Level 1 Pathshala Book

Total Page:16

File Type:pdf, Size:1020Kb

Level 1 Pathshala Book Jain Society of Metropolitan Chicago Level 1 Pathshala Book January 2021 Dear Parents, Jai Jinendra! Welcome to Level 1 Pathshala! This book is a work in progress. We have used multiple resources to create this book, which reflects the Level 1 curriculum at Jain Society of Metropolitan Chicago. Please provide any feedback you might have on the material in this book. Since the Level 1 students are between the ages of 5 & 6, we have tried to keep the content to their level. However, at times we have included deeper meanings to give context to parents. Please note that Jainism is very complex and this book attempts to simplify the learning for young children. In doing so, the completeness of the religion cannot be explained here. We hope that you find this book useful for your kids and even for yourself on your journey of learning about Jainism. We ask for forgiveness for any mistakes in this book. Micchāmi Dukkaḍaṃ Regards, Level 1 Pathshala Teachers CHAPTER 1 - OUR RELIGION, DERASAR AND DARSHAN .......................................................................................................... 2 CHAPTER 2 - THE THREE JEWELS – RATNATRAYA .................................................................................................................... 6 CHAPTER 3 - THE THREE A’S...................................................................................................................................................... 7 CHAPTER 4 - FIVE JAIN PRINCIPLES .......................................................................................................................................... 8 CHAPTER 5 - MEANING OF SATHIYO (SWASTIKA) ................................................................................................................. 10 CHAPTER 6 - FOUR BHAVANAS (THOUGHTS) ........................................................................................................................ 12 CHAPTER 7 – JIV & AJIV .......................................................................................................................................................... 14 CHAPTER 8 - PAAP & PUNYA .................................................................................................................................................. 16 CHAPTER 9 – THE SOUL AND KARMA THEORY ...................................................................................................................... 17 CHAPTER 10 – THIRTHANKARS AND PANCH KALYANAK ....................................................................................................... 18 CHAPTER 11 - PANCH PARMESHTI AND MEANING OF NAMOKAR MANTRA ...................................................................... 21 CHAPTER 12 - JAIN FOOD PLATE ............................................................................................................................................ 23 CHAPTER 13 - GO GREEN WITH THE 3 R’S .............................................................................................................................. 24 CHAPTER 14 - KAAL CHAKRA: THE JAIN COSMIC WHEEL OF TIME ........................................................................................ 26 CHAPTER 15 - LIFE OF ADINATH BHAGWAN .......................................................................................................................... 28 CHAPTER 16 - LIFE OF MAHAVIR BHAGWAN ......................................................................................................................... 29 CHAPTER 17 - LIFE OF PARSHVANATH BHAGWAN (ROUGH DRAFT!) ................................................................................... 30 CHAPTER 18 - LIFE OF NEMINATH BHAGWAN ....................................................................................................................... 32 CHAPTER 19 - JAIN TIRTHS ...................................................................................................................................................... 33 CHAPTER 20 – OUR SPIRITUAL GURUS - SADHU/SADHVIS ................................................................................................... 34 CHAPTER 21 – SAMAVASARAN .............................................................................................................................................. 36 CHAPTER 22 - PARYUSHAN & DAS LAXANA ........................................................................................................................... 37 CHAPTER 23 - OTHER RELIGIONS ............................................................................................................................................ 38 CHAPTER 24 - ASHTA PRAKÄRI PUJÄ (EIGHT TYPES OF PUJÄ FOR TIRTHANKAR) ................................................................ 41 CHAPTER 25 - SIGNIFICANCE OF DIWALI FOR JAINS .............................................................................................................. 44 CHAPTER 26 - SAMAYIK .......................................................................................................................................................... 45 GLOSSARY ................................................................................................................................................................................ 47 RESOURCES.............................................................................................................................................................................. 