Catalogue BERLINALE CO-PRODUCTION MARKET
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Smash Hits Volume 34
\ ^^9^^ 30p FORTNlGHTiy March 20-Aprii 2 1980 Words t0^ TOPr includi Ator-* Hap House €oir Underground to GAR! SKias in coioui GfiRR/£V£f/ mjlt< H/Kim TEEIM THAT TU/W imv UGCfMONSTERS/ J /f yO(/ WOULD LIKE A FREE COLOUR POSTER COPY OF THIS ADVERTISEMENT, FILL IN THE COUPON AND RETURN IT TO: HULK POSTER, PO BOXt, SUDBURY, SUFFOLK C010 6SL. I AGE (PLEASE TICK THE APPROPRIATE SOX) UNDER 13[JI3-f7\JlS AND OVER U OFFER CLOSES ON APRIL 30TH 1980 ALLOW 28 DAYS FOR DELIVERY (swcKCAmisMASi) I I I iNAME ADDRESS.. SHt ' -*^' L.-**^ ¥• Mar 20-April 2 1980 Vol 2 No. 6 ECHO BEACH Martha Muffins 4 First of all, a big hi to all new &The readers of Smash Hits, and ANOTHER NAIL IN MY HEART welcome to the magazine that Squeeze 4 brings your vinyl alive! A warm welcome back too to all our much GOING UNDERGROUND loved regular readers. In addition The Jam 5 to all your usual news, features and chart songwords, we've got ATOMIC some extras for you — your free Blondie 6 record, a mini-P/ as crossword prize — as well as an extra song HELLO I AM YOUR HEART and revamping our Bette Bright 13 reviews/opinion section. We've also got a brand new regular ROSIE feature starting this issue — Joan Armatrading 13 regular coverage of the independent label scene (on page Managing Editor KOOL IN THE KAFTAN Nick Logan 26) plus the results of the Smash B. A. Robertson 16 Hits Readers Poll which are on Editor pages 1 4 and 1 5. -
Erzsebet Forgacs
Erzsebet Forgacs Key Make-Up Artist Education: • 1970: Study French in l,Alliance Francaise in Paris • 1972: Certificate of Final Examination in Secondary School Specialited in French • 1975-76: Study Italian lanquage and literature in Institute Italian in Budapest • 1978: Certificate Secondary of Study Foreign Trade Qualification: • 1980: Certificate for Cosmetician Profession-State Owned School for Professionals • Received the Award of "Ida Dallos" of the Cosmetician School • 1986: Certificate from the Cultural Ministry for Film Professionals,Scenic Section, High School Degree Nyelvismeret: • French - Stat Superior Certificate 1987 • Italian - Superior • English - Intermediate • German - Basic Position: • KEY MAKE-UP ARTIST from 1986- • Assistant Make-Up Artist from 1981- Exhibition: • 2007: III Richard on the Wall - organization and direction, for performance III Richard of the Theatre Vörösmarty of City Székesfehérvár with Hungarian Theatre Museum and Institute (2007) Teacher: • 2007-08: Teacher of Make-Up branch of the Crew-school of H.S.C. - (The Hungarian Society of Cinematographers) • Member of the Make-Up Section of H.S.C. (The Hungarian Society of Cinematographers) • 2010-11: Private tution in the subject of Make-Up on the Visual Education Department of the Hungarian University of Fine Arts (MKE) Award: • 2007: "JOLÁN ÁRVAI" AWARD Received the Diploma of the Award for outstanding work for the Hungarian Movie nominated by the Hungarian Directors and Cameramen Nominations: • 2001: NOMINATION of PARAMOUNT CLASSICS for the Best Period Make-Up (Feature) of Hollywood Make-Up Artist and Hair Stylist Guild Awards for the Film "SUNSHINE" • 2010: NOMINATION of DAVID DI DONATELLO Award 2010 (of Italian Film Academy) for the Best Make-Up (with Luigi Rochetti) for the Film "Memories of Anne Frank". -
N Ed Erla N D S Film Fo N
