Coversongs Der 80Er Jahre Plätze 1 Bis 35

Total Page：16

File Type：pdf, Size：1020Kb

Coversongs der 80er Jahre Plätze 1 bis 35 Interpret Titel Original-Interpret 1 Electronica's Dance Little Bird Cash And Carry 2 Kim Carnes Bette Davis Eyes Jackie de Shannon 3 David Hasselhoff Looking For Freedom Marc Seaberg 4 Soft Cell Tainted Love Gloria Jones 5 Fat Boys The Twist (+ Chubby Checker) Chubby Checker 6 Phil Collins You Can't Hurry Love Supremes 7 Pet Shop Boys Always On My Mind Brenda Lee Something's Gotten 8 Marc Almond + Gene Pitney Hold Of My Heart Gene Pitney 9 Bananarama Venus Shocking Blue 10 Dave Stewart + Barbara Gaskin It's My Party Lesley Gore 11 Don Johnson Tell It Like It Is Aaron Neville 12 Kylie Minogue The Loco-Motion Little Eva 13 Peter Maffay Über 7 Brücken mußt du geh'n Karat 14 Marianne Faithfull The Ballad Of Lucy Jordan Dr. Hook 15 Tight Fit The Lion Sleeps Tonight Tokens 16 Udo Lindenberg Sonderzug nach Pankow Glenn Miller 17 Helen Schneider Rock'n' Roll Gypsy Rose Tattoo 18 Ferry Aid Let It Be Beatles 19 Jason Donovan Sealed With A Kiss Brian Hyland 20 Paul Young Love Of The Common People Waylon Jennings 21 Shakin' Stevens This Ole House Stuart Hamblen 22 Klaus + Klaus An der Nordseeküste Dubliners 23 Joan Jett+ the Blackhearts I Love Rock'n' Roll Arrows 24 Communards Don't Leave Me This Way Harold Melvin/The Blue Notes 25 Howard Carpendale Wie frei willst du sein? Pupo 26 Sandra Everlasting Love Robert Knight 27 Telly Savalas Some Broken Hearts Never Mend Don Williams The Christians, Holly Johnson, Paul McCartney, Gerry Marsden 28 + Stock/Aitken/Waterman Ferry 'Cross The Mersey Gerry And The Pacemakers 29 David Bowie + Mick Jagger Dancing In The Street Martha And The Vandellas 30 George Harrison Got My Mind Set On You James Ray 31 Leo Sayer More Than I Can Say Crickets 32 Orlando Riva Sound Indian Reservation Raiders 33 Tracey Ullman Breakaway Irma Thomas 34 Boy George Everything I Own Bread 35 Matt Bianco Yeh Yeh Georgie Fame © 2009 by RTL Interactive Seite 1 .

Copy Link

Recommended publications

Chart Book Template
Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts.
[Show full text]
History of Howard and Cooper Counties
HISTORY Of HOWARD AND COOPER COUNTIES, MISSOURI WRITTEN AND COMPILED FROM THE MOST AUTHENTIC OFFICIAL AND PRIVATE SOURCES INCLUDING A HISTORY OF ITS TOWNSHIPS, TOWNS AND VILLAGES TOGETHER WITH A CONDENSED HISTORY OF MISSOURI; A RELIABLE AND DETAILED HISTORY OF HOWARD AND COOPER COUNTIES – ITS PIONEER RECORD, RESOURCES, BIOGRAPHICAL SKETCHES OF PROMINENT CITIZENS; GENERAL AND LOCAL STATISTICS OF GREAT VALUE; INCIDENTS AND REMINISCENCES ILLUSTRATED www.mogenweb.org/cooper ST. LOUIS NATIONAL HISTORICAL COMPANY. 1883 PREFACE Portions of this book that are highlighted in red are direct quotations from Leven’s and Drakes’ 1876 History of Cooper County, Missouri. So if you have already read this earlier history, you may wish to jump to the new sections given in this history. Formatting has been changed and page numbering, etc bears no direct correlation to the original manuscript. Finally there are a few pages of long boring tables that I could not bring myself to transcribe. Otherwise, I hope you enjoy this history. www.mogenweb.org/cooper INDEX HISTORY OF COOPER COUNTY CHAPTER XV - POLITICAL HISTORY OF COOPER COUNTY _____________________________________________ 4 CHAPTER XVI - WAR HISTORY_______________________________________________________________________ 12 CHAPTER XVII - BENCH AND BAR - CRIMES AND SUICIDES ___________________________________________ 22 CHAPTER XVIII - RAILROADS AND MISCELLANEOUS FACTS __________________________________________ 29 www.mogenweb.org/cooper CHAPTER XV POLITICAL HISTORY First Election – Names of Voters – Result
