Jews in the First World

Total Page:16

File Type:pdf, Size:1020Kb

Jews in the First World VOLUME 14 NO.8 AUGUST 2014 journal The Association of Jewish Refugees Jews in the First World War his month marks the hundredth In Germany, the Kaiser’s government who was studying at the University of anniversary of the outbreak of portrayed its decision to go to war in Grenoble in France when war broke the First World War, arguably the August 1914 in part as a defensive measure out and only got back to Germany with Tmost important turning point in modern justified by the expected onslaught of the difficulty, proved their patriotism by European history. The Great War destroyed ‘Russian steamroller’ from the east. Russia joining up, inspired by the mood of the old European order that had lasted national euphoria in August 1914. About since the settlement reached at the end 100,000 Jews served in the German of the Napoleonic Wars in 1815. The war forces during the First World War, and also ushered in a new and dangerously some 12,000 died. The writer Thomas volatile era of insecurity and conflict, Mann, whose attitude to Jews had creating the conditions for regimes that previously been somewhat ambivalent, were bent on violence and conquest and movingly recorded in his diary the were prepared to practise mass killing shock he felt when, after the war’s end, on an unprecedented scale. The First he saw how many men with the name World War was the Urkatastrophe, the Cohen were listed among the fallen. In original catastrophe without which the recognising the patriotism displayed by great dictators and mass murderers of the Germany’s Jews, Mann was, however, an mid-twentieth century – Hitler, Stalin exception among non-Jewish German and their imitators – would not have patriots and nationalists. As early as been possible. 1916, the belief that Jews were failing to Whereas the fate of the Jews of support the German war effort was so Europe became a central issue during widespread in right-wing quarters that the Second World War, given that the Prussian Ministry of War undertook Nazi Germany, the power principally its notorious Judenzählung (census of responsible for launching that war, Jews in the German forces), pandering wished to destroy them in their entirety, to the swelling tide of war-fuelled anti- the role of Jews in the First World Semitism; when the census showed that War is at first sight harder to pinpoint. Jews were serving in proportion to their Nevertheless, the Jews who fought in the numbers in the population, its findings armies of the chief European belligerent The Balfour Declaration, from were suppressed. powers numbered around one million, The Times, 9 November 1917 Many AJR members will have had to which must be added some 200,000 fathers, uncles, grandfathers and other who served in the American forces from was the natural enemy of the Jews and relatives who fought in the First World War 1917. The attitudes of these combatant of the liberal, democratic institutions on and kept their decorations and certificates Jews varied from country to country. In which their gradual integration into the as proud mementoes of their service to Tsarist Russia, which contained the largest more advanced societies of Western Europe the country of their birth, even though no concentration of Jews in the world, Jews was predicated. Many German Jews amount of Iron Crosses could save a Jew were subject to severe discrimination and allowed themselves to be persuaded that the from discrimination and persecution after persecution. Jews had long sought to preservation of the civil and political rights 1933. Before 1914, Jews had not been escape conscription into the Russian army they had been granted over the decades was admitted to the German officer corps; and, though many fought loyally even in bound up with the struggle against Russia. but by 1918, some 2,000 Jews had been the face of the ingrained anti-Semitism It is, however, undeniable that Germany’s commissioned as officers, and a further of the Tsarist officer corps, others were Jews were mostly motivated to flock to the 1,200 served as medical officers. This was disaffected; after the enormous casualties colours by pure patriotism. It has long been a source of great pride to the individuals suffered by the Russian armies in their known that German Jews equalled, or even themselves, to their families and to their unsuccessful campaigns of 1914-15, Jews excelled, their gentile compatriots in their entire community. Herbert Sulzbach, a were among those who turned towards the eagerness to fight for their country in time German-Jewish refugee who served with parties hostile to the war and the Tsarist of war. distinction in the British army in the autocracy. While their parents sank their savings Second World War, reaching the rank Russia’s enemies benefitted from that into German government war bonds, of captain, remained equally proud of country’s record of reactionary excesses. young Jews like the writer Ernst Toller, continued overleaf journal AUGUST 2014 constitution. In Austria-Hungary, the Jews in the