DOCSLIB.ORG

Vincent a Quantime Experience

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Vincent A quantime experience Chris Deggs Science-Art author www.coloursandwords.com 1 This is a work of fiction except for the parts that aren't Published in 2014 by Feedaread Publishing First Edition A CIP catalogue record for this title is available from the British 2 Library. Copyright 2014 by Chris Degenhardt All rights reserved. No part of the book may be reproduced in any form, or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer who may quote brief passages in a review. Foreword I looked at the handsome guy opposite me. He put me in mind of Jack Kennedy, as a young naval officer. “So, how can I help you, Mr Goodfellow?” “I need you to carry out an investigation for me.” 3 I had already figured that much seeing as I had Oswald Doyle Private Investigator painted on my door. “Okay, give me the details,” I said, reaching for pen and pad. Then he came right out with it and you could have knocked me for six. “I want you to investigate the death of Vincent Van Gogh.” I almost quipped I do not do cold cases but resisted it. I needed to find out if this guy was for real. “Vincent Van Gogh the famous artist?” “Yes,” he grinned sheepishly. “The one who shot himself, if my basic art history serves me?” “That is the official line - yes.” “And that happened when?” “July 1890.” I tossed the pen onto the desk, and sat back looking at him. “Well, unless you have access to a time machine it's going to be pretty bloody impossible.” He laughed. “Oh no, I don't expect you to carry out an actual investigation. I need your expert advice in carrying out a virtual one.” I'm a pretty tolerant bloke usually and, being an ex-copper, I have met some nut jobs in my time. But this was a first. “Virtual stuff, that's got something to do with computer games, hasn't it?” He looked at me. “I know you might think this is crazy but all I want to do is give you the case and see what you come up with. I will pay you your usual rates and you don't even have to leave 4 your office.” Well, how hard could it be? And I certainly needed the readies. But first I would have to do a background check on Mr Goodfellow. As it happened it wasn't so much how hard could it be, more a case of how weird it could be. I had no idea, when accepting this case, just where it would lead me, which turned out to be Nineteenth Century France. Chapter 1 I came to meet Nathan Goodfellow through a series of seemingly random events. It all began with me spying on a bloke on compo. Martin Skopes didn’t mean anything to me, except my being able to pay the bills for another week. I parked outside 21 Chaldon Rd, a nondescript semi-detached, three up three down and watched 5 from my Ford Fiesta as I took photos of the man filling a wheel barrow with sand. I was bored off my tits but it's what I had to do to earn my fee. I certainly admired Skopes’ stamina as he loaded the barrow for the twentieth time that day. Having got my photographic evidence of the man, without his back brace, I put my Canon away. Another fraud case closed, I thought, as I started up my vehicle. I had nothing personal against Martin Skopes. Down the pub I would probably pat him on his injured back and say, “Good on you. It's about time we got something back from those thieving insurance companies.” But dobbing people in is how I make a living these days. When after some years working there, I took the plunge and left the Metropolitan police to reinvent myself as Oswald Doyle Private Investigator, I hadn't envisaged spending my time as a detective working for big insurance companies, by spying on small-time fraudsters. But that's the current reality of my life. Now I sighed as I returned to my office to write up yet another boring report. Back in my rented, one room and compact kitchenette - office, in East Acton, I glanced at the framed photograph on my cluttered desk. At moments like these I wondered if I had made the right decision. Being a private investigator was not all it was cracked up to be. Feeling somewhat melancholic, I reached for my bottle of Johnny Walker and sat staring at the image of Bill Munter and myself, taken on the day of our graduation ceremony at Hendon Police College. Having passed our exams and become fully fledged probationary members of the London constabulary Bill and I were