DOCSLIB.ORG

March 2018 Star

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
March 2018 Star RANK ADVANCEMENTS March 2018 Star . Angelina (Idn) Abigail Concepcion Caidoy (Are) Adele Jackson (Aus) . Joni (Idn) Abigail Elizabeth White (Usa) Adelfa Tayamen Camungao (Phl) . Juniar (Idn) Abigail Erber (Usa) Adelfo Ramirez (Usa) . Suryadinata (Mys) Abigail Garrison (Usa) Adibah Khairiah Ismail@Daud (Mys) . Yeni (Idn) Abigail Horton (Usa) Adil Daudi (Usa) . Yenyen (Idn) Abigail Long (Usa) Adina Isabela Suhan (Fra) A. Priya Mahan (Mys) Abigail Nowicki (Usa) Adina Jean Pilkington (Can) Aan Agung Heryana (Idn) Abigail Ord (Usa) Adina Lawton (Usa) Aaron Vining (Usa) Abigail Spitler (Usa) Adisty Rahayu Setiani (Idn) Abas Yusoff (Phl) Abigail Torno (Phl) Adita Primakurniani (Idn) Abbey Analise Zillweger (Usa) Abigail Williams (Usa) Adman Bin Ardih (Mys) Abbey Thoms (Usa) Abimalec J Barrera (Usa) Admana Kristine (Phl) Abbie Carter (Usa) Abra Foster (Usa) Adrian Gauthier (Usa) Abbie Buck (Usa) Abril Arredondo Lara (Mex) Adrián Llamas (Mex) Abbie Kristine Kooienga (Usa) Abril Celeste Romero Garza (Mex) Adriana Bojorquez Corral (Mex) Abbie Taylor (Usa) Abril Hernandez Tirado (Mex) Adriana Butterfield Ceballos (Mex) Abbigail Whitacre (Usa) Abril Peña Guzmán (Mex) Adriana Cojocar (Rou) Abby Jo Devore (Usa) Abu Hassan Che Meah (Mys) Adriana Ivonne Ojeda Aceves (Mex) Abby Johnston Anderson (Usa) Acasin Sable (Usa) Adriana Rendon (Mex) Abby Lee (Mys) Achurra Jennifer (Phl) Adriana Romero Celaya (Mex) Abby Tocorzic (Usa) Acosta-Scholtz Leilani (Usa) Adriana Ruiz Herrera (Mex) Abdul Bin Rahman (Mys) Ada Carol Belter (Usa) Adriana Soriano Aguilar (Mex) Abdul Kadir Haslinda (Mys) Ada Miller (Usa) Adriana Tovar Agredano (Mex) Abdul Tan (Phl) Adam Drake (Usa) Adrienne Emrick (Usa) Abdul-Hameed Velma (Usa) Adam Bin Ahmad Rizal (Mys) Adrienne Landis (Usa) Abdullah Ariff (Mys) Adam Blistein (Usa) Adrienne Leech (Usa) Abe, Kimiko (Jpn) Adams Andrea (Usa) Adrienne Moscheo (Usa) Abe, Noriko (Jpn) Adams Hannah (Usa) Ae Young Cho (Can) Abegael Salinas (Mys) Adams Janiel (Usa) Aerin Crews (Usa) Abegail Pun-An Bautista (Sgp) Adams Lawrence (Usa) Afsaneh Abrishamchi (Usa) Abehail Abraham (Phl) Addie Simone Mcclure (Usa) Afton Lee Vera Fields (Usa) Abel Balaoro (Phl) Addison Schyler (Usa) Afton Marie Henderson (Usa) Abhishek Roy (Can) Ade Bungsu (Idn) Agatha Kristie Suan (Phl) Abide Dental Services Llc (Usa) Ade Kurnia Surawijaya (Idn) Agliam Florante (Can) Abigail Troyanek (Usa) Ade Trisnawati (Idn) Agne Franchetti (Che) Abigail Baul (Phl) Adela Deliu (Rou) Agne Kaminskaite (Ltu) Abigail Cary Verlander (Usa) Adela Tomlinson (Usa) Agnes Hajnos (Usa) Agnes Angela Yosadi,Sh.,Mkn (Idn) Ajeng Makhriyani Makhriyani (Idn) Alessia Pascetta (Can) Agnes Dämgen (Deu) Ajeng Nurul Sasianti (Idn) Aleta Channell (Usa) Agnes L Grimes (Usa) Akami, Hatsue (Jpn) Aleta Ellsworth (Usa) Agnes Park (Sgp) Akiko Uchiyama (Hkg) Alex Dig (Gbr) Agnes Raszka (Usa) Akiyama, Masami (Jpn) Alex Wayne Falconburg (Usa) Agnes Tsang (Can) Al Amira Alonto Mitmug (Phl) Alexa Boyles (Usa) Agnes Wing Shan Wong (Hkg) Al Fink (Usa) Alexa Emilyann Abromaitis (Usa) Agnieszka Kuzdzal (Usa) Alaina Fleury (Usa) Alexa Loouise Ellis (Usa) Agnieszka Lelek (Usa) Alaina Andrews (Usa) Alexa Penavega (Usa) Aguirre Kathrene (Usa) Alan Dufine (Usa) Alexa Rae Schuba (Usa) Ah Hua Lee (Sgp) Alan