NEDERLANDS FILMFONDS JAARVERSLAG 2011 INHOUDSOPGAVE INHOUDSOPGAVE PAGINA 4 PAGINA 60 inleiding 5 Bijlagen HET JAAR KERNCIJFERS PAGINA 64 PAGINA 12 BIJLAGE 1 1 Beleid RAAD VAN TOEZICHT, ADVISEURS EN FONDSbuREAU PROFESSIONALISERING PAGINA 67 TALENTONTWIKKELING BIJLAGE 2 INNOVATIE KERNCIJFERS PROJECTEN INTERNATIONALISERING PAGINA 71 BIJLAGE 3 PAGINA 24 2 JAAROVERZiCHT TOEGEWEZEN BIJDRAGEN FILMPROJECTEN 2011 (€) SPEELFILM PAGINA 99 DOCUMENTAIRE BIJLAGE 4 ANIMATIE TOEGEWEZEN BIJDRAGEN ACTIVITEITEN 2011 (€) jaarverslag 2011 jaarverslag EXPERIMENTELE FILM PAGINA 104 nederlands filmfonds nederlands DISTRIBUTIE BIJLAGE 5 ACTIVITEITEN FINANCIERINGSOVERZICHTEN PAGINA 111 PAGINA 42 BIJLAGE 6 3 WerKWijZe IN ROULATIE/IN PREMIÈRE PAGINA 117 PAGINA 48 BIJLAGE 7 4 BESTUUr en ORGANISATie BEHANDELDE BEZWAARSCHRIFTEN 2011 ORGANOGRAM ADMINISTRATIEVE ORGANISATIE EN REGELGEVING CULTURAL GOVERNANCE BEZWAARPROCEduRE COMMUNICATIE EN VERANTWOORDING 2 3 INLEIDING HET JAAR 2011 gedraaide films bedraagt 75 miljoen, een stijging van inleiding 24% ten opzichte van het voorgaande jaar. Zo’n 90% van de Nederlandse filmproducties komt tot stand met een bijdrage van het Filmfonds. 1 euro Filmfondsinvestering genereert daarbij het drievoudige aan productie-investe- ringen en levert tevens 3,20 euro aan inkomsten op. Dit blijkt uit de Quickscan economische kerncijfers Nederlandse filmsector en filmproductie, in de zomer uitgevoerd door Stichting Filmonderzoek in samenwerking met Paul Verstraeten Communicatie, in opdracht van het Nederlands Filmfonds en EYE Filminstituut Nederland. Na een intensief jaar van voorbereiding en afstemming met de sector en het ministerie implementeert het Fonds medio 2011 de nieuwe regelgeving. Daarnaast voert het Fonds verbeteringen door in de interne organisatie, wordt een nieuw subsidiemanagementsysteem in gebruik genomen HET JAAR en kunnen aanvragen sinds het najaar van 2011 digitaal 2011 is een jaar van records voor de Nederlandse film. -
1 Film 5900/7900
FILM 5900/7900 - Film Theory Fall 2017 Prof. Rielle Navitski [email protected] Class: T/Th 2:00 – 3:15 pm in 53 Fine Arts Screening: Th 3:30 – 6:15 pm in 53 Fine Arts Office hours: T/W 10:00 am – 12:00 pm or by appointment in 260 Fine Arts Course Description: This course explores a range of critics’, scholars’ and filmmakers’ positions on the “big questions” that arise in relation to films considered as artistic objects and the production and consumption of films considered as meaningful individual and social experiences. Beginning with key debates in film theory and working mostly chronologically, we will consider critic André Bazin’s famous question “what is cinema?” Is it more useful to try to define film’s unique characteristics or to chart its overlap – particularly in a digital age – with other audio/visual media and other visual and performing arts? Should more weight be given to film’s capacity to record and play back a recognizable impression of the visible and audible world, or to its formal or aesthetic qualities – arrangements of light, sound, and time – and the way it communicates meanings through stylistic elements like editing, camera movement, and mise-en-scène. How do elements of film style and the institutions surrounding cinema – from the studio to the movie theater to fan culture – impact spectators’ experiences? How do gender, sexuality, race, and nation shape film aesthetics and viewing experiences? Without seeking to definitively resolve these debates, we will consider how they can meaningfully inform our role as consumers and producers of media. -
Premis Goya 2000 -2020
