DOCSLIB.ORG

(Iowa City, Iowa), 2010-11-09

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
(Iowa City, Iowa), 2010-11-09 TUESDAY, NOVEMBER 9, 2010 ‘It’s frustrating to be in a facility where we want to be able to do more, but we’re limited. SOCIAL MEDIA But I really feel strongly that our core volunteers are putting their hearts and minds into doing the best we can for animals.’ — Liz Ford, Friends of the Animal Center Foundation executive director The web has eyes Companies are increasingly using social media to evaluate potential employees. By NINA EARNEST [email protected] David Fahey keeps his Facebook profile as private as possible.His profile picture isn’t of him, and he said he has “blocked everything.” The 22-year-old University of Iowa sen- ior is preparing to apply to medical school, and the potential downside to social net- working is something he aims to avoid. “I changed [my Facebook] because I don’t want employers looking at mine right now,” Fahey said, adding even the tiniest details can be misconstrued. Fahey’s efforts relate to social media’s role in the workforce, a presence that has expanded from recreation to a hiring tool CHARLIE ANDERSON/THE DAILY IOWAN for some employers. Three kittens from the same litter — which were recently left at the Iowa City Animal Care and Adoption Center — lie in a cage together on Nov. 5. National experts and local career advisers echoed Fahey’s concerns, saying the impor- The animals have joined the roughly 70 other cats at the facility that are kept in the same room. tance of social media outside of personal lives has increased, especially in the job hunt. A new company, Social Intelligence, is designed specifically to scan job appli- cants’ social media for potential employers. Max Drucker, the CEO and president of Social Intelligence, said a client company provides Social Intelligence with what it considers “objectionable material,” such as evidence of violence or racist attitudes. SEE MEDIA, 3 CHRISTY AUMER/THE DAILY IOWAN CHRISTY AUMER/THE DAILY IOWAN U Heights Animal shelter employees work from the facility’s crowded main lobby on Oct. Animal-services officer Willa Hamilton prepares to let Caboose out to play at 12. The shelter hopes to move to a new, closer location in the next couple of the animal shelter on Oct. 12. All of the shelter’s dogs are kept in one room, years. something officials hope to change in the permanent facility. battle Animal shelter needs new home nears end Survey results show a Officials say they hope the animal shelter’s future facility, located majority of residents closer to the city, will help increase the number of volunteers and adoptions. disagree with the plan. By CATHRYN SLOANE Helping the shelter DAILYIOWAN.COM [email protected] Log on to check out a video and photo slide By ALISON SULLIVAN To donate or volunteer: show of the animal shelter’s current location. [email protected] Three fuzzy kittens were recently left at • Anyone interested in volunteering can contact the Iowa City Animal Care and Adoption the shelter at (319) 356-5295, ext. 7. University Heights city councilors are set Center in a Rubbermaid bin, with just a • Monetary donations can be made to Friends of to hold a final vote tonight on a controver- few holes drilled in it. the Animal Center Foundation at PO Box 1345, Iowa ment Agency approves the results of an sial rezoning ordinance which would allow Workers at the animal shelter found City, Iowa, 52244, or online at www.facf.org. archaeological study conducted on the a multi-level commercial development to be them at the doorstop of their temporary • Other donations can be dropped off at 4852 Sand land. The study is required to make sure built within the small community. facility, 4852 Sand Road — around five Road S.E. during business hours. there aren’t any archaeological barriers, Maxwell Construction Co. wants to con- miles south of Iowa City.The three kittens such as historical artifacts, that would struct a six-story, two-building complex joined the roughly 70 other homeless cats Source: Iowa City Animal Care and Adoption Center prevent construction. with 80 apartments and 20,000 square sharing cages in a single room. The delay comes after FEMA denied feet of commercial space on what is now A lack of space for animals is just one of two previous studies the city submitted the site of St. Andrew Presbyterian the aspects the shelter’s employees have a jail environment.” after the agency requested a study to be Church, 1300 Melrose Ave. been struggling with since they were And although shelter officials had hoped done specifically on the desired location. The current ordinance limits construc- forced from their previous location at 111 to move into a permanent location by May The city