Benner (Usa) Alexander King (Usa) Ahmad@Mohd Maznah@Fauziah (Mys) Alan Johnston (Usa) Alexander Ackerman (Usa) Aholt Michaela (Usa) Alana Butler (Usa) Alexander Cody (Usa) Ahsan N. Qureshi (Aus) Alana Findlay (Usa) Alexander King (Usa) Ai Ai Goh (Phl) Alana Marie Tuttle (Usa) Alexander Wong (Idn) Ai Ling Goh (Mys) Alana Prince (Can) Alexandra Hood (Usa) Aida Fasya (Mys) Alana Prozorvsky- Halsall (Can) Alexandra Angeles Chong (Mex) Aida Marin (Mex) Alani Santos (Usa) Alexandra Crowder (Usa) Aide Gonzalez (Usa) Alanna Yousif (Can) Alexandra Danielle Claflin (Usa) Aidelenn Bajandi (Phl) Alberta Heston (Usa) Alexandra Gaspard Hebert (Usa) Aileen Jane Sy Po (Phl) Albright Awnna (Usa) Alexandra Grace Dees (Usa) Ailyn Manaloto Canlas (Sgp) Alcazar Avelina (Phl) Alexandra Heger (Deu) Aimee & Juan Tapia (Usa) Alderfer Michele (Usa) Alexandra Jones (Usa) Aimee (Usa) Alderman Shannon (Usa) Alexandra Justice Elwell (Usa) Aimee Bendel (Usa) Aldo Tedjo Baskoro (Idn) Alexandra Louise Runk (Usa) Aimee Howerton (Usa) Alecia Fogleman (Usa) Alexandra M Schrodt (Usa) Aimee Liza Celdran (Phl) Alecia J Daunais (Usa) Alexandra Marie Rudolph (Usa) Aimee Mabasa Sebellino (Phl) Aleene M Carrino (Usa) Alexandra N Gentry (Usa) Aimee Martin (Can) Aleice Hara (Usa) Alexandra Nicole Sickles (Usa) Aimee N Coffey (Usa) Aleisha Louise Birgy (Usa) Alexandra Nunez (Usa) Aimee White (Usa) Alejandra Borbolla Elizondo (Mex) Alexandrea Rose Roessler (Usa) Aimie Brooks (Can) Alejandra Garza Zambrano (Mex) Alexandria Boddy (Usa) Ainhoa Salgueiro (Deu) Alejandra Muñoz Paniagua (Mex) Alexandria Ca$H Carter (Usa) Aini Rozita Ahmad Anuar (Mys) Alejandra Santiago (Usa) Alexandria Elizabeth Strothcamp (Usa) Ainil Hawa Sazali (Mys) Alejandrina Herrera Bustamante (Mex) Alexandria Ford (Usa) Aino Katriina Kortelainen (Fin) Alejandro Jose Diaz (Usa) Alexandria Hunt (Usa) Aisling Collins (Aus) Aleks Woodward (Can) Alexandria Nichole Chaffins (Usa) Aislinn Harmston (Can) Aleksandra Achtsnicht (Deu) Alexia Anas (Usa) Aislinn Peck (Usa) Alescia Teel Dingle (Usa) Alexis D Garcia (Can) Aiza Marcos Balinos (Phl) Alessia Cucinotta (Usa) Alexis Galletti (Usa) Alexis Hoffer (Usa) Alicia Santiago (Esp) Alissa Spritz (Usa) Alexis Muir (Can) Alicia Standridge (Usa) Alisse Bradley (Aus) Alexis Tidwell (Usa) Alicia Topolinski (Usa) Alkishawi Jennifer (Usa) Alexis Wood (Usa) Alicia Victoria Ojeda (Usa) Allan Harris (Usa) Alexis Young (Usa) Alicja Surowiec (Usa) Allan Mallette (Usa) Alexus Berndt (Usa) Alina Varga (Rou) Allard Brooke (Usa) Alexys Johns (Usa) Alina Abt (Deu) Allen Andrya (Usa) Alferos Emma (Usa) Alina Drummond (Usa) Allen Dolores (Usa) Alfred Angelo Taburanza Grafe (Phl) Alina Dumitrita Onica (Rou) Allen Mary (Usa) Ali Allsup (Usa) Alina Gabriela Campan (Rou) Allend Viyar (Aus) Ali Chahine (Usa) Alina Komerzan (Usa) Allene Reed Stoddert (Usa) Ali Croxall (Usa) Alina Vanciu (Usa) Allgood Ashley (Usa) Ali Darnall (Usa) Alina Wilczek Daszkowska (Pol) Allie Gahan (Usa) Aline Mccarthy (Aus) Allison Farris (Usa) Ali GabrielJeanne GatesPosteucă (Usa) (Rou) Alisa Elenevskaia (Gbr) Allison Hanley (Usa) Ali Martinez (Usa) Alisa Herrold (Usa) Allison Kinyon (Usa) Ali Masrur (Idn) Alisha Blackmore (Usa) Allison Pearcy (Usa) Ali Morgan Dibble (Usa) Alisha Anne Vanderklok (Usa) Allison A Rizor (Usa) Ali Nicole Rosenberger (Usa) Alisha Brickley (Usa) Allison E Bach (Usa) Ali