First World War ....... DIARY DATE ....... continued army, like the monarchy, transcended ethnic divisions, at least to the extent that AJR Lunch having attained the rank of lieutenant in some Jews were admitted to the officer Sunday 21 September 2014 corps. Jews had little problem in fighting the Kaiser’s army in the First World War. 12.30 pm at the Hilton Hotel, Watford Geoffrey Perry, born Horst Pinschewer in as loyal citizens of the Empire for they Berlin, who also distinguished himself in feared, all too presciently, that the defeat If you would like to attend, the British forces in the Second World War and disintegration of the Habsburg please complete the enclosed form – he captured the traitor William Joyce Empire would endanger their position and return it to us ASAP (Lord Haw-Haw) – had as a child had across Central and Eastern Europe. to listen so often to his father’s patriotic In 1914, Russian armies advanced into SPECIAL EVENT stories of his First World War exploits in Austrian Poland, taking cities like Lviv the Kaiser’s army that he refused to talk (Lemberg) and Przemysl and causing a about his own wartime experiences until mass flight of Jews. While the Germans The Last Train well into the 1970s. concentrated on the western front, to Tomorrow Austria-Hungary bore the brunt of the Rabbi Jonathan Wittenberg has Sunday 9 November 2014, 3 pm fighting against Russia in the east, a cause recently written movingly about the deep- at The Roundhouse, London NW1 felt patriotism of his grandfather, Rabbi with which its Jewish population could readily identify. However, partly thanks to The AJR is proud to present the London premiere Dr Georg Salzberger, who served as a of The Last Train to Tomorrow, a song-cycle tribute Jewish chaplain in the German army in the incompetence of Habsburg strategists, to the Kindertransport composed and conducted by the First World War and, after emigrating the Empire also found itself fighting on the internationally acclaimed artist Carl Davis CBE. to Britain in 1939, was for many years two other fronts. Unable to overcome the This is a special one-off event. the minister at Belsize Square. Salzberger, stubborn resistance of the Serbs, Austrian As the date marks the anniversary of Kristallnacht, argues his grandson, saw wartime service forces became bogged down in a campaign the proceedings will include a commemoration of as the ultimate proof that German Jews that ended only in autumn 1915, when the Reichspogrom of 9-10 November 1938. had, through their patriotic contribution Bulgaria invaded Serbia. In May 1915, The event will also feature The Marriage of to the national cause, achieved equality Italy came into the war on the opposite Figaro Overture by Mozart and Mendelssohn’s Violin side, involving Austria-Hungary in a long Concerto performed by the City of London Sinfonia of status with their gentile compatriots. and the Finchley Children’s Music Group, together This Jewish patriotism reflected a belief and costly campaign conducted on the mountainous terrain of the Alps on the with an outstanding young violin soloist from the that, as Germans, Jews and Christians Yehudi Menuhin School. shared a set of moral, social and civic frontier between the two warring states. The huge losses suffered by the Austrians As the event will take place on a Sunday afternoon, values that bound them together in the we particularly encourage members to bring along name of distinctively German ideals. That on this largely forgotten front, principally their children and grandchildren. in the 11 battles fought on the river Isonzo, form of patriotism could also descend into Further information is in the flyer enclosed virulent nationalism: it was a German Jew, were in large measure responsible for the with this month’s Journal. Tickets can be Ernst Lissauer, who penned the notorious war-weariness that eventually swept the purchased strictly through The Roundhouse Box Hassgesang gegen England (Hymn of Hate Empire away. Office – visit www.roundhouse.org.uk or telephone 0300 6789 222. against England) in 1914. Probably the most significant development affecting Jews during the The situation in Austria-Hungary, with First World War occurred in the Middle its many competing national groups – East, where British forces faced the almost all of them hostile to Jews – was Ottoman Empire, Germany’s ally. As different. Here Jews felt loyalty to the General Allenby advanced from Egypt Empire and the Emperor, Kaiser Franz into Turkish-held territory to capture Joseph, who had come to symbolise the Visit to Jerusalem, the British government issued in supranational character of the Habsburg November 1917 the Balfour Declaration, Chelsea Physic Garden Monarchy, standing above the ethnic in which it made its celebrated promise TUESDAY 26 AUGUST 2014 strife that threatened to engulf the Jews of a national home for the Jewish people and acting as guarantor of the civic rights Founded in 1673 by the Worshipful Society in Palestine, previously under Ottoman that they had been granted under the of Apothecaries, Chelsea Physic Garden has rule.
