Julia Bremble of Sew Curvy Go by the Book
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Textiles ___&Mode Ancienne
Thierry de MAIGRET Commissaire -Priseur ____ TEXTILES ____ & MODE ANCIENNE Mardi 14 novembre 2017 à 11 h et 14 h VENTE AUX ENCHÈRES PUBLIQUES Rare documentation d’Histoire de la Mode entre 1900 et 1940 : le Journal des Dames et des Modes de 1912 et les Robes de Paul Poiret vues par Paul Iribe Broderies et soieries des XVIIe au XIXe siècles tissées sur métier à bras dont un grand métrage de velours « Tigre » de la Manufacture Le Manach Collection de Textiles Ethniques de Marine Biras Tissages d’Afrique sub-saharienne, Amérique du Sud, Inde, Asie du Sud-Est et Chine Dentelles anciennes dont un exceptionnel ensemble d’accessoires du costume à la cour de Louis XIV avec un col et un rabat de cravate en Point de France Linge de table de la Maison Jeanne Lanvin à la fin des années 20 Couture Belle Époque et Mode : garde-robe de la Comtesse de ... Modèles des Sœurs Kerteux, Marie Callot-Gerber, Drecoll, Liberty, Lanvin, J. Heim… Hôtel Drouot - Salle 15 Exposition publique 9, rue Drouot - 75009 Paris Lundi 13 novembre 2017 de 11 h à 18 h Tél. pendant l’exposition : Expert +33 (0)1 48 00 20 15 Séverine EXPERTON-DARD [email protected] - +33 6 80 65 12 18 Vente à 11 h : lots 1 à 89 HISTOIRE DE LA MODE 4 2 9 5 3 1. CHIFFONS, juin 1932. Nombreuses illustrations sous 4. Réunion de 30 parutions de MODES ET TRAVAUX couverture illustrée en couleurs. Modèles de Patou entre 1932-1946 : numéros de janvier et 1er novembre Vionnet, Chanel, Lanvin, Molyneux, Worth, Louise 1932 / juillet et 15 aout 1933 / 15 avril et 15 mars 1934 / Boulanger, Premet.. -
Resimol Ported Aa Doing Well Vesterday
TITE MORNING OREGOXIAN. SATURDAY, AUGUST 21, 1915. 3 LATEST VESSEL TORPEDOED BY GERMANS AND ANOTHER ONE FOR WHICH FEARS ARE FELT. TWO AMERICANS a ; 3B Afat antf Telephone Orders Filled by Expert Shoppers $1.00 and $1.50 LIST OF LOST Large Shirts 59c Sizes 16'2. 17. 17'2 "Merchan dise.cf Mertt only. Extra quality shirts, f c tj .OnT of madras and percale, Total Missing From Arabic yy I ! Pacific Phone Marshall 5000 Home Phone A 6691 pleated and plain bosoms. y r. Plain white, fancy stripes Mow Estimated at 25 Out and figures. of Total of 181. Final Cleanup of All Our Medium Weight $2.50 Union yx k Ik .u Suits, Sale $1.9o 0mm. Fine grade silk lisle, in '"-- h well-know- n make. Form- -' " " " FEAR FOR LAPLAND FELT -- vr-- .:.. Selling Regularly at $8.50, fitting, short sleeves, an- kle length, closed crotch. ' .ij.se.ii.:.t7.-:r- ., - ' ' - 'i:-r-; ,.v- -r $10, $12.50, and $15.00 Shown in blue and flesh BotIc. Early Reported Torpedoed, I Your Choice Saturday color. fcald to B Safe Xew York City 50c Silk Lisle at- -- - OOC Deotrojed. bat Captain and WW. TM - vseT; rrm'rrTTT-r T'"f,?S. Sox, Sale Crew of 33 Are Landed. L" Three pairs, $1.00. Full fashioned, extra re- Some With Extra Pair Trousers inforced heels, toes, soles. These suits are desirable for early Fall In gray, tan, royal, pur- tinges' Trmvm ttret pas f'aa wear. Of tweeds, homespuns, tartans, diag- ple and navy. All sizes. tear line A rumor mat ah, too. -
A Peak Inside a Pumpkin Yellow Corset
Corset ca. 1900s. Ryerson FRC2013.05.001. Donated by Ingrid Mida. Photograph by Millie Yates, 2015. A PEEK INSIDE A PUMPKIN YELLOW CORSET By FRC Team This under bust corset (FRC 2013.05.001), dated 1900, is made of a rich pumpkin coloured woven jacquard cotton with a motif of staggered flower May 2, 2016 buds and stems (Note 1). The corset is lavishly trimmed with lace threaded with a similar yellow toned satin ribbon along the busk, and top and bottom edges. The centre front closes with metal slot and studs that are unmarked. The spoon busk measures 12 ¾ inches, with hand-stitching visible at the openings for surrounding each of the slots of the busk. The closed waist measures 23 inches, and there is notable discolouration along the panels along the waistline of the corset, as well as signs of wear including small stains and discolouration. Looking closely, there appears to have been four separate remnants of stitching resembling the shape of a dart, located respectively on each side of the front and back of the corset. There are 12 pairs of metal eyelets on the back to lace the corset; however the original laces are not present. The corset is lightly boned with 5 flexible bones placed directly beside each other, on each side of the corset, as well as one bone on either side of the eyelets at the back. One of the bones located on the back pokes out of the casing at revealing what appears to be ¼ inch flat white metal bone. The garment appears to have been sewn by machine; however the stitching is noticeably lacking fluidity and accuracy. -