Noor (Sgp) Alisha Cannon (Usa) Allison Freeze (Usa) Ali Umi (Mys) Alisha Cecchi (Usa) Allison Fuller (Usa) Alice Childress (Usa) Alisha Frum (Usa) Allison Gilman (Usa) Alice Longfield (Usa) Alisha H Stewart (Usa) Allison J Buchholz (Usa) Alice M Garza (Usa) Alisha Marie Higgins (Usa) Allison Letitia Houser (Usa) Alice Mae Campbell (Usa) Alison Evegan (Usa) Allison Lillard (Usa) Alice Tackett (Usa) Alison Hodges (Usa) Allison Macausland (Can) Alicia Bender (Usa) Alison Hoyt (Usa) Allison Marie Bolinger (Usa) Alicia Duvendeck (Usa) Alison Amundson (Usa) Allison Ricigliano (Usa) Alicia Fleury (Usa) Alison C Baldwin (Usa) Allison Ruth Stolicker (Usa) Alicia Bartlett (Usa) Alison Castro (Usa) Allison Sherer (Usa) Alicia Bowles (Usa) Alison Crouse (Usa) Allison Thomas (Usa) Alicia Dawn Hannon (Usa) Alison Leisk (Gbr) Ally Husband (Usa) Alicia Diaz (Usa) Alison Lynne Ferra (Usa) Allycia Roney (Can) Alicia Fredieu (Usa) Alison Nicole Mcmahon (Usa) Allyson Brooke Gibbons (Usa) Alicia Herring (Usa) Alison Phersson (Aus) Allyson Brust (Usa) Alicia Lane Watkins (Usa) Alison Rose Dombrowski (Usa) Allyson Lynch (Usa) Alicia Mercedes Sobrino Lavalle (Mex) Alison Stoykovich (Aus) Allyson Marie Tyler (Usa) Alicia Rose Alberghini (Usa) Alissa Claire Cunningham (Usa) Allyson Nichole Wilson (Usa) Alicia Rose Olaciregui (Usa) Alissa L Hoey (Usa) Allyson Ruiz (Usa) Alicia Rosen (Usa) Alissa Maria Frances Santullo (Usa) Allyson Wiggins (Usa) Alma Rosa Medina Beltran (Mex) Amanda Krause (Usa) Amanda Lynne Gleich (Usa) Alma Aspilla Galaraga (Phl) Amanda Schlaefli (Usa) Amanda M Guy (Usa) Alma Enriqueta Rodríguez Rosas (Mex) Amanda Shearon (Usa) Amanda M Penrod (Usa) Alma Ofelia Vázquez Vázquez (Mex) Amanda Aileen Grimh (Usa) Amanda M Roush (Usa) Alma Rosa Flores Gonzalez (Mex) Amanda Allen (Usa) Amanda Mae Crown (Usa) Alma Rosalia Rojo (Mex) Amanda Anaya (Usa) Amanda Marie Alm (Usa) Alma Tayag (Usa) Amanda Andrews (Usa) Amanda Marie Piccirilli (Usa) Alma Teresa Hernández De Alba (Mex) Amanda Ann Folsted (Usa) Amanda Marie Shaffer (Usa) Alnie Sy (Phl) Amanda Archer (Can) Amanda Marie Venegas (Usa) Aloia Nicole (Usa) Amanda B Brier (Usa) Amanda Marjorie Parker (Usa) Aloisia Dorninger (Aut) Amanda Barrientez (Usa) Amanda May Spilling (Aus) Alora Chantel Wilson (Usa) Amanda Brown (Usa) Amanda Mayes (Usa) Alpafhe Endrina Jotojot (Phl) Amanda Brown (Usa) Amanda Mcdonald (Usa) Altamirano Bermeo, Gladys Edilia (Ecu) Amanda C Sims (Usa) Amanda Michelle Francis (Usa) Alvaro Adrian Garza Amado (Mex) Amanda Casper (Usa) Amanda Morris (Usa) Alvin Peachey (Usa) Amanda Chou (Can) Amanda Muhlbauer (Usa) Alvin Peachey (Usa) Amanda Church (Usa) Amanda N Williams (Usa) Alycia Louise Yvonne Stray (Usa) Amanda Clarke (Usa) Amanda Nap (Can) Alyse Kozfkay (Usa) Amanda Denee Jones (Usa) Amanda Navarre (Usa) Alyshia Lyn Casper (Usa) Amanda Enciso (Usa) Amanda Obrien-Hebert (Usa) Alysia Germ (Usa) Amanda Ferguson (Usa) Amanda Owen (Usa) Alysia Elizabeth Oberg
Load more

Recommended publications
  • 1 Song Title
