DOCSLIB.ORG

I Love Fashion Merchandise Collections & Store Concept

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
I Love Fashion Merchandise Collections & Store Concept I LOVE FASHION MERCHANDISE COLLECTIONS & STORE CONCEPT F SHOP AND GARMENTS Fashion TV showroom Fashiontv presents the Fashiontv presents the F Fashiontv presents the at LME Bangkok I love (F) Tailor mix collection I love (F) Must have collection I love (F) Punk Couture collection September, 2009 June, 2009 June, 2009 June 2009 Fashiontv presents the Fashiontv presents the Fashiontv presents the Phucket Fashion Week I love (F) Glamour collection I love (F) Sport collection I love (F) collection Michel Adam collection June, 2009 June, 2009 June, 2009 May, 2008 © fashiontv / august 2010 / 2 F SHOP AND GARMENTS F Flagship store grand F Fashion Flagship store F Flagship store presentation FTV SHOP on the openning Bangkok Bangkok, Thailand Bangkok, Thailand F- DIAMOND January, 2010 January, 2010 Janury, 2010 April, 2008 Fashion TV in London Fashion TV in London F Shop FTV Promotion clip full with Roberto with Roberto www.ftv.com/shop June, 2010 2007 2007 © fashiontv / august 2010 / 3 F SHOP AND GARMENTS Fashion Week Hong Kong - Miss FTV 2007 - Two days Miss FTV Grand Finals - Long FTV MERCHINDISE FTV Booth after - MICHEL ADAM version - MICHEL ADAM BIG GOLD KEY CHAIN January, 2008 December, 2007 December, 2007 I LOVE FASHION store on FTV Merchandise FTV Merchandise FTV Merchandise FDIAMOND in the City in the Sun at the Party / part 1 © fashiontv / august 2010 / 4 F SHOP AND GARMENTS FTV Merchandise FashionTV Merchandise Clip FashionTV New Collection MARIA MOGSOLOVA at the Party / part 2 Photoshoot IN THE SPACE September, 2009 September, 2009 September, 2008 November 2009 Making of FTV Calendar F Flagship store FLOATEL FTV New Evening Thailand - Koh Rang Bangkok, Thailand Dresses Collection, Pattaya September, 2007 July, 2008 January, 2010 September, 2007 © fashiontv / august 2010 / 5 F VODKA PARTY F Vodka party at I loft Function FTV Party at Rocks hotel, FTV BOB SINCLAIR AT Party at V.I.P Belgium yacht House, Ulaan Bataar, Mongolia Casino Kyrenia, Cyprus KAREMENT MONACO with Jean Claude Van Damme July, 2010 July, 2010 June, 2010 June, 2010 F vodka party at F Vodka party at FTV F vodka party at Fratelli F Vodka Party at Bamboo Cavalli Club Dubai Indonesia 1st year anniversary Club, Bucharest, Romania Club Bucharest, Romania August, 2009 April, 2010 March, 2010 March, 2010 © fashiontv / august 2010 / 6 F VODKA PARTY F vodka at Zepter Golden Age A day on FTV Havana Beach F Vodka at Havana F Beach FTV Party at Cosy Box Cannes Celebration, Marsa Alam, Egypt Club Bodrum, Turkey Club Bodrum, Turkey Film Festival 2010 Cannes, March, 2010 July, 2010 July, 2010 June, 2010 Launch party of FTV on stock- Michel Adam Birthday party at FTV Party @ Runway club FashionTV Merchandise Clip exchange with Black Eyed Peas Sass cafe & Karement Club Tanzania, Dar Es Salaam September, 2008 June, 2010 May, 2010 July, 2010 © fashiontv / august 2010 / 7 F CLUB F Studio Bar Bangkok F Club Torun F Club Bratislava F Club South Africa FTV 13th Anniversary at FTV 13th Anniversary F Club Torun, FTV Grand Opening South Afrika F Studio Bar Bangkok Poland with Doda Elektroda F-Club Bratislava, Slovakia FTV-Bar Launch Party May, 2010 May, 2010 July, 2008 July, 2007 F Bar Tokyo F Club New Delhi F Cafe Amman KOI F Lounge Bangkok F Vodka Welcome Party 13th anniversary Fashiontv Fashion Cafe Amman Christmas F.Party at Koi at F Bar Tokyo, Japan at F club New Delhi, India Opening Party Ftv Party F Lounge Bangkok, Thailand August, 2009 April, 2010 July, 2009 December, 2009 © fashiontv / august 2010 / 8 INTRODUCTION FashionTV is the biggest fashion medium in the world. As the only global 24/7 TV station focused exclusively on fashion, beauty, trends and style, FTV broadcasts the latest news & information to over 350 million households and 7 million public places