DOCSLIB.ORG

Star Plus Serial Siya Ke Ram

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Star Plus Serial Siya Ke Ram Star plus serial siya ke ram Continue Sia K. Thum is an epic Indian TELEVISION series that aired on the Star Plus channel. The series was produced by Nichil Sinha under the banner of the Triangle Film Company. In this play, Ashish Sharma and Madirakshi Mundell play Lord Rama and Lady Sita and Kartik Jayaram as Raccoan, respectively. Apart from India, the show is also broadcast abroad in Indonesia, Sri Lanka, Thailand, and the UK remotely. The show was released on Star Plus on November 16, 2015. It now runs again on star Utsav as Ramleela – Divya Gatha Siya Aur Ram Kay and in Vijay Super as Seedhayin Raaman as well as in Bharat Star from 5 August 2018. Let's know more about the show – Siya Ke RAM trailer this show premiered on Star Plus on 16 November 2015. It was based on the Ramiana saga. The original design is taken from Tolciedas's Ramiana. Here's the trailer from the show – Siya Ke Rome Wiki Genre:- Historical TV drama original broadcast:- starts on 16 November 2015, Monday to Friday at 8 p.m. on Star Plus. Production Series Makers:- Nichil Sinha Director:- Nichil Sinha, Dhmish Shah Story/Author:- Annd Nilaktan, Subrat Sinha, Bhauna Vyas Replaces Which Series:- Tu Mera Hero Location(s): Mumbai, Indian Language:- Hindi No. From Season 1 Production Company(s) Triangle Film Company Main Channel Star Plus Siya Ke Ram Starring Ashish Sharma –::: - Ram Madirakshi Mundle –::as:– Sita Yash Mistry –:As:– Little Ram Ananya Agarwal –:As:– Young Sita Vandant –::as:– Teenager Rama Samarth Mishra –:as:– Teen Lakshmana Pravisht Mishra –:As:– Teen Bharat Vedant Sawant –:As:– Teen Rama Karan Suchak –::As:– Laxman Sujay Reu –::As:– Bharatha Snigdha Akolkar –:As:– Kaushalya Tanvi Madhyan –:As:– Shr Hethvi Bhanushali –:As:– N/A Hemant Choudhary –:As:– Kushadhwaja Prithvi Hatte –::As:– Mandvi Bijay Anand –:As:– Janak Grusha Kapoor –:As:– Kaikeyi Bhargavi Chirmule –:As:– Sunaina Dalip Teheel –::As:– Dashrath Sampada Vaze –:As:– Sumitra Yukthi Kapoor –:As:: – Urmila Sujay Reu –:As:– Bharatha Karthik Jeyaram –:As:– Raavana Manish Wadhwa –:As:– Vishwamitra Zalak Desai – :as:– Shanta Karthik Jayaram –:As:– Raavana Richa Soni –:As:– Gargi Romanch Mehta –::As:– Shathanand Sandeep Mohan –:As:– Vashistha Vinod Kapo –:as:– Sumantra Kashmira Shah –:As:– Tataka Sudesh Berry –:As:– Parashurama Ravi Jhankal –::As:– Villager these are all the info about Star Plus Siya Ke Ram Serial Wiki, Cast, Images, timing. Keep checking our blog for more updates and don't forget to share it with your friends. Siya Ke RamAlso known asMaryada Purushottam Siya Ke RamGenreMythologyBased onRamayanaWritten byAniruddh PathakScreenplay byC.L.Saini Bhavna VyasStory byC.L.Saini Anand Neelakantan Utkarsh NaithaniDirected byNikhil Sinha ShahStarringMadirakshi Mundle Ashish SharmaTheme music composerSandeep MukherjeeOpening themeSiya RamComposer(s)Sunny Bawra Inder Bawra Jitesh Panchal Sushant PawarCountry of originIndiaOriginal language(s)HindiNo. of seasons1No. Of episodes326ProductionProducer(s)Nikhil SinhaProduction location(s)Ramoji Film CityRunning time20 minutesProduction company(s)Triangle Film CompanyReleaseOriginal networkStarPlusPicture format576i (SDTV) 1080i (HDTV) Audio formatDolby Digital PlusOriginal release November 16, 2015 (2015-11-16) – November 4, 2016 (2016-11-04) is the official foreign links website of the CIA (Transl Sita Thum) an Indian television series in Star Plus produced by Nichil Sinha under the banner of the Triangle Film Company. [1] The show presents the epic Ramaya, the story of Rama and Dei Sita from Sita's point of view. [3] The show features Madirakshi Mundle and Ashish Sharma playing respectively as goddess Sita and Lord Rama, and Karthik Jayaram in the role