    Music Video Pack Vol. 5 Song Title No. Popularized By Composer /Lyricist Billie Joe Armstrong, 21ST CENTURY BREAKDOWN 329 GREEN DAY Green Day 24 HOURS 337 CUESHE ACCORDING TO YOU 330 ORIANTHI Steve Diamond IKAW LANG TALAGA 338 YENG CONSTANTINO JUMP THEN FALL 333 TAYLOR SWIFT Taylor Swift LOVE STORY 334 TAYLOR SWIFT Taylor Swift Kevin Jonas, Sr., Nicholas LOVEBUG 332 JONAS BROTHERS Jonas, Joe Jonas, Kevin Jonas MAHAL PA RIN 339 SAM MILBY MOMENT OF TRUTH 335 FM STATIC FM Static PAIN IN MY HEART 340 ARNEL PINEDA PANAGINIP 341 MAYONNAISE PUTIK 342 SANDWICH Sandwich SUNDOT 343 AEGIS Celso Abenoja Matthew Followill, Jared Followill, USE SOMEBODY 336 KINGS OF LEON Nathan Followill, Caleb Followill HARTZLER JOSHUA, HODGES WHAT ABOUT NOW 331 WESTLIFE DAVID, MOODY BEN, www.wowvideoke.com 1 Music Video Pack Vol. 5 Song Title No. Popularized By Composer /Lyricist James Harris, Janet AGAIN 9046 JANET JACKSON Jackson, Terry Lewis Jimi Jamison, Todd EVER SINCE THE WORLD BEGUN 9048 SURVIVOR Smallwood, Frankie Sullivan Kara DioGuardi, Leona HAPPY 9049 LEONA LEWIS Lewis, Salaam Remi I HAVE FALLEN IN LOVE (WITH THE SAME WOMAN THREE TIMES) 9052 JOSE MARI CHAN Jose Mari Chan (lyrics) MY LOVE IS HERE 9053 ERIK SANTOS SMITH DANDRE LEMONT, MILLER PYRAMID 9047 CHARICE CALVIN JERMEL, FRANK LAWRENCE SA AKING PUSO 9054 ARIEL RIVERA Vehnee Saturno SANA KAHIT MINSAN 9055 ARIEL RIVERA Vehnee Saturno Glen Burtnik, Shelly WE COULD BE IN LOVE 9050 LEA SALONGA AND BRAD KANE Peiken Walter Afanasieff, WHENEVER YOU CALL 9051 MARIAH CAREY AND BRIAN MCKNIGHT Mariah Carey 2 www.wowvideoke.com Music Video Pack Vol.
    [Show full text]
  • ABSTRAK YANUAR AL-FIQRI. Perkapalan
    ABSTRAK YANUAR AL-FIQRI. Perkapalan Nusantara abad 16-18 Masehi. Skripsi, Jakarta: Program Studi Pendidikan Sejarah, Jurusan Sejarah, Fakultas Ilmu Sosial, Universitas Negeri Jakarta, 2015. Penelitian ini dilatar belakangi oleh minimnya pembahasan mengenai teknologi perkapalan Nusantara pada perkuliahan di jurusan sejarah fakultas Ilmu Sosial Universitas Negeri Jakarta. Bertujuan untuk mendeskripsikan teknologi perkapalan Nusantara pada masa abad 16-18 M, yang terdiri dari jenis-jenis kapal, teknik pembuatannya serta ciri-ciri yang dimiliki oleh kapal-kapal Nusantara tersebut. Penelitian ini menggunakan metode historis, dengan langkah-langkahnya yaitu heuristik, kritik ekstern dan intern, verifikasi dan terakhir historiografi. Sumber-sumber sejarah yang digunakan adalah sumber sejarah sekunder, dan didukung oleh sumber-sumber etnografi yaitu pada penjelasan mengenai teknik pembuatan kapal-kapal Nusantara, dikarenakan sumber sejarah yang ada tidak dapat menjelaskan secara lebih rinci mengenai teknik pembuatan kapal. Hasil penelitian mengungkapkan bahwa teknologi perkapalan Nusantara pada abad 16-18 M memiliki sejarah yang panjang. Teknologi pembuatan perahu lesung orang-orang Austronesia pada masa sebelum masehi menjadi cikal bakal dari teknologi pembuatan kapal dan perahu Nusantara pada masa setelahnya. Pembuatan perahu lesung bercadik Austronesia yang menggunakan teknik Sewn plank-Lashed lug, nantinya berevolusi menjadi kapal-kapal yang lebih besar. Proses evolusi ini disebabkan oleh faktor ekonomi dan teknologi dimana perdagangan laut menjadi semakin ramai dan kebutuhan akan sarana angkutan barang dagangan yang lebih besar dan berteknologi tinggi menjadi syarat utama. Kapal dan perahu Nusantara pada abad 16-18 M seperti kapal Jong, Padewakang, Mayang dan Kora-kora serta perahu-perahu tipe lesung seperti Jukung dan Paduwang dibuat dan digunakan oleh orang-orang Nusantara dengan disesuaikan ciri-cirinya dengan kondisi alam, ketersediaan bahan baku pembuatan serta kondisi sosial ekonomi Nusantara pada masa itu.
