Non-Closure in Modern and Contemporary Poetry
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The Romanian Germans and the Securitate Heritage. an Outline of the Problem and Research Potential
The Romanian Germans and the Securitate Heritage. An Outline of the Problem and Research Potential by Florian Kührer-Wielach, Munich Abstract This article deals with the efforts to assess the Securitate files, while focusing on Romanian German writers. I address, on the one hand, the explanatory power of this type of source and, on the other hand, the effects which the opening of secret service archives has had on a specific group, in this case the Romanian Germans. On the basis of an analysis of the media discourse regarding the unofficial involvement of Romanian-German actors in the Securitate that is centered around concepts of “guilt”, “justice” and “legality”, I will outline the most important problems in the process of coming to terms with the Securitate heritage: the uncertain explanatory power and the hardly manageable amount of sources, the (delayed) need to come to terms with both the national-socialist and communist past as well as the deep involvement of affected persons in the process itself. As a potential way out of these dilemmas, I will apply a professionalized instrument of analysis to this problematic type of source, which involves a stronger focus on comparable cases and issues which overcome the ethnocentric perspective. heir names were “Moga”, “Stein Otto”, workers to Germany, but all the problems T“Cristina” or “Sorin”. Behind these these people were burdened with under the aliases were well-known personalities from authoritarian system as well. As long as the the Romanian-German community – authors, secret service archives remain closed, the dark intellectuals, teachers and journalists. After spots in many biographies only existed at the the archive of the previous Romanian secret level of assumptions and suspicions. -
Fo Reign Rights Autumn 2020
HANSER • HANSER BERLIN • HANSER KINDERBUCH •HANSERBLAU • ZSOLNAY HANSER LITERATURVERLAGE FOREIGN RIGHTS AUTUMN 2020 Impressum Cover: © Peter-Andreas Hassiepen Translation: Lucy Jones Design: Tessa Schlesinger Concept and compilation: Claudia Horzella Copyright: September 2020 Carl Hanser Verlag GmbH & Co. KG Vilshofener Straße 10 81679 München, Germany www.hanser-literaturverlage.de http://foreignrights.hanser.de FICTION LITERARY FICTION Dorothee Elmiger, Aus der Zuckerfabrik 2 Robert Seethaler, Der letzte Satz 4 Rolf Lappert, Leben ist ein unregelmäßiges Verb 6 Thilo Krause, Elbwärts 8 Irene Diwiak, Malvita 10 Lisa Eckhart, Omama 12 Ronya Othmann, Die Sommer 14 Karin Wieland • Heinz Bude • Bettina Munk, Aufprall 16 Daniel Glattauer, Die Liebe Geld 18 Elke Heidenreich, Männer in Kamelhaarmänteln 20 Verena Keßler, Die Gespenster von Demmin 22 Beatrix Kramlovsky, Fanny oder das weiße Land 24 Margrit Schriber, Die Vielgeliebte meines Mannes 26 CRIME FICTION / THRILLER Claude Cueni, Genesis 2.0 28 Holger Senzel, Später Zeuge 30 Leif Karpe, Der Mann, der in die Bilder fiel 32 ESSAY Mely Kiyak, Frausein 34 Karl-Markus Gauß, Die unaufhörliche Wanderung 36 Edi Zollinger, Herkules am Spinnrad 37 POETRY Oskar Pastior, »eine sanduhr für methapern« 38 FICTION Nominated for the Swiss Book Prize Shortlisted for Selected by the German New books Book Prize in German DOROTHEE ELMIGER »It is already clear that Out of the Sugar Factory will be one If the connections between world events should suddenly be wiped out, we would be of this year’s most grateful to find Dorothee Elmiger’s book to help us understand what happened in the important books. This past. Its subject: the cycles of capital, labour and lust. -
