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Hip-Hop's Diversity and Misperceptions
The University of Maine DigitalCommons@UMaine Honors College Summer 8-2020 Hip-Hop's Diversity and Misperceptions Andrew Cashman Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Music Commons, and the Social and Cultural Anthropology Commons This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. HIP-HOP’S DIVERSITY AND MISPERCEPTIONS by Andrew Cashman A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Anthropology) The Honors College University of Maine August 2020 Advisory Committee: Joline Blais, Associate Professor of New Media, Advisor Kreg Ettenger, Associate Professor of Anthropology Christine Beitl, Associate Professor of Anthropology Sharon Tisher, Lecturer, School of Economics and Honors Stuart Marrs, Professor of Music 2020 Andrew Cashman All Rights Reserved ABSTRACT The misperception that hip-hop is a single entity that glorifies wealth and the selling of drugs, and promotes misogynistic attitudes towards women, as well as advocating gang violence is one that supports a mainstream perspective towards the marginalized.1 The prevalence of drug dealing and drug use is not a picture of inherent actions of members in the hip-hop community, but a reflection of economic opportunities that those in poverty see as a means towards living well. Some artists may glorify that, but other artists either decry it or offer it as a tragic reality. In hip-hop trends build off of music and music builds off of trends in a cyclical manner. -
Literatura Y Otras Artes: Hip Hop, Eminem and His Multiple Identities »
TRABAJO DE FIN DE GRADO « Literatura y otras artes: Hip Hop, Eminem and his multiple identities » Autor: Juan Muñoz De Palacio Tutor: Rafael Vélez Núñez GRADO EN ESTUDIOS INGLESES Curso Académico 2014-2015 Fecha de presentación 9/09/2015 FACULTAD DE FILOSOFÍA Y LETRAS UNIVERSIDAD DE CÁDIZ INDEX INDEX ................................................................................................................................ 3 SUMMARIES AND KEY WORDS ........................................................................................... 4 INTRODUCTION ................................................................................................................. 5 1. HIP HOP ................................................................................................................... 8 1.1. THE 4 ELEMENTS ................................................................................................................ 8 1.2. HISTORICAL BACKGROUND ................................................................................................. 10 1.3. WORLDWIDE RAP ............................................................................................................. 21 2. EMINEM ................................................................................................................. 25 2.1. BIOGRAPHICAL KEY FEATURES ............................................................................................. 25 2.2 RACE AND GENDER CONFLICTS ........................................................................................... -
Eminem 1 Eminem
Eminem 1 Eminem Eminem Eminem performing live at the DJ Hero Party in Los Angeles, June 1, 2009 Background information Birth name Marshall Bruce Mathers III Born October 17, 1972 Saint Joseph, Missouri, U.S. Origin Warren, Michigan, U.S. Genres Hip hop Occupations Rapper Record producer Actor Songwriter Years active 1995–present Labels Interscope, Aftermath Associated acts Dr. Dre, D12, Royce da 5'9", 50 Cent, Obie Trice Website [www.eminem.com www.eminem.com] Marshall Bruce Mathers III (born October 17, 1972),[1] better known by his stage name Eminem, is an American rapper, record producer, and actor. Eminem quickly gained popularity in 1999 with his major-label debut album, The Slim Shady LP, which won a Grammy Award for Best Rap Album. The following album, The Marshall Mathers LP, became the fastest-selling solo album in United States history.