    [Show full text]
  • BAB I PENDAHULUAN A. Dasar Pemikiran Bangsa Indonesia Sejak
    1 BAB I PENDAHULUAN A. Dasar Pemikiran Bangsa Indonesia sejak dahulu sudah dikenal sebagai bangsa pelaut yang menguasai jalur-jalur perdagangan. Sebagai bangsa pelaut maka pengetahuan kita akan teknologi perkapalan Nusantara pun seharusnya kita ketahui. Catatan-catatan sejarah serta bukti-bukti tentang teknologi perkapalan Nusantara pada masa klasik memang sangatlah minim. Perkapalan Nusantara pada masa klasik, khususnya pada masa kerajaan Hindu-Buddha tidak meninggalkan bukti lukisan-lukisan bentuk kapalnya, berbeda dengan bangsa Eropa seperti Yunani dan Romawi yang bentuk kapal-kapal mereka banyak terdapat didalam lukisan yang menghiasi benda porselen. Penemuan bangkai-bangkai kapal yang berasal dari abad ini pun tidak bisa menggambarkan lebih lanjut bagaimana bentuk aslinya dikarenakan tidak ditemukan secara utuh, hanya sisa-sisanya saja. Sejak kedatangan bangsa Eropa ke Nusantara pada abad ke 16, bukti-bukti mengenai perkapalan yang dibuat dan digunakan di Nusantara mulai terbuka. Catatan-catatan para pelaut Eropa mengenai pertemuan mereka dengan kapal- kapal Nusantara, serta berbagai lukisan-lukisan kota-kota pelabuhan di Nusantara yang juga dibuat oleh orang-orang Eropa. Sejak abad ke-17, di Eropa berkembang seni lukis naturalistis, yang coba mereproduksi keadaan sesuatu obyek dengan senyata mungkin; gambar dan lukisan yang dihasilkannya membahas juga pemandangan-pemandangan kota, benteng, pelabuhan, bahkan pemandangan alam 2 di Asia, di mana di sana-sini terdapat pula gambar perahu-perahu Nusantara.1 Catatan-catatan Eropa ini pun memuat nama-nama dari kapal-kapal Nusantara ini, yang ternyata sebagian masih ada hingga sekarang. Dengan menggunakan cacatan-catatan serta lukisan-lukisan bangsa Eropa, dan membandingkan bentuk kapalnya dengan bukti-bukti kapal yang masih digunakan hingga sekarang, maka kita pun bisa memunculkan kembali bentuk- bentuk kapal Nusantara yang digunakan pada abad-abad 16 hingga 18.
    [Show full text]
  • Book Reviews
    BOOK REVIEWS Eric Axelson. Vasco da Gamma: The Diary of His ices will discover it to be an enjoyable, accessible, Travels Through African Waters, 1497-1499. and engaging account. It is certainly a good buy Somerset West, South Africa: Stephan Phillips for most research or university libraries. (Pty) Ltd., 1998. vii + 102, notes, appendices, bibliography, maps, illustrations. ISBN 0-620- M.A. Hennessy 22388-x. Kingston, Ontario Eric Axelson, former head of the Department of History at the University of Cape Town, is to be L.M.E. Shaw. The Anglo-Portuguese Alliance commended for producing a richly illustrated and and the English Merchants in Portugal, 1654- comprehensive new translation of this diary. 1810. Aldershot, Hants. & Brookfield, VT: Translations or the Portuguese original have been Ashgate Publishing, 1998. xii + 233 pp., maps, published previously in 1898,1947 and 1954. The photoplates, appendices, bibliography, index. US last of these, African Explorers (Oxford, 1954), $76.95, cloth; ISBN 1-84014-651-6. was also edited by Axelson, but it did not address the voyage from the coast of Mozambique to This work marks a further contribution by Dr. India and back. That shortfall has been avoided in Shaw to Anglo-Portuguese history in the seven• this valuable new edition, which also contains teenth and eighteenth centuries, significantly other useful features. developing her earlier studies, among them her The anonymous diary commences with da notable investigation into the serious effects of the Gamma's ship leaving Portugal and ceases some• inquisition on Portuguese mercantile wealth and where off Gabon - Axelson addresses why this is resources.