Maurizio Basili Ultimissimo
Le tesi Portaparole © Portaparole 00178 Roma Via Tropea, 35 Tel 06 90286666 www.portaparole.it [email protected] isbn 978-88-97539-32-2 1a edizione gennaio 2014 Stampa Ebod / Milano 2 Maurizio Basili La Letteratura Svizzera dal 1945 ai giorni nostri 3 Ringrazio la Professoressa Elisabetta Sibilio per aver sempre seguito e incoraggiato la mia ricerca, per i consigli e le osservazioni indispensabili alla stesura del presente lavoro. Ringrazio Anna Fattori per la gratificante stima accordatami e per il costante sostegno intellettuale e morale senza il quale non sarei mai riuscito a portare a termine questo mio lavoro. Ringrazio Rosella Tinaburri, Micaela Latini e gli altri studiosi per tutti i consigli su aspetti particolari della ricerca. Ringrazio infine tutti coloro che, pur non avendo a che fare direttamente con il libro, hanno attraversato la vita dell’autore infondendo coraggio. 4 INDICE CAPITOLO PRIMO SULL’ESISTENZA DI UNA LETTERATURA SVIZZERA 11 1.1 Contro una letteratura svizzera 13 1.2 Per una letteratura svizzera 23 1.3 Sull’esistenza di un “canone elvetico” 35 1.4 Quattro lingue, una nazione 45 1.4.1 Caratteristiche dello Schweizerdeutsch 46 1.4.2 Il francese parlato in Svizzera 50 1.4.3 L’italiano del Ticino e dei Grigioni 55 1.4.4 Il romancio: lingua o dialetto? 59 1.4.5 La traduzione all’interno della Svizzera 61 - La traduzione in Romandia 62 - La traduzione nella Svizzera tedesca 67 - Traduzione e Svizzera italiana 69 - Iniziative a favore della traduzione 71 CAPITOLO SECONDO IL RAPPORTO TRA PATRIA E INTELLETTUALI 77 2.1 Gli intellettuali e la madrepatria 79 2.2 La ristrettezza elvetica e le sue conseguenze 83 2.3 Personaggi in fuga: 2.3.1 L’interiorità 102 2.3.2 L’altrove 111 2.4 Scrittori all’estero: 2.4.1 Il viaggio a Roma 120 2.4.2 Parigi e gli intellettuali svizzeri 129 2.4.3 La Berlino degli elvetici 137 2.5 Letteratura di viaggio. -
Metaphorical Representations of Hunger and Labor in Herta
METAPHORICAL REPRESENTATIONS OF HUNGER AND LABOR IN HERTA MÜLLER'S ATEMSCHAUKEL by BETHANY AMATO MORGAN (Under the Direction of Dr. Martin Kagel) ABSTRACT My thesis offers a reading of Herta Müller's novel, Atemschaukel, published in the same year that the author won the Nobel Prize for Literature. I explore Müller's use of metaphors and demonstrate how Müller not only uses metaphor, symbol and allegory to overcome linguistic limitations of expressing suffering, but also how she uses these poetic devices to accurately describe one inmate's daily reality of systematic starvation, to represent more than just hunger or labor. My thesis focuses on Müller's style and the aesthetics of the novel. I address her use of metaphors and how they function. Specifically, I address Müller's metaphors of hunger and labor in the camp and what they represent for the protagonist Leo Auberg. INDEX WORDS: metaphor theory, labor camp, Herta Müller, Oskar Pastior, hunger, chronic hunger, chronic desire, agency, totalitarianism, labor, heart shovel, hunger angel, Atemschaukel METAPHORICAL REPRESENTATIONS OF HUNGER AND LABOR IN HERTA MÜLLER'S ATEMSCHAUKEL by BETHANY AMATO MORGAN B.A., Creative Writing, Bob Jones University, 2005 M.A., English, Clemson University, 2007 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2013 © 2013 Bethany Amato Morgan All Rights Reserved METAPHORICAL REPRESENTATIONS OF HUNGER AND LABOR IN HERTA MÜLLER'S ATEMSCHAUKEL by BETHANY AMATO MORGAN Major Professor: Martin Kagel Committee: Brigitte Rossbacher Alexander Sager Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia May 2013 iv ACKNOWLEDGEMENTS First and foremost I would like to thank my husband, Brian Morgan, for supporting me in this long-distance endeavor. -
