E. M. Forster Interviews and Recollections Also Edited by J
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The Recognition of Passion in Selected Fiction of E. M. Forster
THE RECOGNITION OF PASSION IN SELECTED FICTION OF E. M. FORSTER by Joyce Nichols Submitted as an Honors Paper in the Department of English The University of North Carolina at Greensboro 1964 Approved by JV Vtr \ VVfl, i •*) r\ Director Examining Committee 1/0,-HSI ^V AdJ^y- A K-t'-fZr^.-T^ft—* ■** —/««g>*. One does not read E. M. Forster without becoming aware very quickly that Mr. Forster is probably England's most articulate and convincing champion of the passionate life. Passion to Mr. Forster has many faces; indeed it is a whole way of life. It is the purpose of this paper to define the many different aspects of this Forsterian passion and to observe its development or denial in several characters of his selected fiction. It is difficult, as I write about E. M. Forster, to believe that he is in his eighty-sixth year and that he has not published a novel in forty years. It is difficult to accept these biological and literary facts because, even today, p?r,s° works retain a freshness and vitality that many later works of English fiction lack. What then gives these qualities to his fiction, some of which was written more than 40 years ago? Partly, it is because Mr. F«riis concerned with universal themes but it is also because he has managed to communicate some of the wonder and idealism of the child in a jaded century. He invites us to climb through to the other side of the hedge1 and begin to live. He is essentially didactic in his writings but his didactism is gentle and becomes less insistent, more subtle and tentative by the time of A Passage to India. -
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A Bloomsbury Chronology 1866 Roger Fry born 1877 Desmond Maccarthy born 1879 E.M. Forster born Vanessa Stephen born 1880 Lytton Strachey born Thoby Stephen born Saxon Sydney-Turner born Leonard Woolf born 1881 Clive Bell born 1882 Virginia Stephen born Mary Warre-Cornish born 1883 J.M. Keynes born Adrian Stephen born 1885 Duncan Grant born Roger Fry enters King's College, Cambridge 1888 Roger Fry obtains a First Class honours in natural sciences and decides to study painting xx A Bloomsbury Chronology 1892 Roger Fry studies painting in Paris David Garnett born 1893 Dora Carrington born 1894 Roger Fry gives university extension lectures at Cambridge mainly on Italian art Desmond Maccarthy enters Trinity College, Cambridge 1895 Death of Mrs Leslie Stephen Virginia Stephen's first breakdown 1896 Roger Fry and Helen Coombe married 1897 E.M. Forster enters King's College, Cambridge Desmond MacCarthy leaves Trinity College Virginia Stephen attends Greek and history classes at King's College, London 1899 Roger Fry: Giovanni Bellini Clive Bell, Thoby Stephen, Lytton Strachey, Saxon Sydney-Turner, Leonard Woolf all enter Trinity College, Cambridge The Midnight Society - a 'reading society' - founded at Trinity by Bell, Sydney-Turner, Stephen, and Woolf 1900 Roger Fry gives university extension lectures on art at Cambridge 1go1 Roger Fry becomes art critic for the Athenaeum Vanessa Stephen enters the Royal Academy Schools E.M. Forster leaves Cambridge, travels in Italy and Greece, begins A Room with a View 1902 Duncan Grant attends the Westminster Art School Leonard Woolf, Saxon Sydney-Turner, and Lytton Strachey elected to 'The A Bloomsbury Chronology XXI Apostles' (older members include Roger Fry, Desmond MacCarthy, E.M. -
The Symbolic Moment in the Fiction of E. M. Forster
RICE UNIVERSITY THE SYMBOLIC MOMENT IN THE FICTION OF E. M. FORSTER by BARBARA ANN HOAK *P60 06900 ZLZ L A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS Thesis Director*s signature: May# 1965 ABSTRACT This thesis is a study in the fiction of E. M* Forster of a principle which has been named the "symbolic moment•" The symbolic moment is defined as a short period of time which has the effect of removing character or reader from consciousness of the continual flu:: of mundane occurrences since it has the potential of revealing something universalt a kind of reality beyond the everyday human life processes. This thesis demonstrates that one way of seeing the struc¬ ture of Forster* s works is as a series of symbolic moments which are more vivid and more meaningful than everything happening between them, since they juxtapose levels of reality or meaning in incidents which often have archetypal reference. The thesis examines Forster’s ideas about the structure of the novel and concludes that the symbolic moment prin¬ ciple fits in with Forster’s conception of a novel as repre¬ sentation of human life, in which not all periods of time have equal significance when examined in retrospect. The symbolic moment characteristically takes the form of a confrontation—between two characters, or between a character and an object or event—which may bring about a revelation of reality if the character is prepared to accept it. The symbolic moment is examined as a focal point of structure and themes in two of Forster® s short stories: "The Eternal Moment" and "Tue Road from Colonus.” Forster’s novels are a series of symbolic moments, and in the early novels^“especially Khere Angels Fear to Tread and A Room with a View—‘Forster’& characters progress through them to some kind of growth in understanding which allows them to accept all sides of man* s good~and-evil nature. -
