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The Epic Imagination in Contemporary Indian Literature
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School May 2017 Modern Mythologies: The picE Imagination in Contemporary Indian Literature Sucheta Kanjilal University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the South and Southeast Asian Languages and Societies Commons Scholar Commons Citation Kanjilal, Sucheta, "Modern Mythologies: The pE ic Imagination in Contemporary Indian Literature" (2017). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/6875 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Modern Mythologies: The Epic Imagination in Contemporary Indian Literature by Sucheta Kanjilal A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy with a concentration in Literature Department of English College of Arts and Sciences University of South Florida Major Professor: Gurleen Grewal, Ph.D. Gil Ben-Herut, Ph.D. Hunt Hawkins, Ph.D. Quynh Nhu Le, Ph.D. Date of Approval: May 4, 2017 Keywords: South Asian Literature, Epic, Gender, Hinduism Copyright © 2017, Sucheta Kanjilal DEDICATION To my mother: for pencils, erasers, and courage. ACKNOWLEDGEMENTS When I was growing up in New Delhi, India in the late 1980s and the early 1990s, my father was writing an English language rock-opera based on the Mahabharata called Jaya, which would be staged in 1997. An upper-middle-class Bengali Brahmin with an English-language based education, my father was as influenced by the mythological tales narrated to him by his grandmother as he was by the musicals of Broadway impressario Andrew Lloyd Webber. -
Star Plus Serial Siya Ke Ram
Star plus serial siya ke ram Continue Sia K. Thum is an epic Indian TELEVISION series that aired on the Star Plus channel. The series was produced by Nichil Sinha under the banner of the Triangle Film Company. In this play, Ashish Sharma and Madirakshi Mundell play Lord Rama and Lady Sita and Kartik Jayaram as Raccoan, respectively. Apart from India, the show is also broadcast abroad in Indonesia, Sri Lanka, Thailand, and the UK remotely. The show was released on Star Plus on November 16, 2015. It now runs again on star Utsav as Ramleela – Divya Gatha Siya Aur Ram Kay and in Vijay Super as Seedhayin Raaman as well as in Bharat Star from 5 August 2018. Let's know more about the show – Siya Ke RAM trailer this show premiered on Star Plus on 16 November 2015. It was based on the Ramiana saga. The original design is taken from Tolciedas's Ramiana. Here's the trailer from the show – Siya Ke Rome Wiki Genre:- Historical TV drama original broadcast:- starts on 16 November 2015, Monday to Friday at 8 p.m. on Star Plus. Production Series Makers:- Nichil Sinha Director:- Nichil Sinha, Dhmish Shah Story/Author:- Annd Nilaktan, Subrat Sinha, Bhauna Vyas Replaces Which Series:- Tu Mera Hero Location(s): Mumbai, Indian Language:- Hindi No. From Season 1 Production Company(s) Triangle Film Company Main Channel Star Plus Siya Ke Ram Starring Ashish Sharma –::: - Ram Madirakshi Mundle –::as:– Sita Yash Mistry –:As:– Little Ram Ananya Agarwal –:As:– Young Sita Vandant –::as:– Teenager Rama Samarth Mishra –:as:– Teen Lakshmana Pravisht Mishra –:As:– Teen -
Personality Development - English 1 Personality Development - English 2 Initiative for Moral and Cultural Training [IMCTF]
Personality Development - English 1 Personality Development - English 2 Initiative for Moral and Cultural Training [IMCTF] Personality Development (English) Details Book Name : Personality Development (English) Edition : 2015 Pages : 224 Size : Demmy 1/8 Published by : Initiative for Moral and Cultural Training Foundation (IMCTF) Head Office : 4th Floor, Ganesh Towers, 152, Luz Church Road, Mylapore, Chennai - 600 004. Admin Office : 2nd Floor, “Gargi”, New No.6, (Old No.20) Balaiah Avenue, Luz, Mylapore, Chennai - 600 004. Email : [email protected], Website : www.imct.org.in This book is available on Website : www.imct.org.in Printed by : Enthrall Communications Pvt. Ltd., Chennai - 30 © Copy Rights to IMCTF Personality Development - English Index Class 1 1. Oratorical ................................................................................................12 2. Great sayings by Thiruvalluvar .........................................................12 3. Stories .......................................................................................................12 4. Skit ........................................................................................................15 Class 2 1. Oratorical .................................................................................................16 2. Poems .......................................................................................................16 3. Stories .......................................................................................................18 4. -
Janaka Janamejaya I Janamejaya I