48 Page 1 Chapter 1 - Our Religion, Derasar and Darshan What is religion (dharma)? Religion has rituals that help you live your life in the right way. Our dharma is called Jainism and we are called Jains. Religion is not the same as language, like Gujarati or Hindi or English. It is not where you are from like Indian, Mexican, or Italian. When we meet each other, we say “Jai Jinendra”. This means that we are giving honor to the Jinas. We hope to follow the principles of the Jinas. Jinas are the same as Tirthankaras or Arihantas. Tirthankaras are souls that have reached Moksha. When we learn about our religion, we learn how to be like the Tirthankaras and also reach Moksha one day. Moksha means you are liberated or free from the cycle of life and birth. Jains should practice saying Jai Jinendra to their friends, family and teachers. You can say Jai Jinendra in the morning, afternoon or night. You can say it face to face, on the phone, in an email or text message. It will remind us to be like the Tirthankaras. Jai Jinendra! Where do we pray? The place that Jains go to pray is called a Derasar. The Derasar usually has a tower or dome called the Shikhar at the roof with a Jain flag at the top. Derasar Why do we pray? Jains worship the Tirthankaras so that they can become more like them. Jains do not ask the Tirthankaras for any favors or wishes. How do we pray? . Next, we use the Dhoop, Divo, Mirror and fan (Darpan), Chamar and bell Now You can do Chaitya Vandan with the help of your family. You can also do “Ang Puja” if you are wearing puja clothes (clean clothes that you did not eat in or use the bathroom in). For Ang Puja, you have to go inside the “Gabharo” to touch the idols. We will learn more about 8 types of puja (Ashtaprakari Puja) in another chapter. You can ring the bell in the temple at the end. As you leave the temple you say “Avarshi, Avarshi, Avarshi”. You are saying that you will come back to the temple soon. Page 2 Pictures of Doing Darshan in Temple 1. Going to the temple 2. Jain Flag (Dhaja) After taking a bath and wearing clean clothes we go to the Once we arrive to the temple and see the temple. “Dhaja” or Jain flag we say “Namo Jinanam”. 3. Entering the derasar 4. Put on Tilak Say Nisihi, Nisihi, Nisihi (leave all thoughts behind) We put "Tilak" or "Chandlo" on our forehead Once we enter the lobby, we remove our shoes and which shows our belief in Jainism values. As put them in the shoe room. we enter the derasar we say “Nisihi, Nisihi, Nisihi”. When we say this, we are saying that we are not going to have any other thoughts while we are in the temple. 5. Mulnayak Tirthankaras in Gabharo 6. Go around Bhumti - 3 times (Pradakshina) Then we go around the "Bhumti" 3 times. We pray to main (Mulnayak) bhagwans in the Gabharo. The Bhumti is where they have the idols of We can’t go inside unless we have puja clothes on. all 24 Tirthankaras. We go around 3 times to remind us of the 3 jewels: 1) Right conduct, 2) Right knowledge and 3) Right faith. Page 3 7. Pray to Devis and other idols around the Rangmandap 8. Dhup 9. Divo 10. Darpan 11. Chamar 12. Ring Bell 13. Do Sathyio 14. Do 15. Put money in the bhandar Navkarwali 108 beads You can put money in the Bhandar to help take care of the temple. 16. Chaityavandan 17. Khamasanu 18. Avarshi, Avarshi, Avarshi (bow down 3 times while reciting (I promise to be back) Icchami Khamasnu) Page 4 Classroom Activity: 1) Paint & decorate mini Derasar using wooden treasure boxes. 2) Learn proper way to bow down during khamasnu using 2 hands folded, bent knees and forehead touching the ground. 3) Watch this video which gives an introduction to the Jain religion, its practitioners and its central beliefs. Jainism 101 - YJA Pathshala: https://youtu.be/Vy1tfCROtWE Homework: 1. Practice saying these Jain phrases and their meanings: • Jai Jinendra • Namo Jinanam • Nishi Nishi Nisihi • Avarshi Avarshi Avarshi 2. Identify all the items in the Derasar and practice all the steps. References: https://jainworld.com/education/jain-education-material/beginner-level/jain-temple/
Recommended publications
  • An Ethnographic Study of Sectarian Negotiations Among Diaspora Jains in the USA Venu Vrundavan Mehta Florida International University, [email protected]
    Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 3-29-2017 An Ethnographic Study of Sectarian Negotiations among Diaspora Jains in the USA Venu Vrundavan Mehta Florida International University, [email protected] DOI: 10.25148/etd.FIDC001765 Follow this and additional works at: https://digitalcommons.fiu.edu/etd Part of the Religion Commons Recommended Citation Mehta, Venu Vrundavan, "An Ethnographic Study of Sectarian Negotiations among Diaspora Jains in the USA" (2017). FIU Electronic Theses and Dissertations. 3204. https://digitalcommons.fiu.edu/etd/3204 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida AN ETHNOGRAPHIC STUDY OF SECTARIAN NEGOTIATIONS AMONG DIASPORA JAINS IN THE USA A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS in RELIGIOUS STUDIES by Venu Vrundavan Mehta 2017 To: Dean John F. Stack Steven J. Green School of International and Public Affairs This thesis, written by Venu Vrundavan Mehta, and entitled An Ethnographic Study of Sectarian Negotiations among Diaspora Jains in the USA, having been approved in respect to style and intellectual content, is referred to you for judgment. We have read this thesis and recommend that it be approved. ______________________________________________ Albert Kafui Wuaku ______________________________________________ Iqbal Akhtar ______________________________________________ Steven M. Vose, Major Professor Date of Defense: March 29, 2017 This thesis of Venu Vrundavan Mehta is approved.