[Show full text]
Commercial Law of Afghanistan
2ND EDITION AN INTRODUCTION TO COMMERCIAL LAW OF AFGHANISTAN An Introduction to the Commercial Law of Afghanistan Second Edition Afghanistan Legal Education Project (ALEP) at Stanford Law School www.afghanistanlegaleducation.com [email protected] Stanford Law School Crown Quadrangle 559 Nathan Abbott Way Stanford, CA 94305-8610 www.law.stanford.edu 1 Table of Contents PREFACE ..................................................................................................................................VII! CHAPTER 1: COMMERCIAL LAW AND ECONOMIC DEVELOPMENT.......................1! I.! INTRODUCTION...............................................................................................................1! II.! AN ECONOMIC OVERVIEW OF AFGHANISTAN........................................................2! A.! Economic Snapshot .........................................................................................................3! B.! Recent Economic Reforms..............................................................................................4! C.! The Markets.....................................................................................................................5! D.! Doing Business in Afghanistan .......................................................................................6! III.! ISLAMIC COMMERCIAL LAW.......................................................................................9! IV.! COMMERCIAL LAW AND ECONOMIC DEVELOPMENT ........................................13! A.!
[Show full text]
Hit Factory - Hits Made by Stock Aitken Waterman Mp3, Flac, Wma
Various Hit Factory - Hits Made By Stock Aitken Waterman mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Pop Album: Hit Factory - Hits Made By Stock Aitken Waterman Country: Germany Released: 1987 Style: Europop, Synth-pop MP3 version RAR size: 1269 mb FLAC version RAR size: 1603 mb WMA version RAR size: 1850 mb Rating: 4.5 Votes: 677 Other Formats: AA RA VOC WMA MPC ASF DTS Tracklist Hide Credits Never Gonna Give You Up 1 –Rick Astley 3:32 Written-By – Stock/Aitken/Waterman* Respectable 2 –Mel & Kim 3:19 Written-By – Stock/Aitken/Waterman* –Stock Aitken Roadblock (Rare Dub Edit) 3 3:33 Waterman* Written-By – Stock/Aitken/Waterman* Nothing's Gonna Stop Me Now 4 –Samantha Fox 3:43 Written-By – Stock/Aitken/Waterman* More Than Words Can Say 5 –Carol Hitchcock 3:46 Written-By – Stock/Aitken/Waterman* I'll Keep On Loving You 6 –Princess 3:54 Written-By – Stock/Aitken/Waterman* New York Afternoon 7 –Mondo Kane 2:31 Written-By – Richard Cole Let It Be 8 –Ferry Aid 6:06 Written-By – Lennon/McCartney* Toy Boy (Radio Mix) 9 –Sinitta 3:25 Written-By – Stock/Aitken/Waterman* I Heard A Rumour 10 –Bananarama Written By – Dallin/Fahey/Woodward/Stock/Aitken/WatermanWritten-By 3:23 – Woodward*, Dallin*, Fahey*, Stock/Aitken/Waterman* I Just Can't Wait 11 –Mandy* 3:21 Written-By – Stock/Aitken/Waterman* –The Three The Heaven I Need 12 3:16 Degrees Written-By – Stock/Aitken/Waterman* Ain't Nothing But A House Party 13 –Phil Fearon 3:21 Written By – C.