of Raavan. [4] It was first screened on November 16, 2015, and ended on November 4, 2016. [5] Plot The main plot is taken from the Hindu epic Ramayana, which was written by Sage Valmiki, and Adbhuta Ramayan, and follows the story through Sita's perspective. Baal Kennedy Jank is the childless king of Metilla. While Mitila has been suffering from drought for 12 years, elsewhere, Am and her brothers are taught by guru Wasista. While starting to plow, Jank makes a golden plow and destroys a baby girl. The baby's first cry leads to rain. Jank wants to find out if the baby has a family. She is shocked to see her baby pick up. Rysi Yagyawalia suggests keeping the baby's jank, which is why she calls the name Sita. Sita and her sisters are shown playing the act of the goddess Durga after eight years, which destroyed a rakshasa. Later, Sita comes with Gautama Maharishi and the curse she gave to her husband, Ahaila. Meanwhile, King Dasharatta travels to Ashram Guru Washasta to see his sons and is inspired by TheRam. Thum comes to his kingdom and meets his mother. Meanwhile, she comes to know that she has an older sister, Shanta. It is later shown that both The Um and Sita grew up. In Adiah, King Dasharatta performs the Yjna gestures to the well-to-do of his sons and his kingdom. As she travels towards Mythila, Sita dares to stop the ceremonial horse and comfort it. After returning, Thum tells him not to kill the horse but to let go of his life. Guru Vishwamitra will take The Um and Lakshman from Oudia to destroy Queen Demonce Tataka. Sita and her sisters also travel with Kusadawaja to see guru Vishhuameitra. They'll feed Lakshman a little bit, soon Taraka and his son Subahue will be killed by Thum and Lachman. Guru Vishwamitra tells him that he wants to take them both to Mythila and seek the blessings of Shiv-e-Gaush. She sees Ranty Gautam and Ahila while traveling to Mettilla and heals his curse . Gautam Rhay is looking for his greatness to the Tame. Sita, meanwhile, comes with her birthday. Sita falls in love with The Am without seeing her. The um comes to Matiella and they meet for the first time at the Paravati Temple. Not long after, Swayamvar Sita is announced. Sri Lankan King Ravana Malian's grandfather and minister travels to Mita to see the kingdom's greatness, arguing with Sita. He then informs Ravana that Tataka will be killed. In Swayamvara, there can be no Shiv Dhanush except the tall um. Thum's marriage to Sita is stable. On the other hand, Ravan is angry that he was unable to lift Shiv Dehnoosh and that Jank insulted him. And he has vowed to avenge the king. Then comes the soul to know that it will die because of a woman. Ravan remembers the day when he tried to force himself into a d'eetic woman named Vedavati. He had then cursed her that the cause of her death would be a woman. Remembering this, Ravan goes to Yamaluk, Yama Village, hoping that if he keeps Yama under his thumb, he can escape death. Yet the goddess of Mr. Devy's death appears and a terrible struggle between him and Ravan follows. Ravan will prevail soon. Ram and Sita marry brothers Ram and sisters Sita (Lakshman-Ormila, Bharat-Mandawi, Camelogna-Shrutakirti). Mandudari, meanwhile, in Lanca, worries about Ravan's death and decides to get help from a Vishnu faithful. Mythila bids farewell to Sita and her sisters. Iudia Kennedy Mandodari tells her father, Maystura, that a psychotic life is in danger but refuses to help. According to the series, she had left fluently against her parents' wishes after her forced marriage (Gantarava Vivah). But her mother leads her in getting Amrita. Mandodari goes to Chandraluk to catch Amrita. Vybhieshana warns Mandodari that the soul should not know its immortality. Mandodari succeeds in part in his plan to make the soul immortal. Elsewhere, Rom, Lakshman, Bharat