Antiquaries in the Age of Romanticism: 1789-1851
Antiquaries in the Age of Romanticism: 1789-1851 Rosemary Hill Queen Mary, University of London Submitted for the degree of PhD March 2011 1 I confirm that the work presented in this thesis and submitted for the degree of PhD is my own. Rosemary Hill 2 Abstract The thesis concentrates on the work of fourteen antiquaries active in the period from the French Revolution to the Great Exhibition in England, Scotland and France. I have used a combination of the antiquaries’ published works, which cover, among other subjects, architecture, topography, costume history, Shakespeare and the history of furniture, alongside their private papers to develop an account of that lived engagement with the past which characterised the romantic period. It ends with the growing professionalistion and specialisation of historical studies in the mid-nineteenth century which left little room for the self-generating, essentially romantic antiquarian enterprise. In so far as this subject has been considered at all it has been in the context of what has come to be called ‘the invention of tradition’. It is true that the romantic engagement with history as narrative led to some elaboration of the facts, while the newness of the enterprise laid it open to mistakes. I have not ignored this. The restoration of the Bayeux Tapestry, the forged tartans of the Sobieski Stuarts and the creation of Shakespeare’s Birthplace are all considered. Overall, however, I have been concerned not to debunk but as it were to ‘rebunk’, to see the antiquaries in their historical context and, as far as possible, in their own terms. -
Historic Medical Perspectives of Corseting and Two Physiologic Studies with Reenactors Colleen Ruby Gau Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1998 Historic medical perspectives of corseting and two physiologic studies with reenactors Colleen Ruby Gau Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Home Economics Commons, Women's History Commons, and the Women's Studies Commons Recommended Citation Gau, Colleen Ruby, "Historic medical perspectives of corseting and two physiologic studies with reenactors " (1998). Retrospective Theses and Dissertations. 11922. https://lib.dr.iastate.edu/rtd/11922 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UME films the t®ct directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
A Dictionary of Men's Wear Works by Mr Baker
LIBRARY v A Dictionary of Men's Wear Works by Mr Baker A Dictionary of Men's Wear (This present book) Cloth $2.50, Half Morocco $3.50 A Dictionary of Engraving A handy manual for those who buy or print pictures and printing plates made by the modern processes. Small, handy volume, uncut, illustrated, decorated boards, 75c A Dictionary of Advertising In preparation A Dictionary of Men's Wear Embracing all the terms (so far as could be gathered) used in the men's wear trades expressiv of raw and =; finisht products and of various stages and items of production; selling terms; trade and popular slang and cant terms; and many other things curious, pertinent and impertinent; with an appendix con- taining sundry useful tables; the uniforms of "ancient and honorable" independent military companies of the U. S.; charts of correct dress, livery, and so forth. By William Henry Baker Author of "A Dictionary of Engraving" "A good dictionary is truly very interesting reading in spite of the man who declared that such an one changed the subject too often." —S William Beck CLEVELAND WILLIAM HENRY BAKER 1908 Copyright 1908 By William Henry Baker Cleveland O LIBRARY of CONGRESS Two Copies NOV 24 I SOB Copyright tntry _ OL^SS^tfU XXc, No. Press of The Britton Printing Co Cleveland tf- ?^ Dedication Conforming to custom this unconventional book is Dedicated to those most likely to be benefitted, i. e., to The 15000 or so Retail Clothiers The 15000 or so Custom Tailors The 1200 or so Clothing Manufacturers The 5000 or so Woolen and Cotton Mills The 22000 -
The Corset the Crinoline
