Raman provided valuable assistance writing many of the scene examples included in the report as illustrations of key content categories. We thank all of them for their efforts and generous contributions. At the Kaiser Family Foundation, Vicky Rideout has been the leader of this project since its inception. This project now ranks as one of the longest-running studies in the realm of media and social effects research, its value growing with each replication that affords stable and precise comparisons of industry trends over time. We greatly appreciate Vicky’s leadership, and the foundation’s continued participation in this research effort.W e also thank Theresa Boston for her excellent supervision of the final report document throughout the publication process. -
TAG21 Mag Q1 Web2.Pdf
IATSE LOCAL 839 MAGAZINE SPRING 2021 ISSUE NO. 13 THE ANIMATION GUILD QUARTERLY GIMMIE SHELTER: CREATING CAPTIVATING SPACES IN ANIMATION GIMME SHELTER SPRING 2021 CREATING CAPTIVATING SPACES IN ANIMATION FOR YOUR CONSIDERATION BEST ANIMATED FEATURE GLEN KEANE, GENNIE RIM, p.g.a., PEILIN CHOU, p.g.a. GOLDEN GLOBE ® NOMINEE BEST ANIMATED FEATURE “ONE OF THE MOST GORGEOUS ANIMATED FILMS EVER MADE.” “UNLIKE ANYTHING AUDIENCES HAVE SEEN BEFORE.” “★★★★ VIBRANT AND HEARTFELT.” FROM OSCAR®WINNING FILMMAKER AND ANIMATOR GLEN KEANE FILM.NETFLIXAWARDS.COM KEYFRAME QUARTERLY MAGAZINE OF THE ANIMATION GUILD, COVER 2 NETFLIX: OVER THE MOON PUB DATE: 02/25/21 TRIM: 8.5” X 10.875” BLEED: 8.75” X 11.125” ISSUE 13 CONTENTS 46 11 AFTER HOURS 18 THE LOCAL FRAME X FRAME Jeremy Spears’ passion TAG committees’ FEATURES for woodworking collective power 22 GIMME SHELTER 4 FROM THE 14 THE CLIMB 20 DIALOGUE After a year of sheltering at home, we’re PRESIDENT Elizabeth Ito’s Looking back on persistent journey the Annie Awards all eager to spend time elsewhere. Why not use your imagination to escape into 7 EDITOR’S an animation home? From Kim Possible’s NOTE 16 FRAME X FRAME 44 TRIBUTE midcentury ambience to Kung Fu Panda’s Bob Scott’s pursuit of Honoring those regal mood, these abodes show that some the perfect comic strip who have passed of animation’s finest are also talented 9 ART & CRAFT architects and interior designers too. The quiet painting of Grace “Grey” Chen 46 SHORT STORY Taylor Meacham’s 30 RAYA OF LIGHT To: Gerard As production on Raya and the Last Dragon evolved, so did the movie’s themes of trust and distrust. -
II. Comprehension:8Pts A
First Term - Exam 1 Full Name: _____________________________ Class: _____________ Time: 55 Minutes October 17th, 2018 1. J. G. Quintel is thirty-six years old. He is an American voice actor, animator, television writer, producer and director. He is best known as the creator of the Cartoon Network series ‘Regular Show’, in which he also voiced the characters Mordecai and High Five Ghost. 2.My name is J.G. Quintel, and I’m the creator of ‘The Regular Show’. I grew up watching cartoons especially‘The Simpsons’, I didn’t miss an episode at all.‘The Simpsons’ was the one that my friends and I were quoting constantly. 3.I really liked drawing, and I liked art. For as long as I can remember, I never wanted to be anything else. When I found out that it’s actually something people do for a living, I decided that I wanted to do that. So I went to college, and now I’m doing it. 4.In school you had to make a film every year.So, I made a film that had Mordecai in itand Benson in it. And it really was like how we acted in school. All the “uuuh!” and “Hmm, hmm!Hmm!hmm!”, that is just me and my friends being idiots.Because of the animation, you can do anything. So, they could have been human but that would be kind of boring. All the characters from my films are not what they happen to be. If you get past the fact that Benson is a gumball machine, or that Pops is a lollipop, they are just normal people hanging out. -
November-Force-Source-2019.Pdf
