Presenting the Female Rulers in the Making of Japanese History
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After Kiyozawa: a Study of Shin Buddhist Modernization, 1890-1956
After Kiyozawa: A Study of Shin Buddhist Modernization, 1890-1956 by Jeff Schroeder Department of Religious Studies Duke University Date:_______________________ Approved: ___________________________ Richard Jaffe, Supervisor ___________________________ James Dobbins ___________________________ Hwansoo Kim ___________________________ Simon Partner ___________________________ Leela Prasad Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Religious Studies in the Graduate School of Duke University 2015 ABSTRACT After Kiyozawa: A Study of Shin Buddhist Modernization, 1890-1956 by Jeff Schroeder Department of Religious Studies Duke University Date:_______________________ Approved: ___________________________ Richard Jaffe, Supervisor ___________________________ James Dobbins ___________________________ Hwansoo Kim ___________________________ Simon Partner ___________________________ Leela Prasad An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Religious Studies in the Graduate School of Duke University 2015 Copyright by Jeff Schroeder 2015 Abstract This dissertation examines the modern transformation of orthodoxy within the Ōtani denomination of Japanese Shin Buddhism. This history was set in motion by scholar-priest Kiyozawa Manshi (1863-1903), whose calls for free inquiry, introspection, and attainment of awakening in the present life represented major challenges to the -
Tourists in Paradise Writing the Pure Land in Medieval Japanese Fiction
Japanese Journal of Religious Studies 33/2: 269–296 © 2006 Nanzan Institute for Religion and Culture R. Keller Kimbrough Tourists in Paradise Writing the Pure Land in Medieval Japanese Fiction Late-medieval Japanese fiction contains numerous accounts of lay and monastic travelers to the Pure Land and other extra-human realms. In many cases, the “tourists” are granted guided tours, after which they are returned to the mun- dane world in order to tell of their unusual experiences. This article explores several of these stories from around the sixteenth century, including, most prominently, Fuji no hitoana sōshi, Tengu no dairi, and a section of Seiganji engi. I discuss the plots and conventions of these and other narratives, most of which appear to be based upon earlier oral tales employed in preaching and fund-raising, in order to illuminate their implications for our understanding of Pure Land-oriented Buddhism in late-medieval Japan. I also seek to demon- strate the diversity and subjectivity of Pure Land religious experience, and the sometimes startling gap between orthodox doctrinal and popular vernacular representations of Pure Land practices and beliefs. keywords: otogizōshi – jisha engi – shaji engi – Fuji no hitoana sōshi – Bishamon no honji – Tengu no dairi – Seiganji engi – hell – travel R. Keller Kimbrough is an assistant professor of Japanese Literature at the University of Colorado at Boulder. 269 ccording to an anonymous work of fifteenth- or early sixteenth- century Japanese fiction by the name of Chōhōji yomigaeri no sōshi 長宝 寺よみがへりの草紙 [Back from the dead at Chōhōji Temple], the Japa- Anese Buddhist nun Keishin dropped dead on the sixth day of the sixth month of Eikyō 11 (1439), made her way to the court of King Enma, ruler of the under- world, and there received the King’s personal religious instruction and a trau- matic tour of hell. -
False Dilemma Wikipedia Contents
False dilemma Wikipedia Contents 1 False dilemma 1 1.1 Examples ............................................... 1 1.1.1 Morton's fork ......................................... 1 1.1.2 False choice .......................................... 2 1.1.3 Black-and-white thinking ................................... 2 1.2 See also ................................................ 2 1.3 References ............................................... 3 1.4 External links ............................................. 3 2 Affirmative action 4 2.1 Origins ................................................. 4 2.2 Women ................................................ 4 2.3 Quotas ................................................. 5 2.4 National approaches .......................................... 5 2.4.1 Africa ............................................ 5 2.4.2 Asia .............................................. 7 2.4.3 Europe ............................................ 8 2.4.4 North America ........................................ 10 2.4.5 Oceania ............................................ 11 2.4.6 South America ........................................ 11 2.5 International organizations ...................................... 11 2.5.1 United Nations ........................................ 12 2.6 Support ................................................ 12 2.6.1 Polls .............................................. 12 2.7 Criticism ............................................... 12 2.7.1 Mismatching ......................................... 13 2.8 See also -