PREMIS GOYA 2000-2020 Vint-i-un anys no són res... L'Acadèmia de les Arts i les Ciències Cinematogràfiques d'Espanya és una associació sense ànim de lucre composta per professionals dedicats a les diferents especialitats de la creació cinematogràfica. L'Acadèmia celebra la qualitat del cinema espanyol amb el lliurament dels Premis Goya als millors professionals de cadascuna de les especialitats tècniques i creatives. Al llarg de la seva història, l'Acadèmia ha reconegut amb el Goya, o amb la seva nominació, el treball tant de tècnics, professionals anònims per al gran públic, com de grans estrelles espanyoles i foranes. Fem un repàs a continuació dels films que han guanyat el guardó a "millor pel·lícula" durant els últims vint-i-un anys. Incloem els enllaços al catàleg per si voleu fer reserva i també la puntuació que els han donat els usuaris de dues de les millors pàgines de cinema. 20 00 Direcció PEDRO ALMODÓVAR Intèrprets Cecilia Roth, Marisa Paredes, Penélope Cruz, Candela Peña, Antonia San Juan, Rosa María Sardà, Fernando Fernán Gómez, Fernando Guillén, Toni Cantó, Eloy Azorín, Carlos Lozano, Cayetana Guillén Cuervo Una infermera argentina que viu a Madrid i està destrossada per la mort del seu fill en un accident, es trasllada a Barcelona per parlar amb el pare del noi. Buscant l'home que la va abandonar coneixerà diferents dones que canviaran la seva vida. :7,1 :7,8 20 01 Direcció ACHERO MAÑAS Intèrprets Juan José Ballesta, Pablo Galán, Manuel Morón, Alberto Jiménez, Ana Wagener, Nieve de Medina, Gloria Muñoz, Javier Lago, Soledad Osorio, Máximo Jiménez La família de Pablo "El Bola" és una família trista, marcada per la mort del germà de Pablo. -
The Altering Eye Contemporary International Cinema to Access Digital Resources Including: Blog Posts Videos Online Appendices
Robert Phillip Kolker The Altering Eye Contemporary International Cinema To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/8 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Robert Kolker is Emeritus Professor of English at the University of Maryland and Lecturer in Media Studies at the University of Virginia. His works include A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg Altman; Bernardo Bertolucci; Wim Wenders (with Peter Beicken); Film, Form and Culture; Media Studies: An Introduction; editor of Alfred Hitchcock’s Psycho: A Casebook; Stanley Kubrick’s 2001: A Space Odyssey: New Essays and The Oxford Handbook of Film and Media Studies. http://www.virginia.edu/mediastudies/people/adjunct.html Robert Phillip Kolker THE ALTERING EYE Contemporary International Cinema Revised edition with a new preface and an updated bibliography Cambridge 2009 Published by 40 Devonshire Road, Cambridge, CB1 2BL, United Kingdom http://www.openbookpublishers.com First edition published in 1983 by Oxford University Press. © 2009 Robert Phillip Kolker Some rights are reserved. This book is made available under the Cre- ative Commons Attribution-Non-Commercial 2.0 UK: England & Wales Licence. This licence allows for copying any part of the work for personal and non-commercial use, providing author -
David Di Donatello 1956Œ2016