and Camelogna arrive in Iudia with their brides. Kaushalya, Kaikeyi ,and Sumitra welcome them. An Aghur predicts Mantara's future and tells her she will be thrown out of the palace. The psyche challenges the gods to prevent him from conquering the world. Ravan confronts Surpanacha for marrying a demon named Videotejieva, who is the enemy of Ravan. Meanwhile, Bharat and Astaghan made their way to meet their grandfather, Ashapati. Dashrat declares The Um is the heir to his throne. Kausania, Sumitra and Lakshman are ecstatic to know that Thum will be crowned king of Iodia. Mantara is determined to prevent Tam from becoming king. He reminds and feeds Kayki yi about Dashrat's promise to Schwapati and feeds that Dashrat conspires against him. Kayki decides to stop crowning the um. Kayki reminds Dashrat of the promises he made to him. He vows to fulfill two dreams. Kaikeyi tells him to crown Bharat as The king sent Ayodia and Thum into exile for 14 years. Hesiting Dashrat agrees to crown Bharat, the king, and send the um, away. Sita wants The Ums to take her with her. Ormila supports Lakshman's decision to accompany Ram. With Sita and Lakshman, Thums and Lakshman leave Ayodya in exile. Bharat and Ostaghna receive a message asking them to return to Adiah. A mourning dasharata is dying and Sumitra Kayki yi is responsible for her death. Bharat asks Mandawi and Wassta about The Um. When he finds out about Kayki's misguiding, he is held responsible for Dashrath's death. He confronts him for his actions against The Roam. Bharata refuses to become king of Iudia. Bharat and Janak decide to return the Um to Iodia. Kayki is grateful to Jank for reminding him of his love for The Um. He appeals to Bharat to take him with him to meet With The Am. Thum meets Bharat and becomes depressed by the knowledge of Dashrat's death. Bharat appeals to Thum to return to Iodia, but he refuses. He tells Jank that he will not return because he wants to keep the promise he made to Dashrat.
Load more

Recommended publications
  • Multidimensional Role of Women in Shaping the Great Epic Ramayana
    International Journal of Academic Research and Development International Journal of Academic Research and Development ISSN: 2455-4197 Impact Factor: RJIF 5.22 www.academicsjournal.com Volume 2; Issue 6; November 2017; Page No. 1035-1036 Multidimensional role of women in shaping the great epic Ramayana Punit Sharma Assistant Professor, Institute of Management & Research IMR Campus, NH6, Jalgaon, Maharashtra, India Abstract We look for role models all around, but the truth is that some of the greatest women that we know of come from Indian mythology Ramayana. It is filled with women who had the fortitude and determination to stand up against all odds ones who set a great example for generations to come. Ramayana is full of women, who were mentally way stronger than the glorified heroes of this great Indian epic. From Jhansi Ki Rani to Irom Sharmila, From Savitribai Fule to Sonia Gandhi and From Jijabai to Seeta, Indian women have always stood up for their rights and fought their battles despite restrictions and limitations. They are the shining beacons of hope and have displayed exemplary dedication in their respective fields. I have studied few characters of Ramayana who teaches us the importance of commitment, ethical values, principles of life, dedication & devotion in relationship and most importantly making us believe in women power. Keywords: ramayana, seeta, Indian mythological epic, manthara, kaikeyi, urmila, women power, philosophical life, mandodari, rama, ravana, shabari, surpanakha Introduction Scope for Further Research The great epic written by Valmiki is one epic, which has Definitely there is a vast scope over the study for modern day mentioned those things about women that make them great.
