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Nº 4 — Mai 2019 DEUTSCH-STUNDE Norbert Bisky und der Mauerfall vor 30 Jahren BOSS .COM EDITORIAL Für alle Sinne Im Herbst jährt sich die Maueröffnung zum 30. Mal. Norbert Bisky war damals 18 Jahre alt, als nicht nur die Mauer einstürzte, sondern sein Staat, die DDR, gleich mit. Damals beschloss Bisky, Künstler zu werden. Und dieses Den-Boden-unter-den-Füßen- Verlieren, Instabilität als Normalfall – das zieht sich bis heute durch alle Arbeiten des mittlerweile zum Weltstar avancierten Malers. Meine Kollegin Susan- ne Schreiber sprach mit ihm über alte und neue Dä- monen und die Brüche in seinem Leben. Es wurde eine Deutschstunde der besonderen Art (Seite 18). Auch Hanna Lakomy kam, wenn auch später, in der DDR zur Welt. Während Biskys Vater als SED- treuer Kommunist wirkte, war Lakomys Vater ein bekannter Liedermacher. Sie studierte dann Philosophie, arbeitet heu- te als Escort-Girl Salomé Balthus und will Foto links: Acqua- den Beweis antreten, dass Prostitution di-Parma-Chefin Laura und Feminismus durchaus zusammen- Burdese (l.) mit un se - passen. Klar, dass sie sich mit ihren The- rer Korrespondentin sen nicht nur Freunde macht (Seite 46). Regina Krieger in Mailand. Seite 35 Sie merken schon: Diese Ausgabe bie- tet Stoff zum Lesen, Sehen, (Mit)Fühlen – Foto unten: Künstler und wenn Sie sich ein bisschen Mühe ge- Norbert Bisky mit Susanne Schreiber in ben, sogar zum Riechen. Okay, wir haben seinem Berliner Atelier. keine Duftstoffe in die Seiten eingearbei- Seite 18 tet, aber doch versucht, dem flüchtigen Geschäft der milliardenschweren -
Books Keeping for Auction
Books Keeping for Auction - Sorted by Artist Box # Item within Box Title Artist/Author Quantity Location Notes 1478 D The Nude Ideal and Reality Photography 1 3410-F wrapped 1012 P ? ? 1 3410-E Postcard sized item with photo on both sides 1282 K ? Asian - Pictures of Bruce Lee ? 1 3410-A unsealed 1198 H Iran a Winter Journey ? 3 3410-C3 2 sealed and 1 wrapped Sealed collection of photographs in a sealed - unable to 1197 B MORE ? 2 3410-C3 determine artist or content 1197 C Untitled (Cover has dirty snowman) ? 38 3410-C3 no title or artist present - unsealed 1220 B Orchard Volume One / Crime Victims Chronicle ??? 1 3410-L wrapped and signed 1510 E Paris ??? 1 3410-F Boxed and wrapped - Asian language 1210 E Sputnick ??? 2 3410-B3 One Russian and One Asian - both are wrapped 1213 M Sputnick ??? 1 3410-L wrapped 1213 P The Banquet ??? 2 3410-L wrapped - in Asian language 1194 E ??? - Asian ??? - Asian 1 3410-C4 boxed wrapped and signed 1180 H Landscapes #1 Autumn 1997 298 Scapes Inc 1 3410-D3 wrapped 1271 I 29,000 Brains A J Wright 1 3410-A format is folded paper with staples - signed - wrapped 1175 A Some Photos Aaron Ruell 14 3410-D1 wrapped with blue dot 1350 A Some Photos Aaron Ruell 5 3410-A wrapped and signed 1386 A Ten Years Too Late Aaron Ruell 13 3410-L Ziploc 2 soft cover - one sealed and one wrapped, rest are 1210 B A Village Destroyed - May 14 1999 Abrahams Peress Stover 8 3410-B3 hardcovered and sealed 1055 N A Village Destroyed May 14, 1999 Abrahams Peress Stover 1 3410-G Sealed 1149 C So Blue So Blue - Edges of the Mediterranean -
1 NORBERT BISKY Born 1970 in Leipzig, Germany Lives and Works