Das Verlorene
Michael Braun I HamThili (Hrsg.) Das verlorene Deutschsprachige Lyrtk der neunziger Jahre Wunderhom Inbaltsverzeichnis Gufiter Ech: Spater 5 Meinland - DursGrunbein:BiologischefWidzer 9 Heiote Osechowski: Seifershaia 9 Sarah Kitsch: Die ancfere Welt 10 Briedrich Cnristiaa Delius: Selbstportr&t nait Luftbfiieke 11 Norbeft Hummdt: dunst 12 Johannes Kfthn: Glftckshaut 13 Gttoiter Hcrburger: t>ie Ui^duld %4 Kurt Drawert: Das Iet2je BBd 15 Manfred Peter Hein; tEabenachbart 1^6 Herbert Achterabusch; Lac^bdi 19 Difk voo PebarsdoiC Soldic devotio ... W Tom PobImami;VoR Kaff zu Karl ; 20 SasdiaAnderson:Yoiil.uach}. 20 Norbert HililKfl^tilinksrfidnische 'lustaBatioii 21 Christian Geisslej-(30- A«S denid^pfeadiendes 21 25 W&tae? S61irj^; Marian Nakftscli; Ijer vertc^cne Eroate Elisabeth Borcfeer& Bnesl&ges • 'SI c©t;:\^5$e?5cheide II e<&d:Eag^b?iidEe 32 :K«ae3leJrtoGebirge -93 Jiirgen Becker; Oderbruch 33 HeaningZiebritzld:Abscbicd 34 JaftEoaefEfce-.GelfoerMagaet . 35 Marcel Beyer: GewSHe, Stubenton 35 Uwe KbIbe:Sommerzdchen,andere Sejte 36 . 36 37 PteterWatefhouse: Bond to dear Puppenfebrfk in Bangkok .37 Johann lippet Ergriindea H 38 40 40 Kurt Drawisrt: Momente 41 Michael Kmgcr: ich bin mude 42 TomI^tUmaiMi:AfcskaIJn - 43 Builns Bohmer: Aus;OnIy Bock 'fl' Roll . 43 Steffert Jacobs: Die Post konuni 45 JGrg Bat6a\ar<i:iierrch«i gesucht 46 Horst Sair^on: Berliner Noctutrjie 46 Heinz CzecbowsM: ^ ist ein"R)d, derAbschied heifit 47 ;lQ meinert Stuaden 47 4S 49 50 . 51 52 M^^ii 55 Adolf ©idler; ITaosjorg Sc&ertenieib; Beto Reiner Eun2e:lied 63 <3iristiariLelineit:Aus:beftmde . .63 Peter Waterliouse;Aus:I'riuHBriwli . 64 Oswald Egger: Pastorale $i MicliaelWildeiriiata;B4Dgsum hatte es gebrannt . -
Rivista Trimestrale Di Cultura
CENOBIO rivista trimestrale di cultura anno LXVIII numero ii aprile – giugno 2019 Fondatore Un fascicolo costa 16 chf / 15 euro. Pier Riccardo Frigeri (1918-2005) Condizioni di abbonamento per il 2019: Direttore responsabile svizzera (in chf) Pietro Montorfani ordinario 45 sostenitore 100 Comitato di redazione Federica Alziati italia (in euro) Daniele Bernardi ordinario 40 Sergio Di Benedetto sostenitore 80 Jordi Valentini altri paesi (in euro) Comitato di consulenza Giuseppe Curonici ordinario 50 Maria Antonietta Grignani via aerea 80 Fabio Merlini sostenitore 100 Daniela Persico Giancarlo Pontiggia Versamenti dalla Svizzera Manuel Rossello ccp 69-2337-7 Claudio Scarpati iban ch94 0900 0000 6900 2337 7 Rivista Cenobio, 6933 Muzzano Redazione svizzera Via alle Cascine 32 Versamenti dall’estero ch-6517 Arbedo Gaggini Bizzozero sa ch-6933 Muzzano-Piodella Redazione italiana conto corrente 103700-21-2 Via Liberazione 14 c/o Credit Suisse, ch-6900 Lugano 20083 Gaggiano (mi) iban ch83 0483 5010 3700 2100 2 bic: creschzz69a Amministrazione e stampa Rif. Rivista Cenobio Industria Grafica Gaggini-Bizzozerosa ch-6933 Muzzano-Piodella Abbonamenti, fascicoli arretrati e tel. 0041 91 935 75 75 volumi delle Edizioni Cenobio pos- sono essere acquistati online tram- ite il nostro webshop sul sito: www.edizionicenobio.com Questo fascicolo è stato pubblicato con il Tutti i diritti riservati. È vietata la riproduzione, anche parziale, Contributo del Cantone Ticino non autorizzata dall’editore. derivante dall’Aiuto federale © Edizioni Cenobio per la salvaguardia e promozione della lingua e cultura italiana Email: [email protected] issn ooo8-896x SOMMARIO stefano bolla 5 incontri Uomini che partono di Stefania Bianchi eleonora rimolo 13 Realtà e cronaca in Alborghetti, Fantuzzi, Pusterla carlo piccardi 31 interventi Pagliacci, novità e successo. -