    [Show full text]
  • {PDF} World Record Paintings of Lord Hanuman Ebook, Epub
    WORLD RECORD PAINTINGS OF LORD HANUMAN PDF, EPUB, EBOOK Amrita Gupta | 118 pages | 01 Jan 2017 | Createspace Independent Publishing Platform | 9781542852432 | English | none World Record Paintings of Lord Hanuman PDF Book Notification Center. In our Hindu scriptures we find countless references to powerful beings in the previous ages. Sandeep palyal on August 14, at am. Chattarpur Temple Hanuman ft Hanuman Statue in Chattarpur Temple complex is located in a down town area in south of Delhi, It is the second largest temple complex in India and one of the largest in the world. Explore our online art gallery and grab your choice of painting or portraits or craft. He is generally depicted as a man with the face of a monkey and a long tail. Even the Bible gives mention to the giants who walked the earth in ancient times:. Having become a master of all that he set out to learn, it was now time for Hanuman to pay for his education guru-dakshina. However, it turned out to be an empty promise and was never materialized. Very well composed. Total redeemable TimesPoints 0. Something went wrong. It was decreed that Hanuman would remain blissfully unaware of his own prowess, unless, during the course of a meritorious deed, his memory would remind him of his superhuman ability. Gladiator Drawing. Mickey Mouse Head Drawing. Hanuman's quest is suggestive of a much deeper symbolism than a mere search for the 'physical' Sita At last the monkeys confronted Mandodari, the chief wife of Ravana. Predictably there was panic in the cosmos.
    [Show full text]
  • Sita Ram Baba
    सीता राम बाबा Sītā Rāma Bābā סִיטָ ה רְ אַמָ ה בָבָ ה Bābā بَابَا He had a crippled leg and was on crutches. He tried to speak to us in broken English. His name was Sita Ram Baba. He sat there with his begging bowl in hand. Unlike most Sadhus, he had very high self- esteem. His eyes lit up when we bought him some ice-cream, he really enjoyed it. He stayed with us most of that evening. I videotaped the whole scene. Churchill, Pola (2007-11-14). Eternal Breath : A Biography of Leonard Orr Founder of Rebirthing Breathwork (Kindle Locations 4961-4964). Trafford. Kindle Edition. … immortal Sita Ram Baba. Churchill, Pola (2007-11-14). Eternal Breath : A Biography of Leonard Orr Founder of Rebirthing Breathwork (Kindle Location 5039). Trafford. Kindle Edition. Breaking the Death Habit: The Science of Everlasting Life by Leonard Orr (page 56) ראמה راما Ράμα ראמה راما Ράμα Rama has its origins in the Sanskrit language. It is used largely in Hebrew and Indian. It is derived literally from the word rama which is of the meaning 'pleasing'. http://www.babynamespedia.com/meaning/Rama/f Rama For other uses, see Rama (disambiguation). “Râm” redirects here. It is not to be confused with Ram (disambiguation). Rama (/ˈrɑːmə/;[1] Sanskrit: राम Rāma) is the seventh avatar of the Hindu god Vishnu,[2] and a king of Ayodhya in Hindu scriptures. Rama is also the protagonist of the Hindu epic Ramayana, which narrates his supremacy. Rama is one of the many popular figures and deities in Hinduism, specifically Vaishnavism and Vaishnava reli- gious scriptures in South and Southeast Asia.[3] Along with Krishna, Rama is considered to be one of the most important avatars of Vishnu.