submitted two studies that had tion to single-family homes. Kirkwood Ave. during the 2008 floods, and 2012, that date might now be delayed, said taken place over the past year that were While many residents have not been its distance from the city center has limit- Liz Ford, the executive director of the done for other projects concerning land shy about expressing disapproval of the Friends of the Animal Center Foundation ed volunteer recruitment and the number . near the shelter’s potential location, plan at the first two council votes — both of adoptions made each year. The selected site sits on the west side of said Deb Mansfield, Iowa City budget- of which passed — they say they now have “The animals are under a lot of stress,” South Gilbert Street, north of McCollister management analyst. a survey to back them up. said Misha Goodman, director of Animal Boulevard, but construction cannot begin Services. “It’s like if you were thrown into until the Federal Emergency Manage- SEE SHELTER, 3 SEE U HEIGHTS, 3 DAILY IOWAN TV INDEX WEATHER WEB CALENDAR To watch Daily Iowan TV go online at dailyiowan.com or tune Arts 5 Opinions 4 HIGH LOW Let us know about your upcoming event. Submit information to the DI’s new into UITV. The 15-minute newscast is on Sunday through Classifieds 8 Spotlight 2 68 46 online event calendar and we’ll publish it there and on the Daily Break page. Thursday at 9:30 and 10:30 p.m., with reruns at 12:30 and 1:30 Crossword 6 Sports 10 To submit a listing, visit dailyiowan.com/pages/calendarsubmit a.m., and 7:45 and 8:45 a.m. the following day. Sunny, Breezy 2 - The Daily Iowan - Iowa City, Iowa - Tuesday, November 9, 2010 News dailyiowan.com for more news The Daily Iowan Volume 142 Issue 97 BREAKING NEWS STAFF Phone: (319) 335-6063 Publisher: Not minding detours E-mail: [email protected] William Casey . 335-5788 Editor: Fax: 335-6297 Brian Stewart . 335-6030 CORRECTIONS Managing Editor: One UI law student interned at the World Bank over the summer. Call: 335-6030 Clara Hogan . 335-5855 Policy: The Daily Iowan strives for Metro Editors: By NORA HEATON Emily Busse . 335-6063 accuracy and fairness in the report- [email protected] Rachel Nicole Karlis . 335-6063 ing of news. If a report is wrong or Regina Zilbermints . 335-6063 The hardest thing Nathanson misleading, a request for a correc- Opinions Editor: Rachel Nathanson had to • Age: 23 tion or a clarification may be made. Shawn Gude . 335-5863 do during her internship • Hometown: West Des PUBLISHING INFO Sports Editor: Jordan Garretson . 335-5848 last summer was not do Moines The Daily Iowan (USPS 143.360) is published by Student Publications Arts Editor: hands-on work. • Countries studied in: Jennifer Downing. 335-5851 Sitting in the World Inc., E131 Adler Journalism Building, Spain, Ecuador, and Mexico Iowa City, Iowa 52242-2004, daily 80 Hours Editor: Josie Jones. 335-5851 Bank building, interning • Mentor at the UI: Late Rex except Saturdays, Sundays, legal and with the World Bank Honey, a geography professor Copy Chief: university holidays, and university Beau Elliot. 335-6063 Inspection Panel, • At the World Bank: vacations. Periodicals postage paid Nathanson did some desk Photo Editor: studied palm oil in borrower at the Iowa City Post Office under the David Scrivner . 335-5852 research with internal countries Act of Congress of March 2, 1879. Design Editor: bank documents, but the SUBSCRIPTIONS Emma Barden. 335-6063 “doer” felt conflicted and Know someone we should shine a light Call: Juli Krause at 335-5783 Web Editor: stifled. A first-year law stu- on? E-mail us at : E-mail: [email protected] Tony Phan. 335-5829 dent, she said, she prefers [email protected]. Business Manager: Subscription rates: Debra Plath. 335-5786 to be “out in the field.” Catch up with others from our series at Iowa City and Coralville: $20 for one The panel, the internal dailyiowan.com/spotlight. Classified Ads Manager: semester, $40 for two semesters, $10 Juli Krause. 335-5784 accountability agent of the for summer se ssion, $50 for full year. Circulation Manager: World Bank, ensures that Out of town: $40 for one semester, Juli Krause. 335-5783 the bank is complying with fortable everywhere,” she $80 for two semesters, $15 for Advertising Manger: its own policies, proce- said. “That gave me a lot of summer session, $95 all year. Renee Manders. 335-5193 dures, and directives to confidence. If I can do that, Send address changes to: The Daily Advertising Sales Staff: provide social and environ- nothing in Iowa’s going to Iowan, 100 Adler Journalism Building, Bev Mrstik. .335-5792 Iowa City, Iowa 52242-2004. Cathy Witt . .335-5794 mental benefits and avoid scare me.” Day Production Manager: harm, according to the As a result of those experi- Heidi Owen.