1 Center for Contemporary German Literature Zentrum Für
Center for Contemporary German Literature Zentrum für deutschsprachige Gegenwartsliteratur Washington University One Brookings Drive Campus Box 1104 St. Louis, Missouri 63130-4899 Director: Paul Michael Lützeler Fifteenth Annual Bibliography Spring 1999 Editor: Hannelore M. Spence 1 1 I. AUTOREN Achilla Presse, Bremen, Hamburg/Deutschland Moosdorf, Johanna: Flucht aus der Zeit. Erzählung (1997) Geschichte einer jungen Frau, die nach Jahrhunderte währendem Schlaf im Jahre 727 einer neuen Zeit- rechnung erwacht. Ohne Orientierung und ohne Wissen um das Geschehene lebt sie mit dem "Völkchen", einer harmonischen, nicht technisierten Gesellschaft. Doch dann bringen Kundschafter die Nachricht von anderen Überlebenden aus der vergangenen Kultur. Probsthayn, Lou A.: Die Welt ist Hund. Roman (1997) Nach "Dumm gelaufen" und "Bei Anruf Worte" der letzte Band der Trilogie. Neben Bill Brook beobachten wir den Psychopathen "Egal" und seinen Kampf gegen Mütter im Allgemeinen und seine im Speziellen. Sodux, Oskar: Es riecht nach Zirkus. Geschichten. Mit Illustrationen von Gerd Klietsch (1996) In elf Streifzügen durchs hamburgnahe Niedersachsen fängt Oskar Sodux die Atmosphäre eines tristen Land- lebens in der norddeutschen Tiefebene ein. Lyrische Bestands- und Landschaftsaufnahmen mit melancholi- schem Humor. Thies, Klaus Johannes: Schurrmurr. Miniaturen (1996) Die kurze bis kürzeste Prosa von Klaus Johannes Thies umfaßt die Bereiche Film, Kunst und Sport. A1 Verlag, München/Deutschland Krusche, Dietrich: Himalaya. Roman (1998) Alkyon Verlag Gerlind Stirn, Weissach i.T./Deutschland Stein, Angelika: Indische Stimmen. Erzählung (1997) Ammann Verlag, Zürich/Schweiz Bondy, Luc: Wo war ich? Einbildungen. (1998) In dieser Sammlung von Erzählungen und Geschichten tritt der Regisseur Luc Bondy als Prosa-Künstler auf. Dirks, Liane: Und die Liebe? frag ich sie. -
Annotated Books Received
Annotated Books Received A SUPPLEMENT TO Translation Review Volume 13, No. 1 – 2007 THE UNIVERSITY OF TEXAS AT DALLAS CONTRIBUTORS Rainer Schulte Christopher Speck DESIGNER Michelle Long All correspondence and inquiries should be directed to: Translation Review The University of Texas at Dallas Box 830688 (JO 51) Richardson TX 75083-0688 Telephone: 972-883-2092 or 2093 Fax: 972-883-6303 E-mail: [email protected] Annotated Books Received, published twice a year, is a supplement of Translation Review, a joint publication of the American Literary Translators Association and The Center for Translation Studies at The University of Texas at Dallas. ISSN 0737-4836 Copyright © 2007 by American Literary Translators Association and The University of Texas at Dallas The University of Texas at Dallas is an equal opportunity/affirmative action employer. ANNOTATED BOOKS RECEIVED 13.1 TABLE OF CONTENTS Arabic .................................................................................................................... 1 Bulgarian................................................................................................................ 5 Chinese .................................................................................................................. 5 Czech ..................................................................................................................... 8 Danish.................................................................................................................... 9 Dutch .................................................................................................................... -