    [Show full text]
  • The Ramayana by R.K. Narayan
    Table of Contents About the Author Title Page Copyright Page Introduction Dedication Chapter 1 - RAMA’S INITIATION Chapter 2 - THE WEDDING Chapter 3 - TWO PROMISES REVIVED Chapter 4 - ENCOUNTERS IN EXILE Chapter 5 - THE GRAND TORMENTOR Chapter 6 - VALI Chapter 7 - WHEN THE RAINS CEASE Chapter 8 - MEMENTO FROM RAMA Chapter 9 - RAVANA IN COUNCIL Chapter 10 - ACROSS THE OCEAN Chapter 11 - THE SIEGE OF LANKA Chapter 12 - RAMA AND RAVANA IN BATTLE Chapter 13 - INTERLUDE Chapter 14 - THE CORONATION Epilogue Glossary THE RAMAYANA R. K. NARAYAN was born on October 10, 1906, in Madras, South India, and educated there and at Maharaja’s College in Mysore. His first novel, Swami and Friends (1935), and its successor, The Bachelor of Arts (1937), are both set in the fictional territory of Malgudi, of which John Updike wrote, “Few writers since Dickens can match the effect of colorful teeming that Narayan’s fictional city of Malgudi conveys; its population is as sharply chiseled as a temple frieze, and as endless, with always, one feels, more characters round the corner.” Narayan wrote many more novels set in Malgudi, including The English Teacher (1945), The Financial Expert (1952), and The Guide (1958), which won him the Sahitya Akademi (India’s National Academy of Letters) Award, his country’s highest honor. His collections of short fiction include A Horse and Two Goats, Malgudi Days, and Under the Banyan Tree. Graham Greene, Narayan’s friend and literary champion, said, “He has offered me a second home. Without him I could never have known what it is like to be Indian.” Narayan’s fiction earned him comparisons to the work of writers including Anton Chekhov, William Faulkner, O.
    [Show full text]
  • Editors Seek the Blessings of Mahasaraswathi
    OM GAM GANAPATHAYE NAMAH I MAHASARASWATHYAI NAMAH Editors seek the blessings of MahaSaraswathi Kamala Shankar (Editor-in-Chief) Laxmikant Joshi Chitra Padmanabhan Madhu Ramesh Padma Chari Arjun I Shankar Srikali Varanasi Haranath Gnana Varsha Narasimhan II Thanks to the Authors Adarsh Ravikumar Omsri Bharat Akshay Ravikumar Prerana Gundu Ashwin Mohan Priyanka Saha Anand Kanakam Pranav Raja Arvind Chari Pratap Prasad Aravind Rajagopalan Pavan Kumar Jonnalagadda Ashneel K Reddy Rohit Ramachandran Chandrashekhar Suresh Rohan Jonnalagadda Divya Lambah Samika S Kikkeri Divya Santhanam Shreesha Suresha Dr. Dharwar Achar Srinivasan Venkatachari Girish Kowligi Srinivas Pyda Gokul Kowligi Sahana Kribakaran Gopi Krishna Sruti Bharat Guruganesh Kotta Sumedh Goutam Vedanthi Harsha Koneru Srinath Nandakumar Hamsa Ramesha Sanjana Srinivas HCCC Y&E Balajyothi class S Srinivasan Kapil Gururangan Saurabh Karmarkar Karthik Gururangan Sneha Koneru Komal Sharma Sadhika Malladi Katyayini Satya Srivishnu Goutam Vedanthi Kaushik Amancherla Saransh Gupta Medha Raman Varsha Narasimhan Mahadeva Iyer Vaishnavi Jonnalagadda M L Swamy Vyleen Maheshwari Reddy Mahith Amancherla Varun Mahadevan Nikky Cherukuthota Vaishnavi Kashyap Narasimham Garudadri III Contents Forword VI Preface VIII Chairman’s Message X President’s Message XI Significance of Maha Kumbhabhishekam XII Acharya Bharadwaja 1 Acharya Kapil 3 Adi Shankara 6 Aryabhatta 9 Bhadrachala Ramadas 11 Bhaskaracharya 13 Bheeshma 15 Brahmagupta Bhillamalacarya 17 Chanakya 19 Charaka 21 Dhruva 25 Draupadi 27 Gargi
    [Show full text]
  • Ramayan Ki Kathayen, Pandemic and the Hindu Way of Life and the Contribution of Hindu Women, Amongst Others
    Hindu Sevika Samiti (UK) Mahila Shibir 2020 East and South Midlands Vibhag FOREWORD INSPIRING AND UNPRECEDENTED INITIATIVE In an era of mass consumerism - not only of material goods - but of information, where society continues to be led by dominant and parochial ideas, the struggle to make our stories heard, has been limited. But the tides are slowly turning and is being led by the collaborative strength of empowered Hindu women from within our community. The Covid-19 pandemic has at once forced us to cancel our core programs - which for decades had brought us together to pursue our mission to develop value-based leaders - but also allowed us the opportunity to collaborate in other, more innovative ways. It gives me immense pride that Hindu Sevika Samiti (UK) have set a new