Voltaire and Louisa Ulrica, Princess of Prussia and Queen of Sweden (1751-1771)
'Divine Ulrique': Voltaire and Louisa Ulrica, Princess of Prussia and Queen of Sweden (1751-1771) Marc Serge Rivière That Voltaire adopted a paradoxical stance towards women, as he did on so many other issues, has been argued most convincingly by D. J. Adams in his excellent study, La Femme dans les contes et les romans de Voltaire: 'Voltaire exprimait son mépris ou son adoration selon son opinion de la dame en question, et non pas selon le genre qu'il employait.'1 In some of his more private statements either made in his correspondence to members of his inner circle, or confined to his notebooks, Voltaire is far from complimentary about women. Their frivolity, which is repeatedly stressed in the Contes,1 is commented upon thus in the notebooks: 'Les femmes ressemblent aux girouettes : elles se fixent quand elles se rouillent.'3 Yet, in his dealings with influential women of his day, the philosophe did not let such negative views detract from the respect and admiration which he openly professed for his patronesses. Voltaire flattered, and knew how to win over, duchesses and countesses, princesses and queens, just as he did powerful men. In assessing Voltaire's dealings with such influential women as Mme de Pompadour, Catherine II and several German and Prussian princesses, and queens, it must be remembered that his chief motive was to seek the patronage of those who were in a position to promote effectively his works in their respective countries; Jean Sareil justifiably concludes: 'Ce que Voltaire attend de madame de Pompadour, comme de tous les grands qu'il fréquente, c'est de favoriser ses ouvrages et de le protéger contre ses ennemis [...].
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