From Hegel to Hinduism : the Dialectic of E. M. Forster
FROM HEGEL TO HINDUISM: THE DIALECTIC OF E. M. FORSTER By CLARA RISING A DISSERTATION PRESENTED TO THE GRADUATE COUNCIL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THB DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 1969 UNIVERSITY OF FLORIDA 3 1262 08642 712 6 ACKNOWLEDGMENTS I wish to express my appreciation for the help and understanding I have received at the University of Florida from both professors and staff. I especially want to thank Professor John Tyree Fain for his patience and excellent scholarship, and Professors Gordon E. Bigelow and A. L. Lewis, Jr., for their advice and encouragement. I am espe- cially indebted to Mr. Ray Jones and Mr. Sherman L. Butler and their staffs at the Graduate Research Library for obtaining material for me, and to the Harvard Theological School for lending me a rare first volume of McTaggart's Nature of Existence . Without all their help, and the in- exhaustible patience and understanding of my husband, Stanley A. Rising, and of my children, this study could not have been completed. CR TABLE OF CONTENTS ACKNOWLEDGMENTS ii CHAPTER I THE INNER WAR 1 II GREECE 19 III ITALY 89 IV ENGLAND PAST: THE LONGEST JOURNEY 141 V ENGLAND PRESENT: HOWARDS END 204 VI INDIA 254 Mosque 264 Caves 284 Temple 311 VII BHAKTI IN BLOOMSBURY: THE LEGACY 349 BIBLIOGRAPHY 368 APPENDICES 385 1. The Dialectic 386 2. The Glossary 387 BIOGRAPHICAL SKETCH 399 . CHAPTER I THE INNER WAR born in days when wits were fresh and clear, And life ran gayly as the sparkling Thames; Before this strange disease of modern life, With its sick hurry, its divided aims, Its heads o'ertaxed, its palsied hearts, was rife- Matthew Arnold, The Scholar Gypsy It has become a commonplace in literary criticism to say that most writers have one thing to say and when they have said that they become either repetitive or silent. -
MASUDA, Yukiko Aspects of Music
学習院大学 人文科学論集 27号(責了) P123 Aspects of Music: Aesthetic Perception in E. M. Forster’s “The Celestial Omnibus” and “Co-Ordination” MASUDA, Yukiko [Key words:①aesthetic perception ②Romantic musical aesthetics ③expressive capacity ④inherent meaning as truth ⑤autonomy] Introduction Benjamin Britten says in an article written for Forster’s ninetieth birthday (1969), “There is no doubt that E. M. Forster is our most musical novelist. And I don’t mean that he just likes music or likes going to concerts and operas, or plays the piano neatly and efficiently (all of which he does), but that he really understands music and uses music in his novels, and fairly frequently” (Arlott et al. 81). It is true that Forster had a very close relationship with music. A brief look at Forster’s musical life would lend support to the claim that he was a devoted lover of music.1) He also occasionally refers to music when he discusses literature and art in his Aspects of the Novel (1927) and essays written after his career as a novelist. In addition, he uses music in his novels. For instance, Where Angels Fear to Tread (1905) includes a performance of Lucia di Lammermoor, which discloses the Italian audiences’ attitude towards life; in the third chapter “Music, Violets and the Letter S” of A Room with a View (1908), the heroine’s performance of Beethoven’s Sonata Op. 111 suggests her temerity and inner passion. This essay will reveal another, more notable instance of Forster’s relationship with music; that is, Forster’s earlier short stories, “The 123 P124 学習院大学 人文科学論集 27号(責了) 学習院大学人文科学論集ⅩⅩⅦ(2018) Celestial Omnibus” (1908) and “Co-Ordination” (1912), are his early attempts to outline his aesthetic position with regard to music. -
Table of Contents
TABLE OF CONTENTS Publisher's Note ............................................................................................................................................................ v Absalom Absalom!—William Faulkner ....................................................................................................................... 1 Absalom and Achitophel—John Dryden ...................................................................................................................... 1 Adam Bede—George Eliot ........................................................................................................................................... 2 Adonais—Percy Bysshe Shelley ................................................................................................................................... 2 The Adventures of Augie March—Saul Bellow ............................................................................................................ 3 The Adventures of Huckleberry Finn—Mark Twain .................................................................................................... 3 The Adventures of Tom Sawyer—Mark Twain ............................................................................................................ 4 Aeneid—Vergil .............................................................................................................................................................. 4 The Age of Innocence—Edith Wharton ...................................................................................................................... -