worldwide. Recognized as one of the most influential and renowned media brands in the fashion industry, it is not surprising that FashionTV has developed its own successful line of branded merchandise and a chain of retail stores. FashionTV is more than a channel, it is a lifestyle. The community of FTV viewers is considered the most luxurious, glamorous and fashion-oriented target group among all media consumers, who not only love to watch the fashionable lifestyle on TV, but they also enjoy living it. As a result, FashionTV products and high-profile events are increasingly popular and sought-after by millions of fans around the world. 9 8/23/2010 © FASHIONTV 2010 FashionTV WORLDWIDE FashionTV is watched and adored by audiences across the globe, reaching the highest popularity among the viewers in Asia, Middle East and Eastern Europe Households Reached by FashionTV 10 8/23/2010 © FASHIONTV 2010 FashionTV BRAND AWARENESS FashionTV – ONE OF THE MOST INFLUENTIAL FASHION MEDIA BRANDS The “FashionTV” brand with its exceptional awareness is one of the most recognized fashion media brands. During its 13 years of existence, FashionTV has inspired an entire generation of young viewers that grew up watching it since their teenage years. The FTV brand will always stay in the minds of Generation Y as a symbol for fashion, elegance, jet-set and modern lifestyle. With its famous DIAMOND shaped logo and an inimitable look & feel, the FTV brand is easily identified by millions of consumers around the world. After over a decade of entertaining its viewers, now is the time, 11 when the FTV brand reaches its strongest popularity among a broad target market, spanning multiple generations and various socioeconomic categories. 8/23/2010 © FASHIONTV 2010 FashionTV BRAND ESSENCE “EVERYTHING THAT HAPPENS IN THE WORLD OF FASHION AND TRENDS HAPPENS ON FTV” Naturally, the major benefit of FTV brand is its use as a selling aid, thanks to the “FashionTV effect”. Whether affixed to a dress or an item of jewellery, a T-shirt, watch or a handbag, the brand provides an opportunity for instant recognition and identification with its inspirational lifestyle. And this is where the magic of the “FashionTV” brand truly lies: IT IS A BRAND THAT BUILDS BRANDS. The world in which the “FashionTV” brand is positioned allows for far-reaching partnerships spanning both generic and branded products. 12 8/23/2010 © FASHIONTV 2010 FashionTV BRAND LICENSING The success of the FTV branded merchandise portfolio has allowed us to develop strong licensing programmes that help to establish FTV brand as a household name among consumers worldwide. By forming strategic partnerships, the FTV brand has successfully ventured into several product categories including clothing, accessories, perfumes, cosmetics, beverages, etc. - the list is extensive and continues to grow… 13 8/23/2010 © FASHIONTV 2010 FashionTV BRAND PROMOTION FashionTV’s multi-media platform presents an invaluable opportunity and support for efficient endorsement of branded merchandise on a global scale: ON AIR – on FTV network reaching approximately 56 million viewers worldwide each month IN PRINT - in FTV magazine, channel’s own world-class monthly publication ON GROUND – at many glamorous FTV events held in prestigious international destinations; e.g. FParties, FModel Search, FFriday Parties, Miss FTV Parties, First Face Parties, FBar Parties, Fashion Weeks, etc. 14 8/23/2010 © FASHIONTV 2010 MEDIA BRANDS IN FASHION Branded merchandise is very popular within the entertainment industry and there are several global media brands that have been successful in the development and selling of their own merchandise portfolio, e.g.: DISNEY - Probably the world’s most successful branded merchandiser, the Disney Company has succeeded in every opportunity to exploit not just its corporate brand merchandising opportunities but all of its sub-brands as well. Disney offers a wide variety of merchandise