Recommended publications
  • Worldwide Hotel Listing May 2008
    WORLDWIDE HOTEL LISTING MAY 2008 www.PreferredHotelGroup.com Master Chain Code: PV Preferred Hotels & Resorts (PH) Preferred Boutique (BC) Summit Hotels & Resorts (XL) Sterling Hotels (WR) www.PreferredHotels.com www.Preferred-Boutique.com www.SummitHotels.com www.SterlingHotels.com AFRICA GHANA MOROCCO SOUTH AFRICA Accra Marrakech Cape Town Fiesta Royale Hotel (WR) Es Saadi Hotel (WR) The Peninsula All-Suite Hotel (XL) Es Saadi Palace & Villas (PH) KENYA Le Pavillon du Golf (BC) Nairobi Les Jardins d’Ines (BC) The Sarova Stanley (XL) Palmeraie Golf Palace & Resort (PH) ASIA PACIFIC AustrALIA FRENCH PolyNESIA Yokohama Palm Cove Bora Bora Yokohama Royal Park Hotel (XL) Double Island (BC) Bora Bora Cruises (BC) KOREA Sydney INDIA Seoul Star City Hotel and Apartments (XL) Bharatphur Imperial Palace, Seoul (XL) CAMBODIA The Bagh (BC) The Shilla Seoul (PH) Siem Reap Hyderabad MALAysiA The Sothea Courtyard (Opening July 08) (BC) Leonia (WR) Kuala Lumpur CHINA Jaipur Hotel Istana (XL) Samode Palace (PH) Beijing New ZEALAND The Opposite House (Opening July 08) (PH) New Delhi The Imperial New Delhi (PH) Queenstown Guangzhou Azur (BC) DongFang Hotel (XL) The Metroplitan Hotel New Delhi (XL) Hong Kong Udaipur PHILIPPINES Harbour Plaza Hong Kong (XL) Devi Garh (PH) Manila Regal Airport Hotel (XL) INDONESIA Manila Hotel (XL) Regal Hongkong Hotel (XL) Jakarta SINGAPORE Regal Kowloon Hotel (WR) Hotel Mulia Senayan (PH) Singapore Regal Oriental Hotel (WR) JAPAN Goodwood Park Hotel (PH) Regal Riverside Hotel (WR) Sapporo Royal Plaza on Scotts (XL) The
    [Show full text]
  • 2019 Guest Book
    16 –17 OCTOBER 2018 OLYMPIA LONDON PRESENTED BY Insurance Brokers 2019 GUEST BOOK YOUR REVIEW OF THE UK’S LARGEST AND MOST ESTABLISHED BUSINESS EVENT FOR THE HOTEL COMMUNITY INDEPENDENT HOTEL SHOW 2019 GUEST DEMOGRAPHICS TOTAL VISITORS 6316 COMPANY ACTIVITY TRAVELLED FROM Hotel 59% London 35% Opening a new hotel 6% South East 29% Guesthouse / B&B 7% South West 8% Pub / Restaurant with rooms 3% Midlands 7% Serviced apartments 6% North 7% Other accommodation 12% East 2% Industry supporters / press 7% Wales 2% Scotland 2% Overseas 8% % % % % 83 80 89 91 intend to do business with one of visitors have direct of visitors said they of visitors will be or more of the exhibitors purchasing authority would recommend the returning in 2020 they met at the show within show to a friend the next 12 months or colleague ACCOMMODATION SIZE COMPANY STATUS 1–10 rooms 20% Independent 80% 11–25 rooms 18% Group owned 13% 26–50 rooms 19% Other 7% 50–100 rooms 18% 100+ rooms 25% 2 INDEPENDENTHOTELSHOW.CO.UK INDEPENDENT HOTEL SHOW 2019 THE SUPPLIER EXPERIENCE TOTAL EXHIBITORS 337 65% OF EXHIBITORS RE- BOOKED ONSITE FOR 2020 “The Independent Hotel Show is one of the “The Independent Hotel Show gave us “The Independent Hotel Show is a most important hotel shows in the country. the opportunity to engage face to face with key event in our calendar. There is no It attracts a very diverse group of people, a targeted audience and showcase our other trade show that offers the same level not just independent hoteliers, but also the products to key decision makers.