    [Show full text]
  • Bhagwan Mahaveer & Diwali
    Bhagwan Mahaveer & Diwali All the Jains celebrate the festival of Diwali with joy. Diwali is celebrated on the new-moon day of Kartik. On the night of that day, Bhagwan Mahavira attained Nirvan or deliverance and a state of absolute bliss. The Lord discarded the body and the bondage of all Karmas on that night, at Pawapuri In Uttara-puraana written by Acharya GunBhadra (7th or 8th century) it is mentioned that in the month of Kartika, krashna paksha, svati nakshatra and on the night of the 14th (dawn of the amavasya), lord Mahavira became a Siddha (attained nirvana). Bhagwan Mahavira, the 24th Jain Tirthankaras, attained Nirvana on this day at Pavapuri on Chaturdashi of Kartika: - | || Diwali festival was first time mentioned in Harivansha Purana written by Acharya Jinasena, and composed in the Shaka Samvat era in the year 705. Acharya Jinasena mentions that Bhagavan Mahavira, attained nirvana at Pavapuri in the month of Kartika, Krashna paksh, during swati nakshatra, at the time of dawn. In Harivamsha-Purana sloka 19 and in sloka 20 he writes that the gods illuminated Pavanagari by lamps to mark the occasion. Since that time the people of Bharat celebrate the famous festival of "Dipalika" to worship the Jinendra on the occasion of his nirvana. , | , || ( ) Tatastuh lokah prativarsham-aadarat Prasiddha-deepalikaya-aatra bharate, Samudyatah poojayitum jineshvaram Jinendra-nirvana vibhuti-bhaktibhak. It means, the gods illuminated Pavanagari by lamps to mark the occasion. Since that time, the people of Bharat celebrate the famous festival of "Dipalika" to worship the Lord Mahavira on the occasion of his nirvana.
    [Show full text]
  • Diwali-Essay-In-English-And-Hindi
    1 Diwali-Essay-In-English-And-Hindi Since Deepavali is a festival for more than 2 days, we have 2 or 3 new dresses. It gives a message of love, brotherhood and friendship. India is a land of Festivals. Diwali is celebrated to mark the day when Lord Ram came to Ayodhya. On this day Kali Puja performed in Bengal. For most of us Diwali is just a synonym to a night full of crackers, noise and smoke. The last day of Diwali is called as Bhaubij. Some days before Diwali we burn statues of evil King Ravana. People greet their relatives and friends with sweets and crackers. Diwali is one of them. The night of amavasya is transformed into Purnima by glory of diyas. It is a Hindu Festival. I usually have to be a vegetarian, because I go to the Alter and offer different sweets and fruits. There is a lot of noise and air pollution. Siddharth Bidwalkar. It is a festival for shopping. tatastuh lokah prativarsham-aadarat prasiddha-deepalikaya-aatra bharate samudyatah poojayitum jineshvaram jinendra-nirvana vibhuti-bhaktibhak. People of Ayodhya welcomed them with lighted oil lamps. At 6 pm we illuminate the house with candles and diyas. At dusk we do puja of Goddess Lakshmi. Do we have to pay such a heavy cost to buy a smile for ourselves. Diwali is the festival of Goddess Laxmi. Lots of people also start new ventures on this day after performing Lakshmi Puja. This is because Lord Rama defeated him. We cook sweets like kanawla, gateau patate, tekwa, gulap jamoun and many other delicacies.