JICMS 4 (2) pp. 163–165 Intellect Limited 2016 Journal of Italian Cinema & Media Studies Volume 4 Number 2 © 2016 Intellect Ltd Editorial. English language. doi: 10.1386/jicms.4.2.163_2 EdItorIaL Flavia laviosa David di Donatello 1956–2016: sixty years of awards1 The David di Donatello Award, named after Donatello’s bronze statue of 1. Italian versions of David (1440s), is a prestigious Italian film prize awarded each year for cine- excerpts of texts in English authored by matic performances and productions by the Accademia del Cinema Italiano film professionals (The Academy of Italian Cinema). The trophy is a golden replica of David on appear in the volume celebrating the 60th a square malachite base with a golden plaque recording the award category, anniversary of the year and winner. David di Donatello, The Accademia del Cinema Italiano – Premi David di Donatello, is published by Electa in 2016. supported by two major Italian associations: Associazione Generale Italiana dello Spettacolo/Italian General Show-Business Association (AGIS) and Associazione Nazionale Industrie Cinematografiche Audiovisive/Italian National Cinema and Audiovisual Association (ANICA). The Accademia del Cinema Italiano operates in collaboration with and thanks to the contribution of the Ministry of the Performing Arts and the Ministry for Cultural Properties and Activities. Gian Luigi Rondi, the current president, has worked with the organization since its inception. In the 1950s, during Italian cinema’s period of heightened success, the Open Gate Club was founded in Rome. Its logo was an open door symbolizing the positive post-World War II cultural climate and the beginning of a new interna- tional artistic exchange. -
Un Recorrido Por La Filmografía Hispano-Argentina De Ricardo Darín
Un recorrido por la filmografía hispano-argentina de Ricardo Darín 53 UN RECORRIDO POR LA FILMOGRAFÍA HISPANO-ARGENTINA DE RICARDO DARÍN Nereida RÓDENAS LOPERA Universidad de Alicante RESUMEN Ricardo Darín (1957) es uno de los intérpretes argentinos con mayor repercusión internacional a causa de su amplia y variada carrera actoral. Debutó en la pequeña pantalla en 1968 y, desde entonces, ha participado en más de una decena de representaciones teatrales, entre las que destaca Art; así como en más de una treintena de series. También lo podemos encontrar en más de cuarenta películas, entre las que destacan El secreto de sus ojos, El hijo de la novia, Tesis sobre un homicidio y Relatos salvajes, entre otras. Si bien es cierto que participa mayoritariamente en filmes argentinos, también ha protagonizado numerosas co-producciones hispanoamericanas, así como exclusivamente españolas. El objetivo de este artículo es hacer un recorrido por la filmografía hispano-argentina del actor, así como realizar una sinopsis del largometraje y los galardones que recibió el bonaerense por su labor actoral. Palabras clave: Ricardo Darín, filmografía, trayectoria profesional, co-producciones hispano-argentinas. ABSTRACT Ricardo Darín (1957) is one of the Argentinean interpreters with the greatest international impact because of his wide and varied acting career. He debuted on the small screen in 1968 and, since then, has participated in more than a dozen theatrical performances, including Art; as well as in more than thirty series. We can also find it in more than forty films, among which El secreto de sus ojos, El hijo de la novia, Tesis sobre un homicidio and Relatos salvajes,, among others. -
The 12Th Annual Jerusalem Pitch Point