that consumers around the world are happy to buy. PLAYBOY brand represents a lifestyle that promises good things and good times and appeals to a diverse audience who chooses to experience the brand in very different ways. For many years 15 has Playboy been successfully capitalizing on the branded merchandise, ranging from clothing, lingerie, jewelry and watches, to fragrances, cosmetics, and electronic accessories. ELLE Jewelery Collection is a brand extension to the largest fashion publication in the world, ELLE Magazine. Since its launch, it has become very popular not only among the worldwide readers of ELLE Magazine, but also among all fashionable women. In addition, major sport clothing brands became popular because of the significant TV and print media exposure, e.g. Adidas, Nike, etc. 8/23/2010 © FASHIONTV 2010 FashionTV AUDIENCE Fashion TV Viewers – Structure of audience All Respondents (21-74 year old) Male 64,1 Female 35,9 €60,000 - €80,000 11,9 €80,000 - €100,000 4,3 16 €100,000 - €150,000 3,6 €150,000/+ 2,1 Age 21-34 34,7 Age 35-44 29 Age 45-54 22,4 Age 55-74 13,7 Source: EMS Winter 2007 (incl. CEMS) Note: EMS is a survey conducted in 19 European countries, representing 40 million affluent Europeans age 21-74 living in the top 13% of 8/23/2010 households in each country © FASHIONTV 2010 SPENDING ON FASHION FTV viewers like to spend on fashion & luxury items 56,3 Fashion TV Viewers – Clothing items bought in last 12 months All respondents & luxury consumers (21-74yo) FTV viewers (global) 41,2 FTV viewers (luxury consumers) Ind: 17 107.8 18,7 15,8 14 12,3 12,5 10,5 7,2 7,1 Ind: Ind: Ind: Ind: 105 112.3 100.5 106.2 Fragrance Designer Suit Briefcase Or Shoes Or Boots Jewellery Over Costing Over Or Dress Handbag Over Over €300 €1,500 (£1,000) €75 Costing Over €300 €750 Share in the channel audience structure % Source: EMS 2007 (incl. CEMS) 8/23/2010 © FASHIONTV 2010 I LOVE FASHION COLLECTIONS In order to reach and satisfy the entire FashionTV fan base, spanning from young to mature adults, I Love Fashion collections are positioned as „AFFORDABLE LUXURY“.
Load more

Recommended publications
  • Charitably Chic Lynn Willis
    Philadelphia University Spring 2007 development of (PRODUCT) RED, a campaign significantly embraced by the fashion community. Companies working with Focus on . Alumni Focus on . Industry News (PRODUCT) RED donate a large percentage of their profits to the Global Fund to fight Lynn Willis Charitably Chic AIDS. For example, Emporio Armani’s line donates 40 percent of the gross profit By Sara Wetterlin and Chaisley Lussier By Kelsey Rose, Erin Satchell and Holly Ronan margin from its sales and the GAP donates Lynn Willis 50 percent. Additionally, American Express, Trends in fashion come and go, but graduated perhaps the first large company to join the fashions that promote important social from campaign, offers customers its RED card, causes are today’s “it” items. By working where one percent of a user’s purchases Philadelphia with charitable organizations, designers, University in goes toward funding AIDS research and companies and celebrities alike are jumping treatment. Motorola and Apple have also 1994 with on the bandwagon to help promote AIDS a Bachelor created red versions of their electronics and cancer awareness. that benefit the cause. The results from of Science In previous years, Ralph Lauren has the (PRODUCT) RED campaign have been in Fashion offered his time and millions of dollars to significant, with contributions totaling over Design. Willis breast cancer research and treatment, which $1.25 million in May 2006. is senior includes the establishment of health centers Despite the fashion industry’s focus on director for the disease. Now, Lauren has taken image, think about what you can do for of public his philanthropy further by lending his someone else when purchasing clothes relations Polo logo to the breast cancer cause with and other items.