    [Show full text]
  • Lord Mahavira Publisher's Note
    LORD MAHAVIRA [A study in Historical Perspective] BY BOOL CHAND, M.A. Ph.D (Lond.) P. V. Research Institute Series: 39 Editor: Dr. Sagarmal Jain With an introduction by Prof. Sagarmal Jain P.V. RESEARCH INSTITUTE Varanasi-5 Published by P.V. Research Institute I.T.I. Road Varanasi-5 Phone:66762 2nd Edition 1987 Price Rs.40-00 Printed by Vivek Printers Post Box No.4, B.H.U. Varanasi-5 PUBLISHER’S NOTE 1 Create PDF with PDF4U. If you wish to remove this line, please click here to purchase the full version The book ‘Lord Mahavira’, by Dr. Bool Chand was first published in 1948 by Jaina Cultural Research Society which has been merged into P.V. Research Institute. The book was not only an authentic piece of work done in a historical perspective but also a popular one, hence it became unavailable for sale soon. Since long it was so much in demand that we decided in favor of brining its second Edition. Except some minor changes here and there, the book remains the same. Yet a precise but valuable introduction, depicting the relevance of the teachings of Lord Mahavira in modern world has been added by Dr. Sagarmal Jain, the Director, P.V. Research Institute. As Dr. Jain has pointed out therein, the basic problems of present society i.e. mental tensions, violence and the conflicts of ideologies and faith, can be solved through three basic tenets of non-attachment, non-violence and non-absolutism propounded by Lord Mahavira and peace and harmony can certainly be established in the world.
    [Show full text]
  • The Unknown Loпkā Tradition and the Cultural
    See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/277864347 The Unknown Lonka: Tradition and the Cultural Unconscious Article · January 2008 CITATIONS READS 3 122 1 author: Peter Flügel SOAS, University of London 31 PUBLICATIONS 113 CITATIONS SEE PROFILE Some of the authors of this publication are also working on these related projects: Literary Heritage of the Aniconic Jaina Tradition View project Johannes Klatt's Jaina-Onomasticon View project All content following this page was uploaded by Peter Flügel on 11 March 2019. The user has requested enhancement of the downloaded file. The Unknown Loïkā Tradition and the Cultural Unconscious PETER FLÜGEL In the last two decades, the main focus of Jaina research has shifted from the effectively a-historical exploration of the language, con- tent and form of the Śvetāmbara canon in particular, to the histori- cal and anthropological investigation of “strategies of transmis- sion” of tradition, including “canonisation” and “transformation” (Bruhn 1987: 107f.). The guiding question in this research is how to conceptualise the relationship between continuity and change within the “Jaina tradition” (Carrithers 1990: 142). The investiga- tion of this question became imperative after the philological de- construction of earlier notions of a Jaina “ur-canon” and the “dog- matic immutability” of the Jaina doctrine (Bruhn 1987: 104, 107), as a consequence of which even the core principles of “true Jain- ism” (Dundas 1993: 253) and the term “Jaina” itself (Flügel 2005: 2-5) became problematic. THE PRESENT IN THE PAST In current academic studies, the history of the Jaina tradition is pre- dominately presented as an interactive process between texts and practices through time (Cort 1990: 59).
    [Show full text]
  • August 2016 Jaindigest
    August 2016 JainDigest YJA Convention 2016 - Los Angeles, California JAIN DIGEST A Publication of the Federation of Jain Associations in North America (JAINA) email: [email protected] JAINA is an umbrella organization of local Jain Associations in U.S.A. and Canada. The purpose of the organization is to preserve, practice, and promote Jain Dharma and Jain Way of life. JAINA Headquarters: 722 S Main St. Milpitas, CA 95035 Tele: 510-730-0204, email: [email protected], Web: www.jaina.org JAINA Executive Committee JAIN DIGEST Editorial Team 310-721-5947 President Ashok Domadia email: [email protected] [email protected] Jain Digest Committee Chairman First VP: Gunvant Shah Mahesh Wadher [email protected] Editors Treasurer: Rita Sheth Dilip Parekh [email protected] Sanjay Bhandari Yogendra Bobra Secretory: Shobha Vora Reena Shah [email protected] Allison Bergson VP Northeast: Dr. Mamta Shaha Art and Design [email protected] Jayana Shah Rishita Dagli VP Mideast: Prakash Mehta Pooja Shah [email protected] IT Support VP Midwest: Hemant T. Shah Giriraj Jain [email protected] Advertisements VP Southeast: Rajendra Mehta Mahesh Wadher [email protected] Shobha Vora VP Southwest: Pradeep Shah [email protected] VP West: Mahesh Wadher [email protected] VP Canada: Raj Patil [email protected] Past President: Prem Jain [email protected] YJA Chair: Puja Savla On the Cover: YJA Convention 2016 Attendees [email protected] Disclosure YJA Chair: Sunny Dharod The Editorial Team endeavors to publish all the materials that are [email protected] submitted but reserves the right to reduce, revise, reject, or edit any article, letter, or abstract for clarity, space, or policy reasons.