itching to start pounding the beat. It was a very exciting time for me, with great potential for advancement. But after fifteen years in the job the gloss had somewhat dulled. Long hours, poor pay and an avalanche of red tape finally took their toll. So I gave all that up to become a private detective. I had been a detective sergeant 6 for five years; the job had become less appealing and promotions harder to come by. But those weren’t the main reasons I had left the force to start up on my own in civvy street. Being able to work to my own schedule appealed to me most. Pushing these nostalgic thoughts from my mind, I shuffled papers around on my desk, to reveal a folder marked ‘Insurance Fraud Reports’. More bloody paperwork, I thought, as I searched for a pen. Then I changed my mind and grabbed the phone. There were one or two coppers I still kept in touch with. One was my old partner, Tommy Creane, who had left a couple of messages for me to contact him for a drink. This seemed like a good time, if he was free. The Wishing Well, an enjoyable drinking hole not far from the East Acton tube, had a very pleasant garden area, which is where I found Tommy, nursing a glass. I joined him, armed with refills. I hadn't seen old Creanie - now detective sergeant Creane - since his promotion, so this was an auspicious occasion. Creane wiped beer froth off his moustache, and asked me, “So, how's it going? I heard the divorce rate sky-rocketed since you became a sleuth.” “Cheeky bastard. I do get some interesting cases as well you know.” “Oh yeah! name one.” he demanded, cockily. I grinned, “The Royal Unity Assurance Company for one.” “What, spying on compo cases?” “Don’t knock it. It pays the bills.” “Yeah, but does it have the thrills of Willesden nick?” he teased, 7 nudging me in the ribs. “Sometimes I wish I had the security and camaraderie of the job, but other times it's good to be independent.” He swallowed a mouthful of beer. “You can't have it both ways, mate.” “I know that, but an interesting case would make all the difference.” “So what do you consider to be an interesting case?” he asked me, gathering up our glasses for another round. I had to think about that one. When he got back with the drinks, I said, “In answer to your question, I guess something that posed a challenge to the old grey cells.” “What like discovering what happened to Lord Lucan?” he smirked. “Smart arse.” “Seriously though mate I have a friend who tries solving historical mysteries. He's a computer programmer and he makes computer games about unsolved murders from the past.” “And that's supposed to interest me?” “Maybe. Let me explain. This nerd - Nathan is his name - is looking for someone with investigative skills to help him build a case.” “Sounds a bit wacky.” “Maybe, but I reckon you ought to talk to him. It could be a nice 8 simple little earner. Dr Goodfellow, I think he is called.” I can never be sure when Tommy is being serious and it's always a good idea to check. I looked at him. “Are you taking the piss?” “What me, Ossie old mate?” He put on a hurt look that had often got him out of a lot of trouble, especially with women. “Look, I got talking to him while on a case. The bloke is obsessed with mysterious deaths in the past. I just thought you might be able to give him some of your Sherlock Holmes expertise.” I was mildly interested. “Do you have a contact for him?” He jotted down some details on a beer mat. “He's a maths lecturer at the London School of Economics.” He checked his mobile contact list, then added the contact number to the other details. He handed me the beer mat. And that's how I got to meet Dr Nathan Goodfellow. 9 Chapter 2 Since that first brief meeting in my office, set up by Creanie, I hadn't heard from Nathan Goodfellow for a while. Yet I couldn't stop thinking about his crazy idea. I started imagining being in Nineteenth Century France carrying out my investigation. Knowing what I had learned about the subject, if I took on Nathan's case, I had a virtual six months to solve an imaginary murder, if one had been committed, that is. I must admit, in my research, I did come across some anomalies and the people who may have wanted to harm Vincent were piling up.
Recommended publications
  • “Living with the Right Focus and Measures” 2 Corinthians 10:12-18 May 6, 2018 Faith Presbyterian Church – Evening Service Pr

