On the Value of Chinese Language Skills for Practitioners of Acupuncture and Oriental
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{PDF EPUB} Five Lost Classics Tao Huang-Lao and Yin-Yang in Han China by Robin D.S
Read Ebook {PDF EPUB} Five Lost Classics Tao Huang-lao and Yin-yang in Han China by Robin D.S. Yates Learn - Explore | Bibliographical notes for the Ma Wang Dui texts. Mawang Dui 馬王堆 - the Horse King Mound - is an archaeological site located in Changsha, China. It is the site of three tombs belonging to the first Marquis of Dai, his wife, and a male who is believed to be their son. The site was excavated from 1972 to 1974. Most of the artifacts from Mawangdui are displayed at the Hunan Provincial Museum. This discovery was monumental, one of the most significant of the 20th century and has changed our view of the history of medicine and Daoism in China. The tomb contained various medical texts, including depictions of qigong (dao yin) exercises. For our purposes we will mainly focus on these philosophical and medical texts, but the tombs contained political and historical texts as well. the texts. These text were “written to advise ruling Han dynasty authorities on how to attune themselves to the cosmos at a time of rapidly changing political and social climate.” From the sleeve of Yates' Five Lost Classics : “In 1973, among the many unique documents discovered in the richly furnished tomb of a Han-dynasty aristocrat, were five books written on silk, primary texts of Huang-lao Daoism and Yin-yang philosophy that had been lost to mankind for more than 2,000 years. A discovery as important in China as the unearthing of the Dead Sea Scrolls was in the West, the Mawangdui texts created a sensation when they were first published, even leading to the foundation of a new religion on Taiwan… The recovery of the five lost classics sheds new light on a critical transitional period of Chinese political and intellectual history. -
Law, Literature, and Gender in Tang China: an Exploration of Bai Juyi's
NORMAN HO- PAGE PROOF (DO NOT DELETE) 7/8/2009 3:51 AM Law, Literature, and Gender in Tang China: An Exploration of Bai Juyi’s Selected Panwen on Women Norman P. Ho (侯孟沅)* I. INTRODUCTION Since the birth of the law and literature field in the 1970s,1 scho- lars working in the West have primarily focused their attention on analysis of legal issues in American and European literary master- pieces. More recently, academics have begun to explore the inter- sections between law and literature in the literary traditions of late imperial and modern China.2 However, very little scholarly atten- * J.D. candidate and Global Law Scholar (class of 2012), Georgetown University Law Cen- ter. A.M. in Regional Studies-East Asia (Chinese History), Harvard University (2009). Harvard-Yenching Institute Fellow, Department of History, Peking University (2007-2008); A.B. cum laude in History, Harvard University (2007). I would like to thank Professor Wai-yee Li for her extremely helpful comments and suggestions about my translations of Bai Juyi‘s panwen and on this paper in general, as well as her encouragement for pursuing research on this topic. Many thanks also to Professor Xiaofei Tian for first introducing me to panwen as a literary genre. 1 Most scholars credit James Boyd White, currently L. Hart Wright Collegiate Professor of Law at the University of Michigan Law School, and his seminal book: THE LEGAL IMAGINATION: STUDIES IN THE NATURE OF LEGAL THOUGHT AND EXPRESSION (Boston: Little, Brown, 1973), with creating the field. See Professor White‘s faculty website at http://cgi2.www.law.umich.edu/_FacultyBioPage/ facultybiopagenew.asp?ID=14. -
A Dictionary of Chinese Characters: Accessed by Phonetics
A dictionary of Chinese characters ‘The whole thrust of the work is that it is more helpful to learners of Chinese characters to see them in terms of sound, than in visual terms. It is a radical, provocative and constructive idea.’ Dr Valerie Pellatt, University of Newcastle. By arranging frequently used characters under the phonetic element they have in common, rather than only under their radical, the Dictionary encourages the student to link characters according to their phonetic. The system of cross refer- encing then allows the student to find easily all the characters in the Dictionary which have the same phonetic element, thus helping to fix in the memory the link between a character and its sound and meaning. More controversially, the book aims to alleviate the confusion that similar looking characters can cause by printing them alongside each other. All characters are given in both their traditional and simplified forms. Appendix A clarifies the choice of characters listed while Appendix B provides a list of the radicals with detailed comments on usage. The Dictionary has a full pinyin and radical index. This innovative resource will be an excellent study-aid for students with a basic grasp of Chinese, whether they are studying with a teacher or learning on their own. Dr Stewart Paton was Head of the Department of Languages at Heriot-Watt University, Edinburgh, from 1976 to 1981. A dictionary of Chinese characters Accessed by phonetics Stewart Paton First published 2008 by Routledge 2 Park Square, Milton Park, Abingdon, OX14 4RN Simultaneously published in the USA and Canada by Routledge 270 Madison Ave, New York, NY 10016 Routledge is an imprint of the Taylor & Francis Group, an informa business This edition published in the Taylor & Francis e-Library, 2008. -