[2] It brought Eminem increased popularity, including his own record label, Shady Records, and brought his group project, D12, to mainstream recognition. The Marshall Mathers LP and his third album, The Eminem Show, also won Grammy Awards, making Eminem the first artist to win Best Rap Album for three consecutive LPs. He then won the award again in 2010 for his album Relapse and in 2011 for his album Recovery, giving him a total of 13 Grammys in his career. In 2003, he won the Academy Award for Best Original Song for "Lose Yourself" from the film, 8 Mile, in which he also played the lead. "Lose Yourself" would go on to become the longest running No. 1 hip hop single.[3] Eminem then went on hiatus after touring in 2005. -
A Stylistic Analysis of 2Pac Shakur's Rap Lyrics: in the Perpspective of Paul Grice's Theory of Implicature
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature Christopher Darnell Campbell Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric Commons Recommended Citation Campbell, Christopher Darnell, "A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature" (2002). Theses Digitization Project. 2130. https://scholarworks.lib.csusb.edu/etd-project/2130 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English: English Composition by Christopher Darnell Campbell September 2002 A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino by Christopher Darnell Campbell September 2002 Approved.by: 7=12 Date Bruce Golden, English ABSTRACT 2pac Shakur (a.k.a Makaveli) was a prolific rapper, poet, revolutionary, and thug. His lyrics were bold, unconventional, truthful, controversial, metaphorical and vulgar. -
Historical Painting Techniques, Materials, and Studio Practice
Historical Painting Techniques, Materials, and Studio Practice PUBLICATIONS COORDINATION: Dinah Berland EDITING & PRODUCTION COORDINATION: Corinne Lightweaver EDITORIAL CONSULTATION: Jo Hill COVER DESIGN: Jackie Gallagher-Lange PRODUCTION & PRINTING: Allen Press, Inc., Lawrence, Kansas SYMPOSIUM ORGANIZERS: Erma Hermens, Art History Institute of the University of Leiden Marja Peek, Central Research Laboratory for Objects of Art and Science, Amsterdam © 1995 by The J. Paul Getty Trust All rights reserved Printed in the United States of America ISBN 0-89236-322-3 The Getty Conservation Institute is committed to the preservation of cultural heritage worldwide. The Institute seeks to advance scientiRc knowledge and professional practice and to raise public awareness of conservation. Through research, training, documentation, exchange of information, and ReId projects, the Institute addresses issues related to the conservation of museum objects and archival collections, archaeological monuments and sites, and historic bUildings and cities. The Institute is an operating program of the J. Paul Getty Trust. COVER ILLUSTRATION Gherardo Cibo, "Colchico," folio 17r of Herbarium, ca. 1570. Courtesy of the British Library. FRONTISPIECE Detail from Jan Baptiste Collaert, Color Olivi, 1566-1628. After Johannes Stradanus. Courtesy of the Rijksmuseum-Stichting, Amsterdam. Library of Congress Cataloguing-in-Publication Data Historical painting techniques, materials, and studio practice : preprints of a symposium [held at] University of Leiden, the Netherlands, 26-29 June 1995/ edited by Arie Wallert, Erma Hermens, and Marja Peek. p. cm. Includes bibliographical references. ISBN 0-89236-322-3 (pbk.) 1. Painting-Techniques-Congresses. 2. Artists' materials- -Congresses. 3. Polychromy-Congresses. I. Wallert, Arie, 1950- II. Hermens, Erma, 1958- . III. Peek, Marja, 1961- ND1500.H57 1995 751' .09-dc20 95-9805 CIP Second printing 1996 iv Contents vii Foreword viii Preface 1 Leslie A. -