Load more

Recommended publications
  • Hip-Hop's Diversity and Misperceptions
    The University of Maine DigitalCommons@UMaine Honors College Summer 8-2020 Hip-Hop's Diversity and Misperceptions Andrew Cashman Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Music Commons, and the Social and Cultural Anthropology Commons This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. HIP-HOP’S DIVERSITY AND MISPERCEPTIONS by Andrew Cashman A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Anthropology) The Honors College University of Maine August 2020 Advisory Committee: Joline Blais, Associate Professor of New Media, Advisor Kreg Ettenger, Associate Professor of Anthropology Christine Beitl, Associate Professor of Anthropology Sharon Tisher, Lecturer, School of Economics and Honors Stuart Marrs, Professor of Music 2020 Andrew Cashman All Rights Reserved ABSTRACT The misperception that hip-hop is a single entity that glorifies wealth and the selling of drugs, and promotes misogynistic attitudes towards women, as well as advocating gang violence is one that supports a mainstream perspective towards the marginalized.1 The prevalence of drug dealing and drug use is not a picture of inherent actions of members in the hip-hop community, but a reflection of economic opportunities that those in poverty see as a means towards living well. Some artists may glorify that, but other artists either decry it or offer it as a tragic reality. In hip-hop trends build off of music and music builds off of trends in a cyclical manner.
    [Show full text]
  • Development of a Literary Dispositif
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 4-5-2018 Development of a Literary Dispositif: Convening Diasporan, Blues, and Cosmopolitan Lines of Inquiry to Reveal the Cultural Dialogue Among Giuseppe Ungaretti, Langston Hughes, and Antonio D’Alfonso Anna Ciamparella Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the African American Studies Commons, American Literature Commons, Comparative Literature Commons, Ethnic Studies Commons, European Languages and Societies Commons, French and Francophone Language and Literature Commons, Italian Language and Literature Commons, and the Literature in English, North America Commons Recommended Citation Ciamparella, Anna, "Development of a Literary Dispositif: Convening Diasporan, Blues, and Cosmopolitan Lines of Inquiry to Reveal the Cultural Dialogue Among Giuseppe Ungaretti, Langston Hughes, and Antonio D’Alfonso" (2018). LSU Doctoral Dissertations. 4563. https://digitalcommons.lsu.edu/gradschool_dissertations/4563 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. DEVELOPMENT OF A LITERARY DISPOSITIF: CONVENING DIASPORAN, BLUES, AND COSMOPOLITAN LINES OF INQUIRY TO REVEAL THE CULTURAL DIALOGUE AMONG GIUSEPPE UNGARETTI, LANGSTON HUGHES, AND ANTONIO D’ALFONSO A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Interdisciplinary Program in Comparative Literature by Anna Ciamparella M.A.
    [Show full text]
  • Literatura Y Otras Artes: Hip Hop, Eminem and His Multiple Identities »
    TRABAJO DE FIN DE GRADO « Literatura y otras artes: Hip Hop, Eminem and his multiple identities » Autor: Juan Muñoz De Palacio Tutor: Rafael Vélez Núñez GRADO EN ESTUDIOS INGLESES Curso Académico 2014-2015 Fecha de presentación 9/09/2015 FACULTAD DE FILOSOFÍA Y LETRAS UNIVERSIDAD DE CÁDIZ INDEX INDEX ................................................................................................................................ 3 SUMMARIES AND KEY WORDS ........................................................................................... 4 INTRODUCTION ................................................................................................................. 5 1. HIP HOP ................................................................................................................... 8 1.1. THE 4 ELEMENTS ................................................................................................................ 8 1.2. HISTORICAL BACKGROUND ................................................................................................. 10 1.3. WORLDWIDE RAP ............................................................................................................. 21 2. EMINEM ................................................................................................................. 25 2.1. BIOGRAPHICAL KEY FEATURES ............................................................................................. 25 2.2 RACE AND GENDER CONFLICTS ...........................................................................................