NORBERT BISKY Born 1970 in Leipzig, Germany Lives and works in Berlin EDUCATION 2000 Scholarship at Foundation Künstlerdorf Schöppingen, Germany 1999 Master student of Georg Baselitz, UdK, Berlin 1995 Erasmus Scholarship, Faculdad de Bellas Artes; Universidad Complutense Madrid, spends one year in Spain 1994–99 Universität der Künste Berlin, class of Georg Baselitz 1994–95 Salzburger Sommerakademie, class of Jim Dine TEACHING 2016 Pentiment – Internationale Sommerakademie für Kunst und Design, Hamburg, Germany, together with Herlinde Koelbl 2015 ACSA Autocenter Summer Academy, Berlin, Germany 2013–14 Salzburg International Summer Academy of Fine Arts, Austria 2008–10 Haute École d’Art et de Design, Geneve, Switzerland SOLO EXHIBITIONS 2020 Galerie Templon, Paris, France (forthcoming) 2019 Pompa, St. Matthäus-Kirche, Berlin, Germany RANT, Villa Schöningen, Potsdam, Germany 2018 Fernwärme, Museum Langmatt, Baden, Switzerland Anomie, KÖNIG London, United Kingdom 2017 Trilemma, König Galerie, Berlin, Germany 2016 Dies Irae, Galerie Crone, Vienna, Austria A Fuga, Baró Gallery, São Paulo, Brazil 2015 Hérésie, Galerie Daniel Templon, Brussels, Belgium Livingston Street, Givon Gallery, Tel Aviv, Israel Balagan, Bötzow Berlin, Germany 2014 Zentrifuge, Kunsthalle Rostock, Rostock, Germany (cat.) Riots, Espacio Minimo, Madrid, Spain Works on Paper, Galerie Daniel Templon, Paris, France 2013 Paraisópolis, Galerie Crone, Berlin, Germany Muster, Cokkie Snoei Rotterdam, Rotterdam, Netherlands Special Report, MEWO Kunsthalle, Memmingen, Germany 2012 -
Künstlerleben: Zwischen Hype Und Havarie
Hg. v. Olaf Zimmermann und Theo Geißler Künstlerleben: Zwischen Hype und Havarie Redaktion: Stefanie Ernst 0001-203_Künstlerleben_End.indd01-203_Künstlerleben_End.indd 1 007.09.107.09.10 110:550:55 Künstlerleben: Zwischen Hype und Havarie. Hg. v. Olaf Zimmermann und Theo Geißler. Redaktion: Stefanie Ernst Nachdruck der Beiträge aus politik und kultur, der Zeitung des Deutschen Kulturrates sowie der Ver- öffentlichung „Der WDR als Kulturakteur. Anspruch · Erwartung · Wirklichkeit“ (2009) des Deutschen Kulturrates. Gefördert aus Mitteln des Beauftragten der Bundesregierung für Kultur und Medien auf Beschluss des Deutschen Bundestags Bibliographische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliogra- phie; detaillierte bibliographische Daten sind im Internet über http://dnb.ddb.de abrufbar. 1. Aufl age September 2010 Deutscher Kulturrat e.V. Chausseestraße 103 10115 Berlin Tel: 030/24 72 80 14 Fax: 030/24 72 12 45 E-Mail: [email protected] Internet: http://www.kulturrat.de ISBN: 978-3-934868-24-3 ISSN: 1865-2689 0001-203_Künstlerleben_End.indd01-203_Künstlerleben_End.indd 2 007.09.107.09.10 110:550:55 Inhaltsverzeichnis Inhaltsverzeichnis . Seite Olaf Zimmermann: Vorwort . 7 Stefanie Ernst: Einführung . 9 Künstler im Gespräch Markus Lüpertz im Gespräch mit Olaf Zimmermann: Ein Künstler existiert, um etwas für die Ewigkeit zu schaffen . 16 Norbert Bisky: Tattoos und Lippenstift, Sebastian und Madonna. Norbert Bisky über Kunst, Provokation und Religion. Interview von Christoph Strack . .20 Romen Banerjee: Die guten Ideen kommen unter der Dusche. Künstler und Werk. Interview von Stefanie Ernst . 23 Johannes Heisig: Kunstmachen als Selbstbehauptung. Interview von Stefanie Ernst . 27 Frank Tangermann im Gespräch mit Romen Banerjee: Kunst kommt ohne Inhalt aus . -
Catalog-Arcomadrid-2013.Pdf