JANAKA 345 JANAMEJAYA I the King was transferred to them they could be set discussion with Sage Paficasikha about the means to free. One early morning Janaka had, with a pure avoid death. (Santi Parva, Chapter 319). heart, chanted "Rama, Rama" and that good act was (13) There was once a Janaka King called Dharma- exchanged for the freedom of the sinners. dhvaja, and Sulabha, an erudite woman in Mithila After their release had been effected, Janaka asked wanted to test the King. By her yogic powers she Kala : "You say that only sinners come here. What sin assumed the form of a very beautiful woman and visited have I committed that I should come here ?" Kala's Janaka's palace. She was offered a seat by the King, reply to the question was as follows : "Oh ! King, and seated on the stool she took her soul into the no one else in the whole world has so much punya as body of Janaka, and the soul entered into a dicussion you have got. But, a small sin you have committed. on philosophic subjects with Janaka. Sulabha was thus Once you prevented a cow from eating grass, and, convinced about the unique scholarship of the King therefore, you had to come up to the gates ofhell. Now, and left the palace ashamed about her attempt to for. So that sin has been atoned you may go to svarga." test the King. (Santi Parva, Chapter 320) . saluted Kala and in the divine vimana to the son of Janaka went ( 14) Suka, Vyasa not being fully satisfied by Heaven. -
April 2021 Sai Sarathi (Saisarathi.Com) Page 1
Through Self-Enquiry to Self-Realization The entire cosmos is governed by God God is governed by Truth Truth is governed by the supremely wise Such a noble one is equally Divine he entire cosmos is subject to the sway of the Divine. The cosmic Divine Lord is governed by Truth. That Truth is governed by a supremely wise person T ("uttama"). Such a noble being is the very embodiment of God ("Uttamo para Devata"). God is the embodiment of time. Time is eternal. It has no end. It is boundless. As against this eternal time, the life-span of man is very limited. Because of his limited time-span, man is bound by the passage of time in terms of hours, days, months, and years. All the latter are by their intrinsic nature transient. The Lord declares: "I am the Eternal Time" ("Akshya Kaalah"). It is indeed a pity that this eternal time should be considered as a fleeting moment. Man's actions are governed by the change in time and circumstances. In the procession of years, the present new year is known as "Srimukha". The past year was known as Angirasa. To bid farewell to Angirasa and to welcome Srimukha are considered a natural action among common people. Not realizing the infinite and sacred nature of time, men set bounds to time and bid farewell to one year and extend welcome to a new year. In this context, all actions of men appear to be artificial. On this day when one person meets another, he greets the other with the words, "Happy New Year!" The other man replies, "The same to you!" These words have no meaning at all. -
The Plurality of Draupadi, Sita and Ahalya
Many Stories, Many Lessons: The Plurality of Draupadi, Sita and Ahalya Benu Verma Assistant Professor, USHSS Guru Gobind Singh Indraprastha University Dwarka, Delhi Abstract: The relationship between life and literature is a dialogic one. Life inspires literature and literature in turn influences life. Various genres in which literature is manifested reflect on the orientation, significance as well as the place of the text in its social environment. Mikhail Bakhtin proposes that genres dictate the reception of a text. Yet the same text could be interpreted differently in different times and contexts and be rewritten to reflect the aspirations of the author and her/his times. The many life stories of the feminine figures from the epics of Ramayana and Mahabharata assert not only the inconclusive nature of myth and the potency of these epics, they also tell us that with changing political and social milieu the authors reinterpret and record anew given stories to contribute to the literature of their times. Draupadi as the epic heroine of Mahabharata has been written about popularly and widely and in each version with a new take on the major milestones of her life like her five husbands and her birth from fire. The motifs of her disrobing and her hair have been employed variedly to tell various stories, sometimes of oppression and at others of liberation, each belonging to a different time and space. Each story reflected the political stance and aspiration of its author and read by readers differently as per their times and contexts. Through an examination of various literary renditions of the feminine figures from the epics, like Draupadi, Sita, and Ahalya, this paper discusses the relationship between life and literature and how changing times call for changing forms of literature. -
South-Indian Images of Gods and Goddesses