precedent for the trajectory of our work. As a follow up to the successful Mahila Shibirs in seven vibhags attended by over 500 participants, 342 Mahila sevikas came together to write 411 articles on seven different topics which will be presented in the form of seven e-books. I am very delighted to launch this collection which explores topics such as: The uniqueness of Bharat, Ramayan ki Kathayen, Pandemic and the Hindu way of life and The contribution of Hindu women, amongst others. From writing to editing, content checking to proofreading, the entire project was conducted by our Sevikas. This project has revealed hidden talents of many mahilas in writing essays and articles. We hope that these skills are further encouraged and nurtured to become good writers which our community badly lacks.
    [Show full text]
  • 6. Sita in Himachal Pradesh
    y interest in Sita was particularly aroused when Mas part of a gender affirmative programme, I conducted awareness sessions for adolescent Sita in Himachal Pradesh girls in Higher Secondary schools in some villages in Himachal. In the course Richa Jas of one such participatory discourse, a student commented that she felt the that the girl would be the cause of her his wife who buried it under the field same kind of embarrassment and shame father’s death. The Buddhist versions that King Janak of Mithila was to plough on being teased by a man as Sita must of the Ramayan from Tibet, Malaya himself to end drought conditions in have felt when Ram asked her for a and, Khaitan repeat the same story. his kingdom.2 The next day Janak second time to prove her innocence by found Sita in the box that he ploughed taking the fire test. Much as I tried, I Folk Ramayan of Mahasu out of the field and adopted her as his failed to convince the girls that it was The Ramayan of Mahasu district daughter. anger and rejection of both her in Himachal which covers large parts Sita dreams that Dashrath, Ram’s husband and the fire test, that prompted of present day Shimla district and that Sita to return to mother Earth. of Kinnaur district seems to have been father, asks her to get Ram to conduct Sita’s story has important meanings influenced by the Jain and Buddhist shradh in the memory of his dead to many people in various regions of versions of the Ramayan in the story ancestors.Ram did as he was instructed.
    [Show full text]
  • Ramakatha Rasavahini II 7 Preface for This Edition 8 This Book 9 the Inner Meaning 11 Chapter 1
    Ramakatha Rasavahini II Stream of Sacred Sweetness Sathya Sai Baba Contents Ramakatha Rasavahini II 7 Preface for this Edition 8 This Book 9 The Inner Meaning 11 Chapter 1. The Dandaka Forest 12 The fool Jayanta 12 A visit to the sage Athri’s hermitage 12 A stay at a beautiful hermitage 13 An encounter with Viradha, the ogre 14 Sarabhanga immolates himself 14 Sutheekshna adores Rama 15 On to Agastya’s ashram 16 Agastya asks not to be deluded into egotism 17 The story of the curse on Dandaka Forest 18 On to Dandaka Forest 18 Chapter 2. Panchavati 20 Lakshmana’s sense of duty 20 Rama constantly has visitors 21 Rama discourses on spiritual matters 22 Surpanakha falls for Lakshmana 23 Surpanakha is punished 24 The demons want revenge 25 The demons kill each other! 26 Ascetic sages visit Rama 27 Ravana hears Surpanakha’s story 28 Chapter 3. The Wily Villain 30 The thoughts of Ravana and Vibhishana 30 Ravana enlists Maricha’s help 30 Rama and Sita discuss their plans 31 The deer entices the brothers 32 Rama stalks and kills the deer 33 Caught between two loyalties 34 Sita is kidnapped! 35 Jatayu tries to save Sita 35 The brothers lament Sita’s disappearance 36 Lakshmana realizes the truth 37 Rama assents 38 Study the Ramayana closely! 39 Jatayu tells them what he knows 39 Ajamukhi loses her limbs 40 Rama kills Kabanda 40 Sabari tells her story 41 Rama admires devotion 42 Sabari tells what she knows 43 Chapter 4. An Ally Accepted 45 Hanuman meets the brothers 45 The brothers meet Sugriva 46 Lakshmana identifies some of the jewels 47 Sugriva tells his story 47 The story of the curse on Vali 49 Rama exhibits his power 50 Sugriva pours out his feelings 51 The battle between Vali and Sugriva 52 Rama kills His devotee, Vali 54 Rama consoles Tara 56 The search for Sita is delayed by weather 57 Chapter 5.