ORGANIZA ORGANISED BY AGRADECIMIENTOS ACKNOWLEDGEMENTS ARCOmadrid 2013 ha sido posible gracias al apoyo y colaboración de ARCOmadrid 2013 is made possible with the collaboration and support of COLABORACIÓN INSTITUCIONAL INSTITUTIONAL COLLABORATION PATROCINADORES SPONSORSHIPS COLABORADORES COLLABORATION ARQUITECTURA SALA VIP VIP ROOM ARCHITECTURE MEDIOS OFICIALES OFFICIAL MEDIA ALVAREZ GÓMEZ / AMERICAN EXPRESS / AROUND ART / BLANKPAPER / CACAO SAMPAKA / CAIXA FORUM – FUNDACIÓN “LA CAIXA” / CALLAO CITY LIGHTS / CARPINTERÍA MARTÍN RODRÍGUEZ / CASA AMÉRICA / CENTRO CENTRO / CENTRO DE ARTE DOS DE MAYO DE LA COMUNIDAD DE MADRID / CINES VERDI / CINETECA / CÍRCULO DE BELLAS ARTES / COMUNIDAD DE MADRID. SALA ALCALÁ 31 / COMUNIDAD DE MADRID. SALA CANAL ISABEL II / CPARQUITECTOS_CRISTINA PARREÑO / EL CORTE INGLÉS-AMBITO CULTURAL / EMBAJADA DE LOS ESTADOS UNIDOS EN ESPAÑA / FILMOTECA ESPAÑOLA / FRANCISCO SEGARRA / FUNDACIÓN BALIA / FUNDACIÓN CAJA MADRID / FUNDACIÓN CANAL / FUNDACIÓN CULTURAL HISPANO BRASILEÑA / FUNDACIÓN JUAN MARCH / FUNDACIÓN MAPFRE / FUNDACIÓN TELEFÓNICA / HINOJOSA / HOTEL OCCIDENTAL MIGUEL ANGEL / HOTEL VILLA REAL / HOTEL WESTIN PALACE / INSTITUTO CERVANTES / KAPITAL / KARMA FILMS / LA CASA ENCENDIDA / MANDRILADORA LEIZA / MATADERO MADRID / MEDIALAB-PRADO / MIT MASSACHUSETTS INSTITUTE OF TECHNOLOGY / MNCARS – MUSEO NACIONAL CENTRO DE ARTE REINA SOFÍA / MUICO / MUSEO NACIONAL DEL PRADO / MUSEO THYSSEN-BORNEMISZA / OLIVA ILUMINACIÓN / OPTIONS / OTR. ESPACIO DE ARTE / PALACIO DE VELÁZQUEZ. PARQUE DEL RETIRO / PASIÓN TURCA / RED BULL -
Vienna Issue
2 Voices of Contemporary Art Vienna and Culture Issue Content Norbert Bisky p.2 EVA & ADELE p.3 Werner Feiersinger p.3 Andreas Rost p.4 Walter Niedermayr p.4 Henrik Vibskov p.5 Tal R p.6 Timo Miettinen p.7 Sofie Thorsen p.8 Jenni Hiltunen p.8 Sanna-Mari Jäntti p.9 Erik Nordenhake p.10 Jan Widlund p.11 Art Books p.12/13 Daniel Knorr p.14 Peter Jellitsch p.14 Daniel De Koekkoek p.15 Robert La Roche p.16 Lilli Hollein p.16 In the Studio Norbert Bisky, Berlin We met Norbert Bisky in his studio in Berlin-Friedrichshain to speak with him about his search for orientation in the vanishing GDR, and about his shift from reflecting on his own origins towards being more In the Studio Preview influenced by topical events and politics. • read more on page 2 Tina Lechner, Vienna »West-Berlin is beginning »The Guggenheim Helsinki to regain its could be a beacon for former splendor.« the whole Nordic region.« Timo Miettinen tells us why typically we hear more Sanna-Mari Jäntti, director of the Guggenheim Helsinki Eva Kotátková, Prague about Finnish design and architecture abroad than project at Miltton, talks to us about Helsinki’s plans Finnish art, and how he sees his Salon Dahlmann in to put the Nordic region on the map as a destination for upcoming interviews Charlottenburg become a genuine meeting place for art and culture, and how David beat Goliath in the and collector stories on the art scene, that follows in the tradition of Berlin’s world’s largest architectural competition. -
Vol-34-No-5-Electron
Established 1973 The Independent Voice of the Visual Arts Volume 34 Number 5, July 2020 ART in the Time of COVID-19 $15 U.S. ART IN THE TIME OF COVID-19 Cover: Mosher, The Basic Steps for Hand Washing, 2020. Mural. Photos courtesy of the artist. Established 1973 Vol. 34, No. 5 Spring Quarter 2020 Contents 3 Editorial: 35 Walls of Prophecy and The Need for Systemic Protest Janina Ciezadlo lauds Jeff W. Hueb- Change ner’s Walls of Prophecy and Protest: William Walker and the Roots of a Revo- 5 Art in the Time of lutionary Public Art Movement. COVID-19— Introduction 38 “Desmadre Berlin” Michel Ségard