The Machine Stops Forster, E
The Machine Stops Forster, E. M. Published: 1909 Categorie(s): Fiction, Science Fiction, Short Stories Source: http://gutenberg.org 1 About Forster: Edward Morgan Forster, OM (January 1, 1879 – June 7, 1970), was an English novelist, short story writer, and essayist. He is known best for his ironic and well-plotted novels examin- ing class difference and hypocrisy in early 20th-century British society. Forster's humanistic impulse toward understanding and sympathy may be aptly summed up in the epigraph to his 1910 novel Howards End: "Only connect." Forster was gay, but this fact was not made public during his lifetime. His posthum- ously released novel Maurice tells of the coming of age of an explicitly gay male character. Source: Wikipedia Also available on Feedbooks for Forster: • A Room with a View (1908) • Howards End (1910) • The Celestial Omnibus and Other Stories (1911) • Where Angels Fear to Tread (1905) • The Longest Journey (1907) Copyright: This work was published before 1923 and is in the public domain in the USA only. Note: This book is brought to you by Feedbooks http://www.feedbooks.com Strictly for personal use, do not use this file for commercial purposes. 2 Chapter 1 The Air-Ship Imagine, if you can, a small room, hexagonal in shape, like the cell of a bee. It is lighted neither by window nor by lamp, yet it is filled with a soft radiance. There are no apertures for ventila- tion, yet the air is fresh. There are no musical instruments, and yet, at the moment that my meditation opens, this room is throbbing with melodious sounds. -
GATA 1993 State Tournament
G.A.T.A. 1993 State Tournament - Round 4 Copyright 1993 - Independent Buzzer Association T1. Pierre Soule, John Mason, and James Buchanan met in Belgium to draft this controversial document as part of a plan by the United States to acquire Cuba from Spain. For 10 points, name this 1854 statement. Answer: Ostend Manifesto B1. Identify the following strikes from American history for 10 points each. 1. This 1894 strike led President Cleveland to send troops to Illinois over the objections of its governor, John Peter Altgeld. Answer: Pullman Strike 2. When this city's police force went on strike, Gov. Calvin Coolidge issued the statement, "There is no right to strike against the public safety by anyone, anywhere, anytime". Answer: Boston T2. This name was applied to the generation of weather satellites that followed the TIROS series. It can also be applied to a halo-like ring of light. For 10 points, what is this term applied to low-level rain clouds? Answer: nimbus B2. For 5 points each, what meteorological instrument is used to measure the following phenomena? 1. wind speed Answer: anemometer or anemograph 2. relative humidity Answer: hygrometer or psychrometer [not hydrometer] 3. air pressure Answer: barometer 4. For a final 5 points, what is measured by an ombrometer? Answer: rainfall, precipitation, accept equivalents indicating water measurement T3. This painter's less well known works include the "Rokeby Venus". Other works include a portrait of Pope Innocent X. For 10 points, identify this Spanish artist of "The Maids of Honor". Answer: Diego Velasquez B3. Identify the Spanish painters of the following works. -
E.M. Forster's Short Stories
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ScholarWorks at Central Washington University Central Washington University ScholarWorks@CWU All Master's Theses Master's Theses 1968 E.M. Forster’s Short Stories Joan Meredith Kerns Central Washington University Follow this and additional works at: https://digitalcommons.cwu.edu/etd Part of the English Language and Literature Commons Recommended Citation Kerns, Joan Meredith, "E.M. Forster’s Short Stories" (1968). All Master's Theses. 845. https://digitalcommons.cwu.edu/etd/845 This Thesis is brought to you for free and open access by the Master's Theses at ScholarWorks@CWU. It has been accepted for inclusion in All Master's Theses by an authorized administrator of ScholarWorks@CWU. For more information, please contact [email protected]. , l E. M. FORSTER'S SHORT STORIES A Thesis Presented to the Graduate Faculty Central Washington State College In Partial Fulfillment of the Requirements for the Degree Master of Arts by Joan Meredith Kerns Augu.st 1968 .,. N011331100 1Vt3Y APPROVED FOR THE GRADUATE FACULTY ________________________________ H. L. Anshutz, COMMITTEE CHAIRMAN _________________________________ Anthony Canedo _________________________________ Frank M. Collins TABLE OF CONTENTS CHAPTER PAGE I. INTRODUCTION .AND REVIEW OF CRITICISM • • • • • • • l Introduction • • • • • • • • • • • • • • • • • • l Review of Criticism • • • • • • • • • • • • • • 2 II. VOLUME ONE OF THE SHORT STORIES 0 • • • • • • • • ll "The Celestial Omnibus" • • • • • • • • • • • • ll 11 "The Story of a Panic • o • • • • • • • • • • • 20 "The Curate's Friend" • • • • 0 • • • • • • • • 28 "Other Kingdom" • • • • • • • • • • • • • • • • 33 "The Other Side of the Hedge" • • • • • • • • • 38 "The Road from Colonus" 0 • • • 0 • • • • • • • 43 III. VOLUME TWO: -THE ETERNAL MOMENT ---------AND OTHER STORIES 49 "The Point of It". -