Old Scripts, New Actors: European Encounters with Chinese Writing, 1550-1700 *
EASTM 26 (2007): 68-116 Old Scripts, New Actors: European Encounters with Chinese Writing, 1550-1700 * Bruce Rusk [Bruce Rusk is Assistant Professor of Chinese Literature in the Department of Asian Studies at Cornell University. From 2004 to 2006 he was Mellon Humani- ties Fellow in the Asian Languages Department at Stanford University. His dis- sertation was entitled “The Rogue Classicist: Feng Fang and his Forgeries” (UCLA, 2004) and his article “Not Written in Stone: Ming Readers of the Great Learning and the Impact of Forgery” appeared in The Harvard Journal of Asi- atic Studies 66.1 (June 2006).] * * * But if a savage or a moon-man came And found a page, a furrowed runic field, And curiously studied line and frame: How strange would be the world that they revealed. A magic gallery of oddities. He would see A and B as man and beast, As moving tongues or arms or legs or eyes, Now slow, now rushing, all constraint released, Like prints of ravens’ feet upon the snow. — Herman Hesse 1 Visitors to the Far East from early modern Europe reported many marvels, among them a writing system unlike any familiar alphabetic script. That the in- habitants of Cathay “in a single character make several letters that comprise one * My thanks to all those who provided feedback on previous versions of this paper, especially the workshop commentator, Anthony Grafton, and Liam Brockey, Benjamin Elman, and Martin Heijdra as well as to the Humanities Fellows at Stanford. I thank the two anonymous readers, whose thoughtful comments were invaluable in the revision of this essay. -
East Asian Culture and History (EAST 4591) Department of Culture Studies and Oriental Languages
The Physiology of the Mind in Chinese Medicine: Interpretation of the “Five Spirits” 五神 in Zhang Jingyue’s Categories of the Canons (1624) Minh Khai Mai-Thi Master’s Thesis (60 Credits) in East Asian Culture and History (EAST 4591) Department of Culture Studies and Oriental Languages UNIVERSITY OF OSLO Autumn 2017 The Physiology of the Mind in Chinese Medicine: Interpretation of the 五神 “Five Spirits” in Zhang Jingyue’s Categories of the Canons (1624) Minh Khai Mai-Thi i In my humble opinion, spirit is the transformations of one’s brightest intelligence—simply the regulating principle of qi that is all. ZHANG JINGYUE © Minh Khai Mai-Thi 2017 The Physiology of the Mind in Chinese Medicine: Interpretation of the 五神 “Five Spirits” in Zhang Jingyue’s Categories of the Canons (1624) http://www.duo.uio.no Print: Reprosentralen, University of Oslo ii Abstract This thesis will argue that psychological theory was always a central part of Chinese scholarly medicine. Such theories were prominent already in the early literature and continued to be discussed and elaborated in the further development of the medical discourse. Even so, they have not received much academic attention and are therefore often overlooked in the wider discussions of Chinese and East-Asian theories of the mind. This study is the first in-depth analysis of the conceptual model known as the “five spirits” (wushen 五神). It is also the first to explore this topic specifically from the angle of medical discourse. The analysis is based on a 17th century medical commentary that has not yet been translated or thoroughly discussed in any international publication. -
Translating from and Into Chinese
Utah State University DigitalCommons@USU Course Materials Open Educational Resources 8-19-2018 Adapting OER Sources for CHIN 3540: Translating from and into Chinese Li Guo Utah State University, [email protected] Follow this and additional works at: https://digitalcommons.usu.edu/oer_course Part of the Chinese Studies Commons Recommended Citation Guo, Li, "Adapting OER Sources for CHIN 3540: Translating from and into Chinese" (2018). Course Materials. Paper 1. https://digitalcommons.usu.edu/oer_course/1 This Other is brought to you for free and open access by the Open Educational Resources at DigitalCommons@USU. It has been accepted for inclusion in Course Materials by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. Adapting OER Sources for CHIN 3540: Translating from and into Chinese Li Guo, Associate Professor of Chinese, LPCS. Project period: Fall 2017 to Spring 2019 Table of Contents Project Description 1 Unit Topics I. Discourse, Metaphor, and Cultural Identity in Translation 3 1. Introduction – Chinese Discourses on Translation: Positions and Perspectives 2. Metaphor and Chinese Poetry 3. Researching the Translation of Chinese Political Discourse 4. Translation as a Site of Framing Chinese Identity: The Case of Yeeyan Sport II. “Translating Classical Chinese Poetry” 4 1. Database of Chinese classical poetry with mandarin annotations in Chinese 2. How to Read Chinese Poetry: A Guided Anthology 3. Poetry of Han Shan (The Cold Mountain Master) 4. Foreignization: Gary Snyder’s translations of Han Shan 5. Poetry of Du Fu 6. Ezra Pound, Imagism, and Pounds’ translation of Li Po’s Poems 7. Supplementary Readings: Ideogram Theory III. -
Classical Chinese Logic