    [Show full text]
  • Fashion Marketing & Merchandising: Career Investigation
    Career Investigation Textile and Apparel Careers . 2 Retail Careers . .19 Promotion Careers . 35 Entrepreneurship and Other Fashion-Related Careers. 48 ©Gerber Technology LLC 2017 1 FMM CWS CI.indd 1 2/6/2018 1:01:01 PM Textile and Apparel Careers The textile and apparel segments of the soft goods chain are vital to the U.S. economy. They have a high number of fi rms, employees, and dollars invested. This segment needs fashion specialists to design, manufacture, promote, sell, and distribute the products. Producers of textile and apparel goods and industry trade associations offer a great number and variety of fashion careers. In small companies, one employee may do a combination of several of these jobs. Large companies, with many more employees, have a larger number of more specialized positions. Textile and apparel manufacturing have always been labor-intensive, but are now becoming more capital-intensive because of industry restructuring, consolidation, and use of technology. They have also traditionally employed a high percentage of unskilled labor at below U.S. average wages. The skill level and wages, however, are moving upward with automation and electronics. Textile jobs, especially marketing and sales, are located in fashion centers while other textile jobs are at the headquarters and plant sites of producers, such as in the Eastern and Southern states. Apparel jobs are also near fashion centers. To get creative textile or apparel jobs that require design or artistic abilities, prospective employees need Kzenon/Shutterstock.com an excellent portfolio of original examples. A portfolio In large textile and apparel companies employees do special- can be a case of loose, neatly mounted art or design ized jobs, such as operating a saw to cut many layers of papers showing a person’s creative work, or a portfolio fabric at a time into garment parts.
    [Show full text]
  • School of Fashion Program Brochure
    School of Fashion academyart.edu SCHOOL OF FASHION Contents Program Overview ...................................................5 What We Teach ......................................................... 7 Faculty .....................................................................11 Degree Options ..................................................... 15 Our Facilities ........................................................... 17 Student & Alumni Testimonials ........................... 19 Partnerships ......................................................... 23 Career Paths ......................................................... 25 Additional Learning Experiences ......................... 27 Awards and Accolades ......................................... 29 Online Education ................................................... 31 Academy Life ........................................................ 33 San Francisco ....................................................... 35 Athletics ................................................................ 37 Apply Today .......................................................... 39 3 SCHOOL OF FASHION Program Overview As a student at Academy of Art’s School of Fashion, you can go after the fashion career of your dreams. Aspiring designer? Learn to turn your fashion concepts into relevant, responsible, and beautiful work. More interested in the business of fashion? Future entrepreneurs thrive in our fashion-specific business and communications programs. FIND YOUR PLACE WHAT SETS US APART Academy
    [Show full text]
  • Fashion Design and Merchandising
    Chapter 12 Fashion Design and Merchandising Learning Objectives After completing this section the learner will be able to: zz explain the significance of fashion design and merchandising in garment industry zz describe the fundamentals of fashion zz explain the knowledge and skills required to be in fashion business zz discuss how a student can prepare for a career in fashion industry Introduction Fashion design and merchandising are among the most exciting career options in today’s world. In a country like India, where textile industries have been thriving for ages, the recent boom in fashion designing has led to new prospects in the existing domain of garment and accessory design. The fashion industry satisfies both the creative urge and the materialistic needs of people. You hear the term Fashion merchandising many times. Did you ever think what goes into it? Let us understand merchandising from its origin. You can recall from your early history lessons that barter of products and crafts was the start of trading practices. Slowly trading moved to ‘what was available was saleable’, so there were no complications 234 in distribution system. However, the year 1920 gave birth to ‘ready-to- wear’ and soon retailers realised that sale of such garments was big business. In a very short span of time, fashion apparel became the most important type of merchandise in department stores. As a result of the economic opportunities of fashion, a new specialisation came into being – Fashion Unit IV - Fabric And Apparel And IV - Fabric Unit merchandising. Significance Fashion design and merchandising will enable you to understand how the fashion business works.