[Show full text]
TOP HITS of the EIGHTIES by YEAR 1980’S Top 100 Tracks Page 2 of 31
1980’S Top 100 Tracks Page 1 of 31 TOP HITS OF THE EIGHTIES BY YEAR 1980’S Top 100 Tracks Page 2 of 31 1980 01 Frankie Goes To Hollywood Relax 02 Frankie Goes To Hollywood Two Tribes 03 Stevie Wonder I Just Called To Say I Love You 04 Black Box Ride On Time 05 Jennifer Rush The Power Of Love 06 Band Aid Do They Know It's Christmas? 07 Culture Club Karma Chameleon 08 Jive Bunny & The Mastermixers Swing The Mood 09 Rick Astley Never Gonna Give You Up 10 Ray Parker Jr Ghostbusters 11 Lionel Richie Hello 12 George Michael Careless Whisper 13 Kylie Minogue I Should Be So Lucky 14 Starship Nothing's Gonna Stop Us Now 15 Elaine Paige & Barbara Dickson I Know Him So Well 16 Kylie & Jason Especially For You 17 Dexy's Midnight Runners Come On Eileen 18 Billy Joel Uptown Girl 19 Sister Sledge Frankie 20 Survivor Eye Of The Tiger 21 T'Pau China In Your Hand 22 Yazz & The Plastic Population The Only Way Is Up 23 Soft Cell Tainted Love 24 The Human League Don't You Want Me 25 The Communards Don't Leave Me This Way 26 Jackie Wilson Reet Petite 27 Paul Hardcastle 19 28 Irene Cara Fame 29 Berlin Take My Breath Away 30 Madonna Into The Groove 31 The Bangles Eternal Flame 32 Renee & Renato Save Your Love 33 Black Lace Agadoo 34 Chaka Khan I Feel For You 35 Diana Ross Chain Reaction 36 Shakin' Stevens This Ole House 37 Adam & The Ants Stand And Deliver 38 UB40 Red Red Wine 1980’S Top 100 Tracks Page 3 of 31 39 Boris Gardiner I Want To Wake Up With You 40 Soul II Soul Back To Life 41 Whitney Houston Saving All My Love For You 42 Billy Ocean When The Going
[Show full text]
THE GARY MOORE DISCOGRAPHY (The GM Bible)
THE GARY MOORE DISCOGRAPHY (The GM Bible) THE COMPLETE RECORDING SESSIONS 1969 - 1994 Compiled by DDGMS 1995 1 IDEX ABOUT GARY MOORE’s CAREER Page 4 ABOUT THE BOOK Page 8 THE GARY MOORE BAND INDEX Page 10 GARY MOORE IN THE CHARTS Page 20 THE COMPLETE RECORDING SESSIONS - THE BEGINNING Page 23 1969 Page 27 1970 Page 29 1971 Page 33 1973 Page 35 1974 Page 37 1975 Page 41 1976 Page 43 1977 Page 45 1978 Page 49 1979 Page 60 1980 Page 70 1981 Page 74 1982 Page 79 1983 Page 85 1984 Page 97 1985 Page 107 1986 Page 118 1987 Page 125 1988 Page 138 1989 Page 141 1990 Page 152 1991 Page 168 1992 Page 172 1993 Page 182 1994 Page 185 1995 Page 189 THE RECORDS Page 192 1969 Page 193 1970 Page 194 1971 Page 196 1973 Page 197 1974 Page 198 1975 Page 199 1976 Page 200 1977 Page 201 1978 Page 202 1979 Page 205 1980 Page 209 1981 Page 211 1982 Page 214 1983 Page 216 1984 Page 221 1985 Page 226 2 1986 Page 231 1987 Page 234 1988 Page 242 1989 Page 245 1990 Page 250 1991 Page 257 1992 Page 261 1993 Page 272 1994 Page 278 1995 Page 284 INDEX OF SONGS Page 287 INDEX OF TOUR DATES Page 336 INDEX OF MUSICIANS Page 357 INDEX TO DISCOGRAPHY – Record “types” in alfabethically order Page 370 3 ABOUT GARY MOORE’s CAREER Full name: Robert William Gary Moore. Born: April 4, 1952 in Belfast, Northern Ireland and sadly died Feb.