    “Living with the Right Focus and Measures” 2 Corinthians 10:12-18 May 6, 2018 Faith Presbyterian Church – Evening Service Pr

    “Living with the Right Focus and Measures” 2 Corinthians 10:12-18 May 6, 2018 Faith Presbyterian Church – Evening Service Pr. Nicoletti I’m picking up once more with my series on Second Corinthians tonight. I preached from Hebrews back in March and so it’s been seven months since we last looked at 2 Corinthians. We are up to chapter 10, verses 12-18 tonight. To remind you of what’s going on, at the beginning of chapter 10 there’s a significant shift in tone. Commentator Paul Barnett puts it like this – he says: “It appears that, as the letter draws to its conclusion, Paul’s appeal to the Corinthians becomes more intense emotionally. Like many an orator (and preacher!), he has kept the most urgent and controversial matters until the end and dealt with them passionately so that his last words make their greatest impact on the Corinthians.” [Barnett, 452] The Apostle Paul begins chapter ten by directly confronting some of the accusations his opponents have made against him. We looked at that back in March. Then, in verse 12, he shifts from responding to direct accusations, to highlighting an important difference between him and his opponents. We’ll begin there now – 2 Corinthians 10:12-18. The Apostle Paul writes: 12 Not that we dare to classify or compare ourselves with some of those who are commending themselves. But when they measure themselves by one another and compare themselves with one another, they are without understanding. 13 But we will not boast beyond limits, but will boast only with regard to the area of influence God assigned to us, to reach even to you.
  • Canadian Movie Channel APPENDIX 4C POTENTIAL INVENTORY

    Canadian Movie Channel APPENDIX 4C POTENTIAL INVENTORY

    Canadian Movie Channel APPENDIX 4C POTENTIAL INVENTORY CHRONOLOGICAL LIST OF CANADIAN FEATURE FILMS, FEATURE DOCUMENTARIES AND MADE-FOR-TELEVISION FILMS, 1945-2011 COMPILED BY PAUL GRATTON MAY, 2012 2 5.Fast Ones, The (Ivy League Killers) 1945 6.Il était une guerre (There Once Was a War)* 1.Père Chopin, Le 1960 1946 1.Canadians, The 1.Bush Pilot 2.Désoeuvrés, Les (The Mis-Works)# 1947 1961 1.Forteresse, La (Whispering City) 1.Aventures de Ti-Ken, Les* 2.Hired Gun, The (The Last Gunfighter) (The Devil’s Spawn) 1948 3.It Happened in Canada 1.Butler’s Night Off, The 4.Mask, The (Eyes of Hell) 2.Sins of the Fathers 5.Nikki, Wild Dog of the North 1949 6.One Plus One (Exploring the Kinsey Report)# 7.Wings of Chance (Kirby’s Gander) 1.Gros Bill, Le (The Grand Bill) 2. Homme et son péché, Un (A Man and His Sin) 1962 3.On ne triche pas avec la vie (You Can’t Cheat Life) 1.Big Red 2.Seul ou avec d’autres (Alone or With Others)# 1950 3.Ten Girls Ago 1.Curé du village (The Village Priest) 2.Forbidden Journey 1963 3.Inconnue de Montréal, L’ (Son Copain) (The Unknown 1.A tout prendre (Take It All) Montreal Woman) 2.Amanita Pestilens 4.Lumières de ma ville (Lights of My City) 3.Bitter Ash, The 5.Séraphin 4.Drylanders 1951 5.Have Figure, Will Travel# 6.Incredible Journey, The 1.Docteur Louise (Story of Dr.Louise) 7.Pour la suite du monde (So That the World Goes On)# 1952 8.Young Adventurers.The 1.Etienne Brûlé, gibier de potence (The Immortal 1964 Scoundrel) 1.Caressed (Sweet Substitute) 2.Petite Aurore, l’enfant martyre, La (Little Aurore’s 2.Chat dans
  • VINCENT VAN GOGH Y EL CINE Moisés BAZÁN DE HUERTA Desde

