NEBRASKA's CENTENARIANS AGE 107 OR ABOVE — 1867 to 2001
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Canadian Movie Channel APPENDIX 4C POTENTIAL INVENTORY
Canadian Movie Channel APPENDIX 4C POTENTIAL INVENTORY CHRONOLOGICAL LIST OF CANADIAN FEATURE FILMS, FEATURE DOCUMENTARIES AND MADE-FOR-TELEVISION FILMS, 1945-2011 COMPILED BY PAUL GRATTON MAY, 2012 2 5.Fast Ones, The (Ivy League Killers) 1945 6.Il était une guerre (There Once Was a War)* 1.Père Chopin, Le 1960 1946 1.Canadians, The 1.Bush Pilot 2.Désoeuvrés, Les (The Mis-Works)# 1947 1961 1.Forteresse, La (Whispering City) 1.Aventures de Ti-Ken, Les* 2.Hired Gun, The (The Last Gunfighter) (The Devil’s Spawn) 1948 3.It Happened in Canada 1.Butler’s Night Off, The 4.Mask, The (Eyes of Hell) 2.Sins of the Fathers 5.Nikki, Wild Dog of the North 1949 6.One Plus One (Exploring the Kinsey Report)# 7.Wings of Chance (Kirby’s Gander) 1.Gros Bill, Le (The Grand Bill) 2. Homme et son péché, Un (A Man and His Sin) 1962 3.On ne triche pas avec la vie (You Can’t Cheat Life) 1.Big Red 2.Seul ou avec d’autres (Alone or With Others)# 1950 3.Ten Girls Ago 1.Curé du village (The Village Priest) 2.Forbidden Journey 1963 3.Inconnue de Montréal, L’ (Son Copain) (The Unknown 1.A tout prendre (Take It All) Montreal Woman) 2.Amanita Pestilens 4.Lumières de ma ville (Lights of My City) 3.Bitter Ash, The 5.Séraphin 4.Drylanders 1951 5.Have Figure, Will Travel# 6.Incredible Journey, The 1.Docteur Louise (Story of Dr.Louise) 7.Pour la suite du monde (So That the World Goes On)# 1952 8.Young Adventurers.The 1.Etienne Brûlé, gibier de potence (The Immortal 1964 Scoundrel) 1.Caressed (Sweet Substitute) 2.Petite Aurore, l’enfant martyre, La (Little Aurore’s 2.Chat dans -
VINCENT VAN GOGH Y EL CINE Moisés BAZÁN DE HUERTA Desde
NORBA-ARTE XVII (1997) / 233-259 VINCENT VAN GOGH Y EL CINE Moisés BAZÁN DE HUERTA Desde su nacimiento, la relación del cine con las artes plásticas se ha manifes- tado en los más variados aspectos. De la influencia pictórica en el cromatismo y la configuración espacial del plano (encuadre, composición, perspectiva, profundierad), al diverso tratamiento del tiempo y los mecanismos narrativos en ambos campos; además de las bŭsquedas experimentales de las vanguardias y sus interferencias, el documental sobre arte como género, o la tradición artística como apoyo para la re- creación histórica o religiosa. También la propia pintura ha sido tratada temática- mente o como punto de partida para la reflexión sobre el proceso creativo Pero en el amplio abanico de posibilidades de esta relación, las biografías ci- nematográficas sobre artistas han sido uno de los exponentes más fructíferos, has- ta el punto de constituir casi un género propio. Dejando aparte m ŭsicos, cantantes, literatos, actores, y cifiéndonos al campo de las artes plásticas, la nómina de bio- grafiados resulta considerable: Andrei Rublev, Leonardo, Miguel Ángel, El Greco, Caravaggio, Rembrandt, Velázquez, Utamaro, Fragonard, Goya, Gericault, Toulouse- Lautrec, Gauguin, Camille Claudel, Rodin, Gaudí, Pirosmani, Munch, -Carrington, Modigliani, Gaudier-Brzeska, Picasso, Dali, Goitia, Diego Rivera, Frida Kahlo, Jean Michel Basquiat, Andy Warhol o Francis Bacon, entre otros, han sido objeto de re- creaciones fílmicas, aunque bastante desiguales en su calidad y planteamiento. En esta relación, como vemos, predominan las trayectorias geniales, azarosas, apasionadas y con frecuencia trágicas, es decir, las susceptibles de un desarrollo dra- mático que capte la atención y el interés del p ŭblico. -
Westminsterresearch the Artist Biopic