    [Show full text]
  • Film Front Weimar: Representations of the First World War in German Films from the Weimar Period (1919-1933) Kester, Bernadette
    www.ssoar.info Film Front Weimar: Representations of the First World War in German Films from the Weimar Period (1919-1933) Kester, Bernadette Veröffentlichungsversion / Published Version Monographie / monograph Zur Verfügung gestellt in Kooperation mit / provided in cooperation with: OAPEN (Open Access Publishing in European Networks) Empfohlene Zitierung / Suggested Citation: Kester, B. (2002). Film Front Weimar: Representations of the First World War in German Films from the Weimar Period (1919-1933). (Film Culture in Transition). Amsterdam: Amsterdam Univ. Press. https://nbn-resolving.org/ urn:nbn:de:0168-ssoar-317059 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY-NC-ND Lizenz This document is made available under a CC BY-NC-ND Licence (Namensnennung-Nicht-kommerziell-Keine Bearbeitung) zur (Attribution-Non Comercial-NoDerivatives). For more Information Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden see: Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0 https://creativecommons.org/licenses/by-nc-nd/4.0/deed.de * pb ‘Film Front Weimar’ 30-10-2002 14:10 Pagina 1 The Weimar Republic is widely regarded as a pre- cursor to the Nazi era and as a period in which jazz, achitecture and expressionist films all contributed to FILM FRONT WEIMAR BERNADETTE KESTER a cultural flourishing. The so-called Golden Twenties FFILMILM FILM however was also a decade in which Germany had to deal with the aftermath of the First World War. Film CULTURE CULTURE Front Weimar shows how Germany tried to reconcile IN TRANSITION IN TRANSITION the horrendous experiences of the war through the war films made between 1919 and 1933.
    [Show full text]
  • 1662 Hot Post Office London Hot
    1662 HOT POST OFFICE LONDON HOT HOT WATER ENGINEERS-continued. Carlton h. (Jacques Krnemer, manager), Pall • GROSYENOR H. (THE) (The Gordon Hotels Maisonettes (The), f.h. (Carlo Antonio An­ Troy F. & Co. 194 & 1.96 Finchley road NW mall SW & Haymarket SW Ltd.), Buckingham palace road SW; tonelli, proprietor), 28 & 30 De V ere gar­ Twelve Hours Stove SyndicateLtd.258 Vaux­ Carter's h. Mrs. Annie Hug, 14 & 15 Albc­ adjoining Victoria station; dens, Kensington W hall bridge road SW marle street W central for Belgravia, Mandeville f.h. 8 & 10 Mandeville place W Wailer Thomas & Oo.46 Fish street hill E C & Cavendish h. Mrs. Rosa Lewi8, 81 to 83 Westminster & all parts Mansfleld h. Alfred Thomas·& Albert Edward 1 Wolseley street, Dockhead SE Jermyn street SW & 18 Duke street, St. of London; Tel. No. 9061 Gerrard; Davies, 135 Mansfleld road, Haverstock Werner, Pfieiderer & Perkins Ltd. Kingsway James' SW TA "Grosvenor Hotel, London" hill NW house, Kingsway WC CHARING CROSS HOTEL & RESTAUR· Grosvenor Court Hotel, 89 Davies street W Marsball Thompson's h. Arthur John Turk, Whitby Bros. 29, :!0 & :lOA, Eagle street WC & ANT(S.E.R.) (E.Neuschwander, manager), Guildhall tavern (Pimm's Ltd. proprietors), 28 & 29 Cavendish square W 124 Higbgate road NW Strand WC 81 & 83 GreshR.m st E C & 22 King street, McHropole h. (The GQnlon Hotels Ltd. White Henry & Sons, 55 Frith street, Soho W Charterhouse h. Charterhonse square E C Oheapside E C proprietors), Northumberland avenue WC ; Williams James 18 St. Ann's terrace, St. Cheshire Cheese h. Holloway & Myers, Half Moon h.