Powerful Warriors and Influential Clergy Interaction and Conflict Between the Kamakura Bakufu and Religious Institutions
UNIVERSITY OF HAWAllllBRARI Powerful Warriors and Influential Clergy Interaction and Conflict between the Kamakura Bakufu and Religious Institutions A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN HISTORY MAY 2003 By Roy Ron Dissertation Committee: H. Paul Varley, Chairperson George J. Tanabe, Jr. Edward Davis Sharon A. Minichiello Robert Huey ACKNOWLEDGMENTS Writing a doctoral dissertation is quite an endeavor. What makes this endeavor possible is advice and support we get from teachers, friends, and family. The five members of my doctoral committee deserve many thanks for their patience and support. Special thanks go to Professor George Tanabe for stimulating discussions on Kamakura Buddhism, and at times, on human nature. But as every doctoral candidate knows, it is the doctoral advisor who is most influential. In that respect, I was truly fortunate to have Professor Paul Varley as my advisor. His sharp scholarly criticism was wonderfully balanced by his kindness and continuous support. I can only wish others have such an advisor. Professors Fred Notehelfer and Will Bodiford at UCLA, and Jeffrey Mass at Stanford, greatly influenced my development as a scholar. Professor Mass, who first introduced me to the complex world of medieval documents and Kamakura institutions, continued to encourage me until shortly before his untimely death. I would like to extend my deepest gratitude to them. In Japan, I would like to extend my appreciation and gratitude to Professors Imai Masaharu and Hayashi Yuzuru for their time, patience, and most valuable guidance. -
Creating Heresy: (Mis)Representation, Fabrication, and the Tachikawa-Ryū
Creating Heresy: (Mis)representation, Fabrication, and the Tachikawa-ryū Takuya Hino Submitted in partial fulfillment of the Requirement for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2012 © 2012 Takuya Hino All rights reserved ABSTRACT Creating Heresy: (Mis)representation, Fabrication, and the Tachikawa-ryū Takuya Hino In this dissertation I provide a detailed analysis of the role played by the Tachikawa-ryū in the development of Japanese esoteric Buddhist doctrine during the medieval period (900-1200). In doing so, I seek to challenge currently held, inaccurate views of the role played by this tradition in the history of Japanese esoteric Buddhism and Japanese religion more generally. The Tachikawa-ryū, which has yet to receive sustained attention in English-language scholarship, began in the twelfth century and later came to be denounced as heretical by mainstream Buddhist institutions. The project will be divided into four sections: three of these will each focus on a different chronological stage in the development of the Tachikawa-ryū, while the introduction will address the portrayal of this tradition in twentieth-century scholarship. TABLE OF CONTENTS List of Abbreviations……………………………………………………………………………...ii Acknowledgements………………………………………………………………………………iii Dedication……………………………………………………………………………….………..vi Preface…………………………………………………………………………………………...vii Introduction………………………………………………………………………….…………….1 Chapter 1: Genealogy of a Divination Transmission……………………………………….……40 Chapter -
Tsuda Sōkichi Vs. Orikuchi Shinobu
Japanese G9040 Graduate Seminar on Premodern Japanese Literature, Spring 2016: Tsuda Sōkichi vs. Orikuchi Shinobu Wednesdays 4:10-6:00pm; 522A Kent Hall David Lurie <[email protected]> Office Hours: Tues. 2-3 & Thurs. 11-12 in 500C Kent Hall Course Rationale: This course treats Tsuda Sōkichi (1873-1961) and Orikuchi Shinobu (1887-1953) as twin titans of twentieth-century scholarship on ancient Japan. In fields as diverse as literature, history of thought, religious studies, mythology, ancient history, poetry, Chinese studies, and drama, their influence remains strong today. Tsuda’s ideas still shape mainstream approaches to Japanese mythology and early historical works, and terms and concepts created by Orikuchi are central to national literary studies (kokubungaku), even if their derivation from his work is often forgotten. It is hard to imagine two scholars more different in approach and style: Tsuda the systematic, skeptical positivist versus Orikuchi the intuitive, speculative romantic. And yet they repeatedly addressed similar questions and problems, and despite Tsuda’s earlier birth and longer life, their periods of greatest productivity (Taishō to early Shōwa, with important codas in the decade or so after the war) also overlapped. Accordingly this syllabus imagines a dialogue between them by juxtaposing selections from key works. Because the oeuvres of Tsuda and Orikuchi are so enormous (put together, their collected works reach 75 volumes) and their interests so varied, it is impossible to provide a systematic overview here. The selection is focused on early Japan, and much has been left out, such as Orikuchi’s work on poetry and drama, or Tsuda’s studies of Buddhism and classical Chinese philosophy. -
Bungei Shunjū in the Early Years and the Emergence