The 12th Annual Jerusalem Pitch Point 01. pitchpoint past projects Saving Neta Youth Fill the Void Tikkun In Between Scaffolding That Lovely Girl Zero Motivation Policeman .02 03. SCHEDULE INDUSTRY DAYS EVENTS 2017 SUNDAY, JULY 16th reading of a trade publication from the recent Marché du Film in Cannes, and the large variety of advertising contained within. 10:00-12:15 Are there absolute rules to be followed or mistakes to be avoided? How does one stand out from Pitch Point Production Competition the crowd? How can design allow a project to reach or create an audience without betraying Open to the general public its artistic spirit and creative integrity? Theater 4, Jerusalem Cinematheque 16:00-17:30 13:00-18:45 Based on a True Story – A Documentary Panel Industry Panels Finding a new subject for a documentary film can be very exciting. But after the precious Open to the general public story is found, how do you tell it? Sinai Abt (Kan - Israeli Public Broadcasting Corporation), Theater 4, Jerusalem Cinematheque Joëlle Alexis (Film Editor), Osnat Trabelsi (Israeli Documentary Filmmakers Forum) and Maya Zinshtein (Forever Pure) discuss the ups and downs of “writing” reality, from the blank page to the editing bay. Moderated by Osnat Trabelsi 13:00-14:30 One Film, Many Platforms - A Distribution Panel 17:45-18:45 The “Digital Revolution” has had an effect on every aspect of our lives, including our industry. Jerusalem Through the Director’s Viewfinder - The Quarters Panel Alongside groundbreaking advances in filmmaking, film distribution is in the midst of a digital Four acclaimed international directors – Todd Solondz (Happiness), Anna Muylaert (The Second transformation. -
3 Tage in Quiberon
Presseheft 3 TAGE IN QUIBERON Ein Film von Emily Atef Mit Marie Bäumer, Birgit Minichmayr, Robert Gwisdek, Charly Hübner Kinostart: 12. April 2018 Deutschland 2018, Länge 115 Min. Pressematerial erhältlich unter: www.prokino.medianetworx.de VERLEIH PROKINO Widenmayerstr. 38 80538 München Tel.: (089) 210 114 - 0 Fax: (089) 210 114 - 11 E-Mail: [email protected] PRESSEBETREUUNG VERMIETUNG lindenfels_public relations Twentieth Century Fox Reisingerstraße 6 Darmstädter Landstraße 114 80337 München 60598 Frankfurt am Main FON (089) 130 10 06-10 FON (069) 9613630 FAX (089) 130 10 06-2 E-MAIL [email protected] 1 INHALT BESETZUNG 3 STAB 3 KURZINHALT UND PRESSENOTIZ 4 LANGINHALT 5 HINTERGRUND 8 BIOGRAPHIE ROMY SCHNEIDER 9 INTERVIEW MIT AUTORIN UND REGISSEURIN EMILY ATEF 12 INTERVIEW MIT DER HAUPTDARSTELLERIN MARIE BÄUMER 17 DIE SCHAUSPIELER MARIE BÄUMER 19 BIRGIT MINICHMAYR 20 CHARLY HÜBNER 21 ROBERT GWISDEK 22 DIE CREW EMILY ATEF 24 (DREHBUCH & REGIE) KARSTEN STÖTER (PRODUZENT) 24 THOMAS W. KIENNAST (KAMERA) 25 HANSJÖRG WEISSBRICH (Schnitt) 25 MUSIK (Christoph Kaiser, Julian Maas, Amaury Bernier) 25 SILKE FISCHER (SZENENBILD) 26 JANINA AUDICK (KOSTÜME) 26 2 BESETZUNG Romy Schneider MARIE BÄUMER Hilde Fritsch BIRGIT MINICHMAYR Michael Jürgs ROBERT GWISDEK Robert Lebeck CHARLY HÜBNER Mann in Kneipe DENIS LAVANT STAB Drehbuch und Regie EMILY ATEF Produktion ROHFILM FACTORY (Deutschland) DOR FILM (Österreich) SOPHIE DULAC PRODUCTIONS (Frankreich) TITA B PRODUCTIONS (Frankreich) DEPARTURES FILMS (Deutschland) NDR/ARTE ORF Produzent KARSTEN STÖTER Koproduzenten DANNY KRAUSZ SOPHIE DULAC MICHEL ZANA FRED PREMEL UNDINE FILTER THOMAS KRÁL KURT STOCKER Kamera THOMAS KIENNAST Schnitt HANSJÖRG WEISSBRICH Szenenbild SILKE FISCHER Kostüme JANINA AUDICK 3 TAGE IN QUIBERON wurde produziert von Karsten Stöter (Rohfilm Factory) in Koproduktion mit Dor Film (Österreich), Sophie Dulac Productions (Frankreich), NDR, ARTE, ORF, Tita.B. -
Horaires Des Projections Screening Times