FoRCE SoURCE VolumeTHE 6 Issue 11 | nov. 2019 Yellowstone Snowmobile Trips Thankful Tree 10th Annual Turkey Shoot Base Holiday Parade Season Rentals Night of Shenanigans MOUNTAIN HOME AFB, IDAHO 366 FSS Commander Lt Col Allyson Strickland 366 FSS Deputy Michael Wolfe Marketing Director Shelley Turner ADVERTISE WITH US! - Magazine Advertisements Commercial Sponsorship Alexis Denoyer - 6 ft Facility Monitors Coordinator - Tabletop Acrylics - and more! Graphic Design Jessica Gibbens SPONSOR EVENTS Marketing Clerk & Private Reagan Olsen - Presence at Base Events Organization Monitor - Access to 9,000+ people - and more! Web & Social Media Miranda Baxter Interested in reaching our military & civilian community? The Force Source Magazine is prepared by the 366th Force Support Squadron Marketing Department and is an unofficial publication of the Mountain Home Please contact: AFB community. Contents are not necessarily the official views of, nor endorsed Alexis Denoyer by, the US Government, the Department of Defense, or the 366th Wing. No federal endorsement of advertisers or sponsors intended. Information in this Commercial Sponsorship Coordinator magazine is current at the time of publication. All facility programs, event hours, prices, and dates are subject to change without notice. Contact each 208-828-4519 facility for the most up to date information. 1 Contents FOOD Hackers Bistro..........................................10 Jet Stream Java.......................................10 Strikers Grill.............................................10 -
CARTOON NETWORK March 2019
CARTOON NETWORK March 2019 MON. TUE. WED. THU. FRI. SAT. SUN. 4:00 Grizzy and the Lemmings We Bare Bears 4:00 4:30 Regular Show Steven Universe 4:30 5:00 Clarence The Amazing World of Gumball 5:00 5:30 The Pink Panther & Pals Oggy & the Cockroaches 3/9~Oggy & the Cockroaches (season 5) 5:30 6:00 Thomas and Friends 6:00 HANAKAPPA (J) 6:30 6:30 The Amazing World of Gumball PINGU 6:45 7:00 TEEN TiTANS GO! Uncle Grandpa 7:00 7:30 Uncle Grandpa The Amazing World of Gumball 7:30 8:00 The Amazing World of Gumball Oggy & the Cockroaches 3/11~Oggy & the Cockroaches (season 5) Tom & Jerry series 8:00 8:30 3/29~Oggy & the Cockroaches 9:00 Tom & Jerry series BEN 10 3/3~ Barbie Dreamhouse Adventures 9:00 9:30 Grizzy and the Lemmings TEEN TiTANS GO! 9:30 10:00 Thomas and Friends 3/16~ 3/10~ 10:30 HANAKAPPA (J) The Powerpuff Girls The Powerpuff Girls We Bare Bears We Bare Bears 10:00 10:45 PINGU TEEN TiTANS GO! TEEN TiTANS GO! Unikitty! Unikitty! 11:00 The Pink Panther & Pals Over the Garden Walls 11:15 11:30 We Bare Bears 11:45 The Garfield Show season 4 Hilltop Hospital 11:45 12:00 Thomas and Friends 12:00 12:30 HANAKAPPA (J) 3/3~12:30-13:00 Sat.&Sun. Barbie Dreamhouse Adventures 12:30 12:45 PINGU 3/3~12:30-13:00 Sat.&Sun. Barbie Dreamhouse Adventures 12:45 13:00 The Powerpuff Girls We Bare Bears 13:00 13:30 Clarence TEEN TiTANS GO! 13:30 OK KO: Let's Be Heroes! 14:00 14:00 We Bare Bears Unikitty! 14:15 The Garfield Show season 4 14:30 14:30 Steven Universe BEN 10 14:45 Oggy & the Cockroaches (season 5) 3/13~Oggy & the Cockroaches 15:00 Uncle Grandpa -
Cartoons Are No Laughing Matter
SPECIAL REPORT July 2011 Cartoons Are No Laughing Matter Sex, Drugs and Profanity on Primetime Animated Programs Cartoons Are No Laughing Matter: Sex, Drugs and Profanity on Primetime Animated Programs July 2011 Our work is often inspired by the passion and compassion of others. A special thank you to the following individuals and foundations for their generous support. Donald and Michele D’Amour William E. Simon Foundation Mathile Family Foundation Stuart Family Foundation Mr. & Mrs. T. Bondurant French 2 Cartoons Are No Laughing Matter: Sex, Drugs and Profanity on Primetime Animated Programs July 2011 FOR MEDIA INQUIRIES PLEASE CONTACT Megan Franko CRC Public Relations (703) 859-5054 or Liz Krieger CRC Public Relations (703) 683-5004, ext. 120 www.ParentsTV.org 3 