Philosophy Compass (2015): 1–9, 10.1111/phc3.12226 Classical Chinese Logic Jana S. Rošker* University of Ljubljana Abstract The present article provides an introduction to classical Chinese logic, a term which refers to ancient dis- courses that were developed before the arrival of significant external influences and which f lourished in China until the first unification of China, during the Qin Dynasty (221 BC). Taking as its premise that logic implies both universal and culturally conditioned elements, the author describes the historical back- ground of Chinese logic, the main schools of Chinese logical thought, the current state of research in this area and the crucial concepts and methods applied in classical Chinese logic. The close link between Chinese logic and the Chinese language is also stressed. 1. Introduction Is logic a universal discipline, which means there is only one kind of logic? Or is it culturally conditioned, with many different logical systems? The answer depends on how we define log- ical reasoning. If we follow the narrow definition, which identifies or equates logic with the logical concepts, categories and methods that were developed in what we can call the Aristote- lian or Stoic tradition, we could conclude that in traditional and pre-modern China, there was no logic.1 But if logic is instead understood as a rational form of reasoning focused on valid ar- gumentation and its principles, many different approaches are possible. Furthermore, like hu- man language, logical propositions imply both universal as well as culturally conditioned elements. While the ability to express the perceived reality by means of linguistic terms and structures is one of the most basic and distinctive features of humanity, this common feature has evolved in countless different ways in different cultures, with each distinct language empha- sizing different patterns of reasoning. -
The Culture of Music and Ritual in Pre-Han Confucian Thought: Exalting the Power of Music in Human Life*
View metadata, citation and similar papers at core.ac.uk brought to you by CORE The Culture of Music and Ritual in Pre-Han Confucian Thought: Exalting the Power of Music in Human Life* Barry D. Steben 1. Confucius and Music According to Analects 8:8, Confucius said, “Arouse yourself through poetry, estab- lish yourself through ritualized action, and complete yourself with music.” In Ana- lects 7:14 we read, “When Confucius was in Qi, he heard the Shao music, and for three months he did not know the taste of meat. ‘I did not think,’ he said, ‘that the making of music could reach such perfection.’ “Elsewhere he declared, “The Shao music is completely beautiful and completely good” (Analects 3:25). The Records of the Historian (“Kongzi shijia” chapter) adds that in Qi after hearing the Shao music he himself studied it. A fundamental reason that Confucius’ character had such a powerful impact on his followers is that his teachings and actions were grounded in his practice of “taking his recreation in the arts,” immersing himself in refined forms of aesthetic contemplation and traditional rituals to the point of self-forgetfulness. This was his form of “spiritual practice,” if you will, which contributed greatly to the composedness and refinement of his character. And the art that completes the char- acter, he declared in no uncertain terms, is music. There are at least nineteen pas- sages containing references to music or musical instruments in the Analects, and some twenty-eight more in other texts that purport to record the words and dia- logues of Confucius.1) Thus it is clear that the playing of musical instruments and other musical activities were an important part of the life of Confucius and his disci- ples, both as entertainment and as a matter of ritual propriety. -
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Early Intertextual Uses of Parallels with the Laozi and Their Role as Sources of Authority By Larson Di Fiori A.B., Brown University, 2008 MSt., University of Oxford, 2011 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Religious Studies at Brown University Providence, Rhode Island May 2018 © Copyright 2018 by Larson Di Fiori This dissertation by Larson Di Fiori is accepted in its present form by the Department of Religious Studies as satisfying the dissertation requirement for the degree of Doctor of Philosophy Date_________ ____________________________ Harold Roth, Advisor Recommended to the Graduate Council Date_________ ____________________________ Andrew Meyer, Reader Date_________ ____________________________ Janine Sawada, Reader Date_________ ____________________________ Sarah Queen, Reader Approved by the Graduate Council Date_________ ____________________________ Andrew G. Campbell, Dean of the Graduate School iii CURRICULUM VITAE Larson Di Fiori received an A.B. in East Asian Studies and Classics from Brown University in 2008. After a stint teaching English in Xi’an, China, he received a M.St. in Chinese Studies from the University of Oxford in 2011, following which he returned to Brown to join the then recently established Asian Religious Traditions program. At Brown and in the surrounding community, he has given several public talks on Daoism and Chinese culture in both English and Chinese. He has been awarded with the Brown/Wheaton Faculty Fellowship, the Chinese University of Hong Kong Global Scholarship Programme for Research Excellence, and the Confucius Institute New Chinese Studies Plan Doctoral Fellowship. In addition to experience as a teaching assistant, he has designed and taught his own courses at Brown, Connecticut College and Wheaton College. -