Kodak Black Deler Nytt Album Fullt Av Hits
Kodak Black - Dying To Live artwork 17-12-2018 15:09 CET Kodak Black deler nytt album fullt av hits Forrige fredag slapp Kodak Black sitt andre studioalbum Dying To Livevia Atlantic. Dette er hans første fullengder siden R&B-prosjektet Heartbreak Kodak fra tidligere i år, og inkluderer den platina-sertifiserte hitsingelen «ZEZE (feat. Travis Scott & Offset)». Sistnevnte ble #1 på Billboard’s "Top R&B/Hip Hop" liste og hadde en tilhørende musikkvideo regissert av Travis Scott som har tiltrukket seg over 20 millioner visninger. Dying To Live inkluderer også låter som «Calling My Spirit», «Take One» produsert av Ben Billions, og «If I’m Lyin, I’m Flyin,», der videoen til sistnevnte har over 32 millioner visninger. Andre nøkkellåter er «Moshpit» feat. Juice WRLD, «Testimony» og «Gnarly» feat. Lil Pump, med en splitter ny musikkvideo som hadde premiere forrige uke. Man kommer heller ikke utenom samarbeidet mellom Kodak, Gucci Mane og Bruno Mars for en av årets deiligste låter "Wake Up In The Sky". Nok en gang viste musikkvideoen seg å bli en sensasjon, regissert av Bruno Mars selv, med over 68 millioner individuelle visninger per dags dato. Kodak Black, som kom med på både Rolling Stone og Complex sine lister over det beste fra 2017, i tillegg til Billboard sin «21 under 21» liste, sparket i gang 2018 med den offisielle videoen til hiten «Roll In Peace (feat. XXXTentacion)» - nå med over 79 millioner visninger. På Heartbreak Kodak, sluppet på Valentinsdagen 2018, fikk vi se en annen side ved stjernen der han utforsket samt beviste sine evner til å skape sin egen R&B sound. -
Family Development; *Interpersonal
I DOCUMENT RESUME ED_259 184 CE 041 906 TITLE What to Do Regarding Nurturing Human Development. INSTITUTkON Ohio State Dept. of Education, Columbus. Div. of Vocational Education.; Ohio State Univ., Columbus. Instructional Materials Lab. PUB DATE Aug NOTE 678p.; For related documents, see CE 041 900-905. PUB TYPE Guides Classroom Use - Guides (For TearJ-Irs) (052) EDRS PRICE MF04/PC28 Plus Postage DESCRIPTORS Behavioral Objectives; *Child Rearing; Consumer Education; Curriculum Guides; Family Life; *Family Life Education; Family Relationship; *Home Economics; *Homemaking Skills; Home Management; *Individual Development; *Interpersonal Relationship; Learning Activities; Learning Modules; Marriage; One Parent Family; Parent Child Relationship; Parenthood Education; Secondary Education; Self Concept ABSTRACT These materials for the curriculum area of nurturing human development comprise one of six such packages that are partof the Ohio Vocational Consumer/Homemaking CurriculumGuide. The curriculum area or perennia) problem taken up in this documentis divided into four practical problems about what to do regarding: (1) self formation; (2) interpersonal relationships;(3) family relationships; and (4) parenting. These are further categorizedinto 12 concerns: self-identity in adolescence,life span development, peer relationships,interaction with communities and society, family relationships (single person family, marriage), parenting, welfareof child, family/child relationships, and society. Each concernis divided into a number of concepts or modules. This packageconsists of 76 modules. The format for each module is asfollows: code, perennial voblem, practical problem, concern/concept, homemaking skills (listing of various skills needed by the homemaker asrelated to the developed concepts), and a chartrelating process skills (steps of practical reasoning), concepts (further breakdownof the topic), and strategies (information and activities thatfacilitate the teaching/learniig of the concept). -
(Iowa City, Iowa), 2010-11-09