    VINCENT VAN GOGH Y EL CINE Moisés BAZÁN DE HUERTA Desde

    NORBA-ARTE XVII (1997) / 233-259 VINCENT VAN GOGH Y EL CINE Moisés BAZÁN DE HUERTA Desde su nacimiento, la relación del cine con las artes plásticas se ha manifes- tado en los más variados aspectos. De la influencia pictórica en el cromatismo y la configuración espacial del plano (encuadre, composición, perspectiva, profundierad), al diverso tratamiento del tiempo y los mecanismos narrativos en ambos campos; además de las bŭsquedas experimentales de las vanguardias y sus interferencias, el documental sobre arte como género, o la tradición artística como apoyo para la re- creación histórica o religiosa. También la propia pintura ha sido tratada temática- mente o como punto de partida para la reflexión sobre el proceso creativo Pero en el amplio abanico de posibilidades de esta relación, las biografías ci- nematográficas sobre artistas han sido uno de los exponentes más fructíferos, has- ta el punto de constituir casi un género propio. Dejando aparte m ŭsicos, cantantes, literatos, actores, y cifiéndonos al campo de las artes plásticas, la nómina de bio- grafiados resulta considerable: Andrei Rublev, Leonardo, Miguel Ángel, El Greco, Caravaggio, Rembrandt, Velázquez, Utamaro, Fragonard, Goya, Gericault, Toulouse- Lautrec, Gauguin, Camille Claudel, Rodin, Gaudí, Pirosmani, Munch, -Carrington, Modigliani, Gaudier-Brzeska, Picasso, Dali, Goitia, Diego Rivera, Frida Kahlo, Jean Michel Basquiat, Andy Warhol o Francis Bacon, entre otros, han sido objeto de re- creaciones fílmicas, aunque bastante desiguales en su calidad y planteamiento. En esta relación, como vemos, predominan las trayectorias geniales, azarosas, apasionadas y con frecuencia trágicas, es decir, las susceptibles de un desarrollo dra- mático que capte la atención y el interés del p ŭblico.
  • Bcsfazine #447 • Felicity Walker

    Bcsfazine #447 • Felicity Walker

    The Newsletter of the British Columbia Science Fiction Association #447 $3.00/Issue August 2010 In This Issue: This Month in BCSFA.........................................................0 About BCSFA......................................................................0 Letters of Comment............................................................1 Calendar...............................................................................5 News-Like Matter...............................................................17 Dating Game......................................................................23 Movies: The Man Who Wrote ‘Battlefield: Earth’............24 Media File...........................................................................25 Zines Received..................................................................27 E-Zines Received..............................................................28 Art Credits..........................................................................29 Why You Got This.............................................................29 BCSFAzine © August 2010, Volume 38, #8, Issue #447 is the monthly club newslet- ter published by the British Columbia Science Fiction Association, a social organiza- tion. ISSN 1490-6406. Please send comments, suggestions, and/or submissions to Felicity Walker (the editor), at felicity4711@ gmail .com or #209–3851 Francis Road, Richmond, BC, Canada, V7C 1J6. BCSFAzine solicits electronic submissions and black-and-white line illustrations in JPG, GIF, BMP, or PSD format,
  • 7. Headings Etc with Properties Title

    7. Headings Etc with Properties Title

    Vincent van Gogh Summary of Van Gogh’s life Vincent van Gogh (30 March 1853 – 29 July 1890) was a Dutch Post- Impressionist painter who is among the most famous and influential figures in the history of Western art. In just over a decade he created about 2,100 artworks, including around 860 oil paintings. They include landscapes, still lifes, portraits and self-portraits, and are characterized by bold colors and dramatic, impulsive and expressive brushwork that contributed to the foundations of modern art. His suicide at 37 followed years of mental illness and poverty. Van Gogh was unsuccessful during his lifetime, and was considered a madman and a failure. He became famous after his suicide, and exists in the public imagination as the quintessential misunderstood genius, the artist "where discourses on madness and creativity converge". His reputation began to grow in the early 20th century as elements of his painting style came to be incorporated by the Fauves and the German Expressionists. He attained widespread critical, commercial and popular success over the ensuing decades, and is remembered as an important but tragic painter, whose troubled personality typifies the romantic ideal of the tortured artist. Some highlights of van Gogh’s work Artwork title Year created Location Van Gogh Museum, The potato Eaters 1885 Amsterdam Fishing Boats on the Van Gogh Museum, Beach at Saintes- June 1888 Amsterdam Maries Van Gogh Museum, Bedroom in Arles October 1888 Amsterdam Van Gogh Museum, Sunflowers 1889 Amsterdam Museum of Modern The Starry Night 1889 Art, New York City Van Gogh’s life in more detail Early years Vincent van Gogh was born on 30 March 1853 in Groot-Zundert, in the southern Netherlands.
  • Westminsterresearch the Artist Biopic