    [Show full text]
  • Location Indicators by Indicator
    ECCAIRS 4.2.6 Data Definition Standard Location Indicators by indicator The ECCAIRS 4 location indicators are based on ICAO's ADREP 2000 taxonomy. They have been organised at two hierarchical levels. 12 January 2006 Page 1 of 251 ECCAIRS 4 Location Indicators by Indicator Data Definition Standard OAAD OAAD : Amdar 1001 Afghanistan OAAK OAAK : Andkhoi 1002 Afghanistan OAAS OAAS : Asmar 1003 Afghanistan OABG OABG : Baghlan 1004 Afghanistan OABR OABR : Bamar 1005 Afghanistan OABN OABN : Bamyan 1006 Afghanistan OABK OABK : Bandkamalkhan 1007 Afghanistan OABD OABD : Behsood 1008 Afghanistan OABT OABT : Bost 1009 Afghanistan OACC OACC : Chakhcharan 1010 Afghanistan OACB OACB : Charburjak 1011 Afghanistan OADF OADF : Darra-I-Soof 1012 Afghanistan OADZ OADZ : Darwaz 1013 Afghanistan OADD OADD : Dawlatabad 1014 Afghanistan OAOO OAOO : Deshoo 1015 Afghanistan OADV OADV : Devar 1016 Afghanistan OARM OARM : Dilaram 1017 Afghanistan OAEM OAEM : Eshkashem 1018 Afghanistan OAFZ OAFZ : Faizabad 1019 Afghanistan OAFR OAFR : Farah 1020 Afghanistan OAGD OAGD : Gader 1021 Afghanistan OAGZ OAGZ : Gardez 1022 Afghanistan OAGS OAGS : Gasar 1023 Afghanistan OAGA OAGA : Ghaziabad 1024 Afghanistan OAGN OAGN : Ghazni 1025 Afghanistan OAGM OAGM : Ghelmeen 1026 Afghanistan OAGL OAGL : Gulistan 1027 Afghanistan OAHJ OAHJ : Hajigak 1028 Afghanistan OAHE OAHE : Hazrat eman 1029 Afghanistan OAHR OAHR : Herat 1030 Afghanistan OAEQ OAEQ : Islam qala 1031 Afghanistan OAJS OAJS : Jabul saraj 1032 Afghanistan OAJL OAJL : Jalalabad 1033 Afghanistan OAJW OAJW : Jawand 1034
    [Show full text]
  • 1 Song Title
    Music Video Pack Vol. 6 Song Title No. Popularized By Composer/Lyricist Hillary Lindsey, Liz Rose, FEARLESS 344 TAYLOR SWIFT Taylor Swift Christina Aguilera; FIGHTER 345 CHRISTINA AGUILERA Scott Storch I. Dench/ A. Ghost/ E. Rogers/ GYPSY 346 SHAKIRA Shakira/ C. Sturken HEARTBREAK WARFARE 347 JOHN MAYER Mayer, John LAST OF THE AMERICAN GIRLS 351 GREENDAY Billie Joe Armstrong OPPOSITES ATTRACT 348 JURIS Jungee Marcelo SAMPIP 349 PAROKYA NI EDGAR SOMEDAY 352 MICHAEL LEARNS TO ROCK Jascha Richter SUNBURN 353 OWL CITY Adam Young Nasri Atweh, Justin Bieber, Luke THAT SHOULD BE ME 354 JUSTIN BIEBER Gottwald, Adam Messinger THE ONLY EXCEPTION 350 PARAMORE Farro, Hayley Williams Max Martin, Alicia WHAT DO YOU WANT FROM ME 355 ADAM LAMBERT Moore, Jonathan Karl Joseph Elliott, Rick WHEN LOVE AND HATE COLLIDE 356 DEF LEPPARD Savage Jason Michael Wade, YOU AND ME 357 LIFEHOUSE Jude Anthony Cole YOUR SMILING FACE 358 JAMES TAYLOR James Taylor www.wowvideoke.com 1 Music Video Pack Vol. 6 Song Title No. Popularized By Composer/Lyricist AFTER ALL THESE YEARS 9057 JOURNEY Jonathan Cain Michael Masser / Je!rey ALL AT ONCE 9064 WHITNEY HOUSTON L Osborne ALL MY LIFE 9058 AMERICA Foo Fighters ALL THIS TIME 9059 SIX PART INVENTION COULD'VE BEEN 9063 SARAH GERONIMO Richard Kerr (music) I'LL NEVER LOVE THIS WAY AGAIN 9065 DIONNE WARWICK and Will Jennings (lyrics) NOT LIKE THE MOVIES 9062 KC CONCEPCION Jaye Muller/Ben Patton THE ART OF LETTING GO 9061 MIKAILA Linda Creed, Michael UNPRETTY 9066 TLC Masser YOU WIN THE GAME 9060 MARK BAUTISTA 2 www.wowvideoke.com Music Video Pack Vol.