    [Show full text]
  • Ramakatha Rasavahini II 7 Preface for This Edition 8 This Book 9 the Inner Meaning 11 Chapter 1
    Contents Ramakatha Rasavahini II 7 Preface for this Edition 8 This Book 9 The Inner Meaning 11 Chapter 1. The Dandaka Forest 12 The fool Jayanta 12 A visit to the sage Athri’s hermitage 12 A stay at a beautiful hermitage 13 An encounter with Viradha, the ogre 14 Sarabhanga immolates himself 14 Sutheekshna adores Rama 15 On to Agastya’s ashram 16 Agastya asks not to be deluded into egotism 17 The story of the curse on Dandaka Forest 18 On to Dandaka Forest 18 Chapter 2. Panchavati 20 Lakshmana’s sense of duty 20 Rama constantly has visitors 21 Rama discourses on spiritual matters 22 Surpanakha falls for Lakshmana 23 Surpanakha is punished 24 The demons want revenge 25 The demons kill each other! 26 Ascetic sages visit Rama 27 Ravana hears Surpanakha’s story 28 Chapter 3. The Wily Villain 30 The thoughts of Ravana and Vibhishana 30 Ravana enlists Maricha’s help 30 Rama and Sita discuss their plans 31 The deer entices the brothers 32 Rama stalks and kills the deer 33 Caught between two loyalties 34 Sita is kidnapped! 35 Jatayu tries to save Sita 35 The brothers lament Sita’s disappearance 36 Lakshmana realizes the truth 37 Rama assents 38 Study the Ramayana closely! 39 Jatayu tells them what he knows 39 Ajamukhi loses her limbs 40 Rama kills Kabanda 40 Sabari tells her story 41 Rama admires devotion 42 Sabari tells what she knows 43 Chapter 4. An Ally Accepted 45 Ramakatha Rasavahini II Contents 3 Hanuman meets the brothers 45 The brothers meet Sugriva 46 Lakshmana identifies some of the jewels 47 Sugriva tells his story 47 The story of the curse on Vali 49 Rama exhibits his power 50 Sugriva pours out his feelings 51 The battle between Vali and Sugriva 52 Rama kills His devotee, Vali 54 Rama consoles Tara 56 The search for Sita is delayed by weather 57 Chapter 5.