    [Show full text]
  • Eminem 1 Eminem
    Eminem 1 Eminem Eminem Eminem performing live at the DJ Hero Party in Los Angeles, June 1, 2009 Background information Birth name Marshall Bruce Mathers III Born October 17, 1972 Saint Joseph, Missouri, U.S. Origin Warren, Michigan, U.S. Genres Hip hop Occupations Rapper Record producer Actor Songwriter Years active 1995–present Labels Interscope, Aftermath Associated acts Dr. Dre, D12, Royce da 5'9", 50 Cent, Obie Trice Website [www.eminem.com www.eminem.com] Marshall Bruce Mathers III (born October 17, 1972),[1] better known by his stage name Eminem, is an American rapper, record producer, and actor. Eminem quickly gained popularity in 1999 with his major-label debut album, The Slim Shady LP, which won a Grammy Award for Best Rap Album. The following album, The Marshall Mathers LP, became the fastest-selling solo album in United States history.[2] It brought Eminem increased popularity, including his own record label, Shady Records, and brought his group project, D12, to mainstream recognition. The Marshall Mathers LP and his third album, The Eminem Show, also won Grammy Awards, making Eminem the first artist to win Best Rap Album for three consecutive LPs. He then won the award again in 2010 for his album Relapse and in 2011 for his album Recovery, giving him a total of 13 Grammys in his career. In 2003, he won the Academy Award for Best Original Song for "Lose Yourself" from the film, 8 Mile, in which he also played the lead. "Lose Yourself" would go on to become the longest running No. 1 hip hop single.[3] Eminem then went on hiatus after touring in 2005.
    [Show full text]
  • A Stylistic Analysis of 2Pac Shakur's Rap Lyrics: in the Perpspective of Paul Grice's Theory of Implicature
    California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature Christopher Darnell Campbell Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric Commons Recommended Citation Campbell, Christopher Darnell, "A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature" (2002). Theses Digitization Project. 2130. https://scholarworks.lib.csusb.edu/etd-project/2130 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English: English Composition by Christopher Darnell Campbell September 2002 A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino by Christopher Darnell Campbell September 2002 Approved.by: 7=12 Date Bruce Golden, English ABSTRACT 2pac Shakur (a.k.a Makaveli) was a prolific rapper, poet, revolutionary, and thug. His lyrics were bold, unconventional, truthful, controversial, metaphorical and vulgar.
    [Show full text]
  • Kodak Black Release Date
    Kodak Black Release Date Ferrety and lythraceous Ludvig reinvolving while glummer Waverly fuddles her pollards hellish and poniards prosily. Peyter ideates trichotomously while mycological Helmuth pedestrianises qualifiedly or snows anomalously. Is Broddie conscience-smitten or hempy when budging some paenulas chases sulkily? If valid credit card does not stop you for Kodak Black announces that all new album Dying To large will suffice on December 14th This month and also be packed with rose Hip. Black who complained often run his alleged prison abuse may even sued over how terrible conditions wasn't scheduled to be released from his Kentucky prison until October 2022. Unless for's some issue had'm not aware of group should be released. Kodak Black paper just released from prison last seen but already's taken a page sample of. Clements also told Courthouse News on he hopes to have Kodak transported to South Carolina after spring is released from federal prison report date. Cohen said to date and dark man who claims that focus on account hit a release date or redistributed. Trump pardons Lil Wayne Kodak Black Chicago Tribune. Kodak Black 5 Fast Facts You Need who Know Heavycom. Earlier this month Lil Yachty tweeted at Trump calling for Kapri to be released. Are trademarks of. Kodak was being intelligent in a Broward County side but was released early Saturday morning are being locked up for 7 months for since two probation violations Initially. For Kodak Black label release read President Trump granted a. Kodak was released Monday morning from Broward County now after serving 97 days of a 364 day have for violating house arrest.