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch The artist biopic: a historical analysis of narrative cinema, 1934- 2010 Bovey, D. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Mr David Bovey, 2015. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] 1 THE ARTIST BIOPIC: A HISTORICAL ANALYSIS OF NARRATIVE CINEMA, 1934-2010 DAVID ALLAN BOVEY A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Master of Philosophy December 2015 2 ABSTRACT The thesis provides an historical overview of the artist biopic that has emerged as a distinct sub-genre of the biopic as a whole, totalling some ninety films from Europe and America alone since the first talking artist biopic in 1934. Their making usually reflects a determination on the part of the director or star to see the artist as an alter-ego. Many of them were adaptations of successful literary works, which tempted financial backers by having a ready-made audience based on a pre-established reputation. The sub-genre’s development is explored via the grouping of films with associated themes and the use of case studies. -
Supercentenarians Landscape Overview
Supercentenarians Landscape Overview Top-100 Living Top-100 Longest-Lived Top-25 Socially and Professionally Active Executive and Infographic Summary GERONTOLOGY RESEARCH GROUP www.aginganalytics.com www.grg.org Supercentenarians Landscape Overview Foreword 3 Top-100 Living Supercentenarians Overview 44 Preface. How Long Can Humans Live and 4 Ages of Oldest Living Supercentenarians by Country 46 the Importance of Age Validation Top-100 Living Supercentenarians Continental Executive Summary 10 47 Distribution by Gender Introduction. 26 Top-100 Living Supercentenarians Distribution by Age 50 All Validated Supercentenarians Сhapter III. Top-25 Socially and Professionally Active All Supercentenarians Region Distribution by Gender 29 52 Living Centenarians Top-25 Socially and Professionally Active Centenarians All Supercentenarians Distribution by Nations 30 53 Overview Top-25 Socially and Professionally Active Centenarians Longest-Lived Supercentenarians Distribution by Country 31 54 Distribution by Nation Top-25 Socially and Professionally Active Centenarians All Supercentenarians Distribution by Gender and Age 32 55 Gender Distribution Top-25 Socially and Professionally Active Centenarians Сhapter I. Top-100 Longest-Lived Supercentenarians 35 56 Distribution by Type of Activity Chapter IV. Profiles of Top-100 Longest-Lived Top-100 Longest-Lived Supercentenarians Overview 36 57 Supercentenarians Top-100 Longest-Lived Supercentenarians Regional 38 Chapter V. Profiles of Top-100 Living Supercentenarians 158 Distribution by Gender Top-100 Longest-Lived Supercentenarians Distribution by Chapter VI. Profiles of Top-25 Socially and Professionally 40 259 Age Active Living Centenarians and Nonagenarians Сhapter II. Top-100 Living Supercentenarians 43 Disclaimer 285 Executive Summary There have always been human beings who have lived well beyond normal life expectancy, these ‘supercentenarians’ who lived past 110 years of age. -
Died On: April 15, 2017 Place of Death: Verbania FAMOUS AS: SUPERCENTENARIAN
Carlo won the German Cuisine in a box. Thank you to Lynn & Dottie for donating. THANK YOU LODGE SISTER ROSE FOR THE GREAT PHOTOS Learning the Tarentella, Anne There was a Comedian to Entertain us. HAPPY BIRTHDAY TO LODGE SISTERS & BROTHERS CELEBRATING IN NOVEMBER Buon compleanno per alloggiare sorelle & fratelli che festeggiano nel Novembre Simonetta Stefanelli November 30, 1954 ROME, ITALY Simonetta Stefanelli is an Italian actress, entrepreneur and fashion designer. Internationally, she is best known for her performance as Apollonia Vitelli-Corleone in the 1972 film The Godfather, directed by Francis Ford Coppola. Her other roles include appearances in Moses the Lawgiver, Scandal in the Family and Three Brothers. In 1992, Stefanelli made her last film appearance in the drama Le amiche del cuore directed by her then husband Michele Placido. AN ITALIAN ACTRESS BORN IN ROME, SIMONETTA STEFANELLI MADE HER FIRST APPEARENCE IN LA MOGLIE GIAPPONESE AND APPEARED IN SEVERAL ITALIAN FILMS BEFORE APPEARING IN HER FIRST INTERNATIONAL ROLE IN THE GODFATHER, AS APOLLONIA, AT THE AGE OF 16. Simonetta Stefanelli was born on November 30, 1954, in Rome, Lazio, Italy. She started acting in Italian movies as a child artist and was about 16 years old when she was offered the role of ‘Apollonia Vitelli– Corleone’ in the movie ‘The Godfather.’ After her performance in ‘The Godfather,’ she received numerous offers from Hollywood which she turned down, as she feared being stereotyped as a sex symbol. She preferred to continue with her career in Italy and appeared in a number of TV serials and movies, such as ‘The King is the Best Mayor,’ ‘The Big Family,’ and ‘Moses the Lawgiver. -