examines Norbert Bisky’s “Desmadre Berlin,” a virtual ex- 6 COVID-19 Vs. The Art hibition from Galerie Templon in Paris. Field Phillip Barcio presents a provocative antithesis: maybe, just maybe, some 43 “Touch Your Mirror” of the art world’s smaller players will Emily Rapport considers “Touch Your emerge from the pandemic stronger Mirror” from Logan Square’s EXTRA than ever. Projects, which brings together works from Taylor Morgan and Jessica Fran- ces Martin that engage with the female 12 Virtual Visual Culture experience of adolescence. Emelia Lehmann ponders online exhi- bitions from the Art Institute of Chica- go, the Catherine Edelman Gallery, and 45 “The Allure of Matter” the Renaissance Society. Rebecca Memoli visits this touring show, which showcases material art by contemporary artists working in China. 18 The Plague Review K.A. Letts reviews the eponymous journal, a new project from Detroit’s 50 “Legacy of Decency” Rotland Press. -
Distributed Art Publishers Art Distributed Artbook Spring
artbook Spring SPRING 2014 NEW BOOKS ON ART & CULTURE & distributed art publishers artbook distributed art publishers 155 Sixth Avenue, nd Floor, New York, NY 10013 www.artbook.com Ray Johnson, from Not Nothing: Selected Writings by Ray Johnson 1954–1994, published by Siglio. See page 35. Featured releases 2 Journals 82 sprIng HIgHlIgHts 90 CATALOGUE EDITOR Thomas Evans photography 92 ART DIRECTION art 108 Stacy Wakefield group exhibitions 136 IMAGE PRODUCTION Ranya Asmar Writings 142 DATA PRODUCTION design 150 Alexa Forosty COPY WRITING Film 158 Jarrod Annis, Thomas Evans, Tyler Fields, Annabelle Maroney, Seamus Mullarkey architecture 159 PRINTING limited editions 168 Sonic Media Solutions, Inc. Front Cover Image speCIalty Books 170 5 7 Robert Heinecken, Recto/Verso #2, 1988. Silver dye bleach print, 8 ⁄8 x 7 ⁄8''. The Museum of Modern Art, New York. Mr. and Mrs. Clark Winter Fund. art 172 © 2013 The Robert Heinecken Trust. From Robert Heinecken: Object Matter, photography 196 published by The Museum of Modern Art, New York. See page 36. BaCk Cover Image Backlist Highlights 201 Ray Johnson © Ray Johnson Estate, courtesy Richard L. Feigen & Co. From Not Nothing: Selected Writings by Ray Johnson 1954–1994, published by Siglio. See page 35. Index 207 © Ray Johnson Estate, courtesy Richard L. Feigen & Co & Feigen L. Richard courtesy Estate, Johnson Ray © ShowTime:The50Most “a fascinating survey of InfluentialExhibitions ofContemporaryArt groundbreaking exhibitions from Edited and with text by Jens Hoffman. Conversation with Hans Ulrich Obrist, Massimiliano Gioni, Maria the 1980s through to now . the Lind, Jessica Morgan, Carolyn Christov-Bakargiev, Adriano Pedrosa, Mary Jane Jacob. -
Featured Releases 2 Limited Editions 102 Journals 109
Lorenzo Vitturi, from Money Must Be Made, published by SPBH Editions. See page 125. Featured Releases 2 Limited Editions 102 Journals 109 CATALOG EDITOR Thomas Evans Fall Highlights 110 DESIGNER Photography 112 Martha Ormiston Art 134 IMAGE PRODUCTION Hayden Anderson Architecture 166 COPY WRITING Design 176 Janine DeFeo, Thomas Evans, Megan Ashley DiNoia PRINTING Sonic Media Solutions, Inc. Specialty Books 180 Art 182 FRONT COVER IMAGE Group Exhibitions 196 Fritz Lang, Woman in the Moon (film still), 1929. From The Moon, Photography 200 published by Louisiana Museum of Modern Art. See Page 5. BACK COVER IMAGE From Voyagers, published by The Ice Plant. See page 26. Backlist Highlights 