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Listen to over 70 million songs with an unlimited streaming plan. Listen to this album and more than 70 million songs with your unlimited streaming plans. 1 month free, then $14.99/ month. Aliaune "" Thiam, Background Vocalist, AssociatedPerformer, ComposerLyricist - Rob Orton, Mixer, StudioPersonnel - Gene Grimaldi, Engineer, StudioPersonnel - Lady Gaga, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Dave Russell, Recording Engineer, StudioPersonnel - Redone, Producer, Recording Engineer, Programming, Background Vocalist, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Robert Orton, Mixer, StudioPersonnel - Colby O'Donis, Vocals, FeaturedArtist, AssociatedPerformer. ℗ 2008 UMG Recordings, Inc., Mit freundlicher Genehmigung: , Inc. Lady Gaga, MainArtist, ComposerLyricist - Redone, Producer, ComposerLyricist. ℗ 2008 UMG Recordings, Inc. Calvin Gaines, Producer - Robert Fusari, Producer, ComposerLyricist - Lady Gaga, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist. ℗ 2008 UMG Recordings, Inc., Mit freundlicher Genehmigung: Universal Music Group, Inc. Lady Gaga, Vocals, Background Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Redone, Producer, ComposerLyricist - Charlotte Thersen, Author. ℗ 2008 UMG Recordings, Inc. , Producer, ComposerLyricist - Lady Gaga, MainArtist, ComposerLyricist. ℗ 2008 UMG Recordings, Inc. Calvin Gaines, Producer - Robert Fusari, Producer, ComposerLyricist - Lady Gaga, MainArtist, ComposerLyricist. ℗ 2008 UMG Recordings, Inc. Martin Kierszenbaum, ComposerLyricist - Lady Gaga, MainArtist, ComposerLyricist - Robert Orton, Producer. ℗ 2008 UMG Recordings, Inc. , ComposerLyricist - Lady Gaga, MainArtist, ComposerLyricist - Redone, Producer, ComposerLyricist. ℗ 2008 UMG Recordings, Inc. 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Calvin Gaines, Producer - Robert Fusari, Producer, ComposerLyricist - Lady Gaga, Piano, MainArtist, AssociatedPerformer, ComposerLyricist - Robert Orton, Mixer, StudioPersonnel - Tom Kafafian, Guitar, AssociatedPerformer, ComposerLyricist - Cal Gaines, Bass Guitar, AssociatedPerformer. ℗ 2008 UMG Recordings, Inc. About the album. 1 disc(s) - 15 track(s) Total length: 00:54:03. © 2008 ℗ 2017 Interscope Records. Why buy on Qobuz. Stream or download your music. Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions. Zero DRM. The downloaded files belong to you, without any usage limit. You can download them as many times as you like. Choose the format best suited for you. Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF. ) depending on your needs. Listen to your purchases on our apps. Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go. Remain In Light. BORN THIS WAY THE TENTH ANNIVERSARY. A Star Is Born . The Fame Monster. Random Access Memories (Hi-Res Version) Chemtrails Over The Country Club. Pick Me Up Off The Floor. An immaculate masterpiece of 70's folk, '' celebrates its 50th birthday this year. And it hasn't aged a day. But why are artists the world over still so fascinated by this fourth, intimate album by the Canadian singer-? The Alice Cooper story is, first and foremost, an extraordinary tale of “split personality”. Like something straight out of “The Strange Case of Dr Jekyll and Mr Hyde”, singer Vincent Furnier surrendered to the domination of showman Alice Cooper. But by his own admission, the man who always speaks of “Alice” in the third person in interviews remains a simple, completely normal guy in private, far from the stage where he enacts his excesses and provocations. Throughout a career stretching over 50 years, there is an evident streak of schizophrenia in his many stylistic changes. While we credit him with the invention of shock rock, he has ventured into almost every genre with varying degrees of success, from pop to nascent hard rock, with forays into heavy metal, new wave and industrial… Thirty-four years ago, Nirvana was born: the most unexpected punk swerve of the end of the 20th century. A rocketing career, international hits, hordes of fans and a tragic epilogue for this worldwide phenomenon. And what if Kurt Cobain’s band was none other than the last band in the history of rock? The ultimate generational phenomenon of genre, if not its last myth. The Fame Monster (album) The Fame Monster (stylized as The Fame Mons†er ) is the third of Lady Gaga. It was released on November 18, 