CH-Studien Nr. 3/2020 Robert Rduch Robert Rduch, Uniwersytet Śląski W Katowicach Ökologisches Denken in Der Lyrik Von Albert
CH-Studien Nr. 3/2020 Robert Rduch Robert Rduch, Uniwersytet Śląski w Katowicach Ökologisches Denken in der Lyrik von Albert Ehrismann Der Autor des Beitrags analysiert das ökologische Denken in der Lyrik von Albert Ehrismann (1908- 1998). In der Analyse wurden Gedichtbände und zerstreute Gedichte des Schweizers aus der Zeit 1930-1988 berücksichtigt. Es wurde nachgewiesen, dass Ehrismann sich mit der ökologischen Problematik bereits in den 1950er Jahren auseinandersetzte. Die Mehrheit seiner ökologischen Gedichte erschien jedoch in den 1970er und 1980er Jahren. Ein großer Teil seiner engagierten Lyrik wurde zuerst in der Zeitschrift „Nebelspalter“ publiziert. Schlüsselwörter: Albert Ehrismann, Ökokritik, Deutschschweizer Literatur Ecological thinking in the poetry of Albert Ehrismann The author of the article analyses ecological thinking in the poetry of Albert Ehrismann (1908-1998). The analysis includes volumes of poetry and scattered poems by the Swiss author from the period 1930-1988. It was shown that Ehrismann was already dealing with ecological problems in the 1950s. However, the majority of his ecological poems appeared in the 1970s and 1980s. A large part of his committed poetry was first published in the magazine "Nebelspalter". Keywords: Albert Ehrismann, Ecocriticism, Swiss-German literature 1 Mit dem ökologischen Denken ist hier die Reflexion über Umweltbeziehungen im weiteren Sinne gemeint. Es handelt sich also nicht nur um den Gegensatz Mensch-Natur, der das ökologische Denken in Europa bis in das 20. Jahrhundert hinein dominierte, sondern um ein Geflecht, in dem die belebte und unbelebte Natur sowie der Mensch mit seinem soziopolitischen Umfeld miteinander verwoben sind1. Das Bewusstsein der Komplexität dieses Systems wird bei einem reflektierenden Subjekt meistens erst bei Störungen im Funktionieren der Umwelt aktiviert. -
Every Word Knows Something of a Vicious Circle
Every word knows something of a vicious circle Herta Müller route 1 First published in 2010 by Route www.route-online.com PO Box 167, Pontefract, WF8 4WW, UK e-mail: [email protected] Byteback book number 21 BB021 The text included here is used with kind permission from the Nobel Foundation. Text © The Nobel Foundation 2009. Full details of the Route programme of books can be found on our website www.route-online.com All Rights Reserved This book is restricted to use by download from www.route-online.com No reproduction of this text in any other form of publication is allowed without written permission This publication was supported by Arts Council England 2 Contents Writing as Living 4 Georgia Brown Telephone Interview 6 With Marika Griehsel Every word knows something of a vicious circle 13 The Nobel Lecture Biography 26 3 Writing as Living Georgia Brown Herta Müller has lived through the kind of vicious absurdity that most can only imagine. A member of Romania's German minority, which was protected when Romania allied itself with Hitler, but was then persecuted under Ceausescu's communist dictatorship, she will always be an outsider, someone whose past will never allow them to fit in. Born in a German-speaking village, she had no real contact with Romanian until she was a teenager. She found work as a translator of technical manuals in a tractor factory, but after she refused to collaborate with the secret police, the harassment started. She turned up for work one day to find herself barred from her office. -