    [Show full text]
  • LOK SABRA DEBATES (English Version)
    Thirteenth Series, Vol. XXV, No. 36 Monday, May 13,2002 Vaisakba 23, )924 (Saka) LOK SABRA DEBATES (English Version) Ninth Session (Thirteenth Lok Sabha) G8;":~ '3 t\ D'::V,t0S Unit Parl "'m"'-', ... , _" 1 •... I'" old., v I'.,:'·"1"· .... ,L:IOg Roorn :\('. t·[;··025 Block 'G·, (Vol. XXV cOlltains Nos. 31 (040) LOK SABRA SECRETARIAT NEW DELHI Price : Rs. 50.(X) EDITORIAL BOARD G.C. Malhotra Secretary-General Lok Sabha Dr. P.K. Sandhu Joint Secretary P.C. Chaudhary Principal Chief Editor Y.K. Abrol Chief Editor Vandna Trivedi Senior Editor S.S. Chauhan Assistant Editor (OAIGIN.t.l ENGLISH PROCEEDINGS INCLUDED IN ENGLISH VERSION AND ORIGINAL HINDI PROCEEDINGS INCLUDED IN HINDI VERSION WILL BE TREATED AS AUTHORrfAl1vt AND NOT THE TRANSLATION THEREOF.) CONTENTS {Thirteenth Series, Vol. XXV, Ninth Session, 200211924 (Saks)) No. 36, Monday, May 13, 2002Nalsakha 23, 1924 (Saka) SUBJECT COLUMNS REFERENCE BY SPEAKER Re : 50th Anniversary of the Parliament of India ........................................................................ '·3 ORAL ANSWER TO QUESTIONS ·Starred Question Nos. 661, 663 .................................................................................................... 3·20 WRITTEN ANSWER TO QUESTIONS ·Starred Question Nos. 662, 664--680 .......................................................................................... 20-43 Unstarred Question Nos. 6823-7049 ............................................................................................ 43-:;10 PAPERS LAID ON THE TABLE ...................................................................................................................
    [Show full text]
  • Seagate Crystal Reports
    LIST OF ELLIGIBLE CANDIDATES CALLED FOR PET/PMT FOR THE POST OF CONSTABLE INBAND STAFF OF CHANDIGARH POLICE APP-NO CAT NAME FATHER NAME ADDRESS DATE OF BIRTH DATE OF PET/PMT 1 600003 GEN BHUPINDER SINGH W. NO. 17 HOUSE NO.7607 12/09/1991 21/10/2013 BABBHI SHARMA S.A.S. NAGAR GIDDARBAHA MUKATSAR PUNJAB 2 600004 GEN DHEERAJ BHADUR # 114 GOVT. TUBEWELL 26/10/1990 21/10/2013 PURAN BHADUR PH-2 RAMBARBAR CHANDIGARH CHANDIGARH 3 600008 GEN TALWINDER SINGH VILL. MALAKPUR PO LALRU 20/04/1989 21/10/2013 KULWANT SINGH DERA BASSI SAS NAGAR MOHALI PB PUNJAB 4 600011 GEN GUPREET SINGH MANDI PASSA VPO TAJOKE 08/10/1990 21/10/2013 JAGRAJ SINGH BARNALA BARNALA PUNJAB 5 600012 GEN HARJINDER SINGH VILL. MALKOWAL P MUKERIAN 10/05/1991 21/10/2013 SANTOKH SINGH RIAN HOSHIARPUR PUNJAB 6 600014 GEN SANDEEP KUMAR VPO SUDKAIN KHURD 07/07/1992 21/10/2013 CHANDI RAM NARWANA JIND HARYANA 7 600019 GEN AMANDEEP SINGH VILL.MAUJILIPUR PO BAHLLAIN 16/07/1991 21/10/2013 JASWANT SINGH CHANMKAURSAHIB ROPAR PUNJAB 8 600020 GEN MALKEET SINGH VILL.BAGGE KE KHURD PO 02/06/1990 21/10/2013 GURCHARAN SINGH LUMBERIWALA FEROZEPUR PUNJAB 9 600021 GEN SOMVERR VPO.SAGWAN PO.SANGWAN 01/02/1991 21/10/2013 ISHWAR SINGH TOSHAM BHIWANI HARYANA 10 600022 GEN VIKRAMJET SINGH H.NO.8A OPP. RAILWAY 07/11/1991 21/10/2013 SHAMSHER SINGH STATION ROPAR PUNJAB 11 600024 GEN SATNAM SINGH VILL. RAMGARH JAWANDHAY 10/03/1990 21/10/2013 ROOP SINGH NIR HIVY RODE PO.