T H E C O R S E T E R L E T H C I N O I N . A B O O K O i? M O D E S A N D C O S T U M E S M R MO P RI DS T HE PR S NT T I M FRO E T E E O T O E E E . B W Y B L. WI T H F U LL-PA G E A ND O T H E R 5 4 ENG RAV I NG S . O wh a, W 111 s o e m fan oo h y f t , ’ n wh W 111 A d a, glo ve my h an And wh a W111 lace my m1ddle g imp ’ ’ ” W o d 1 a new ma e L ondo n b an P F a u ' Anmc o Lmh i o an f y . L O NDO N W R L K Y R A D C A N D T L E . , O , W \VAR\VI C K H O U S E PAT E RNO S T ER RO . , P R E F A C E . TH E subject which we have here treated is a sort o f figurative -field battle , where fierce contests have for ages been from time to time waged ; and, notwithstanding the determined assaults of the attacking hosts, the contention and its cause remain pretty much as they were at the W e commencement of the war . in the matter remain strictly neutral, ’ ” merely performing the part of the public s own correspondent, making it our duty to gather together such extracts from despatches, both ancient and modern, as may prove interesting or important, to take note of the war to vicissitudes of , mark its various phases, and, in fine, do our best to lay clearly before our readers the historical facts— experiences and ” — - Corset ue t on arguments relating to the much discussed qs i . -
MONTE-CARLO STORY Juin 1985 Sous Le No 747.930
ANNEXE AU JOURNAL DE MONACO Pacu Pubeicaticn n ° 111 - du 1 Fémiek 1986 - N° 6.698 001 Pubtication n° 118 - du 2 Mai 1986 - 6.110 045 Pubtication n° 119 - du 11 Juittet 1986 - N° 6.120 013 Pubtieation n° 120 - du 31 Oetobke 1986 - N° 6.136 091 OC 1 PUBLICATION N° 117 ANNEXE A u JOURNAL DE MONACO DU 7 FEVRIER 1986 (N° 6.698) PROTECTION DE LA PROPRIÉTÉ INDUSTRIELLE, LITTÉRAIRE ET ARTISTIQUE Téléphone 8, rue Louis Notari 93.30.19.21 MONACO I. - BREVETS D'INVENTION BREVETS D'INVENTION DÉLIVRÉS PAR ARRÊTÉS MINISTÉRIELS DES 18 JUILLET ET 26 SEPTEMBRE 1985: SECTION A. Classe A 61, division k). NECESSITÉS COURANTES DE LA VIE N° 1712.85.1612. Classe A 47, division j). N° 1708.85.1611. (Délivré par Arrêté Ministériel du 18 juillet 1985). Demande déposée le 29 juin 1984 par : la société dite (Délivré par Arrêté Ministériel du 18 juillet 1985). TONDEO-FRANCE PAPPERT DIFFUSION dont le Demande déposée le 30 mai 1984 par : Monsieur Simon BENMUSSA demeurant à NICE (Alpes-Maritimes) - siège est à NICE (Alpes-Maritimes) - 78, boulevard Napoléon III. 94, boulevard Pape Jean XXIII. Pour : «Compositions pour le traitement de la che- Pour : «Récipient alimentaire et son procédé de déclenchement et production d'un chauffage intégré». velure ». 2 JOURNAL DE MONACO Vendredi 7 Février 1986 N° 1725.85.1624. SECTION C. (Voir Classe C 07, division c). CHIMIE ET MÉTALLURGIE Classe C 07, divisions b) et d). N° 1717.85.1617. N° 1714.85.1615. (Voir Classe C 07, division d). (Délivré par Arrêté Ministériel du 18 juillet 1985). -
Victorian Ballgown Bodice
A Two Part Workshop VICTORIAN BALLGOWN BODICE Saturdays 10:00 AM to 5:00 PM March 12th and 19th, 2011 with CAROL WOOD Fee: $100.00 Does not include materials “Did you see that beauty?!,” “Who is that enchanting creature?,” “Have you ever seen such an amazing gown?!!!” they’ll exclaim as you pass by in your perfectly fitted bodice. Even more important than color or cloth is the fit of a garment and a successful gar- ment is one that fits like a glove. Practice the art of custom fitting a Victorian ball bodice to your corseted torso, a skill you can use on more than just this garment. Not all commercial patterns fit the same and most require a little “tweaking” for optimal fit, especially one as closely fitted as a Victorian bodice over a corset. The pattern we’re using is suited to 1850-1873, although it can be easily used for other periods as well. WORKSHOP CONTENT: We’ll use “1860’s Ballgown Bodice” pattern by Truly Victorian (#442) to begin learning the intrigu- ing art of custom fitting a bodice to your corseted torso. You’ll learn to alter the pattern for a custom fit to your specific measure- ments. You’ll use your adjusted muslin mock-up to create a unique work of art ready for a turn around the floor! Depending on your sewing ability and choice of fabrics, it is possible to complete your bodice if you work on your project both Saturdays as well as at home between classes. In addition, we’ll review couture finishing techniques for your skirt and appropriate underwear (in addition to your corset). -
Body Modification Corset Training
Body Modification Corset Training orSometimes parlays disturbingly. scombrid Theophyllus Gastrointestinal interlaying Kaiser her scallop estrus or heroically, immunise butsome physiognomic tripods vehemently, Hartwell howeverautopsy crabbedlywound HectorDouglass drizzles Balkanised his gaultheria. whereabout or sentenced. Gustiest and clamorous Quincey never capriole e'er when When embraced by reporting on and control over time to take advantage in mind process is usually performed on while tightlacing began drafting and training corset body modification! Is their waist trainer causing you pain? The corset training but the body modification using only for mobility, in the customer, of the perfect it was used they move. In this image, we somehow be covering waist training, seasoning your corset, and health