    [Show full text]
  • The Story of Rama
    The Story of Rama A Curriculum Packet for Educators Spring 2011 Dear Teachers, We are glad you are choosing to bring your students to the Asian Art Museum, where they will experience the first exhibition in the United States dedicated to the arts and culture of Bali, an island in Indonesia that has captured the imagination of the world for centuries. You and your class are scheduled to take a special tour of Bali: Art, Ritual, Performance at the museum. Students will learn how art and stories can teach us about culture. Culture influences how everyone views the world, and students will learn about this by studying how the Hindu epic of the hero-prince Rama (the Ramayana) appears in the visual, performing, and literary arts of Bali. “The Abduction of Sita” (kidnapping of Rama’s wife), a pivotal chapter in the Ramayana, is also an ideal lens through which students may understand how art is “lived” in Bali, the only Indonesian island whose majority population is Hindu. To prepare for your visit, we encourage you to try one or all of the lessons in the enclosed inte- grated standards-based classroom unit, The Story of Rama: Revealing Art, Ritual, and Performance through Story. We also encourage you to review your tour confirmation and theGuidelines for Teachers, Students, and Chaperones. For more information on the Bali exhibition, please visit our microsite www.asianart.org/Bali. In the meantime, if you have questions or preferences, please contact us at [email protected] or speak directly with your docent, who will contact you about two weeks prior to your tour.
    [Show full text]
  • Ramakatha Rasavahini II Chapter 10
    Chapter 10. Ten Heads Roll hen Ravana heard the news of this holocaust, he exclaimed, “Whoever expected the war to end thus? Who- Wever expected that it would be so calamitous a disaster?” The news of Narantaka’s death spread terror throughout Lanka. Many wise scholars approached Ravana, the bereaved father, and sought to give him consolation and comfort. But their effort was just waste of time; their advice didn’t enter Ravana’s heads. When Ravana recovered himself, he heard the wailings of Narantaka’s wife, and that made him angrier still. He forgot himself in the flames of vengeance and anger. The night ended and day dawned, although Ravana did not notice it. The monkeys gathered at the four gates of the city and were, as usual, getting ready to storm them and enter. Ravana himself heads the army Ravana assembled the demon (rakshasa) warriors and addressed them, “Soldiers! If your hearts shudder at the prospect of battle, it is best you leave the ranks this very instant. Don’t flee when the battle is on; if you do, I shall slaughter you with my own hands.” Threatening them thus, he felt they would fight to the last. Then, he ordered the war drums to be beaten and trumpets to be blown. Like darkness intensifying mountain peaks, the demon warriors marched forward in serried ranks. A series of bad omens assaulted them, but Ravana, who boasted of his physical prowess, did not pay heed to them. The weap- ons he held in his grasp slithered down; the charioteer who had taken his seat fell from his perch.
    [Show full text]
  • Component-I (A) – Personal Details
    Component-I (A) – Personal details: Prof. P. Bhaskar Reddy Sri Venkateswara University, Tirupati. Prof. V. Venkata Ramana Reddy Director, O.R.I., S. V.University, Tirupati. Prof. V. Venkata Ramana Reddy Director, O.R.I., S. V.University, Tirupati. Prof. V. Kannan University of Hyderabad, Hyderabad. 1 Component-I (B) – Description of module: Subject Name Indian Culture Paper Name Vedic, Epic and Puranic culture of India Module Name/Title Important Characters in Ramayana Module Id I C / VEPC / 19 Pre requisites Knowledge in later Vedic literature and importance of Ramayana To know about Significance of Ramayana Objectives Characters, major characters of Ramayana, Unique bonding between some characters, Ramayana characters in Mahabharata Keywords Ramayana / epic E-text (Quadrant-I): 1. INTRODUCTION: CHARACTERS IN RAMAYANA The Ramayana is one of the greatest epics of Hindu Mythology. Written by the sage Valmiki. The Ramayana is not just a story, but also an perfect medium for educating ones life. This has been an educational medium utilized by the ancient sages to impart the values of doing ones dharma (duty) and maintain relationships. The Ramayana has many varieties of characters who set as example how to lead life and how one should not. These characters are templates of roles a human play in life as an ideal father, ideal son, ideal brother, ideal leader, ideal wife, etc. The Ramayana is just not a fictional story, but depicts the importance of values such as how to lead a family life, up keeping the promises, protecting the weak etc. The great epic Ramayana preach a lot of values that we would want our next generation to inculcate.
    [Show full text]