    [Show full text]
  • No Bitin' Allowed a Hip-Hop Copying Paradigm for All Of
    20 Tex. Intell. Prop. L.J. 115 Texas Intellectual Property Law Journal Fall, 2011 Article NO BITIN’ ALLOWED: A HIP-HOP COPYING PARADIGM FOR ALL OF US Horace E. Anderson, Jr.a1 Copyright (c) 2011 Intellectual Property Law Section of the State Bar of Texas; Horace E. Anderson, Jr. I. History and Purpose of Copyright Act’s Regulation of Copying 119 II. Impact of Technology 126 A. The Act of Copying and Attitudes Toward Copying 126 B. Suggestions from the Literature for Bridging the Gap 127 III. Potential Influence of Norms-Based Approaches to Regulation of Copying 129 IV. The Hip-Hop Imitation Paradigm 131 A. Structure 131 1. Biting 131 2. Beat Jacking 133 3. Ghosting 135 4. Quoting 136 5. Sampling 139 B. The Trademark Connection 140 C. The Authors’ Rights Connection 142 D. The New Style - What the Future of Copyright Could Look Like 143 V. Conclusion 143 VI. Appendix A 145 VII. Appendix B 157 VIII. Appendix C 163 *116 Introduction I’m not a biter, I’m a writer for myself and others. I say a B.I.G. verse, I’m only biggin’ up my brother1 It is long past time to reform the Copyright Act. The law of copyright in the United States is at one of its periodic inflection points. In the past, major technological change and major shifts in the way copyrightable works were used have rightly led to major changes in the law. The invention of the printing press prompted the first codification of copyright. The popularity of the player piano contributed to a reevaluation of how musical works should be protected.2 The dawn of the computer age led to an explicit expansion of copyrightable subject matter to include computer programs.3 These are but a few examples of past inflection points; the current one demands a similar level of change.
    [Show full text]
  • Testimonies of Coordinated Stalking by Multiple Persons from California Residents and Former California Residents
    Testimonies of Coordinated Stalking by Multiple Persons from California Residents and Former California Residents Testimonies of 90 persons include: • Results of reporting the crimes to law enforcement • Results from visits to mental health professionals • Net results on victim’s lives as a result of the crimes !1 Date: 7/17/19 Your Full Name: Ilona Gazarova City: San Francisco Zip Code: 94103 Please write a brief summary of your experience with coordinated stalking only: I'm systematically subjected to organized stalking, surveillance and harassment by people in my neighborhood and countless individuals whenever I leave my home. I am followed on the streets, to stores, parks, restaurants, public restrooms, doctor appointments, and every other place I go to. I was under surveillance and bullied at three different places of employment. I am also stalked by perpetrators in vehicles. Tracking appears to be accomplished with the help of devices the perpetrators carry in backpacks, by watching, and use of cell phones which they always have in hand and often point in my direction. When going places I looked up online or mentioned in a phone conversation, there will be people standing around that place when I arrive, all looking directly at me, with cellphones in hand. If I'm walking into a building, two to three of those waiting, will walk in with me. These perpetrators often make eye contact to let me know I'm being watched. I have constant interference with normal flow of daily life, making almost every task difficult or impossible. Perpetrators can access all of my online communication, bank and credit card statements, my online medical record, pharmacy prescriptions, cell phone texts, and listen to all conversations.