THE EARLY YEARS OF BUNGEI SHUNJŪ AND THE EMERGENCE OF A MIDDLEBROW LITERATURE DISSERTATION Presented in Partial Fulfillment of the Requirements of the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Minggang Li, M.A. ***** The Ohio State University 2008 Dissertation Committee: Approved by Professor Richard Torrance, Adviser Professor William J. Tyler _____________________________ Adviser Professor Kirk Denton East Asian Languages and Literatures Graduate Program ABSTRACT This dissertation examines the complex relationship that existed between mass media and literature in pre-war Japan, a topic that is largely neglected by students of both literary and journalist studies. The object of this examination is Bungei shunjū (Literary Times), a literary magazine that played an important role in the formation of various cultural aspects of middle-class bourgeois life of pre-war Japan. This study treats the magazine as an organic unification of editorial strategies, creative and critical writings, readers’ contribution, and commercial management, and examines the process by which it interacted with literary schools, mainstream and marginal ideologies, its existing and potential readership, and the social environment at large. In so doing, this study reveals how the magazine collaborated with the construction of the myth of the “ideal middle-class reader” in the discourses on literature, modernity, and nation in Japan before and during the war. This study reads closely, as primary sources, the texts that were published in the issues of Bungei shunjū in the 1920s and 1930s. It then contrasts these texts with ii other texts published by the magazine’s peers and rivals. -
Political and Ritual Usages of Portraits of Japanese
POLITICAL AND RITUAL USAGES OF PORTRAITS OF JAPANESE EMPERORS IN EIGHTEENTH AND NINETEENTH CENTURIES by Yuki Morishima B.A., University of Washington, 1996 B.F.A., University of Washington, 1996 M.S., Boston University, 1999 M.A., University of Pittsburgh, 2007 Submitted to the Graduate Faculty of the Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2013 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Yuki Morishima It was defended on November 13, 2013 and approved by Katheryn Linduff, Professor, Art and Architecture Evelyn Rawski, Professor, History Kirk Savage, Professor, Art and Architecture Dissertation Advisor: Karen Gerhart, Professor, Art and Architecture ii Copyright © by Yuki Morishima 2013 iii POLITICAL AND RITUAL USAGES OF PORTRAITS OF JAPANESE EMPERORS IN EIGHTEENTH AND NINETEENTH CENTURIES Yuki Morishima, PhD University of Pittsburgh, 2013 This dissertation examines portraits of Japanese emperors from the pre-modern Edo period (1603-1868) through the modern Meiji period (1868-1912) by questioning how the socio- political context influenced the production of imperial portraits. Prior to Western influence, pre- modern Japanese society viewed imperial portraits as religious objects for private, commemorative use; only imperial family members and close supporters viewed these portraits. The Confucian notion of filial piety and the Buddhist tradition of tsuizen influenced the production of these commemorative or mortuary portraits. By the Meiji period, however, Western portrait practice had affected how Japan perceived its imperial portraiture. Because the Meiji government socially and politically constructed the ideal role of Emperor Meiji and used the portrait as a means of propaganda to elevate the emperor to the status of a divinity, it instituted controlled public viewing of the images of Japanese emperors. -
Impect No. 10, 2018 - Dortmund.De/De/Fb/9/Publikationen/Impect/Impect10.Fb9.Php
impEct No. 10, 2018 https://www.fh - dortmund.de/de/fb/9/publikationen/impect/impect10.fb9.php Vlad Mureșan Babeș-Bolyai University, Cluj-Napoca, Romania The Japanese Idea Abstract We cannot understand a civilization unless we identify an `idea` that characterizes it, despite all risk of generalization. If there is no idea behind a civilization, there is no distinctive identity and every one is just like everybody else. Our (Hegelian) thesis is that history provides the phenomenological material where such an idea unfolds. A proper understanding of history will therefore provide retroactive acces to the idea – the vocation, spirit or character – that somehow concentrates the original decision for a specific type of civilization. Japan remains a mysterious land. One way to perhaps capture what we could call „the Japanese idea” is to understand that, from the very beginning, Japan confronts its Western side wherefrom threats as well as civilization arise. Insularity is an efficient barrier against invasions, but a source of isolation from the natural diffusion of innovations as well. This isolation, in turn, dialectically encourages an inventive spirit. 1. The Original Articulation of the State The Japanese state results from a unification of warring clans. While the Chinese Shang founded the state through a violent elimination of opposition, Yamato results from the absorption of opposing clans into the system. From the very inception, therefore, a duality of forces is legitimized. This original opposition is archetypal for the entire subsequent Japanese history. It opposed partisans of the opening to the partisans of isolation. The former endeavor to model Japan on a Chinese-inspired imperial Buddhism. -