    [Show full text]
  • SP Location Map New 16.08.12
    ND RA ST OW Y R S O A AV V S O Y A301 S T IET London: Savoy Place Map Savoy Hotel S A AY V Barbican Y W O AVO Y S H IL L Walking Distance C 29 mins A R T IN G E L C Holborn N LA Y P T VO EN SA M T NK Walking Distance EN BA Tottenham M M 7 mins K E Court Road N IA BA R M TO E IC IA V Oxford Circus Walking Distance R TO D ST 17 mins IC St. Paul’s OXFOR V Walking Distance Walking Distance 27 mins 22 mins ET ST The Gherkin Covent FLE Garden City Thameslink St. Paul’s R E G Cathedral Mansion E Walking Distance N Blackfriars House T 9 mins Leicester S T Square Temple Walking Distance Walking Distance Monument 15 mins UPP 28 mins Walking Distance ER THA Piccadilly MES S Circus 11 mins A4 Walking Distance T Tower Hill 10 mins Blackfriars Pier Walking Distance Leicester 32 mins ND Walking Distance RA W E Walking Distance Square Nelson’s T A G S T D L 17 mins I OW 40 mins E ER TH Column R R AMES ST B L O K O R Savoy Pier B Bankside Pier A Charing R London W A4 Cross ID H Charing Cross Embankment G T Green Park E U O Tower Millenium Pier S Tower Of Walking Distance Oxo Tower Tate Modern 7 mins T Walking Distance Festival Pier London L N Walking Distance AL D London Bridge City Pier M E 6 mins L R S E 25 mins L A3212 M OU A S G P K T R H D N W I A A A I RK R B B R S LY L T DI AL M F R E K E A M C E C A W C H I I T A P O R L T London B O T Waterloo Waterloo East C I The Shard V St.
    [Show full text]
  • Background to the Formation of the Savoy Gastronomes Founded 1971
    Background to the formation of The Savoy Gastronomes Founded 1971 Re-compiled by Founding Member Julian L Payne August 2014 Aim of the Amicale is “To foster the spirit of the Savoy Reception” Historical note To put this aim into context it is necessary to understand the background of the functioning of the Reception Office in earlier years. This department of the hotel had manual control over every arrival, departure and room allocation of the 526 rooms that the Savoy had. It was often the final department that aspiring hoteliers reached as part of their management training, having been through many other stages to reach this pinnacle. The daytime dress code was very formal. Stiff collars, subdued ties, waistcoats, tailcoats and pinstriped trousers, black lace up shoes and black socks. At 4.30 pm when the evening brigade arrived it was Black Tie, dinner jacket, with the two Night Managers wearing the same when they arrived at 11.30 pm. Those on the late brigade often met up in Southampton Street, just across the road, for a cup of tea from a small mobile tea stall and if the evening had been personally financially rewarding a bacon sandwich. Tips were pooled by the whole brigade and divided out at the end of the week on a points system. Brigades comprised of three or four young men who stayed in the department for at least a year; there was a very defined hierarchy with the “lowest” entrant stuck for hours “under the stairs” sharpening pencils or answering the very busy telephones.