Cartoons Are No Laughing Matter: Sex, Drugs and Profanity on Primetime Animated Programs July 2011 CONTENTS I. Executive Summary 5 II. Network Report Card 9 III. Introduction 10 IV. About the Networks 11 V. Methodology 12 VI. A Description of the TV Rating System 13 VII. Study Findings 13 VIII. Conclusion 17 IX. Content Examples 19 X. Data Tables 26 XI. References 4 Cartoons Are No Laughing Matter: Sex, Drugs and Profanity on Primetime Animated Programs July 2011 C artoons Are No Laughing Matter Sex, Drugs and Profanity on Primetime Animated Programs The present study not only reveals what kids are seeing on cartoons today, it also reveals what networks and advertisers are marketing to children and teens while they are watching. Executive Summary The television industry is often criticized for the amount of sex, violence and profanity it airs. -
We, the Judges: the Legalized Subject and Narratives of Adjudication in Reality Television, 81 UMKC L. Rev. 1 (2012)
UIC School of Law UIC Law Open Access Repository UIC Law Open Access Faculty Scholarship 1-1-2012 We, the Judges: The Legalized Subject and Narratives of Adjudication in Reality Television, 81 UMKC L. Rev. 1 (2012) Cynthia D. Bond John Marshall Law School Follow this and additional works at: https://repository.law.uic.edu/facpubs Part of the Entertainment, Arts, and Sports Law Commons, Judges Commons, and the Law and Society Commons Recommended Citation Cynthia D. Bond, We, the Judges: The Legalized Subject and Narratives of Adjudication in Reality Television, 81 UMKC L. Rev. 1 (2012). https://repository.law.uic.edu/facpubs/331 This Article is brought to you for free and open access by UIC Law Open Access Repository. It has been accepted for inclusion in UIC Law Open Access Faculty Scholarship by an authorized administrator of UIC Law Open Access Repository. For more information, please contact [email protected]. "WE, THE JUDGES": THE LEGALIZED SUBJECT AND NARRATIVES OF ADJUDICATION IN REALITY TELEVISION CYNTHIA D. BOND* "Oh how we Americans gnash our teeth in bitter anger when we discover that the riveting truth that also played like a Sunday matinee was actually just a Sunday matinee." David Shields, Reality Hunger "We do have a judge; we have two million judges." Bethenny Frankel, The Real Housewives of New York City ABSTRACT At first a cultural oddity, reality television is now a cultural commonplace. These quasi-documentaries proliferate on a wide range of network and cable channels, proving adaptable to any audience demographic. Across a variety of types of "reality" offerings, narratives of adjudication- replete with "judges," "juries," and "verdicts"-abound. -
Women in Power 147Per Mo
The Daily Home MOTORS TVhome 411 East St. N., Talladega November 16 - 22, 2014 1-256-362-2271 Finance Programs Available For Everyone! All Credit Warranty Applications On All Accepted Vehicles! •Good Credit •Bad Credit •No Credit Check us out at colonialmotors.biz 2013 TOYOTA COROLLA $ 83* 210per mo. 2014 CHEVY MALIBU $ 30* 325per mo. 2008 MAZDA RX8 $ 83* Women in Power 147per mo. CIA analyst Charleston Tucker (Katherine Heigl) 2011 NISSAN is great at her job, but her personal life is MAXIMA another story on “State of Affairs,” premiering $ 03* Monday at 9 p.m. on NBC. 293per mo. *Payment based on $2000 down cash or trade, 72 months 3.9% APR plus tax, title, DOC fees W.A.C. See salesperson for details. “Your Community Bank” TALLADEGA 120 E. North Street • (256) 362-2334 LINCOLN 44743 U.S. Hwy. 78 • (205) 763-7763 M e b er MUNFORD FDIC www.fnbtalladega.com 44388 Highway 21• (256) 358-9000 2 THE DAILY HOME / TV HOME Sun., Nov. 16, 2014 — Sat., Nov. 22, 2014 DISH AT&T DIRECTV CABLE CHARTER CHARTER PELL CITY PELL ANNISTON CABLE ONE CABLE TALLADEGA SYLACAUGA BIRMINGHAM BIRMINGHAM BIRMINGHAM CONVERSION CABLE COOSA SPORTS WBRC 6 6 7 7 6 6 6 6 AUTO RACING Tuesday WBIQ 10 4 10 10 10 10 12 a.m. ESPN2 Auburn Tigers at NASCAR WCIQ 7 10 4 Colorado Buffaloes (Live) WVTM 13 13 5 5 13 13 13 13 Sunday 2 a.m. ESPN2 New Mexico State WTTO 21 8 9 9 8 21 21 21 9 a.m. -