    [Show full text]
  • Strut, Sing, Slay: Diva Camp Praxis and Queer Audiences in the Arena Tour Spectacle
    Strut, Sing, Slay: Diva Camp Praxis and Queer Audiences in the Arena Tour Spectacle by Konstantinos Chatzipapatheodoridis A dissertation submitted to the Department of American Literature and Culture, School of English in fulfillment of the requirement for the degree of Doctor of Philosophy Faculty of Philosophy Aristotle University of Thessaloniki Konstantinos Chatzipapatheodoridis Strut, Sing, Slay: Diva Camp Praxis and Queer Audiences in the Arena Tour Spectacle Supervising Committee Zoe Detsi, supervisor _____________ Christina Dokou, co-adviser _____________ Konstantinos Blatanis, co-adviser _____________ This doctoral dissertation has been conducted on a SSF (IKY) scholarship via the “Postgraduate Studies Funding Program” Act which draws from the EP “Human Resources Development, Education and Lifelong Learning” 2014-2020, co-financed by European Social Fund (ESF) and the Greek State. Aristotle University of Thessaloniki I dress to kill, but tastefully. —Freddie Mercury Table of Contents Acknowledgements...................................................................................i Introduction..............................................................................................1 The Camp of Diva: Theory and Praxis.............................................6 Queer Audiences: Global Gay Culture, the Arena Tour Spectacle, and Fandom....................................................................................24 Methodology and Chapters............................................................38 Chapter 1 Times
    [Show full text]
  • 2011 06 Kamus Saku Tado 1A
    Nama angka : 1 saungu satu one 2 roungu dua two 3 toluongu tiga three 4 aopo empat four 5 alima lima five 6 aono enam six 7 papitu tujuh seven 8 uwalu delapan eight 9 sasio sembilan nine 10 sampulu sepuluh ten 11 sampulu saungu sebelas eleven 12 sampulu roungu duabelas twelve 13 sampulu toluongu tigabelas thirteen 14 sampulu aopo empat belas fourteen 15 sampulu alima lima belas fifteen 16 sampulu aono enam belas sixteen 17 sampulu papitu tujuh belas seventeen 18 sampulu uwalu delapan belas eighteen 19 sampulu sasio sembilan belas nineteen 20 rompulu dua puluh twenty 30 tolu mpulu tiga puluh thirty 40 aopo mpulu empat puluh forty 50 lima mpulu lima puluh fifty 60 aono mpulu enam puluh sixty 70 pitu mpulu tujuh puluh seventy 80 walu mpulu delapan puluh eighty 90 sio mpulu sembilan puluh ninety 100 saatu seratus one hundred 200 roatu dua ratus two hundred 300 toluatu tiga ratus three hundred 400 opoatu empat ratus four hundred 500 limatu lima ratus five hundred 600 aonoatu enam ratus six hundred 700 pituatu tujuh ratus seven hundred 800 waluatu delapan ratus eight hundred 900 sioatu sembilan ratus nine hundred 1000 sanjobu seribu one thousand Nama hari : eo Minggu hari Minggu Sunday eo Sinei hari Senin Monday eo Salasa hari Selasa Tuesday eo Rabu hari Rabu Wednesday eo Kamisi hari Kamis Thursday eo Jumaa hari Jum'at Friday eo Satu hari Sabtu Saturday Nama bulan : Wula Saungu Januari January Wula Roungu Februari February Wula Tuluongu Maret March Wula Aopongu April April Wula Limaongu Mei May Wula Aonongu Juni June Wula Pituongu Juli July Wula Waluongu Agustus August Wula Siongu September September Wula Sampuluongu Oktober October Wula Sampulu Saungu November November Wula Sampulu Roungu Desember December KAMUS SAKU BAHASA TADO-LINDU — INDONESIA — INGGRIS Disusun oleh Tim Kerja Pengembangan Bahasa Tado-Lindu: Bance Tarua Erik Pengei, S.Pd.
    [Show full text]
  • Ethnobiological Study of Larung Sembonyo Ceremony in Watulimo District, Trenggalek As a Basic of Ecotourism Planning
    Journal of Indonesian Tourism and doi: 10.21776/ub.jitode.2017.005.01.07 Development Studies E-ISSN : 2338-1647 http://jitode.ub.ac.id Ethnobiological Study of Larung Sembonyo Ceremony in Watulimo District, Trenggalek as a Basic of Ecotourism Planning Zulfaidha Zulia1, Jati Batoro2, Bagyo Yanuwiadi2 1Master Program of Environmental Sciences, University of Brawijaya, Malang, Indonesia 2Department of Biology, Faculty of Mathematics and Natural Sciences, University of Brawijaya, Malang, Indonesia Abstract This research aims to describe the ritual plant species and types of offerings that are used in Larung Sembonyo ceremonies and to know the community's role in the conservation of ritual plants. Plant diversity and utilization survey were conducted by semi-structured and structured interviews to the informant. The selection of informants was using snowball sampling technique. Data was analyzed descriptively with ICS and FUVs index. The results of the study found 38 species of Larung Sembonyo ritual which is divided into 23 families. Types of offerings are used in Larung Sembonyo ceremony as much as 31 types, each of which has its own meaning. The 10 highest Value Index of Cultural Significance (ICS) of LarungSembonyo ceremonial plant is Oryza sativa L., Oryza glutinosa, Cocos nucifera L., Musa paradisiaca L., Pandanus amaryllifolus Roxb., Piper battle L., Aliumcepa L., Alium sativum L. and Manihot esculenta Crantz. The five highest Family Values Use (FUVs) were occupied by Family Arecaceae, Euphorbiaceae, musaceae, Solanaceae and Poaceae. The higher FUVs the more uses and utilization of these plants in a ritual ceremony Larung Sembonyo. Karanggongso community has indirect conservation efforts on plants that are used for rituals.