ASIA II MB- • ! 00/ CORNELL UNIVERSITY* LIBRARY Date Due >Sf{JviVre > -&h—2 RftPP )9 -Af v^r- tjy J A j£ **'lr *7 i !! in ^_ fc-£r Pg&diJBii'* Cornell University Library NB 1001.K92 South-indian images of gods and goddesse 3 1924 022 943 447 AGENTS FOR THE SALE OF MADRAS GOVERNMENT PUBLICATIONS. IN INDIA. A. G. Barraud & Co. (Late A. J. Combridge & Co.)> Madras. R. Cambrav & Co., Calcutta. E. M. Gopalakrishna Kone, Pudumantapam, Madura. Higginbothams (Ltd.), Mount Road, Madras. V. Kalyanarama Iyer & Co., Esplanade, Madras. G. C. Loganatham Brothers, Madras. S. Murthv & Co., Madras. G. A. Natesan & Co., Madras. The Superintendent, Nazair Kanun Hind Press, Allahabad. P. R. Rama Iyer & Co., Madras. D. B. Taraporevala Sons & Co., Bombay. Thacker & Co. (Ltd.), Bombay. Thacker, Spink & Co., Calcutta. S. Vas & Co., Madras. S.P.C.K. Press, Madras. IN THE UNITED KINGDOM. B. H. Blackwell, 50 and 51, Broad Street, Oxford. Constable & Co., 10, Orange Street, Leicester Square, London, W.C. Deighton, Bell & Co. (Ltd.), Cambridge. \ T. Fisher Unwin (Ltd.), j, Adelphi Terrace, London, W.C. Grindlay & Co., 54, Parliament Street, London, S.W. Kegan Paul, Trench, Trubner & Co. (Ltd.), 68—74, iCarter Lane, London, E.C. and 25, Museum Street, London, W.C. Henry S. King & Co., 65, Cornhill, London, E.C. X P. S. King & Son, 2 and 4, Great Smith Street, Westminster, London, S.W.- Luzac & Co., 46, Great Russell Street, London, W.C. B. Quaritch, 11, Grafton Street, New Bond Street, London, W. W. Thacker & Co.^f*Cre<d Lane, London, E.O? *' Oliver and Boyd, Tweeddale Court, Edinburgh. -
Multidimensional Role of Women in Shaping the Great Epic Ramayana
International Journal of Academic Research and Development International Journal of Academic Research and Development ISSN: 2455-4197 Impact Factor: RJIF 5.22 www.academicsjournal.com Volume 2; Issue 6; November 2017; Page No. 1035-1036 Multidimensional role of women in shaping the great epic Ramayana Punit Sharma Assistant Professor, Institute of Management & Research IMR Campus, NH6, Jalgaon, Maharashtra, India Abstract We look for role models all around, but the truth is that some of the greatest women that we know of come from Indian mythology Ramayana. It is filled with women who had the fortitude and determination to stand up against all odds ones who set a great example for generations to come. Ramayana is full of women, who were mentally way stronger than the glorified heroes of this great Indian epic. From Jhansi Ki Rani to Irom Sharmila, From Savitribai Fule to Sonia Gandhi and From Jijabai to Seeta, Indian women have always stood up for their rights and fought their battles despite restrictions and limitations. They are the shining beacons of hope and have displayed exemplary dedication in their respective fields. I have studied few characters of Ramayana who teaches us the importance of commitment, ethical values, principles of life, dedication & devotion in relationship and most importantly making us believe in women power. Keywords: ramayana, seeta, Indian mythological epic, manthara, kaikeyi, urmila, women power, philosophical life, mandodari, rama, ravana, shabari, surpanakha Introduction Scope for Further Research The great epic written by Valmiki is one epic, which has Definitely there is a vast scope over the study for modern day mentioned those things about women that make them great. -
Yajur Veda to Vaisampayana, the Sama Veda to Jaimini and the Atharva Veda to Sumantu
Introduction to Vedic Knowledge second volume: The Four Original Vedas Samhitas, Brahmanas, Aranyakas and Upanishads by Parama Karuna Devi Copyright © 2012 Parama Karuna Devi All rights reserved. ISBN-10: 1482598299 ISBN-13: 978-1482598292 published by Jagannatha Vallabha Research Center PAVAN House, Siddha Mahavira patana, Puri 752002 Orissa Web presence: http://www.jagannathavallabha.com http://www.facebook.com/ParamaKarunaDevi http://jagannathavallabhavedicresearch.wordpress.com/ When, How and by Whom the Vedas Were Written In the previous chapters we have seen how Vedic knowledge has been perceived in the West and in India in the past centuries, and which misconceptions have developed because of the superimposition of various influences and motivations. We have also seen how Vedic knowledge transcends time and applies to reality itself, and how at each age it is again presented in the modalities and in the dimensions required to cater for the needs of the people of that age. Therefore when we speak of Vedic scriptures we refer not only to the original manuscripts that bear witness to the great antiquity of Hinduism in this age, but also to the previous versions of which we do not have copies, and also to the later texts compiled by self-realized souls that explain the original knowledge in harmony with the same eternal conclusions. For example in the case of the Puranas ("ancient stories") we see that the original version is presented and elaborated by a series of realized teachers. In the Bhagavata purana the two most prominent speakers are Sukadeva and Suta; Suta had received the knowledge of this Purana from Sukadeva when Sukadeva was speaking to King Parikshit and the Parama Karuna Devi other great sages assembled on the bank of the Ganges, and later he transmitted it to Saunaka and the other sages assembled at Naimisharanya. -