206 Index 215 Hilma af Klint: Paintings for the Future Edited with text by Tracey Bashkoff. Text by Tessel M. Bauduin, Daniel Birnbaum, Briony Fer, Vivien Greene, David Max Horowitz, Andrea Kollnitz, Helen Molesworth, Julia Voss. When Swedish artist Hilma af Klint died in 1944 at the age of 81, she left behind more than 1,000 paintings and works on paper that she had kept largely private during her lifetime. Believing the world was not yet ready for her art, she stipulated that it should remain unseen for another 20 years. But only in recent decades has the public had a chance to reckon with af Klint’s radically abstract painting practice—one which predates the work of Vasily Kandinsky and other artists widely considered trailblazers of modernist abstraction. Her boldly colorful works, many of them large-scale, reflect an ambitious, spiritually informed attempt to chart an invisible, totalizing world order through a synthesis of natural and geometric forms, textual elements and esoteric symbolism. -
Only the Good Ones: the Snapshot Aesthetic Revisited
ONLY THE GOOD ONES: THE SNAPSHOT AESTHETIC REVISITED Press release Galerie Rudolfinum January 24 – April 6, 2014 Exhibition curator: Michal Nanoru Galerie Rudolfinum presents Only The Good Ones, an exhibition tracing the snapshot – the unpremeditated, spur-of-the-moment amateur photograph – as a source of inspiration for art photography. The exhibition presents the work of forty photographers, primarily Americans, plus German photographer of Czech descent Jürgen Teller and British photographer Corinne Day, who introduced the world to Kate Moss. The snapshot, spontaneously capturing a commonplace moment, with minimal direction and little appreciation for artistic or journalistic convention, full of red eyes, severed heads, leaky shutters, and drugstore hyper-saturation, has formed a fundamental part of photographic production throughout the 20th century and remains the default choice for inexperienced owners of compact cameras and phones. But over the years, the snapshot has often inspiration for artistic endeavors not limited by the family photo album lying in a box up in the attic. “Their potential was used by artists who were already involved in the gallery scene, or whose snapshots helped them into the gallery scene,” curator Michal Nanoru explains. “This is why the exhibition is named after the usual series of questions the photo lab used to ask – Glossy or matte? Three and a half by fives? All the pictures or only the good ones? ‘The good ones’ usually meant the ones in which the main object was in focus, ones that even managed to feature some sort of main object that wasn’t the photographer’s huge pink thumb on the lens, or that weren’t just the blank first frames from loading the camera. -
Press Kit Group Show: RAUSCH-INTOXICATION // Photographers from Parisberlin>Fotogroup
Group show: IVRESSE-INTOXICATION // Photographers from Parisberlin>fotogroup FOTOHAUS I PARIS-BERLIN is an exhibition concept that was brought to life during the “Rencontres in Arles” in 2015 to highlight the Franco-German photography scene and create a space for institutions, photographers, galleries, collectors, agencies and publishers to get into dialogue and build synergies. In addition to exhibitions, FOTOHAUS offers an extensive accompanying programme. The non-profit association ParisBerlin>fotogroup is a platform that has been actively promoting contemporary photography and