Elements 2019 Edition
King of the World I Am – Eric Short – Visual – 2019 Elements 2019 Editor-in-Chief: Morgan Cusack Faculty Advisor: Dr. Erika T. Wurth Editorial Board: Christian Sessom, Isai Lopez, Emma Dayhoff, Morgan Cusack and Jacob Taylor Alexis Fioroni Connor Sullivan Fairy Tales Evil Crow Unlocked Jewel Woodward everything isn’t what it always seems Angelique Herrera Abandonment Cory Clark Just a Bite Broken Memory In the Dust Kate Birr Caught Austin Middelton Days Gone Sidney Bottino Coffee Curtis Pointer Sound Casey Hendrickson Ekpharastic Cold Human Aaron Mendenall This Evening Jacob Taylor Don’t Blame Your Diagnosis Living in Chicago Kaylee Gundling Emma Dayhoff Meshes of the Afternoon Greenwood Letting Go Director’s Cut Joshua Miller No Longer Alone Morgan Cusack this place you made Matt Barry Chasing the Sun Birdcage Those Left Behind Shelby Davin Emilie Hahn The Boogeyman Overcome: A Sestina Marshelle Kellum Emily Trenter Me a Writer? Frozen Patience Alisa Davis Deadbeat Dads Best Part Winners of the Lois C. Bruner Creative Nonfiction Award: 1st Place - Marissa Purdum The Dog Days 2nd Place - Marcus Sweeten A Dose of Change 3rd Place - Kendrick Keller Flight Winners of the Cordell Larner Award in Fiction: 1st Place - Adam Norris Cheap Rubber Mulch 2nd Place - Angelique Herrera Hush Hush 3rd Place - Brandon Williams End Measured Mile Winners of the Cordell Larner Award in Poetry: 1st Place - Eric Short Speak to us on Freedom The Drinking Game You’re Old Country Now 2nd Place - Marcus Sweeten 102 E. Clay Zerzan 3rd Place - Janae Imeri The Puppeteer and The Puppet Train of Thought Alexis Fioroni “Fairy Tales” What did you do? I did what any woman would do, I filled my bed with the finest queens Searching for you, in their damp skin I kissed the quiet valleys in the cracks of their backs, their celestial mooans, Danced with sacred fairies. -
Representative Biodiversity: the Ecosystem of Cartoon Network
Chapman University Chapman University Digital Commons Film Studies (MA) Theses Dissertations and Theses Spring 5-19-2019 Representative Biodiversity: The Ecosystem of Cartoon Network Carl Suby Chapman University, [email protected] Follow this and additional works at: https://digitalcommons.chapman.edu/film_studies_theses Part of the Film and Media Studies Commons Recommended Citation Suby, Carl. "Representative Biodiversity: The Ecosystem of Cartoon Network." Master's thesis, Chapman University, 2019. https://doi.org/10.36837/chapman.000056 This Thesis is brought to you for free and open access by the Dissertations and Theses at Chapman University Digital Commons. It has been accepted for inclusion in Film Studies (MA) Theses by an authorized administrator of Chapman University Digital Commons. For more information, please contact [email protected]. Representative Biodiversity: The Ecosystem of Cartoon Network A Thesis by Carl Suby Chapman University Orange, California Dodge College of Film and Media Arts Submitted in partial fulfillment of the requirements for the degree of Master of the Arts Film Studies May 2019 Committee in Charge Kelli Fuery Ph.D., Chair Patrick Fuery Ph.D. Dawn Fratini, CPhil, MFA Representative Biodiversity: The Ecosystem of Cartoon Network Copyright © 2019 by Carl Suby iii ABSTRACT Representative Biodiversity: The Ecosystem of Cartoon Network by Carl Suby As a capitalist organism the television program, as explained by Todd Gitlin, uses its slant to sell itself to advertisers with similar leanings on contemporary social issues to maintain its flow of revenue. However, this concept of slant does not account for the broader network, which, like the singular program, cultivates a catalog of programming into a singular slanted message becoming an ecosystem of shows relying on each other to maintain viewership.