HORAIRES DES PROJECTIONS SCREENING TIMES LE POCKET GUIDE 2016 A ÉTÉ PUBLIÉ AVEC DES INFORMATIONS REÇUES JUSQU'AU 29/04/2016 THE POCKET GUIDE 2016 HAS BEEN EDITED WITH INFORMATION RECEIVED UP UNTIL 29/04/2016 Toutes les projections du Marché sont accessibles sur présentation du badge Marché du Film ou invitation délivrée par le Service Projections. Les projections dans les salles Lumière, Debussy, Buñuel, Salle du Soixantième, Théâtre Croisette et Miramar sont accessibles sur présentation du badge Marché ou Festival. Access to Marché du Film screenings is upon presentation of the Marché badge or an invitation given by the Marché Screening Department. Access to screenings taking place in Lumière, Debussy, Buñuel, Salle du Soixantième, Théâtre Croisette and Miramar is upon presentation of either a Marché or Festival badge. CO: Official Competition • HC: Out of Competition • CC: Cannes Classics • CR: Un Certain Regard • BLUE TITLE : Film screened for the first time at a market QR: Directors Fortnight • SC: Semaine de la critique • press: Press allowed • invite only: By invitation only • priority only: Priority badges only SUNDAY 15 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 08:30 (125’) CO 15:30 (158’) CO 19:30 (125’) CO 22:30 (116’) HC LUMIÈRE FROM THE LAND OF THE MOON AMERICAN HONEY FROM THE LAND OF THE MOON THE NICE GUYS TICKET REQUIRED Nicole Garcia Andrea Arnold Nicole Garcia Shane Black 2 294 seats STUDIOCANAL PROTAGONIST PICTURES STUDIOCANAL BLOOM 11:30 (145’) CO 14:30 (162’) CO 17:30 (120’) HC 19:45 (106’) HC SALLE AGASSI, THE -
Ab 28. Juni Im Kino .De ..Dee ..De
.de.de BILL JAN JOSEF HELEN STEFAN KATHARINA SKARSGÅRD LIEFERS SJÖHOLM GÖDICKE SCHÜTTLER 006/126/12 Auch wenn es warm bleibt... Wir haben angenehmes Klima in allen Sälen Moonrise Kingdom von Wes Anderson SimonJEDE FAMILIE HAT IHR GEHEIMNIS Buck über Buck Brannaman, NachNach demdem BestsellerBestseller von Beruf: Pferdeflüsterer MarianneMarianne FredrikssonFredriksson Bulb Fiction Brüssel und die „Energiesparlampen“ Tabu Lars Eidinger (,Alle Anderen‘) ist Georg Trakl Deutschland von oben PREVIEW 19. Juni, 20 Uhr im Abaton Flugreise erster Klasse West is West Nach ,East is East‘ Ai Weiwei – Never sorry Portrait des aktivsten chinesischen Künstlers Wagner & Me Stephen Fry liebt Wagner Copacabana Ab 28. Juni im Kino mit Isabelle Huppert Familienkino © 2011 SCHMIDTz KATZE FILMKOLLEKTIV, GÖTA FILM, ASTA FILM UND FILMKAMERATENE www.simon-derfi lm.de Wolfsbrüder Simon_Anz_Abaton_Titel_RZ.indd 1 24.05.12 1 FILME DES MONATS Deutschland von oben Das ABATON „Stadt – Land – Fluss“ auf der großen Kinoleinwand ist „European Cinema of the Year“ Inhalt Film-ABC. .........................................14 Neue Filme .................................3-7, 13 Programm-Übersicht .................. 8 -10 Kinderkino/Ferienpasskino ................11 Specials .............................................12 Neue Filme ........................................13 Gestochen scharfe, aufwendig Steinböcken auf den Bergen des Kinoleinwand entfalten die Luft- Bloomsday im Abaton .................... 14 produzierte Flugbilder laden den Allgäu geht der Flug über Wild- bilder ihre ganze Kraft. Impressum, Schulvorstellungen ......14 Zuschauer zu einem aufregenden pferdherden im Münsterland zu Premiere Am 5. Juni sind Regisseu- Das Juli-Heft erscheint 28.6. Erlebnis ein. Vom Wattenmeer bis den Kegelrobben auf der Helgo- rin Petra Höfer, Helikopter-Kame- zum Watzmann-Gipfel, vom Köl- land-Düne. ramann Peter Thompson und Kom- abaton.de ner Dom bis zur Dresdner Frau- Die mehrfach preisgekrönten ponist Boris Salchow zu Gast.