    Westminsterresearch the Artist Biopic

    WestminsterResearch http://www.westminster.ac.uk/westminsterresearch The artist biopic: a historical analysis of narrative cinema, 1934- 2010 Bovey, D. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Mr David Bovey, 2015. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] 1 THE ARTIST BIOPIC: A HISTORICAL ANALYSIS OF NARRATIVE CINEMA, 1934-2010 DAVID ALLAN BOVEY A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Master of Philosophy December 2015 2 ABSTRACT The thesis provides an historical overview of the artist biopic that has emerged as a distinct sub-genre of the biopic as a whole, totalling some ninety films from Europe and America alone since the first talking artist biopic in 1934. Their making usually reflects a determination on the part of the director or star to see the artist as an alter-ego. Many of them were adaptations of successful literary works, which tempted financial backers by having a ready-made audience based on a pre-established reputation. The sub-genre’s development is explored via the grouping of films with associated themes and the use of case studies.
  • The Letters of Vincent Van Gogh

    The Letters of Vincent Van Gogh

    THE LETTERS OF VINCENT VAN GOGH ‘Van Gogh’s letters… are one of the greatest joys of modern literature, not only for the inherent beauty of the prose and the sharpness of the observations but also for their portrait of the artist as a man wholly and selessly devoted to the work he had to set himself to’ - Washington Post ‘Fascinating… letter after letter sizzles with colorful, exacting descriptions … This absorbing collection elaborates yet another side of this beuiling and brilliant artist’ - The New York Times Book Review ‘Ronald de Leeuw’s magnicent achievement here is to make the letters accessible in English to general readers rather than art historians, in a new translation so excellent I found myself reading even the well-known letters as if for the rst time… It will be surprising if a more impressive volume of letters appears this year’ — Observer ‘Any selection of Van Gogh’s letters is bound to be full of marvellous things, and this is no exception’ — Sunday Telegraph ‘With this new translation of Van Gogh’s letters, his literary brilliance and his statement of what amounts to prophetic art theories will remain as a force in literary and art history’ — Philadelphia Inquirer ‘De Leeuw’s collection is likely to remain the denitive volume for many years, both for the excellent selection and for the accurate translation’ - The Times Literary Supplement ‘Vincent’s letters are a journal, a meditative autobiography… You are able to take in Vincent’s extraordinary literary qualities … Unputdownable’ - Daily Telegraph ABOUT THE AUTHOR, EDITOR AND TRANSLATOR VINCENT WILLEM VAN GOGH was born in Holland in 1853.
  • Venerable Servant of God Vincent De Paul

    Venerable Servant of God Vincent De Paul

    DePaul University Via Sapientiae English edition Abelly, Louis 1993 Venerable Servant, Book 2 Follow this and additional works at: https://via.library.depaul.edu/abelly_english Recommended Citation Abelly, Louis. The Life of the Venerable Servant of God Vincent de Paul. Book One. Ed. by John E. Rybolt, C.M. Trans. by William Quinn, F.S.C. New York: New City Press, 1993. http://via.library.depaul.edu/ abelly_1664f/3 This Article is brought to you for free and open access by the Abelly, Louis at Via Sapientiae. It has been accepted for inclusion in English edition by an authorized administrator of Via Sapientiae. For more information, please contact [email protected]. The Life ofthe Venerable Servant of God Vincent de Paul Founder and First Superior General of the Congregation ofthe Mission (Divided Into Three Books) by Louis Abelly, Bishop of Rodez BOOK TWO New City Press edited by John E. Rybolt, C.M. translated by William Quinn, F.S.C. notes by Edward R. Udovic, C.M. and John E. Rybolt, C.M. introduction by Stafford Poole, C.M. index translated and edited from the Pemartin edition of 1891, with additional annotations, by Edward R. Udovic, C.M Published in the United States by New City Press 86 Mayflower Avenue, New Rochelle, New York 10801 ©1993 Vincentian Studies Institute Library of Congress Cataloging-in-Publication Data: Abelly, Louis, 1604-1691. [Vie du venerable serviteur de Dieu, Vincent de Paul. English] The life ofthe venerable servant ofGod Vincent de Paul: founder and first superior general ofthe Congregation ofthe Mission: (divided into three books) I by Louis Abelly ; [edited by John E.
  • Diary of the Doctor Who Role-Playing Games, Issue