    [Show full text]
  • Women Singer-Songwriters As Exemplary Actors: the Music of Rape and Domestic Violence
    Women Singer-Songwriters as Exemplary Actors: The Music of Rape and Domestic Violence KATHANNE W. GREENE At the 2016 Oscars, Lady Gaga, joined onstage by fifty rape survivors, performed the song “Til It Happens to You.” The Oscar-nominated song by Lady Gaga and Diane Warren was written for The Hunting Ground, a documentary film about campus sexual assault. Over thirty-one million people viewed the Oscar performance, which brought some in the audience to tears, and the video on Vevo has received over twenty-nine million views with another twenty-eight million views on YouTube. The film, video, and performance are the result of a growing political and social movement by young high school and college women to force schools, universities, and colleges to vigorously respond to rape and sexual harassment on campus. In response to complaints filed by more and more young women, the Obama Administration and the Office of Civil Rights (OCR) in the Department Education began investigating claims that schools, colleges, and universities were not actively and adequately responding to claims of sexual assault and harassment despite passage of the Clery Act of 1990. The Clery Act requires colleges and universities to report data on crime on campus, provide support and accommodations to survivors, and establish written policies and procedures for the handling of campus crime.1 Since 2011, the OCR has expanded its efforts to address sexual assault on campuses as violations of Title IX of the Education Amendments of 1972 that prohibits sex discrimination
    [Show full text]
  • Lady Gaga and the Possibilities of Postessentialist Feminisms
    Journal of Popular Music Studies, Volume 26, Issue 1, Pages 28–46 “Same DNA, but Born this Way”: Lady Gaga and the Possibilities of Postessentialist Feminisms Dr. Juliet Williams UCLA Department of Gender Studies, Los Angeles Since bursting on the scene in 2008 with her first studio album, The Fame, Lady Gaga has enjoyed the devotion of an unusually dedicated cadre of fans, affectionately dubbed her “little monsters.” Lady Gaga also has attracted the attention of scholars, leading to numerous tongue-in-cheek media reports documenting the rise of Gaga Studies as a field of academic inquiry (Corona, 2010; Eby, 2010).1 Required reading now includes J. Jack Halberstam’s recent book, Gaga Feminism: Sex, Gender, and the End of Normal (2012). In the opening pages, Halberstam offers up Lady Gaga as “a symbol for a new kind of feminism” (xii). This new feminism, which Halberstam dubs gaga feminism, “ . is simultaneously a monstrous outgrowth of the unstable category of ‘woman’ in feminist theory, a celebration of the joining of femininity to artifice, and a refusal of the mushy sentimentalism that has been siphoned into the category of womanhood” (xiii). As Halberstam explains, gaga feminism rejects the “fixity of roles for males and females” (5) and celebrates “the withering away of old social models of desire, gender, and sexuality” (25). It is a feminism that “recognizes multiple genders, that contributes to the collapse of our current sex-gender systems” (25). In its wake, gaga feminism creates an opening for “new forms of relation, intimacy, technology, and embodiment” (25). Halberstam insists that gaga feminism “derives from Lady Gaga and has everything to do with Lady Gaga,” but quickly adds that gaga feminism “is not limited to Lady Gaga” (xii).
    [Show full text]
  • Proceedings of Socio-Economics, Innovation and Management of the Java Sea Pelagic Fisheries
    Sosekin1a Proceedings Bandungan, 4 - 7December 1995 TIM PENYUNTING Penanggung Jawab Kepala Pusat Peneli ban dan Pengembangan Perikanan Ketua Dr, Subhat Nurhakim (Peneliti Madya, Balitkanlut) Anggota Or, J, Roch (Tenaga Ahli pada Proyek ORSTOM) Dr. Johanes Widodo (Ahli Peneliti Utama, Balitkanlut) Dr. Achmad Poernomo (Penebti Muda, Puslitbangkan) Redaksi Pelaksana Ir, Murniyati (Peneliti Muda, Puslitbangkan) II'. Novenny A. Wahyudi, MDM (Assisten Peneliti Madya, Puslitbangkan) Alamat Pusat Penelitian dan Pengembangan Perikanan JI. Petamburan VI Telp. 5709160, 5709162, Fax. 5709159 PO. Box 6650 Jakarta 11410 A E-mail: [email protected] Hak Cipta Badan Penelitian dan Pengembangan Pertanian Departemen Pertanian Pengutipan Roch J., S. Nurhakim,.I. Widodo, and A. Poernomo (Eds) Proceedings of Socioeconomics, Innovation and Management of the Java Sea Pelagic Fisheries (SOSEKIMA) 4-7 December 1995, Java Sea Pelagic Fishery Assessment Project Jakarta, 411 p. Fronl Page: From fis.hing b(l~ls to the m~rl-;et .. , Pelabuhall Ralu, Wc>, ja\o\'a, Piclllfe by courtesy of ORSTOM Central Research Institute for Fisheries French Scientific Research Agency for Agricultural Research and Development Institute for Development European Union Ministry of Agriculture, Indonesia through Cooperation SOSEKIMA Proceedings of Socio-economics, Innovation and Management of the Java Sea Pelagic Fisheries 4 - 7 December 1995 Bandungan PELFISH~ ~ .\ Scientific Editors: J. Roch, S. Nurhakim, J. Widodo and A. Poernomo Java Sea Pelagic Fishery Assessment Project JI. Pasir Putih I, Ancol Timur Jakarta 14430 1998 Documentallon OASTOM 1 6 AOUT 1999 FI I I 010056513 To our dear late colleague and friend Dr. Thierry Boely who, beyond the task, has shown us humanity, dignity and the way to achieve this Project..
    [Show full text]