TUESDAY, NOVEMBER 9, 2010 ‘It’s frustrating to be in a facility where we want to be able to do more, but we’re limited. SOCIAL MEDIA But I really feel strongly that our core volunteers are putting their hearts and minds into doing the best we can for animals.’ — Liz Ford, Friends of the Animal Center Foundation executive director The web has eyes Companies are increasingly using social media to evaluate potential employees. By NINA EARNEST [email protected] David Fahey keeps his Facebook profile as private as possible.His profile picture isn’t of him, and he said he has “blocked everything.” The 22-year-old University of Iowa sen- ior is preparing to apply to medical school, and the potential downside to social net- working is something he aims to avoid. “I changed [my Facebook] because I don’t want employers looking at mine right now,” Fahey said, adding even the tiniest details can be misconstrued. Fahey’s efforts relate to social media’s role in the workforce, a presence that has expanded from recreation to a hiring tool CHARLIE ANDERSON/THE DAILY IOWAN for some employers. Three kittens from the same litter — which were recently left at the Iowa City Animal Care and Adoption Center — lie in a cage together on Nov. 5. National experts and local career advisers echoed Fahey’s concerns, saying the impor- The animals have joined the roughly 70 other cats at the facility that are kept in the same room. tance of social media outside of personal lives has increased, especially in the job hunt. -
In Albums Released 51Only Albums Have Been Certified
LABELS at WORK In only albums have 150,000 been certified 2017 albums released 51 1/1/2017-5/2/2018 LEVEL REL DATE TITLE ARTIST LABEL GENRE CERT DATE 3/3/2017 ÷ Ed Sheeran Atlantic Records Pop 3/22/2017 11/10/2017 Reputation Taylor Swift Big Machine Records Pop 12/11/2017 Top Dawg Entertainment/ R&B/ 4/14/2017 Damn. Kendrick Lamar 5/20/2017 Aftermath/Interscope Records Hip Hop R&B/ 2/17/2017 I Decided Big Sean Def Jam Recordings 4/18/2017 Hip Hop 1/12/2018 Camila Camila Cabello Epic Pop 1/22/2018 R&B/ 10/31/2017 Heartbreak On A Full Moon Chris Brown RCA 11/8/2017 Hip Hop R&B/ 6/23/2017 Grateful DJ Khaled Epic 7/14/2017 Hip Hop R&B/ 2/17/2017 Future Future Epic 4/25/2017 Hip Hop 6/23/2017 Evolve Imagine Dragons Kidinacorner/Interscope Rock 7/28/2017 R&B/ 6/30/2017 4:44 Jay-Z Roc Nation 7/5/2017 Hip Hop R&B/ 3/3/2017 American Teen Khalid Right Hand Music/RCA 6/23/2017 Hip Hop R&B/ 8/25/2017 Luv Is Rage 2 Lil Uzi Vert Atlantic Records 10/13/2017 Hip Hop R&B/ 6/30/2017 Everybody Logic Def Jam 8/17/2017 Hip Hop Quality Control Music/ R&B/ 1/27/2017 Culture Migos 7/14/2017 300 Entertainment Hip Hop 11/13/2017 Beautiful Trauma P!nk RCA Pop 4/19/2018 R&B/ 4/27/2018 Beerbongs & Bentleys Post Malone Republic Records 4/30/2018 Hip Hop R&B/ 5/5/2017 There’s Really A Wolf Russ Columbia/Russ My Way Inc 4/18/2018 Hip Hop Top Dawg Entertainment/ R&B/ 6/9/2017 CTRL SZA 10/11/2017 RCA Records Hip Hop 4/7/2017 Memories…Do Not Open The Chainsmokers Columbia Pop 5/18/2017 12/8/2017 The Greatest Showman Various Artists Atlantic Records Soundtrack 1/29/2018 -
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-- f iaffi""jyM w frm' sn&Qj0&i&mr " iffflywif-- r (pitictfe C. S. WEAIHSB. 3y 2J. Las: t sccrs ramflH. JCtJ. STIGAK. S6 D5W Tt Centrifugals, S.67c r Tea, $75.40. 65. Weather; fair to clfflidy. SS Analysis Efets, 9s. Sd.; Per Ten, $S0.S0. i I II NO. 15 EA.WA1IA2T GAZETTE. FRIDAY. FEBRUARY zu 1CQ&. SEMI-WEEKL- Y WHOLE No. 20S3 RAKE OX THE moiet is nit sudden death of m fiidie PINOLE POWDER yn.nr nr SO VERT TIGHT: FHMKJL f DGS, FOB TE!ITW MILL BLOWS UP 1 flicuanaiessneponsinairunasinao oeen manager oi naLwzii&iuueau uuv. Aimersun mdie KILLING MANY fer Floral Parade Are Star for Twelve Optimistic Speech at Com- Easy Betting. Years. mercial Ciub. - (Associated Press Cablegrams.) Frtsseoc it tte weekly meeting- c--f the Fraai . E;?. fr S jast rwebref 5,0,3. address Iwea istea-yea- rs I rtig QKacsftttee he&I rxosager t& Star , . twenty-fou- Htsofi Patau Hairams J rapt attentioa than PINOLE, CaL, February ai. Four whites and r - Chicago Hears Messa& yesterfay" "ec 5". T TValdros. W. 5L. aat s: f tae tsae- a tor lra I was that o former lieutenaat Govern Chinese were killed by the explosion of a powder mill here yester- - , Stwwx, 3. 3reas J. A. MSCasd- -; is :& p&fs. ife"! swiisah- yestnia,T-- or Asdersoa of CaHforala. delivered at day. - L A. tess aai YC X. Lacas. saacth- alter sa. at aij nstie3..f th Ooauaerctil Ctut ysterdar. TOKIO, February iS. The reply ot the Japanese government Brought by Tihi was as. -