Indice V Prefazione Di Roger Francillon 3 Avvertenza 7 Introduzione 25 Anelito Preromantico Gli Esordi Lirici in Lingua Tedesca
Indice V Prefazione di Roger Francillon 3 Avvertenza 7 Introduzione 25 Anelito preromantico Gli esordi lirici in lingua tedesca 27 Albrecht von Haller 31 Salomon Gessner 35 Lo spirito e la terra Il cosmopolitismo nella letteratura romanda fra sette e ottocento 39 Isabelle de Charrière 43 Germaine de Staël 47 Benjamin Constant 53 Charles-Victor de Bonstetten 56 Henri-Frédéric Amiel 59 Liberi e svizzeri Scrittori politici di lingua italiana 62 Vincenzo Dalberti 65 Stefano Franscini 69 Chimere dell’assoluto Narrativa svizzera tedesca dell’ottocento 72 Jeremias Gotthelf 84 Gottfried Keller 99 Conrad Ferdinand Meyer 111 Cari Spitteler 117 Rinascita di un’identità La letteratura retoromancia 121 Giachen Caspar Muoth 123 Peider Lansel 127 Idilli lacustri e montani Residui ottocenteschi nella narrativa svizzera italiana 129 Francesco Chiesa 135 Angelo Nessi 139 Giuseppe Zoppi 143 Tra simbolo e realtà La letteratura romanda agli esordi del novecento 146 Charles-Ferdinand Ramuz 155 Gonzague de Reynold 159 Guy de Pourtalès 162 Charles-Albert Cingria 165 Denis de Rougemont 169 Heimatlose Narrativa e poesia svizzere tedesche d’inizio novecento, fra critica sociale e straniamento 171 Jakob Bührer 175 Rudolf Jakob Humm 179 Kurt Guggenheim 183 Meinrad Inglin 188 Ludwig Hohl 192 Hermann Hesse 203 Robert Walser 214 Jakob Schaffner 218 Friedrich Glauser 225 Karl Stamm 227 Basta con le pannocchie al sole Poesia e prosa nella Svizzera italiana dagli anni quaranta 229 Pino Bernasconi 231 Felice Menghini 233 Remo Fasani 236 Amleto Pedroli 239 Ugo Canonica 243 -
Besprechungen
10.3726/92141_155 54 154 Besprechungen JÜRGEN GOLDSTEIN Die Entdeckung der Natur. Etappen einer Erfahrungsgeschichte (Naturkunden, Bd. 3), Verlag Matthes & Seitz, Berlin 2013, 310 S. Die 16 Essays von JÜRGEN GOLDSTEIN – Philoso- komponiert sind. Alexander von Humboldt ver- phieprofessor in Koblenz-Landau – rücken Erfah- dichtet diesen Gedanken in Kosmos zu der Forde- rungsgeschichten der Natur in ein Verhältnis zu rung, „die Natur muß auch dargestellt werden, wie den sich wandelnden Wahrnehmungs- und Dar- sie sich im Innern des Menschen abspiegelt.“ stellungsformen von Reiseautoren. Das Panorama Als Petrarca im April 1336 mit seinem Bru- reicht von Petrarcas Besteigung des Mont Ven- der den höchsten Berg der Gegend besteigt, stößt toux (1336) oder Kolumbus’ Landung in Ameri- er auf Unverständnis; so etwas ohne konkreten ka (1492) über Alexander von Humboldts legen- Zweck, auf der bloßen Suche nach interesse- däre Expedition auf den Chimborazo (1802) bis losem Wohlgefallen an Höhe und Aussicht zu zu Handkes Wanderung auf das Bergchen Sainte- unternehmen, scheint zu seiner Zeit abwegig. Victoire (1979) oder Messners Bezwingung des Ein alter Hirte versucht sie gar als „Hüter der Mont Everest (1980). Ausdrücklich geht es nicht Schwelle“ (S. 29) von ihrem Vorhaben abzuhal- um Rekorde, Pionierleistungen, Entdeckungen, ten. Doch auf dem Gipfel ist das Erlebnis in sondern um die Prägnanz von Erfahrungen, ihre Raum und Zeit überwältigend. Wie Petrarca sich sprachliche Verfertigung und die „Erzählung als über Augustinus hinwegsetzt, so Kolumbus über Wissensform“ (S. 24). Damit ist das Buch auch die mit den Säulen des Herkules symbolisch mar- für die Literaturwissenschaft, insbesondere für den kierten Grenzen der bekannten Welt. Obgleich Themenschwerpunkt dieses Heftes, von Interesse.