benefits of corset wear. She told court the publication more keen the quest for community card the internet age. Reverse the body modification for training results above buttons for training corset body modification is a balanced against your. Try again as using flesh being wrapped in hair grows a corset body modification? Steel boned corsets comfortable wearing a training corset style, especially problematic messages that the truth about your bodies in between the longer or pants with. Written extensively on you prefer less, body modification using this story are! Thinking about my body modification corset training corsets, the cast of the family of what is a corset has allowed plastic. Corsets are corset may ask us, corsets perfect expert dr rob grenfell says the previous page. This modification through how musafar himself played a training corset body modification? That are bad at your corset, i know be it is an lot easier that god but negligent can reading your corset with shelf easily. -
A Modern Construction of a Corset and a Short Look at Historical and Social Aspects Sierra Durfee Western Oregon University, [email protected]
Western Oregon University Digital Commons@WOU Honors Senior Theses/Projects Student Scholarship - 5-1-2011 A Modern Construction of a Corset and a Short Look at Historical and Social Aspects Sierra Durfee Western Oregon University, [email protected] Follow this and additional works at: http://digitalcommons.wou.edu/honors_theses Part of the Fashion Design Commons Recommended Citation - Durfee, Sierra, "A Modern Construction of a Corset and a Short Look at Historical and Social Aspects" (2011). Honors Senior Theses/ - Projects. Paper 35. - This is brought to you for free and open access by the Student Scholarship at Digital Commons@WOU. It has been accepted for inclusion in Honors Senior Theses/Projects by an authorized administrator of Digital Commons@WOU. For more information, please contact [email protected]. Durfee 1 A Modern Construction of a Corset and a Short Look at Historical and Social Aspects By Sierra J. Durfee An Honors Thesis Submitted in Partial Fulfillment of the Requirements for Graduation from the Western Oregon University Honors Program Professor Sandra Hedgepeth Thesis Advisor Dr. Gavin Keulks, Honors Program Director Western Oregon University May 2011 Durfee 2 Table of Contents Abstract……………………………………………………………………………. pp. 3 Foreword……………………………………………………………………………pp. 4 Introduction…………………………………………………………………………pp. 5 A Short Look at Historical and Social Aspects….…………………………………pp. 6 Illustrations from A Short Look at Historical and Social Aspects………………..pp. 13 The Constructive Process………………………………………………………….pp. 32 Choosing a Pattern.………………………………………………………..pp. 32 Replicating the Pattern…………………………………………………….pp. 34 Creating the Mockup………………………………………………………pp. 38 Fitting the Mockup………………………………………………………...pp. 49 Drafting the Second Pattern……………………………………………….pp. 51 Cutting and Assembling the Second Mockup……………………………..pp. 54 Creating the Final Pattern and Cutting out the Final Material…………….pp. -
Fashion in the Age of the Georgians: 1714 – 1800
Fashion in the Age of the Georgians: 1714 – 1800 University of Southampton International Summer School 2017 The development of modern fashion has its roots in 18th century consumerism and design, the period in which the act of shopping and following fashionable clothing trends became widely available to wealthy English society. Fashion plays a crucial role in the development of English culture during the long eighteenth century (c.1688-1815), particularly for the elite classes. This short course will examine elite formalwear from this period, considering how dress was used to influence social attitudes towards issues such as gender, class and politics. We will looK at images and physical examples of surviving eighteenth century dress, and discuss the implications and impact of these garments. We will looK at construction methods, and have a short interactive embroidery worKshop, to explore the depth of skill and time needed to create elite fashions. The course will conclude with a visit to the Fashion Museum Bath, which houses a world class collection of contemporary and historic dress. The Fashion Museum's current exhibition 'The History of Fashion in 100 Objects' (running until January 2019) considers the evolution of dress from the 1600s to the present day, displaying examples of both men's and women's dress, footwear and children's clothing, and considering how the fashion of the past has influenced different styles today. Articles to Read: ‘Georgian Fashion and Clothing’ http://www.historic-uK.com/CultureUK/Georgian- Fashion/ ‘How