the German-French photography scene for 17 years. The association is organised by a team of Franco-German curators: Christel Boget and Elfi Rückert. Under the umbrella of PB they also run the photographers’ collective with the same name – ParisBerlin>fotogroup – with Parisian and Berlin photographers whose works are showcased and published in the form of portfolios, projections, exhibitions and publications. ParisBerlin>fotogroup regularly invites photographers to work on projects organised by PB. The activities of ParisBerlin>fotogroup include the curation of exhibitions, project coordination, the organisation and execution of workshops, portfolio reviews, and the issue and publication of photography catalogues, journalistic contributions and calendars. Since 2014, ParisBerlin>fotogroup has been the organiser of the “Monat der Fotografie-Off” festival in Berlin, and it is the founder of the exhibition concept FOTOHAUS I PARIS-BERLIN. Presented photographers: Holger Biermann Manuela Böhme Chiara Dazi Andreas B. Krueger Marie Lukasiewicz Renko Recke Sandra Schmalz Contact: Christel Boget / Elfi Rückert +33 6 10 11 22 07 / +49 175 26 79 968 [email protected] I www.fotoparisberlin.com FOTOHAUS I PARISBERLIN - Press kit Group show: RAUSCH-INTOXICATION // Photographers from Parisberlin>fotogroup HOLGER BIERMANN I Oktoberfest & drunkenness At the Oktoberfest in Munich I was in 2008. -
NORBERT BISKY Born 1970 in Leipzig, Germany Lives and Works in Berlin
NORBERT BISKY Born 1970 in Leipzig, Germany Lives and works in Berlin EDUCATION 1994-99 Universität der Künste Berlin, class of Georg Baselitz 1994-95 Salzburger Sommerakademie, class of Jim Dine 1995 Erasmus Scholarship, Faculdad de Bellas Artes; Universidad Complutense Madrid, spends one year in Spain 1999 Master student of Georg Baselitz, UdK, Berlin 2000 Scholarship at Foundation Künstlerdorf Schöppingen, Germany SOLO EXHIBITIONS 2013 Paraisópolis, Galerie Crone, Berlin 2012 Stampede, Leo Koenig, Inc., New York 2011 A Retrospective. Ten Years of Painting. Kunsthalle Marcel Duchamp, Cully, Switzerland (cat.) Decompression, Galerie Daniel Templon, Paris 2010 Befall, Crone Galerie, Berlin Maudit, Galerie Charlotte Moser, Geneva 2009 Crossing Jordaan, Cokkie Snoei, Amsterdam Mandelkern, Dortmunder Kunstverein, Germany Norbert Bisky, Dortmunder Kunstverein, Dortmund, Germany Nefasto Máximo, Galería Espacio Mínimo, Madrid 2008 Live In Your Head, Espace d’exposition de la Haute École d’art et de Design, Geneva Cloud Cuckoo Land, Galerie Mirchandani + Steinruecke, Mumbai (cat.) Privat, Galerie Crone, Berlin Minimental, Cokkie Snoei, Rotterdam 2007-08 it wasn’t me, Haus am Waldsee, Berlin 2007 What’s Wrong With Me, Leo Koenig Inc., New York One man show, Galerie Crone, Art Forum Berlin, Berlin Behind Innocence, Gallery Hyundai, Seoul 2006 Es tut mir so leid, Galerie Michael Schultz, Berlin Total Care, CAC, Center for Contemporary Art, Vilnius, Lithuania Norbert Bisky, Philip Kang Gallery, Seoul 2005 Déluge, Galerie Tarasiéve, Paris Studio d’Arte Cannaviello, Milan Malerei, Künstlerhaus Bethanien, Berlin Leider defect, Kunstverein Gütersloh, Germany 1 2004 The Proud, The Few, Leo Koenig Inc., New York (cat.) Opkomst en Verval, Cokkie Snoei Gallery, Rotterdam Abgesagt, Mannheimer Kunstverein, Mannheim, Germany (cat.) 2003 Schlachteplatte, Galerie Michael Schultz, Berlin Alles muss raus, Galerie Voss, Düsseldorf 2002 Essig und Blut, Brandenburger Kunstverein Potsdam e.V.