    [Show full text]
  • Paryushan & Das Lakshana 2014
    JAIN CENTER OF SOUTHERN CALIFORNIA Paryushan & Das Lakshana 2014 8032 Commonwealth Ave Mailing Address: P O Box 549 Buena Park, CA 90621-0549 Phone: 714-523-5246 Monthly Stuti khamemi savva-jive, save jiva khamantu me mitti me savva-bhuesu, veram majjah na kenai In This issue Paryushan program outline Pledges/Nakro available during Paryushan. Paryushan committee contact information Das Lakshana program outline Paryushan Program Outline August 22nd through 29th 2014 Jain festivals are characterized by both internal and external celebrations. The internal celebration is through praying and expressing devotion to Jinas, practicing meditation, spiritual studies, and renunciation. Paryushan and Das Lakshana are an important festival among the Jain festivals. It happens during late August / September commencing on the twelth day of the fortnight of the waning moon cycle and ending in the fourteenth of the fortnight of the waxing moon cycle. This is generally a rainy season in Northern parts of India. During this 18 day period, Jain scholars and monks visit temples and explain the Jain philosophy. Jains during this period practice external austerities such as fasting, limiting their normal activities, long distance travel etc. At the conclusion of the festivities, a lookback is encouraged, and Pratikraman is done for repentance of faults and forgiveness is given and asked for from all living beings. We will be honored to have Jain Scholar Shri Champakbhai Mehta for the Paryushan as our dignitary and Dr. Rameshbhai Parekh for the Daslakshana. Our local scholar Shri Harshadbhai Maniar will conduct English lectures in the evening using Power Point presentations. This year subject is ‘Aagam scriptures - the preaching and doctrines of the Lord Mahavira’.
    [Show full text]
  • Architectural Science in Jain Poetry: the Descriptions of Kumarapala's
    International Journal of Jaina Studies (Online) Vol. 13, No. 4 (2017) 1-30 ARCHITECTURAL SCIENCE IN JAIN POETRY THE DESCRIPTIONS OF KUMARAPALA’S TEMPLES Basile Leclère 1. Introduction In the fourth act of the Moharājaparājaya or Defeat of King Delusion, a play about the conversion to Jainism of the Caulukya king Kumārapāla (r. 1143-1173) written by the Jain layman Yaśaḥpāla under the reign of Kumārapāla’s successor Ajayapāla (r. 1173-1176), there is a scene wherein several allegorical characters, Prince Gambling, his wife Falsehood and his friends Venison and Excellent-Wine are suddenly informed by a royal proclamation that a Jain festival is about to take place. Understanding that their existence is threatened by the king’s commitment to the ethics of Jainism, all these vices look in panic for a place in the capital city of Aṇahillapura (modern Patan) to take refuge in. Falsehood then points at a great temple where she thinks they could revel, but she learns from her husband that it is a Jain sanctuary totally unfit for welcoming them, as well as the many other charming temples that Falsehood notices in the vicinity. Prince Gambling and Excellent-Wine then explain that all these temples have been built by Kumārapāla under the influence of his spiritual teacher, the Jain monk Hemacandra.1 As a matter of fact, Kumārapāla did launch an ambitious architectural project after converting to Jainism and had Jain temples built all over the Caulukya empire, a feat celebrated by another allegorical character, Right-Judgement, in the fifth act of the Defeat of King Delusion: there he expresses his joy of seeing the earth looking like a woman thrilled with joy, with all these temples to Dispassionate Jinas erected at a high level as the hair of a body.2 Other Jain writers from the times of Kumārapāla similarly praised the king’s decision to manifest the social and political rise of Jainism by filling the landscape with so many temples.