    [Show full text]
  • Fashion Design Merchandising Strands and Standards
    STRANDS AND STANDARDS FASHION DESIGN MERCHANDISING Course Description The Fashion Merchandising course is an introductory class that teaches the concepts of entry- level business and fashion fundamentals. The following list of skill strands prepares the student in fashion merchandising in the fundamentals of basic fashion concepts and marketing terminology, fashion cycles, key components of the fashion industry shuc a s fashion designers, fashion capitals and fashion week, retail merchandise categories, fashion promotion including advertising and social media, and fashion careers. Student leadership and competitive events (FCCLA and/or DECA) may be an integral part of the course. Intended Grade Level 10-12 Units of Credit .50 Core Code 34.01.00.00.145 Concurrent Enrollment Core Code NA Prerequisite Fashion Design Studio Skill Certification Test Number 405 Test Weight 0.5 License Type CTE and/or Secondary Education 6-12 Required Endorsement(s) Endorsement 1 Family & Consumer Sciences Endorsement 2 Fashion/Textiles/Apparel ADA Compliant: April 2021 FASHION DESIGN MERCHANDISING STRAND 1 Students will recognize basic fashion concepts and terminology. Standard 1 Review fashion terms. (Fashion Design Studio Standard 1) Accessories, apparel, avant-garde, classic, composite, design detail, draped, fad, fashion, fashion cycle, fit, garment type, haute couture, ready to wear, silhouette, style, tailored, trend, wardrobe. Standard 2 Identify fashion products. • Goods – tangible items that are made, manufactured, or grown. They include apparel, textiles, accessories, and other fashion products. • Services – intangible things that people do, such as tasks performed for customers. They include tailoring, cosmetology services, and stylist. STRAND 2 Students will examine the basics of fashion marketing and associated careers.
    [Show full text]
  • The Language of Clothes: Curriculum Evalua Tion of Four Fashion Design and Merchandising Programs in Canada
    THE LANGUAGE OF CLOTHES: CURRICULUM EVALUA TION OF FOUR FASHION DESIGN AND MERCHANDISING PROGRAMS IN CANADA JUDI DORMAAR B.A., University of Lethbridge, 1993 A Project Submitted to the Faculty of Education of the University of Lethbridge in Partial Fulfillment of the Requirements for the Degree MASTER OF EDUCATION Lethbridge, Alberta February 2003 111 Abstract A high level of educational attainment carries both economic and social benefits. The popularity of continuing education programs and adult high school completion programs attest to people's interest in educational development and to the growing importance of education, skills and training in today's workplace. In general, higher levels of educational attainment are associated with improved labour market outcomes. Employment rates increase and unemployment rates decrease with higher levels of education. Education in the area of Fashion Design and Merchandising is one such area that is continuing to grow and MUST grow to keep up with the dynamics of our society. Fashion in the global market and in Canada today is big business. Its component parts - the design, production and distribution of fashion merchandise - form the basis of a highly complex, multibillion-dollar industry. It employs the greatly diversified skills and talents of millions of people, offers a multitudinous mix of products, absorbs a considerable portion of consumer spending and plays a vital role in the country's economy. Almost every country in the world depends on the textile and apparel sectors as important contributors to their economy. In Canada, more and more people will need an increasing amount of training and retraining throughout their careers.
    [Show full text]
  • 101 CC1 Concepts of Fashion
    CONCEPT OF FASHION BFA(F)- 101 CC1 Directorate of Distance Education SWAMI VIVEKANAND SUBHARTI UNIVERSITY MEERUT 250005 UTTAR PRADESH SIM MOUDLE DEVELOPED BY: Reviewed by the study Material Assessment Committed Comprising: 1. Dr. N.K.Ahuja, Vice Chancellor Copyright © Publishers Grid No part of this publication which is material protected by this copyright notice may be reproduce or transmitted or utilized or store in any form or by any means now know or here in after invented, electronic, digital or mechanical. Including, photocopying, scanning, recording or by any informa- tion storage or retrieval system, without prior permission from the publisher. Information contained in this book has been published by Publishers Grid and Publishers. and has been obtained by its author from sources believed to be reliable and are correct to the best of their knowledge. However, the publisher and author shall in no event be liable for any errors, omission or damages arising out of this information and specially disclaim and implied warranties or merchantability or fitness for any particular use. Published by: Publishers Grid 4857/24, Ansari Road, Darya ganj, New Delhi-110002. Tel: 9899459633, 7982859204 E-mail: [email protected], [email protected] Printed by: A3 Digital Press Edition : 2021 CONTENTS 1. Introduction to Fashion 5-47 2. Fashion Forecasting 48-69 3. Theories of Fashion, Factors Affecting Fashion 70-96 4. Components of Fashion 97-112 5. Principle of Fashion and Fashion Cycle 113-128 6. Fashion Centres in the World 129-154 7. Study of the Renowned Fashion Designers 155-191 8. Careers in Fashion and Apparel Industry 192-217 9.