New Year's Day Taika Reform Edict
Study Questions: New Year’s Day Taika Reform Edict The Taika Reform was a series of edicts, issued during the Taika era (645–650), that were a major stepping-stone in the development of the Japanese political structure. Japan had been a confederation of elite families or clans, called uji , that did not have a very strong allegiance to the imperial family. After the defeat of one such uji , the Soga, the Taika Reform edicts issued by Emperor K¯ otoku and Prince Nakano-O¯ e, who would later reign as Emperor Tenchi, were aimed at weakening these uji through adopting a Chinese-style government to strengthen imperial authority by curtailing the independence of the uji , which controlled various regions of Japan. Although edicts were issued in 645 and later, the edict issued on New Year’s Day of 646 was the first one to call for a major overhaul of the Japanese government and served as the basis for future reforms over the next sixty years, ending with the Taih¯ o Code in 702. 1. In the twenty-first century, Japan is a single unified nation. In the seventh century, though, the nation consisted of various enclaves, with power diffused throughout numerous ruling clans. To what extent did the Taika Reform edict help consolidate these clans into a national polity? 2. What role did contact with China have in the consolidation of Japan into a more unified nation? How did Chinese Confucianism influence Japanese thinking during this period? 3. In the modern world, the words bureaucracy and bureaucrat often have negative connotations, implying excessive regulation, red tape, and government functionaries who assert their authority over citizens. -
Zen and the Ways
...a book of profound importance.” — THE EASTERN BUDDHIST BOO*'1 ZENr and e warn TREVOR U LEGGETT Expression of Zen inspiration in everyday activities such as writing or serving tea. and in knightly arts such as fencing, came to be highly regarded in Japanese tradition. In the end. some of them were practiced as spiritual training in themselves; they were then called “Ways.” This book includes translations of some rare texts on Zen and the Ways. One is a sixteenth- century Zen text compiled from Kamakura temple records of the previous three centuries, giving accounts of the very first Zen interviews in Japan. It gives the actual koan “test questions” which disciples had to answer. In the koan called “Sermon,” for instance, among the tests are: How would you give a sermon to a one-month-old child? To someone screaming with pain in hell? To a foreign pirate who cannot speak your language? To Maitreya in the Tushita heaven? Extracts are translated from the “secret scrolls” of fencing, archery, judo, and so on. These scrolls were given in feudal days to pupils when they graduated from the academy, and some of them contain profound psychological and spiritual hints, but in deliberately cryptic form. They cannot be understood without long experience as a student of a Way, and the author drav years’ experience as a student teacher of the Way called jud( The text is accompanied b; drawings and plates. Zen and the Ways * # # # # # # # # #/) /fora 1778 <8> PHILLIPS ACADEMY # » «• OLIVER WENDELL-HOLMES $ I LIBRARY I CgJ rg) ^jper- amphora ; a£ altiora . -
Clan Influence in Asuka Japan: Asukadera and the Soga Clan
CLAN INFLUENCE IN ASUKA JAPAN: ASUKADERA AND THE SOGA CLAN by Ian Michael Watts Submitted to the Faculty of The Archaeological Studies Program Department of Sociology and Archaeology in partial fulfillment of the requirements for the degree of Bachelor of Science University of Wisconsin - La Crosse 2012 Copyright © 2012 by Ian Watts All rights reserved ii CLAN INFLUENCE IN ASUKA JAPAN: ASUKADERA AND THE SOGA CLAN Ian Watts, B.S. University of Wisconsin - La Crosse, 2012 The Asuka Period of Japan is characterized by the introduction of Buddhism from Korea and a consolidation of power by the central government. The interplay between the Imperial Clan and the Soga Clan was integral in shaping everyday life in Asuka as the introduction of Buddhism brought the creation of permanent architecture in the shape of temples. These temples, primarily constructed by the Imperial Line and the Soga Clan, required the employment of local populations as a labor force for the construction of the various buildings within each temple complex. An examination of the assemblage of round eave-end roof tiles at the first Buddhist temple in Japan, Asukadera, examines the implications of this labor procurement. Furthermore, spatial analysis between Asukadera, Tōyuradera, and Okuyamakumedera provides data for future research. iii Acknowledgements Much of this study could not have been completed without the help of the following individuals and institution. Large portions of Japanese text were translated by native Japanese and Taiwanese speakers in conjunction with my direction. I was extremely fortunate to have been given a portion of the Asukadera Excavation Report directly by the Nara National Research Institute for Cultural Properties.