2009. The album's eight songs were initially intended to be part of a re-release of Gaga's debut album The Fame . However, Gaga announced that the new songs would be available as a stand alone EP, as she thought the re-release was too expensive and that, as the piece represents a separate conceptual and musical body of work, it did not need the songs of The Fame to support it. The album received overall positive reviews, although many noted that it was not a significant step forward for Gaga. The album was first announced on June 14 of 2009 at Singtel AMPed launch in Singapore. The album has sold 1,285,000 copies in the United States. The Fame Monster re-release was the best-selling album of 2010, with 5.8 million albums sold worldwide. Contents. Writing and Development. The new monster theme started when Gaga released a tweet saying only one word: "Monster", on May 22, 2009. For an interview with The Daily Star , Gaga explained the concept of "Monster": “I have an obsession with death and sex.” Gaga says. “Those two things are also the nexus of horror films, which I’ve been obsessing over lately. I’ve been watching horror movies and 1950s science fiction movies. My re-release is called The Fame Monster so I’ve just been sort of bulimically eating and regurgitating monster movies and all things scary. I’ve just been noticing a resurgence of this idea of monster, of fantasy, but in a very real way.” Gaga adds to the Daily Star. “If you notice in those films, there’s always a juxtaposition of sex with death. That’s what makes it so scary. Body and mind are primed for orgasm and instead somebody gets killed. That’s the sort of sick, twisted psychological circumstance.” Regarding the title The Fame Monster and the similarly named brand of headphones for which she had launched, Gaga said that it was a coincidence that the name was similar. She had already written a song titled "Monster" in March, before she met with Dr. Dre and the Noel Lee, the head of BSM Records, to discuss the collaboration. Gaga further explained that she was obsessed with monster movies then and "I’m kind of obsessing over the decay of the and the way that fame is a monster in society! That’s what my new record is about, so it was kind of a perfect fit." The first single from the re-issue was titled "". Gaga later revealed that the re-release would contain eight new songs, along with her whole original debut album. The Fame Monster deals with the seamier, darker side of fame, as experienced by Gaga over the course of the year 2008–2009, especially as she traveled the world for her first tour, The Fame Ball. She explained: " On my re-release The Fame Monster, I wrote about everything I didn't write on The Fame. While traveling the world for two years, I've encountered several monsters, each represented by a different song on the new record: my 'Fear of Sex Monster,' my 'Fear of Alcohol Monster,' my 'Fear of Love Monster,' my 'Fear of Death Monster,' my 'Fear of Loneliness Monster,' etc." "I spent a lot of nights in Eastern Europe, and this album is a pop experimentation with industrial/Goth beats, 90's dance melodies, an obsession with the lyrical of 80's melancholic pop, and the runway. I wrote while watching muted fashion shows and I am compelled to say my music was scored for them. " Gaga compared the mood of The Fame to The Fame Monster as opposites and called them Yin & Yang respectively. According to her she felt a dichotomy within herself while developing the album. With MTV she explained that, "I am ready for the , but I mourn the past, [. ] And it's a very real rite of passage — you have to let go of things. You have to mourn them like a death so that you can move on, and that's sort of what the album is about." Outtakes. Lady Gaga mentioned at multiple occasions that "[She] would not add, nor take away any songs from [the] EP." A rumored track listing was created by an online website, leading confusion because some online stores began using the false titles (see this page). When Gaga performed on Saturday Night Live , she sung an improvised ode to New York on the beat of her acoustic rendition of "Poker Face", but it was not a recorded song to be included in the album. During this performance, Gaga also debuted the acoustic version of "Bad Romance". Critical Reception. Evaluation by Digital Spy : This is already the year of Lady Gaga – and she's not ready to pack up her disco