Vincent Van Gogh
VINCENT VAN GOGH Le Moulin d’Alphonse Daudet à Fontvieille, June 1888 VINCENT VAN GOGH Le Moulin d’Alphonse Daudet à Fontvieille, June 1888 1. VINCENT VAN GOGH Le Moulin d’Alphonse Daudet à Fontvieille, June 1888 dickinson 2. dickinson 4. dickinson VINCENT VAN GOGH Le Moulin d’Alphonse Daudet à Fontvieille, June 1888 5. VINCENT VAN GOGH Le Moulin d’Alphonse Daudet à Fontvieille, June 1888 With inscriptions by J.H. de Bois, verso lower right aquarelle de Vincent van Gogh provenant de la collection de son frère, Theo van Gogh, et garantie aussi par nous. La Haye Dec. 1912, Artz de Bois and verso upper right, in pencil Cat 7/711; inscription by Johanna van Gogh Bonger, verso upper left no 5; and inscription in an unidentified hand, verso lower left A19/2224. Reed pen and watercolour on wove paper, with traces of underdrawing in pencil 30.2 x 49 cm. (11 4/5 x 19 ¼ in.) PROVENANCE Theo van Gogh, Paris, 1890-91, and thence to Johanna van Gogh Bonger (1891 – 1912), Paris and Amsterdam. Erich Schall, Berlin, acquired from the above in Dec. 1912 (for 2000 Guilders). Dr Heinrich Stinnes (1867 – 1932), Cologne-Lindenthal. Private Collection, Germany. Anon. sale; Galerie Wolfgang Ketterer, Munich, 29 Nov. 1976, lot 1034 (as dated September 1888). Dr Peter Nathan (1925 – 2001), Zurich, acquired at the above sale. Hazlitt, Gooden & Fox, London. Private Collection, acquired from the above. LITERATURE List written by Johanna van Gogh Bonger with 52 drawings sent to Ambroise Vollard, including 12 watercolours from the French period, 1896, no. -
Searching for the Secrets of the Super Old More and More People Are Living Past 110
NEWSFOCUS AGING Searching for the Secrets Of the Super Old More and more people are living past 110. Can they show us all how to age gracefully? They were born when the years still started Perls of Boston University with “18.” They survived global traumas such School of Medicine, head as World War I, World War II, and the Great of the New England Cen- Depression. They didn’t succumb to pan- tenarian Study and its new demic flu, polio, AIDS, Alzheimer’s disease, National Institutes of or clogged arteries. Supercentenarians, or Health–funded spinoff, the people who’ve survived to at least age 110, are New England Supercente- longevity champions. narian Study. Researchers suspect that some Living to 100 is unlikely enough. Accord- of the oldsters included in the tally had already he requires three types of verification: proof ing to one estimate, about seven in 1000 peo- died and that others—or their relatives—were of birth, preferably a birth certificate; proof ple reach the century milestone. And at that lying about their ages. Drawing on Medicare of death, if the person is no longer alive; and age, the odds of surviving even one more year enrollment figures, two U.S. government “continuity” documentation, such as a dri- are only 50–50, says James Vaupel, director of actuaries put the number of supercentenarians ver’s license or marriage certificate, that the Max Planck Institute for Demographic in the year 2000 at a mere 105. And in 2002, shows that the putative supercentenarian is Research in Rostock, Germany. Making it 139 people claiming to be at least 110 were the person listed in the birth record. -
Longevity Fitness Financial and Health Dimensions Across the Life Course Advisory Board TABLE OF