    Diary of the Doctor Who Role-Playing Games, Issue

    HISTORICAL ISSUE The fanzine devoted to Doctor Who Gaming „COWPENS‰ ADVENTURE MODULE - „THE „THE COLD RUSH‰ ADVENTURE MODULE - ISSUE # 9 BUILDING A BETTER MAP - FOOD FOR „A NIGHT TO REMEMBER„ ADVENTURE MODULE FIRST TIME DOCTOR WHO ROLE-PLAYING LIGHTNING BUG‰ ADVENTURE MODULE „IN THE AFTER GLOW‰ ADVENTURE MODULE and MORE... GAMING - HISTORICAL ADVENTURES 1 EDITOR’S NOTES CONTENTS Welcome to this month’s issue of DDWRPG. This is our “Historical Issue” focusing on playing games that EDITOR’S NOTES 2 have an element of real history in them—whether a full REVIEW: Eleventh Doctor Sonic Screwdriver 3 historical or a pseudo historical that also has some sci‐fi Cubicle 7 Product Update 3 elements in it. DWAiTS Forum Updated 4 To fit this theme were are presenting to you, not TARDIS Lands at Graduation 4 our usual two, but a full five different modules featuring Food at Role‐Playing Gatherings 5 historical adventures that can be played. To show how MODULE: “The Cold Rush” 10 broad the idea of a “historical” can be, we present two Historical Not Just Pseudo‐Historical Adventures 11 pure historical adventures, two pseudo historical (that MODULE: “Cowpens” 12 feature alien involvement), and one historical adventure MODULE: “The Lightning Bug” 16 that takes place in another sci‐fi universe (as we present Better Building Maps Build Better Games 21 a crossover adventure into the universe of Firefly)! Arti‐ Neg/Dip Critical Failures 24 cles on cosplay and fake historical photography round out REVIEW: Doctor Who Insider 25 our features, as well as documenting the first‐time gam‐ MODULE: “A Night To Remember” 26 ing experience for some of the new players in the A Dilemma of Titanic Proportions 33 DDWRPG team’s own campaign.
  • NEBRASKA's CENTENARIANS AGE 107 OR ABOVE — 1867 to 2001

    NEBRASKA's CENTENARIANS AGE 107 OR ABOVE — 1867 to 2001

    NEBRASKA’S CENTENARIANS AGE 107 OR ABOVE — 1867 to 2001 by E. A. Kral May 1, 2014 update of original published in The Crete News, April 24, 2002, a 40-page supplement Public Announcement for All Nebraskans Effective May 1, 2002, the Nebraska Health Care Association initiated two on-going public service projects on its website to highlight Nebraskans who reach age 107 or above. The NHCA website address is www.nehca.org. First, the NHCA has maintained a roster of living Nebraskans who have attained the age of 107 or above that provides name, birth date, and county in which the person resides. Second, the NHCA has made available access to this updated manuscript version of E. A. Kral’s “Nebraska’s Centenarians Age 107 or Above — 1867 to 2001” but without photographs. Moreover, it has also offered a brief on-going ranking of Nebraska’s supercentenarians in state history, and another document titled “Oldest Twins in Nebraska History.” Relatives, healthcare professionals, and others are asked to notify the NHCA when someone with Nebraska connections reaches age 107 for placement of name, birth date, and county of residence on the living roster. Since age verification may be necessary via census records involving the centenarian’s youth or early adult years, relatives may assist by providing names of parents and location of centenarian during 1900 to 1920. Also please notify the NHCA when the persons on the living roster become deceased so that the roster may be current. The NHCA website address is www.nehca.org and referrals for the living 107-year-old roster may be mailed to Nebraska Health Care Association, 1200 Libra Dr., Ste 100, Lincoln, NE 68512-9332.
  • Vincent Van Gogh