stick yet. Originally conceived as a bonus disc to accompany a of The Fame , her twelve million-selling debut album, The Fame Monster is now being released as a record in its own right. " In the midst of my creative journey composing The Fame Monster, there came an exciting revelation that this was in fact my sophomore album ," the lady herself explains. " It's a complete conceptual and musical body of work that can stand on its own two feet. " She may have couched her decision in typically preposterous and pretentious terms, but there's no quibbling with Gaga's logic here. The Fame Monster does work as a standalone album and, what's more, it's a far more enjoyable listen than The Fame ever was. At just eight tracks and 35 minutes, there's no fat, no chance for Gaga's schtick to grate and, crucially, just the one ballad. Half of the songs are RedOne productions, and the other half are split evenly between , , and . The lead single "Bad Romance" nearly equals "Poker Face" for wow factor, "Alejandro" channels and "La Isla Bonita" to deliriously catchy effect, and "" is the sort of song that, well, makes you want to dance with your top off in a grotty German bondage basement. "Teeth", meanwhile, is the most sonically intriguing thing Gaga's put her name to, an ode to rough sex conducted over an intense, tribal production that recalls 's "Half Breed" and Fleetwood Mac's "Tusk". Oh, and the ballad? It's called "Speechless" and it's her best one yet. Of course, The Fame had already told us that Gaga can find her way to a tune with a gimp mask on. What The Fame Monster proves – as if the last twelve months hadn't already made it abundantly clear – is what an exhilarating popstar she is. She can be titillating, "touching herself" at the sight of a "lavender blonde" in "", tremendous fun – her Beyoncé collaboration, "Telephone", could make Ann Widdecombe fancy a night on the tiles – and utterly startling, interrupting the '80s club rush of "Dance in the Dark" to name-check a list of dead female icons: Marilyn (Monroe), Judy (Garland), Sylvia (Plath), (Princess) Diana, and JonBenet; yes, that is JonBenet Ramsey, in case you were wondering. Best of all, there's a certain fearlessness to Gaga here – specifically, an I-don't-give-a-shit-if-look-ridiculous sort of fearlessness. Her vocal performances, as anyone who's heard "Bad Romance" will know, can err towards the deranged. When she tries to sound Spanish on the "Alejandro" spoken word intro, the result is more Dolmio ad than Almodovar. Oh, and barely a year since she scored her first hit, she's already self-referencing (" I wanna Just Dance / But he took me home instead "). Getting to the bottom of the Gaga phenomenon is going to take a hell of a lot longer than twelve months, but she offers a temporary fix here with her latest catchy motto: " I'm a free bitch baby ." We wouldn't have her any other way. Upon the release of the album, many fans were outraged to find that "Bad Romance", "Monster", "Dance In The Dark" and "Teeth" were censored, even on versions with parental advisory notices. The official Cherrytree Records stated that uncensored versions of the songs would be available as soon as possible. The explicit versions of the songs were initially released only on iTunes, the USB edition, or singular disc edition. Polo G – Hall Of Fame (Complete Album) Hall of Fame is the third studio album by American rapper Polo G. DOWNLOAD ZIP/MP3. It is scheduled to be released on June 11, 2021. The album will feature guest appearances from , Lil Durk, Lil Wayne, Scorey, G Herbo, Rod Wave, DaBaby, Young Thug, Roddy Ricch, Nicki Minaj, the late Pop Smoke, and Fivio Foreign. Production is handled by, among others, Einer Bankz, DJ Scheme, Angelo Ferraro, D Mac, Karltin Bankz, Londn Blue, Synco, Tahj Money, Varohl, and WizardMCE. In 2020, Polo G began recording his new album. In April 2021, Barlett hinted at a song with fellow Chicago rapper Lil Durk and Australian rapper the Kid Laroi with a recorded . In May, he confirmed fellow Chicago rapper G Herbo would appear on the album, with DJ Scheme previewing a snippet of their song during an Instagram live. On May 16, 2021, Polo took to Twitter to confirm that he had finished recording the album. The album’s artwork was created by art director Zanic, and features Polo G in a suit standing at a podium with platinum plaques for his prior albums behind him, and a bust of Polo G.