    [Show full text]
  • Songs by Artist
    Songs by Artist Title Title (Hed) Planet Earth 2 Live Crew Bartender We Want Some Pussy Blackout 2 Pistols Other Side She Got It +44 You Know Me When Your Heart Stops Beating 20 Fingers 10 Years Short Dick Man Beautiful 21 Demands Through The Iris Give Me A Minute Wasteland 3 Doors Down 10,000 Maniacs Away From The Sun Because The Night Be Like That Candy Everybody Wants Behind Those Eyes More Than This Better Life, The These Are The Days Citizen Soldier Trouble Me Duck & Run 100 Proof Aged In Soul Every Time You Go Somebody's Been Sleeping Here By Me 10CC Here Without You I'm Not In Love It's Not My Time Things We Do For Love, The Kryptonite 112 Landing In London Come See Me Let Me Be Myself Cupid Let Me Go Dance With Me Live For Today Hot & Wet Loser It's Over Now Road I'm On, The Na Na Na So I Need You Peaches & Cream Train Right Here For You When I'm Gone U Already Know When You're Young 12 Gauge 3 Of Hearts Dunkie Butt Arizona Rain 12 Stones Love Is Enough Far Away 30 Seconds To Mars Way I Fell, The Closer To The Edge We Are One Kill, The 1910 Fruitgum Co. Kings And Queens 1, 2, 3 Red Light This Is War Simon Says Up In The Air (Explicit) 2 Chainz Yesterday Birthday Song (Explicit) 311 I'm Different (Explicit) All Mixed Up Spend It Amber 2 Live Crew Beyond The Grey Sky Doo Wah Diddy Creatures (For A While) Me So Horny Don't Tread On Me Song List Generator® Printed 5/12/2021 Page 1 of 334 Licensed to Chris Avis Songs by Artist Title Title 311 4Him First Straw Sacred Hideaway Hey You Where There Is Faith I'll Be Here Awhile Who You Are Love Song 5 Stairsteps, The You Wouldn't Believe O-O-H Child 38 Special 50 Cent Back Where You Belong 21 Questions Caught Up In You Baby By Me Hold On Loosely Best Friend If I'd Been The One Candy Shop Rockin' Into The Night Disco Inferno Second Chance Hustler's Ambition Teacher, Teacher If I Can't Wild-Eyed Southern Boys In Da Club 3LW Just A Lil' Bit I Do (Wanna Get Close To You) Outlaw No More (Baby I'ma Do Right) Outta Control Playas Gon' Play Outta Control (Remix Version) 3OH!3 P.I.M.P.
    [Show full text]
  • Karaoke with a Message – August 16, 2019 – 8:30PM
    Another Protest Song: Karaoke with a Message – August 16, 2019 – 8:30PM a project of Angel Nevarez and Valerie Tevere for SOMA Summer 2019 at La Morenita Canta Bar (Puente de la Morena 50, 11870 Ciudad de México, MX) karaoke provided by La Morenita Canta Bar songbook edited by Angel Nevarez and Valerie Tevere ( ) 18840 (Ghost) Riders In The Sky Johnny Cash 10274 (I Am Not A) Robot Marina & Diamonds 00005 (I Can't Get No) Satisfaction Rolling Stones 17636 (I Hate) Everything About You Three Days Grace 15910 (I Want To) Thank You Freddie Jackson 05545 (I'm Not Your) Steppin' Stone Monkees 06305 (It's) A Beautiful Mornin' Rascals 19116 (Just Like) Starting Over John Lennon 15128 (Keep Feeling) Fascination Human League 04132 (Reach Up For The) Sunrise Duran Duran 05241 (Sittin' On) The Dock Of The Bay Otis Redding 17305 (Taking My) Life Away Default 15437 (Who Says) You Can't Have It All Alan Jackson # 07630 18 'til I Die Bryan Adams 20759 1994 Jason Aldean 03370 1999 Prince 07147 2 Legit 2 Quit MC Hammer 18961 21 Guns Green Day 004-m 21st Century Digital Boy Bad Religion 08057 21 Questions 50 Cent & Nate Dogg 00714 24 Hours At A Time Marshall Tucker Band 01379 25 Or 6 To 4 Chicago 14375 3 Strange Days School Of Fish 08711 4 Minutes Madonna 08867 4 Minutes Madonna & Justin Timberlake 09981 4 Minutes Avant 18883 5 Miles To Empty Brownstone 13317 500 Miles Peter Paul & Mary 00082 59th Street Bridge Song Simon & Garfunkel 00384 9 To 5 Dolly Parton 08937 99 Luftballons Nena 03637 99 Problems Jay-Z 03855 99 Red Balloons Nena 22405 1-800-273-8255