    [Show full text]
  • Comprehensive Program Review Report
    Comprehensive Program Review Report Program Review - Fashion Program Summary 2020-2021 Prepared by: Tiffany Wainwright What are the strengths of your area?: Overall our Fashion Department has seen considerable increases in both the department and individual fashion courses. We have an amazing team of fashin instructors, with 1 full time instructor and 3 adjuncts. This program has never employed this many instructors, which we feel has increased the departments success rates this past year. Our overall Equity Success rate for our department has increased 17.3% from last year. Moving us from 66.5% in 2018-19 to 83.8% in 2019-20. Our data shows equity success rates in 3 groups, multi-ethnicity, hispanic and white students. In all 3 groups we had huge success rates in our equity among these 3 groups. All 3 groups have equitable increases. Multi-ethnicity increased 30%, Hispanic increased 17.7% and White increased 19.3% from last year (2018-19). Our individual fashion courses also had a lot of success this past year with increases from 6% to 27%. One course, fashion 160 (beginning sewing) in particular, went from 67% in 2018-19 to 94% in 2019-20. This increase is due to our amazing new sewing instructor Brenda Steffen who just completed her first year teaching in our department. Program Awards and Recipients also had an increase over last year. 2018-19 the department had 7 awards and 5 recipients and in 2019-20 the department had 10 awards and 7 recipients. FTES also had a huge increase of 9.97%, along with an increase of 1.17% in FTEF for the program.
    [Show full text]
  • Careers in Fashion Design Linda Welters University of Rhode Island, [email protected]
    University of Rhode Island Masthead Logo DigitalCommons@URI Textiles, Fashion Merchandising and Design Faculty Textiles, Fashion Merchandising and Design Publications 2015 Careers in Fashion Design Linda Welters University of Rhode Island, [email protected] Susan L. Hannel University of Rhode Island Follow this and additional works at: https://digitalcommons.uri.edu/tmd_facpubs Terms of Use All rights reserved under copyright. Citation/Publisher Attribution Welters, Linda and Hannel, Susan. “Careers in Fashion Design.” In Fashion Design for the Curious: Why Study Fashion Design edited by Kishor Vaidya. Amazon Digital Services, Inc.: The urC ious Academic Publishing, Kindle Book, 2015. This Book Chapter is brought to you for free and open access by the Textiles, Fashion Merchandising and Design at DigitalCommons@URI. It has been accepted for inclusion in Textiles, Fashion Merchandising and Design Faculty Publications by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. Careers in Fashion Design Linda Welters and Susan Hannel University of Rhode Island Fashion design is a popular subject of study at many colleges and universities around the world. Creative minded students are drawn to fashion design because it offers them the opportunity to express themselves artistically by designing apparel products. Fashion designers share characteristics in common with other artists. They have an inner drive to create. A historically recurring feature of artists’ personal biographies is the notion of their “calling” to the profession (Menger 2012: 141). As with other artists, aspiring fashion designers “have a strong emotional involvement with fashion” (Skov 2012: 278). They find camaraderie and recognition among their peers.
    [Show full text]
  • Click on This Link to View Numerous Jobs in Today's Apparel/Texile Complex
    CAREER PATHWAYS IN APPAREL AND ITS RELATED SECTORS Recent Career Openings The AMM degree provides a great launchpad to many career opportunities. Below are some examples of recent career openings in apparel and textile sectors, the position descriptions, skills and educational requirements sought. Where available, we have included the salary range. FASHION BUYER Education Requirements Bachelor’s & Master’s Degree (for advancement) Job Descriptions Responsible for the planning, selecting, buying of merchandise for retail purposes. Make decisions about what merchandise needs to be ordered, re-ordered, or left behind. They also negotiate with wholesalers about pricing. Market research, competitor analysis, product evaluations and testing and creating reports for the management team. Median Salary (2019) $118,940 for purchasing agents Where do they work? They work for department stores, retail chains, individual owned stores and wholesale distributors. Buyers typically work 30-40 hours a week (including weekends) and traveling is a must to meetings or fashion shows. Key Skills ● Meet consumer demands ● Quantitative skills ● Good Analytical skills ● Creativity ● Confidence and presentation skills ● Negotiation skills ● Research Skills ● Knowledge of computer software such as Excel to perform buying roles such as to track sales, inventory and purchases. ● Understand what consumers want to purchase (what is currenting trending). FASHION TREND FORECASTER Education Requirements Degree in fashion design, fashion merchandising, apparel production, textile design and fashion marketing. Job Descriptions Focuses on upcoming trends. Predicts the color, fabric, textures, 1 materials, prints, streetwear styles, accessory, graphics and footwear and other styles that will be presented on the runway. Have knowledge of the fashion industry and research findings.