Chinese Philosophy (PHIL10179)
Chinese Philosophy (PHIL10179) Course Guide 2018/19: Semester 1 Course Organiser: Dr. Mog Stapleton: [email protected] Dugald Stewart Building: room 5.04 Office hours (term time): Wed. 12-13.00 Autonomous Learning Group tutor: Wilson Lee: [email protected] Course Secretary: Ann-Marie Cowe: [email protected] Class times and Locations: Lecture: Mondays 16-17.00 (starting 17th September) Tutorials: Wednesdays 10-12.00 (starting 19th September) Autonomous Learning Groups: TBA Course Description: This course is intended as an introduction to some of the key debates and ideas in Chinese Philosophy. Through a close reading of some of the most influential texts in e.g. Confucianism and Daoism, students will develop an understanding of the variety of philosophical approaches in Chinese Philosophy and how these may relate to approaches to Western Philosophy. This course will not assume any previous knowledge in the area. All reading will be in English translation. Intended Learning Outcomes: On completion of this course, the student will be able to: 1. Demonstrate knowledge and understanding of the key debates in Classical Chinese Philosophy 2. Independently analyse the most influential texts in Chinese Philosophy 3. Demonstrate core skills in philosophy, including the ability to interpret and engage with philosophical texts, to evaluate arguments, and to develop one's own critical ideas Overview of Course week by week: 1. Introduction to the Warring States period 2. Confucianism 1: Confucius - Analects 3. Confucianism 2: Mencius 4. Confucianism 3: Xunzi 5. Mohism 6. Daoism 1: Laozi & the Daodejing 7. Daoism 1 cont.d 8. -
The Totality of Chinese Characters – a Digital Perspective
Journal of Chinese Language and Computing 17 (2): 107-125 107 The Totality of Chinese Characters – A Digital Perspective Shouhui Zhao CRPP, NIE of Nanyang Technological University, Singapore 647616 [email protected] Dongbo Zhang Department of Modern Language, Carnegie Mellon University, PA 15231, USA [email protected] Abstract That the Chinese IT industry has been recurrently plagued by the deficiencies of the Chinese writing system has been well known. In this paper, we provided an examination of the complex factors involved in the process of streamlining the total number (TN) of Chinese characters (hanzi), and critically reviewed the existing and emerging theoretical frameworks advocated by language policy (LP) practitioners over the years in addressing the issue of fixing the TN. We first identified three referencing points when people from different fields talk about the TN of hanzi. Based on this review of the concept of TN, we discussed how the ever-expanding, indefinable and unpredictable TN poses problems to Chinese information processing. From a sociolinguistic perspective, we then pointed out the main external causes that lead to the dilemma of TN restriction. Various proposals, articulated since the early 20th century, were then reviewed and their failures were briefly discussed. Lastly, the most recent visionary model to deal with hanzi’s TN was introduced and how it informs the planning of TN of Chinese characters was also discussed. It is hoped, this study will shed some light on the in-depth understanding towards one difficult aspect of Chinese script modernization and computerization. Keywords Chinese characters, total number, variant forms (VF), rarely used characters (RC), encoding set 1. -
What Do Teachers of Chinese As a Foreign Language Believe About Teaching Chinese Literacy to English Speakers?
What do Teachers of Chinese as a Foreign Language Believe about Teaching Chinese Literacy to English Speakers? By © 2018 Sheree A. W. Willis DPhil, University of Kansas, 2018 M.A., University of Kansas, 2000 B.A., University of Kansas, 1979 Submitted to the graduate degree program in Curriculum and Instruction and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Lizette Peter Steven White Heidi Hallman Dennis Karney J. Megan Greene Date Defended: 24 July 2018 The dissertation committee for Sheree A. W. Willis certifies that this is the approved version of the following dissertation: What do Teachers of Chinese as a Foreign Language Believe about Teaching Chinese Literacy to English Speakers? Chair: Lizette Peter Date Approved: 24 July 2018 ii Abstract This study was motivated by a recognition of the difficulties of teaching literacy in Chinese as a foreign language (CFL). CFL teachers deliberate over pedagogy, content sequencing, goals for literacy learning, and the use of authentic materials. These issues are complicated by the long history of Chinese literacy practices and the cultural significance of the writing system. The teachers bring rich personal histories and expertise, shaped by this cultural background, to their teaching. The study aims to gain a better understanding of teacher cognition on teaching Chinese literacy, to inform the discussion on improving CFL literacy instruction. The participants are five teachers raised and educated in China who are currently teaching in U.S. K-12 schools. This qualitative study employs semi-structured interviews, triangulated with lesson plans and classroom observations.