No Bitin' Allowed a Hip-Hop Copying Paradigm for All Of
20 Tex. Intell. Prop. L.J. 115 Texas Intellectual Property Law Journal Fall, 2011 Article NO BITIN’ ALLOWED: A HIP-HOP COPYING PARADIGM FOR ALL OF US Horace E. Anderson, Jr.a1 Copyright (c) 2011 Intellectual Property Law Section of the State Bar of Texas; Horace E. Anderson, Jr. I. History and Purpose of Copyright Act’s Regulation of Copying 119 II. Impact of Technology 126 A. The Act of Copying and Attitudes Toward Copying 126 B. Suggestions from the Literature for Bridging the Gap 127 III. Potential Influence of Norms-Based Approaches to Regulation of Copying 129 IV. The Hip-Hop Imitation Paradigm 131 A. Structure 131 1. Biting 131 2. Beat Jacking 133 3. Ghosting 135 4. Quoting 136 5. Sampling 139 B. The Trademark Connection 140 C. The Authors’ Rights Connection 142 D. The New Style - What the Future of Copyright Could Look Like 143 V. Conclusion 143 VI. Appendix A 145 VII. Appendix B 157 VIII. Appendix C 163 *116 Introduction I’m not a biter, I’m a writer for myself and others. I say a B.I.G. verse, I’m only biggin’ up my brother1 It is long past time to reform the Copyright Act. The law of copyright in the United States is at one of its periodic inflection points. In the past, major technological change and major shifts in the way copyrightable works were used have rightly led to major changes in the law. The invention of the printing press prompted the first codification of copyright. The popularity of the player piano contributed to a reevaluation of how musical works should be protected.2 The dawn of the computer age led to an explicit expansion of copyrightable subject matter to include computer programs.3 These are but a few examples of past inflection points; the current one demands a similar level of change. -
The Fame Download Album Lady Gaga the Fame Monster Free
the fame download album Lady Gaga The Fame Monster Free. Download mp3. Full album tracks: Lady Gaga The Fame Monster Direct. | MP3 Songs iTunes, mobile, pc Lady Gaga The Fame Monster Download zip. The decision was also because Gaga believed the re-release was too expensive and that the albums were conceptually different, describing them as yin and yang. The deluxe edition is a double album featuring the eight new songs on the first disc and The Fame on the second disc. A super deluxe edition released on December 15, 2009 holds additional merchandise, including a lock from Gaga's wig. A pop record, The Fame Monster has influences of disco, glam rock, and synthpop music of the 1970s and 1980s, as wellas industrial and gothic music. The album was also inspired by fashion shows and runways. DOWNLOAD ALBUM: Polo G – Hall of Fame ZIP. DOWNLOAD Polo G Hall of Fame ZIP & MP3 File. Ever Trending Star drops this amazing song titled “Polo G Hall of Fame Album“, its available for your listening pleasure and free download to your mobile devices or computer. You can Easily Stream & listen to this new “ FULL ALBUM: Polo G Hall of Fame Zip File” free mp3 download” 320kbps, cdq, itunes, datafilehost, zip, torrent, flac, rar zippyshare fakaza Song below. DOWNLOAD ZIP/MP3. Full Album Tracklist. 1. Painting Pictures 2. RAPSTAR 3. No Return ft. Kid Laroi & Lil Durk 4. Toxic 5. Epidemic 6. GANG GANG ft. Lil Wayne 7. Boom 8. Black Hearted 9. Broken Guitars ft. Scorey 10. GNF (OKOKOK) 11. Go Part 1 ft.