    [Show full text]
  • College of Wooster Miscellaneous Materials: a Finding Tool
    College of Wooster Miscellaneous Materials: A Finding Tool Denise Monbarren August 2021 Box 1 #GIVING TUESDAY Correspondence [about] #GIVINGWOODAY X-Refs. Correspondence [about] Flyers, Pamphlets See also Oversized location #J20 Flyers, Pamphlets #METOO X-Refs. #ONEWOO X-Refs #SCHOLARSTRIKE Correspondence [about] #WAYNECOUNTYFAIRFORALL Clippings [about] #WOOGIVING DAY X-Refs. #WOOSTERHOMEFORALL Correspondence [about] #WOOTALKS X-Refs. Flyers, Pamphlets See Oversized location A. H. GOULD COLLECTION OF NAVAJO WEAVINGS X-Refs. A. L. I. C. E. (ALERT LOCKDOWN INFORM COUNTER EVACUATE) X-Refs. Correspondence [about] ABATE, GREG X-Refs. Flyers, Pamphlets See Oversized location ABBEY, PAUL X-Refs. ABDO, JIM X-Refs. ABDUL-JABBAR, KAREEM X-Refs. Clippings [about] Correspondence [about] Flyers, Pamphlets See Oversized location Press Releases ABHIRAMI See KUMAR, DIVYA ABLE/ESOL X-Refs. ABLOVATSKI, ELIZA X-Refs. ABM INDUSTRIES X-Refs. ABOLITIONISTS X-Refs. ABORTION X-Refs. ABRAHAM LINCOLN MEMORIAL SCHOLARSHIP See also: TRUSTEES—Kendall, Paul X-Refs. Photographs (Proof sheets) [of] ABRAHAM, NEAL B. X-Refs. ABRAHAM, SPENCER X-Refs. Clippings [about] Correspondence [about] Flyers, Pamphlets ABRAHAMSON, EDWIN W. X-Refs. ABSMATERIALS X-Refs. Clippings [about] Press Releases Web Pages ABU AWWAD, SHADI X-Refs. Clippings [about] Correspondence [about] ABU-JAMAL, MUMIA X-Refs. Flyers, Pamphlets ABUSROUR, ABDELKATTAH Flyers, Pamphlets ACADEMIC AFFAIRS COMMITTEE X-Refs. ACADEMIC FREEDOM AND TENURE X-Refs. Statements ACADEMIC PROGRAMMING PLANNING COMMITTEE X-Refs. Correspondence [about] ACADEMIC STANDARDS COMMITTEE X-Refs. ACADEMIC STANDING X-Refs. ACADEMY OF AMERICAN POETRY PRIZE X-Refs. ACADEMY SINGERS X-Refs. ACCESS MEMORY Flyers, Pamphlets ACEY, TAALAM X-Refs. Flyers, Pamphlets ACKLEY, MARTY Flyers, Pamphlets ACLU Flyers, Pamphlets Web Pages ACRES, HENRY Clippings [about] ACT NOW TO STOP WAR AND END RACISM X-Refs.
    [Show full text]
  • PLACES to GO, PEOPLE to SEE THURSDAY, DECEMBER 10 FRIDAY, DECEMBER 11 SATURDAY, DECEMBER 12 the Regulars
    INSIDE EXCLUSIVE: Free Adderall! VerThe Vanderbilt Hustler’s Arts su & Entertainment Magazine s DECEMBER 9—DECEMBER 15, 2009 VOL. 47, NO. 28 THE FINAL COUNTDOWN Looking for motivation, stress relief, baked goods and study spots? We’ve got you covered on page 9. Flip to pages 6 and 7 for the best of everything musical from 2009. Sequins, fl annel and Blair Waldorf are all on page 8. PLACES TO GO, PEOPLE TO SEE THURSDAY, DECEMBER 10 FRIDAY, DECEMBER 11 SATURDAY, DECEMBER 12 The Regulars Ghostland Observatory – Cannery Ballroom Works Progress Administration – Exit/In Corey Chisel and Brendan Benson – Exit/In THE RUTLEDGE The Austin, TX based electro-punk duo Ghostland Observatory hits the stage The supergroup Works Progress Administration (or WPA for short), featuring Glen Singer-songwriter Brendan Benson will return home to Nashville this Saturday 410 Fourth Ave. South 37201 782-6858 at the Cannery Ballroom for a night of upbeat electronic grooves and extreme Philips (of Toad the Wet Sprocket), Sean Watkins (of Nickel Creek), and Luke Bulla (of night for a show at the nearby Exit/In. Benson, a Nashville transplant Lyle Lovett), takes its name from FDR’s New Deal program of the same title. Unlike and musician of all trades is best known for his work with Jack White in The lights. Ghostland draws on influences like Daft Punk, David Bowie, and Prince the 1939 group, this WPA “was born out of the musical community surrounding the Raconteurs but is a fantastic solo musician in his own right. With a style that is THE MERCY LOUNGE/CANNERY but certainly puts their own spin on it.
    [Show full text]