    [Show full text]
  • * Hc Omslag Film Architecture 22-05-2007 17:10 Pagina 1
    * hc omslag Film Architecture 22-05-2007 17:10 Pagina 1 Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema presents for the first time a comparative study of European film set design in HARRIS AND STREET BERGFELDER, IMAGINATION FILM ARCHITECTURE AND THE TRANSNATIONAL the late 1920s and 1930s. Based on a wealth of designers' drawings, film stills and archival documents, the book FILM FILM offers a new insight into the development and signifi- cance of transnational artistic collaboration during this CULTURE CULTURE period. IN TRANSITION IN TRANSITION European cinema from the late 1920s to the late 1930s was famous for its attention to detail in terms of set design and visual effect. Focusing on developments in Britain, France, and Germany, this book provides a comprehensive analysis of the practices, styles, and function of cine- matic production design during this period, and its influence on subsequent filmmaking patterns. Tim Bergfelder is Professor of Film at the University of Southampton. He is the author of International Adventures (2005), and co- editor of The German Cinema Book (2002) and The Titanic in Myth and Memory (2004). Sarah Street is Professor of Film at the Uni- versity of Bristol. She is the author of British Cinema in Documents (2000), Transatlantic Crossings: British Feature Films in the USA (2002) and Black Narcis- sus (2004). Sue Harris is Reader in French cinema at Queen Mary, University of London. She is the author of Bertrand Blier (2001) and co-editor of France in Focus: Film
    [Show full text]
  • The Film Music of Edmund Meisel (1894–1930)
    The Film Music of Edmund Meisel (1894–1930) FIONA FORD, MA Thesis submitted to The University of Nottingham for the degree of Doctor of Philosophy DECEMBER 2011 Abstract This thesis discusses the film scores of Edmund Meisel (1894–1930), composed in Berlin and London during the period 1926–1930. In the main, these scores were written for feature-length films, some for live performance with silent films and some recorded for post-synchronized sound films. The genesis and contemporaneous reception of each score is discussed within a broadly chronological framework. Meisel‘s scores are evaluated largely outside their normal left-wing proletarian and avant-garde backgrounds, drawing comparisons instead with narrative scoring techniques found in mainstream commercial practices in Hollywood during the early sound era. The narrative scoring techniques in Meisel‘s scores are demonstrated through analyses of his extant scores and soundtracks, in conjunction with a review of surviving documentation and modern reconstructions where available. ii Acknowledgements I would like to thank the Arts and Humanities Research Council (AHRC) for funding my research, including a trip to the Deutsches Filminstitut, Frankfurt. The Department of Music at The University of Nottingham also generously agreed to fund a further trip to the Deutsche Kinemathek, Berlin, and purchased several books for the Denis Arnold Music Library on my behalf. The goodwill of librarians and archivists has been crucial to this project and I would like to thank the staff at the following institutions: The University of Nottingham (Hallward and Denis Arnold libraries); the Deutsches Filminstitut, Frankfurt; the Deutsche Kinemathek, Berlin; the BFI Library and Special Collections; and the Music Librarian of the Het Brabants Orkest, Eindhoven.
    [Show full text]
  • Film Front Weimar’ 30-10-2002 14:10 Pagina 1
    * pb ‘Film Front Weimar’ 30-10-2002 14:10 Pagina 1 The Weimar Republic is widely regarded as a pre- cursor to the Nazi era and as a period in which jazz, achitecture and expressionist films all contributed to FILM FRONT WEIMAR BERNADETTE KESTER a cultural flourishing. The so-called Golden Twenties FFILMILM FILM however was also a decade in which Germany had to deal with the aftermath of the First World War. Film CULTURE CULTURE Front Weimar shows how Germany tried to reconcile IN TRANSITION IN TRANSITION the horrendous experiences of the war through the war films made between 1919 and 1933. These films shed light on the way Ger- many chose to remember its recent past. A body of twenty-five films is analysed. For insight into the understanding and reception of these films at the time, hundreds of film reviews, censorship re- ports and some popular history books are discussed. This is the first rigorous study of these hitherto unacknowledged war films. The chapters are ordered themati- cally: war documentaries, films on the causes of the war, the front life, the war at sea and the home front. Bernadette Kester is a researcher at the Institute of Military History (RNLA) in the Netherlands and teaches at the International School for Humanities and Social Sciences at the University of Am- sterdam. She received her PhD in History FilmFilm FrontFront of Society at the Erasmus University of Rotterdam. She has regular publications on subjects concerning historical representation. WeimarWeimar Representations of the First World War ISBN 90-5356-597-3