Adaptation, Inspiration, Dialogue: E.M. Forster and His Oeuvre in Contemporary Culture
Adaptation, Inspiration, Dialogue: E.M. Forster and His Oeuvre in Contemporary Culture Krzysztof Fordoński University of Warsaw Abstract The article aims at charting the position of Edward Morgan Forster and his works in contemporary English language culture. It presents various forms of adaptations of or responses to the works of Forster, concentrating on those which have been created since the writer’s death in 1970. The discussed material consists of approximately one hundred instances of various works of art related in a number of ways to Forster’s oeuvre and biography: adaptations, works inspired by Forster’s oeuvre or biography, and, finally, works which enter into a dialogue with Forster and his views. Radio plays, operas, plays, movies, musicals, comic books, concept albums, etc. have been included as well. The paper also touches upon Forster’s reception among scholars and in political journal- ism. The paper is supplemented with lists of various adaptations. Keywords: E.M. Forster, culture, literature, opera, musical, television, film, theatre, adaptation, adaptation studies 12 Krzysztof Fordoński The works of E.M. Forster have played an important role in the English-speaking world and beyond it1 ever since his position was first generally recognised after the publication of Howards End in 1910.2 Forster’s presence was originally felt the most clearly through his literary works, namely novels and short stories. Yet, with the passage of time, he began to exert influence also as a reviewer, an essayist, and a radio broadcaster. Artists – at first fellow novelists but gradually also playwrights, composers, graphic artists, and others – found in Forster’s oeuvre and life a greatly various source of creative inspiration which continues to be fruitful fifty years after the writer’s death. -
The Celestial Omnibus and Other Stories Forster, E
The Celestial Omnibus and Other Stories Forster, E. M. Published: 1911 Categorie(s): Fiction, Fantasy, Short Stories Source: Feedbooks 1 About Forster: Edward Morgan Forster, OM (January 1, 1879 – June 7, 1970), was an English novelist, short story writer, and essayist. He is known best for his ironic and well-plotted novels examin- ing class difference and hypocrisy in early 20th-century British society. Forster's humanistic impulse toward understanding and sympathy may be aptly summed up in the epigraph to his 1910 novel Howards End: "Only connect." Forster was gay, but this fact was not made public during his lifetime. His posthum- ously released novel Maurice tells of the coming of age of an explicitly gay male character. Source: Wikipedia Also available on Feedbooks for Forster: • A Room with a View (1908) • Howards End (1910) • The Machine Stops (1909) • Where Angels Fear to Tread (1905) • The Longest Journey (1907) Copyright: This work was published before 1923 and is in the public domain in the USA only. Note: This book is brought to you by Feedbooks http://www.feedbooks.com Strictly for personal use, do not use this file for commercial purposes. 2 The Story of a Panic I. Eustace’s career – if career it can be called – certainly dates from that afternoon in the chestnut woods above Ravello. I con- fess at once that I am a plain, simple man, with no pretensions to literary style. Still, I do flatter myself that I can tell a story without exaggerating, and I have therefore decided to give an unbiased account of the extraordinary events of eight years ago. -
Brief Biography
Brief Biography Edward Morgan Forster • b. Jan. 1, 1879, London, England • d. July 7, 1970 • Father died when Forster was a year old • Raised by mother, 2 grandmothers, and many aunts • Part of his life at Rooksnest, a country home, in Hertfordshire • Prep school at Eastbourne – unhappy due to his lack of athleticism; bullied • Mother moved him to Tonbridge to a day school which forced them to leave Rooksnest • 1887 – received a legacy of £8000 from great- aunt Marianne Thornton • 1897 - Attended King’s College, Cambridge • Studied classics and history • Began to write essays for publication while at Cambridge • Published in the undergraduate literary journal, later in the Independent Review – largely biographical essays and short stories • elected member of the Apostles, intellectual discussion and social group – included Lytton Strachey, John Maynard Keynes, Leonard Woolf • Expanded to become the Bloomsbury group when moved to London • Bloomsbury Group began its salons in 1905 with Toby Stephen and his sisters Virginia and Vanessa (later Virginia Woolf and Vanessa Bell) – enlarged to include Clive Bell, Duncan Grant, Roger Fry and others • After graduation, travelled with his mother to Italy; taken by vibrancy and spontaneity of Italian life and art • Began work on characters that would become part of A Room with a View • 1903 – cruised to Greece with friends • 1902, instructor at the Working Men’s College in London • 1905 – worked as a tutor to daughters of Elizabeth von Arnim ( Enchanted April 1922); von Armin read proofs of his first