Abstracts Final
Conference on THE RAMAYANA IN LITERATURE, SOCIETY AND THE ARTS February 1-2, 2013 Abstracts published by C.P. R. Institute of Indological Research The C. P. Ramaswami Aiyar Foundation 1, Eldams Road, Chennai 600 018 1 2 CONTENT 1. Tracing the Antiquity of the Ramayana – Through the Inscriptions, literature and Art of the Gupta Period --------------------------------------------------------------------------- 7 Dr. Ashvini Agarwal 2. Plant Diversity in the Valmiki Ramayana ---------------------------------------------------------- 8 M. Amirthalingam 3. The Influence of Ramayana on Kalidasa --------------------------------------------------------- 9 Dr. S. Annapurna 4. Ethical Values of Ramayana ---------------------------------------------------------------------- 11 Dr. V. Balambal 5. Time-honored Depictions of Ramayana in Vidarbha (Maharashtra) during Vakatakas ------13 Kanchana B Bhaisare, B.C. Deotare and P.S. Joshi 6. Highlights from the Chronology of Ayodhya ----------------------------------------------------14 Nicole Elfi and Michel Danino 7. Temples in and around Thanjavur District, in Tamil Nadu connected with Ramayana -------15 Dr. S. Gayathri 8. The Historical Rama ------------------------------------------------------------------------------16 Dr. D.K. Hari and D.K. Hema Hari 9. Historicity of Rawana and Trails of Rama - Seetha in Srilanka --------------------------------23 Devmi Jayasinghe 10. Women in Ramayana - Portrayals, Understandings, Interpretations and Relevance ---------25 Dr. Prema Kasturi 11. Telling or Showing? -
{PDF} World Record Paintings of Lord Hanuman Ebook, Epub
WORLD RECORD PAINTINGS OF LORD HANUMAN PDF, EPUB, EBOOK Amrita Gupta | 118 pages | 01 Jan 2017 | Createspace Independent Publishing Platform | 9781542852432 | English | none World Record Paintings of Lord Hanuman PDF Book Notification Center. In our Hindu scriptures we find countless references to powerful beings in the previous ages. Sandeep palyal on August 14, at am. Chattarpur Temple Hanuman ft Hanuman Statue in Chattarpur Temple complex is located in a down town area in south of Delhi, It is the second largest temple complex in India and one of the largest in the world. Explore our online art gallery and grab your choice of painting or portraits or craft. He is generally depicted as a man with the face of a monkey and a long tail. Even the Bible gives mention to the giants who walked the earth in ancient times:. Having become a master of all that he set out to learn, it was now time for Hanuman to pay for his education guru-dakshina. However, it turned out to be an empty promise and was never materialized. Very well composed. Total redeemable TimesPoints 0. Something went wrong. It was decreed that Hanuman would remain blissfully unaware of his own prowess, unless, during the course of a meritorious deed, his memory would remind him of his superhuman ability. Gladiator Drawing. Mickey Mouse Head Drawing. Hanuman's quest is suggestive of a much deeper symbolism than a mere search for the 'physical' Sita At last the monkeys confronted Mandodari, the chief wife of Ravana. Predictably there was panic in the cosmos. -
Devi: the Great Goddess (Smithsonian Institute)
Devi: The Great Goddess Detail of "Bhadrakali Appears to Rishi Chyavana." Folio 59 from the Tantric Devi series. India, Punjab Hills, Basohli, ca 1660-70. Opaque watercolor, gold, silver, and beetle-wing cases on paper. Purchase, Freer Gallery of Art, Smithsonian Institution F1997.8 Welcome to Devi: The Great Goddess. This web site has been developed in conjunction with the exhibition of the same name. The exhibition is on view at the Arthur M. Sackler Gallery from March 29, 1999 through September 6, 1999. Like the exhibition, this web site looks at the six aspects of the Indian goddess Devi. The site offers additional information on the contemporary and historical worship of Devi, activities for children and families, and a list of resources on South Asian arts and cultures. You may also want to view another Sackler web site: Puja: Expressions of Hindu Devotion, an on-line guide for educators explores Hindu worship and provides lesson plans and activities for children. This exhibition is made possible by generous grants from Enron/Enron Oil & Gas International, the Rockefeller Foundation, The Starr Foundation, Hughes Network Systems, and the ILA Foundation, Chicago. Related programs are made possible by Victoria P. and Roger W. Sant, the Smithsonian Educational Outreach Fund, and the Hazen Polsky Foundation. http://www.asia.si.edu/devi/index.htm (1 of 2) [7/1/2000 10:06:15 AM] Devi: The Great Goddess | Devi Homepage | Text Only | | Who is Devi | Aspects of Devi | Interpreting Devi | Tantric Devi | For Kids | Resources | | Sackler Homepage | Acknowledgements | The Arthur M. Sackler Gallery and Freer Gallery of Art, Smithsonian Institution, Washington, DC 20560.