    [Show full text]
  • Original Writer Title Genre Running Time Year Director/Writer Actor
    Original Running Title Genre Year Director/Writer Actor/Actress Keywords Writer Time Katharine Hepburn, Alcoholism, Drama, Tony Richardson; Edward Albee A Delicate Balance 133 min 1973 Paul Scofield, Loss, Play Edward Albee Lee Remick Family Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 53 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. I Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 54 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. II Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 53 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. III Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 53 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. IV Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 50 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. V Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 52 min 1995 Austen,
    [Show full text]
  • Paul Czinner Филм ÑÐ​ ¿Ð¸ÑÑ​ ŠÐº (ФилмографиÑ)​
    Paul Czinner Филм ÑÐ​ ¿Ð¸ÑÑ​ ŠÐº (ФилмографиÑ)​ The Loves of Ariane https://bg.listvote.com/lists/film/movies/the-loves-of-ariane-7749068/actors Victims of Passion https://bg.listvote.com/lists/film/movies/victims-of-passion-21869966/actors The Fiddler of Florence https://bg.listvote.com/lists/film/movies/the-fiddler-of-florence-13576912/actors Husbands or Lovers https://bg.listvote.com/lists/film/movies/husbands-or-lovers-15836945/actors The Rise of Catherine the https://bg.listvote.com/lists/film/movies/the-rise-of-catherine-the-great-1736026/actors Great The Bolshoi Ballet https://bg.listvote.com/lists/film/movies/the-bolshoi-ballet-22683504/actors Escape Me Never https://bg.listvote.com/lists/film/movies/escape-me-never-2516860/actors As You Like It https://bg.listvote.com/lists/film/movies/as-you-like-it-2707658/actors Love https://bg.listvote.com/lists/film/movies/love-3208388/actors Inferno https://bg.listvote.com/lists/film/movies/inferno-36344795/actors Ariane, jeune fille russe https://bg.listvote.com/lists/film/movies/ariane%2C-jeune-fille-russe-4790224/actors Ariane https://bg.listvote.com/lists/film/movies/ariane-4790226/actors Doña Juana https://bg.listvote.com/lists/film/movies/do%C3%B1a-juana-5303845/actors Fräulein Else https://bg.listvote.com/lists/film/movies/fr%C3%A4ulein-else-5506649/actors The Way of Lost Souls https://bg.listvote.com/lists/film/movies/the-way-of-lost-souls-600525/actors Stolen Life https://bg.listvote.com/lists/film/movies/stolen-life-7618619/actors Dreaming Lips https://bg.listvote.com/lists/film/movies/dreaming-lips-989970/actors.
    [Show full text]
  • Mapping the British Biopic: Evolution, Conventions, Reception and Masculinities
    Mapping the British Biopic: Evolution, Conventions, Reception and Masculinities Matthew Robinson A thesis submitted in partial fulfilment of the requirements of the University of the West of England, Bristol for the degree of Doctor of Philosophy Faculty of Arts, Creative Industries and Education, University of the West of England, Bristol June 2016 90,792 words Contents Abstract 2 Chapter One: Introduction 3 Chapter Two: Critical Review 24 Chapter Three: Producing the British Biopic 1900-2014 63 Chapter Four: The Reception of the British Biopic 121 Chapter Five: Conventions and Themes of the British 154 Biopic Chapter Six: This is His Story: ‘Wounded’ Men and 200 Homosocial Bonds Chapter Seven: The Contemporary British Biopic 1: 219 Wounded Men Chapter Eight: The Contemporary British Biopic 2: 263 Homosocial Recoveries Chapter Nine: Conclusion 310 Bibliography 323 General Filmography 355 Appendix One: Timeline of the British Biopic 1900-2014 360 Appendix Two: Distribution of Gender and Professional 390 Field in the British Biopic 1900-2014 Appendix Three: Column and Pie Charts of Gender and 391 Profession Distribution in British Biopics Appendix Four: Biopic Production as Proportion of Total 394 UK Film Production Previously Published Material 395 1 Abstract This thesis offers a revaluation of the British biopic, which has often been subsumed into the broader ‘historical film’ category, identifying a critical neglect despite its successful presence throughout the history of the British film industry. It argues that the biopic is a necessary category because producers, reviewers and cinemagoers have significant investments in biographical subjects, and because biopics construct a ‘public history’ for a broad audience.
    [Show full text]