Longevity Fitness Financial and Health Dimensions Across the Life Course Advisory Board TABLE OF Peter A. Lichtenberg, PhD, Mary D. Naylor, PhD, RN, FAAN Surya Kolluri, MBA ABPP, FGSA, Chair Marian S. Ware Professor in Gerontology Managing Director, Policy, Planning, and Thought Leadership CONTENTS Director, Institute of Gerontology Director, NewCourtland Center for Director, Merrill Palmer Skillman Institute Transitions and Health Retirement and Personal Wealth Solutions Distinguished University Service Professor School of Nursing Bank of America Professor, Department of Psychology University of Pennsylvania Wayne State University Philadelphia, Pennsylvania Detroit, Michigan Milind M. Shrikhande, Michael Finke, PhD, CFP PhD, MBA Professor of Wealth Management Clinical Professor, Department of Finance Program Director, Wealth Management J. Mack Robinson College of Business Certified Professionals Georgia State University Frank M. Engle Distinguished Chair in Atlanta, Georgia Economic Security The American College of Financial Services Bryn Mawr, Pennsylvania Acknowledgments This report was developed by The Gerontological Society of America and supported by Bank of America. About The Gerontological Society of America and National Academy on an Aging Society The Gerontological Society of America (GSA) is the oldest and largest international, interdisciplinary scientific organization devoted to research, education, and practice in the field of aging. The principal mission of the Society—and its 5,500+ members—is to advance the study of aging and disseminate information among scientists, decision makers, and the general public. GSA’s policy institute, the National Academy on an Aging Society, conducts and compiles research on issues related to population aging and provides information to the public, the press, policymakers, and the academic community. -
Van Gogh Museum Journal 1995
Van Gogh Museum Journal 1995 bron Van Gogh Museum Journal 1995. Waanders, Zwolle 1995 Zie voor verantwoording: http://www.dbnl.org/tekst/_van012199501_01/colofon.php © 2012 dbnl / Rijksmuseum Vincent Van Gogh 6 Director's Foreword The Van Gogh Museum shortly after its opening in 1973 For those of us who experienced the foundation of the Van Gogh Museum at first hand, it may come as a shock to discover that over 20 years have passed since Her Majesty Queen Juliana officially opened the Museum on 2 June 1973. For a younger generation, it is perhaps surprising to discover that the institution is in fact so young. Indeed, it is remarkable that in such a short period of time the Museum has been able to create its own specific niche in both the Dutch and international art worlds. This first issue of the Van Gogh Museum Journal marks the passage of the Rijksmuseum (National Museum) Vincent van Gogh to its new status as Stichting Van Gogh Museum (Foundation Van Gogh Museum). The publication is designed to both report on the Museum's activities and, more particularly, to be a motor and repository for the scholarship on the work of Van Gogh and aspects of the permanent collection in broader context. Besides articles on individual works or groups of objects from both the Van Gogh Museum's collection and the collection of the Museum Mesdag, the Journal will publish the acquisitions of the previous year. Scholars not only from the Museum but from all over the world are and will be invited to submit their contributions. -
Chapter 9. Myths of Life Extension
Chapter 9. Myths of Life Extension Ever since humans became fully aware that they will get old and die, individuals must have wondered about the possibility of extending longevity, or achieving immortality on earth. This has resulted in innumerable myths relating to supposed examples of life-extension, one of the most notable being the 969 year lifespan of Methuselah, as recorded in the Bible. Christian fundamentalists are liable to say that in those days people lived much longer than they do today! These are many other claims, and far too many to list here. The Guiness Book of Records has stated that maximum lifespans of people and animals are some of the hardest records to document. Some of the claims of human longevity have occurred in the 20th century, and as in some cases they were initially accepted by scientists, and they provide good examples of how people are deceived. Many people living in the Caucasus region of the ex-Soviet Union claimed their ages were over 120 years, or even 160 years. There was even a touring troup of centenarian dancers, so it is not surprising the claims received wide publicity, and also wide acceptance. The oldest people were usually males which is intrinsically unlikely as human females live longer that males. Careful scrutiny of these cases, particularly by the gerontologist Zhores Medvedev, has shown that none are backed up by reliable records. In some cases, individuals took on the identity of their father, in others they exaggerated their age to escape military conscription, or they simply added on years, because the societies in which they lived respected the wisdom and experience of very old people. -