    [Show full text]
  • Jain Worship
    ?} }? ?} }? ? ? ? ? ? Veer Gyanodaya Granthmala Serial No. 301 ? ? ? ? ? ? VEER GYANODAYA GRANTHMALA ? ? ? ? ? ? ? ? This granthmala is an ambitious project of D.J.I.C.R. in ? ? ? ? which we are publishing the original and translated ? ? JAIN WORSHIP ? ? works of Digambar Jain sect written in Hindi, ? ? ? ? ? English, Sanskrit, Prakrit, Apabhramsh, ? ? ? ? ? -:Written by :- ? ? Kannad, Gujrati, Marathi Etc. We are ? ? Pragyashramni ? ? also publishing short story type ? ? ? ? books, booklets etc. in the ? ? Aryika Shri Chandnamati Mataji ? ? interest of beginners ? ? ? ? ? ? ? ? and children. ? ? Published in Peace Year-2009, started with the inauguration of ? ? ? ? 'World Peace Ahimsa Conference' by the Hon'ble President of India ? ? -Founder & Inspiration- ? ? ? ? Smt. Pratibha Devisingh Patil at Jambudweep-Hastinapur on 21st Dec. 2008. ? GANINI PRAMUKH ARYIKA SHIROMANI ? ? ? ? ? ? ? SHRI GYANMATI MATAJI ? ? ? ? ? ? ? ? -Guidance- ? ? ? ? ? ? ? ? Pragya Shramni Aryika Shri Chandnamati ? ? ? ? Mataji ? ? ? ? ? ? ? ? -Direction- ? ? ? ? ? ? ? ? Peethadhish Kshullakratna Shri Moti Sagar Ji ? ? -: Published By :- ? ? ? ? Digambar Jain Trilok Shodh Sansthan ? ? -Granthmala Editor- ? ? ? ? Jambudweep-Hastinapur-250404, Distt.-Meerut (U.P.) ? ? ? ? Karmayogi Br. Shri Ravindra Kumar Jain ? Ph-(01233) 280184, 280236 ? ? ? All Rights Reserved for the Publisher ? ? E-mail : [email protected] ? ? ? ? Website : www.jambudweep.org ? ? ? ? ? ? Composing : Gyanmati Network, ? ? Chaitra Krishna Ekam ? ? ? First Edition Price Jambudweep-Hastinapur
    [Show full text]
  • Sculptural Art of Jains in Odisha: a Study
    International Journal of Humanities And Social Sciences (IJHSS) ISSN (P): 2319-393X; ISSN (E): 2319-3948 Vol. 6, Issue 4, Jun - Jul 2017; 115 - 126 © IASET SCULPTURAL ART OF JAINS IN ODISHA: A STUDY AKHAYA KUMAR MISHRA Lecturer in History, Balugaon College, Balugaon, Khordha, Odisha, India ABSTRACT In ancient times, Odisha was known as Utkal, which means utkarsh in kala i.e., excellent in the arts. Its rich artistic legacy permeates through time, into modern decor, never deviating from the basics. Each motif or intricate pattern, draws its inspiration from a myth or folklore, or from the general ethos itself. Covered by the dense forests, soaring mountains, sparkling waterfalls, murmuring springs, gurgling rivers, secluded dales, deep valleys, captivating beaches and sprawling lake, Odisha is a kaleidoscope of past splendor and present glory. Being the meeting place of Aryan and Dravidian cultures, with is delightful assimilations, from the fascinating lifestyle of the tribes, Odisha retains in its distinct identity, in the form of sculptural art, folk art and performing art. The architectural wonders of Odisha must be seen in the Jain caves, which speak about the fine artistry of Odisha’s craftsmen, in the bygone era. The Odias displayed their remarkable creative power, in the Jain sculptural art. While they built their caves like giants, they sculptured the caves like master artists. The theme of these sculptures was so varied, for the artist and his imagination so deep that, as if, he was writing an epic on the surface of the stone. KEYWORDS: Art, Architecture, Sculpture, Prolific INTRODUCTION Odisha has a rich and unique heritage of art traditions, beginning from the sophisticated ornate temple architecture, and sculpture to folk arts, in different forms.
    [Show full text]