    Vincent Van Gogh

    VINCENT VAN GOGH Le Moulin d’Alphonse Daudet à Fontvieille, June 1888 VINCENT VAN GOGH Le Moulin d’Alphonse Daudet à Fontvieille, June 1888 1. VINCENT VAN GOGH Le Moulin d’Alphonse Daudet à Fontvieille, June 1888 dickinson 2. dickinson 4. dickinson VINCENT VAN GOGH Le Moulin d’Alphonse Daudet à Fontvieille, June 1888 5. VINCENT VAN GOGH Le Moulin d’Alphonse Daudet à Fontvieille, June 1888 With inscriptions by J.H. de Bois, verso lower right aquarelle de Vincent van Gogh provenant de la collection de son frère, Theo van Gogh, et garantie aussi par nous. La Haye Dec. 1912, Artz de Bois and verso upper right, in pencil Cat 7/711; inscription by Johanna van Gogh Bonger, verso upper left no 5; and inscription in an unidentified hand, verso lower left A19/2224. Reed pen and watercolour on wove paper, with traces of underdrawing in pencil 30.2 x 49 cm. (11 4/5 x 19 ¼ in.) PROVENANCE Theo van Gogh, Paris, 1890-91, and thence to Johanna van Gogh Bonger (1891 – 1912), Paris and Amsterdam. Erich Schall, Berlin, acquired from the above in Dec. 1912 (for 2000 Guilders). Dr Heinrich Stinnes (1867 – 1932), Cologne-Lindenthal. Private Collection, Germany. Anon. sale; Galerie Wolfgang Ketterer, Munich, 29 Nov. 1976, lot 1034 (as dated September 1888). Dr Peter Nathan (1925 – 2001), Zurich, acquired at the above sale. Hazlitt, Gooden & Fox, London. Private Collection, acquired from the above. LITERATURE List written by Johanna van Gogh Bonger with 52 drawings sent to Ambroise Vollard, including 12 watercolours from the French period, 1896, no.
  • Van Gogh Museum Journal 2002

    Van Gogh Museum Journal 2002

    Van Gogh Museum Journal 2002 bron Van Gogh Museum Journal 2002. Van Gogh Museum, Amsterdam 2002 Zie voor verantwoording: http://www.dbnl.org/tekst/_van012200201_01/colofon.php © 2012 dbnl / Rijksmuseum Vincent Van Gogh 7 Director's foreword In 2003 the Van Gogh Museum will have been in existence for 30 years. Our museum is thus still a relative newcomer on the international scene. Nonetheless, in this fairly short period, the Van Gogh Museum has established itself as one of the liveliest institutions of its kind, with a growing reputation for its collections, exhibitions and research programmes. The past year has been marked by particular success: the Van Gogh and Gauguin exhibition attracted record numbers of visitors to its Amsterdam venue. And in this Journal we publish our latest acquisitions, including Manet's The jetty at Boulogne-sur-mer, the first important work by this artist to enter any Dutch public collection. By a happy coincidence, our 30th anniversary coincides with the 150th of the birth of Vincent van Gogh. As we approach this milestone it seemed to us a good moment to reflect on the current state of Van Gogh studies. For this issue of the Journal we asked a number of experts to look back on the most significant developments in Van Gogh research since the last major anniversary in 1990, the centenary of the artist's death. Our authors were asked to filter a mass of published material in differing areas, from exhibition publications to writings about fakes and forgeries. To complement this, we also invited a number of specialists to write a short piece on one picture from our collection, an exercise that is intended to evoke the variety and resourcefulness of current writing on Van Gogh.