Vincent Van Gogh: How His Life Influenced His Orksw
Ouachita Baptist University Scholarly Commons @ Ouachita Honors Theses Carl Goodson Honors Program 1970 Vincent Van Gogh: How His Life Influenced His orksW Paula Herrin Ouachita Baptist University Follow this and additional works at: https://scholarlycommons.obu.edu/honors_theses Part of the Other History of Art, Architecture, and Archaeology Commons Recommended Citation Herrin, Paula, "Vincent Van Gogh: How His Life Influenced His orks"W (1970). Honors Theses. 409. https://scholarlycommons.obu.edu/honors_theses/409 This Thesis is brought to you for free and open access by the Carl Goodson Honors Program at Scholarly Commons @ Ouachita. It has been accepted for inclusion in Honors Theses by an authorized administrator of Scholarly Commons @ Ouachita. For more information, please contact [email protected]. Vincent Van Gogh How His Life Influenced His Wor,.ks by Paula Herrin .. Honors Special Studies Presented to Miss Holiman Spring, 1970 Vincent Van Gogh--How His Life Influenced His Works Expressionism is a seeking of the artist to express elemental feelings that are inherent in a real world, The artist sees the con- flicts in nature and in the human being and tries to express this on canvas, Vincent Van Gogh, the forerunner of this movement, strove to paint what he felt and to feel what he painted, The Expressionists after him have branched out into all directions, but all of them expressed their feelings through their art,1 Vincent, the greatest and most revolutionary Dutch painter after Rembrandt, was born in Groot Zundert in the province of Noord Brabant on March 30, 1953, He was the first live child born to Anna Cornelia Carbentus Van Gogh and Theodorus Van Gogh, The second of the six child ren, Theo, was born four years later,2 The Van Gogh family history can be traced back to the sixteenth century, . -
Teen Study Guide and Extension Activities
“Well, then, what can I say: does what goes on inside, show on the outside?” -Vincent to Theo, June 1880 Vincent van Gogh is among the world’s most famous artists, known for his vibrating colors, thick, encrusted paint, exhilarating brushstrokes and very brief career. In a mere ten years he managed to create an astonishing 900 paintings and 1000 drawings! The art he suffered to create tried to answer the introspective question he put forth in a letter from 1880, “does what goes on inside, show on the outside?” Born in The Netherlands on March 30, 1853, he never knew fame for his art while he was alive. Neither did he know prosperity or much peace during his frenetic life. Vincent was known to be emotionally intense, highly intelligent and socially awkward from the time he was a young boy, and though he never married, he had a deep and driving desire to connect with others. Unfortunately, he was unable to maintain most of his relationships due to his argumentative, obsessive nature and bouts of depression. But it was a divided temperament Vincent possessed - disagreeable, melancholy and zealous on one hand; sensitive, observant and gifted on the other. His beloved brother Theo thought that he had “two different beings in him” and that Vincent often made his life “difficult not only for others, but also for himself.” This disconnect was obviously painful to Vincent, as he once compared himself to a hearth - as someone who “has a great fire in his soul and nobody ever comes to warm themselves at it, and passers-by see nothing but a little smoke at the top of the chimney and then go on their way.” It was this friction of selves that created a lonely lifetime of seeking - for home, family, truth, balance and acceptance, which he ultimately never found.