    [Show full text]
  • PROGRAMS of STUDY
    PROGRAMS of STUDY FIDM’S curriculum is intense, concentrated, and rewarding. The college prepares students to enter the global industries of Fashion, Visual Arts, Interior Design, and Entertainment. Our graduates enter the market as highly trained professionals, ready to make a contribution. We offer Associate of Arts, A.A. Professional Designation, A.A. Advanced Study, Bachelor’s, and Master’s Degree programs designed to enhance a variety of educational backgrounds. Every program leads to a degree. Our curriculum has been developed, and is continually updated, to reflect the needs of each industry served by our majors. PROGRAMS OF STUDY 23 Associate of Arts Acceptance to the Professional Degree Programs Designation Program is contingent upon: Associate of Arts Programs are designed U.S. Students: for students who have a high school diploma 1. Possession of a U.S. regionally accredited or the recognized equivalent. These programs Associate, Bachelor’s, or Master’s degree. offer the highly specialized curriculum of 2. Associate of Applied Science degrees or a specific major, as well as a traditional non-accredited degrees will be evaluated liberal arts/general studies foundation: to verify that a sufficient number of – Apparel Industry Management liberal arts requirements have been met – Beauty Industry Merchandising & Marketing to gain acceptance into the Associate of – Digital Media* Arts Professional Designation degree – Fashion Design* programs. – Fashion Knitwear Design* International Students: – Footwear Design & Development* 1. A certified International degree equivalent – Graphic Design* to a U.S. accredited Associate, Bachelor’s, – Interior Design* or Master’s degree. – Jewelry Design* 2. TOEFL score of 183 (computer based) – Merchandising & Marketing or 65 (Internet based) –OR– successful – Merchandise Product Development passing of FIDM’s Essay and English – Social Media Placement Exam.
    [Show full text]
  • Visible Expression of Social Identity: the Clothing and Fashion Sosyal Kimliğin Görünür Temsili: Giyim Ve Moda
    GAUN JSS Visible Expression of Social Identity: the Clothing and Fashion Sosyal Kimliğin Görünür Temsili: Giyim ve Moda Nihan AKDEMİR* Abstract This paper includes the investigation about the relation between social identity and clothing and also fashion. And this relationship has been taken into consideration over the visual expression because even during the ancient times, the cloths were the basic and simple way of representing the identity and social classes. The visible expression of identity over clothing from Ancient Egypt to today’s clothing and fashion has been researched in this article. And the results have showed that every pieces of clothing from fabric to colouring have visual significations about social identity. Keywords: Identity, Clothing, Fashion, Visual Expression, Visual Signification. Öz Bu araştırma makalesi sosyal kimlik ile giyim ve moda arasındaki ilişkiyi kapsamaktadır. Bu ilişki, giysinin ve modanın geçmiş çağlardan günümüze kimliğin ve sosyal statünün bir göstergesi olması dolayısıyla, görsel anlatım üzerinden ele alınmıştır. Yazıda giysinin ve modanın görsel temsili Antik Mısır’dan günümüze alınmıştır. Sonuçlar giysinin kumaştan renge her bir biriminin sosyal kimliğin ifadesi noktasından görsel anlam taşıdığını göstermiştir. Anahtar Kelimeler: Kimlik, Giyim, Moda, Görsel Temsil, Görsel Anlam. Intoduction Clothes are more than a piece of fabric as Virgina Woolf says “Vain trifles as they seem, clothes have, they say, more important offices than merely to keep us warm. They change our view of the world and the world’s view of us… There is much to support the view that it is clothes that wear us and not we them; we may make them take the mould of arm or breast, but they mould our hearts, our brains, our tongues to their liking” (1928/1956).
    [Show full text]