[Show full text]
Die Offiziellen Deutschen Charts
Die Offiziellen Deutschen Charts Die kompletten Listen – Woche für Woche basierend auf den offiziellen Charts von „Der Musikmarkt“ und „Media Control“ aufbereitet von Volker Dörken, Wuppertal Deutschland - Die Offiziellen Single-Charts Pos Vorwochen Woc BP 1 05.01.1987 1 1 1 7 1 3 Walk Like An Egyptian ... Bangles 2 8 8 4 2 Showing Out ... Mel & Kim 3 3 3 7 3 Keine Sterne In Athen ... Stephan Remmler 4 2 2 12 1 4 In The Army Now ... Status Quo 5 4 4 11 2 Suburbia ... Pet Shop Boys 6 5 5 11 3 Word Up ! ... Cameo 7 10 10 5 7 The Rain ... Oran 'Juice' Jones 8 7 7 6 7 Warriors (Of The Wasteland) ... Frankie Goes To Hollywood 9 6 6 11 6 You Want Love ... Mixed Emotions 10 9 9 9 6 Two Of Hearts ... Stacey Q. 11 11 11 7 11 Victory ... Kool & The Gang 12 64 64 3 12 Sometimes ... Erasure 13 24 24 3 13 You Keep Me Hangin' On ... Kim Wilde 14 21 21 6 14 Heartbeat ... Don Johnson 15 14 14 5 14 Through The Barricades ... Spandau Ballet 16 13 13 5 13 Heaven And Hell ... C.C. Catch 17 12 12 10 12 Where Are You ? ... 16 Bit 18 66 66 3 18 Land Of Confusion ... Genesis 19 16 16 6 16 Italo Boot Mix Vol.7 ... Italo Boot Mix ‐ Diverse Interpreten 20 37 37 3 20 Open Your Heart ... Madonna . 21 22 22 8 17 Rock The Night ... Europe 22 18 18 12 11 Rumors ... Timex Social Club 23 32 32 4 23 Loreen ..
[Show full text]
New Issues in Refugee Research
NEW ISSUES IN REFUGEE RESEARCH Working Paper No. 39 The trafficking and smuggling of refugees: the end game in European asylum policy? John Morrison and Beth Crosland e-mail: [email protected] e-mail: [email protected] April 2001 These working papers provide a means for UNHCR staff, consultants, interns and associates to publish the preliminary results of their research on refugee-related issues. The papers do not represent the official views of UNHCR. They are also available online at <http://www.unhcr.org>. ISSN 1020-7473 Summary This report analyses the response of European governments to the increasing problems of human trafficking and smuggling, and concludes that much of existing policy-making is part of the problem and not the solution. Refugees are now forced to use illegal means if they want to access Europe at all. The direction of current policy risks not so much solving the problem of trafficking but rather ending the right of asylum in Europe, one of the most fundamental of all human rights. Any comprehensive approach that tackles trafficking and smuggling successfully requires legal and safe migration opportunities for all refugees, as well as necessary enforcement measures. Europe is in urgent need for political and moral leadership on this issue and it is hoped that the final recommendations contained in this report might stimulate some reflection. Trafficking in people and the smuggling of migrants have both become major topics of international governmental attention. As facets of transnational organised crime they strike at the very heart of national sovereignty, which was described during a recent G-8 meeting as the ‘dark side’ of globalisation.
[Show full text]
Wisconsin Transportation Planning Program
Wisconsin Transportation Planning Program WISCONSIN DEPARTMENT OF TRANSPORTATION DIVISION OF PLANNING & BUDGET January 1981 DEPARTMENT OF TRANSPORTATION FEDERAL RAILROAD ADMINISTRATION WASHINGTON, D.C. 20590 ASSOCIATE ADMINISTRATOR Mr. Lowell B. Jackson Secretary Wisconsin Department of Transportation 4802 Sheboygan Avenue P. O. Box 7910 Madison, WI 53707 Dear Mr. Jackson: I am pleased to approve the 1981 Wisconsin Rail Plan Update. The benefit/cost methodology contained in the Update is also approved at this time. Please recognize that 49 CFR 266.15(d) requires that a plan update be prepared on an annual basis. Therefore, approval of this plan will expire exactly one year after the date of this letter. Upon expiration of planning approval, no applications for projects not contained in the previous year 1 s plan can be funded until a plan update is approved. Sincerely, . // //:t~~;~/ ..l ,,:·,.,,,,t _:i (__ ~----/-:,,~~';,~:;-:,.,:-- ; . ~--,, - Wi 11 i am E. Loftus// Associate Administrator for Federal Assistance RECEIVED JUL 2 7 l?J OFFICE or THE SEC!~~'f.l\RY 'SPEED LIMIT 55 It's a law we can live with. THE WISCONSIN STATE RAIL PLAN AN ELEMENT OF WISCONSIN'S TRANSPORTATION PLANNING PROGRAM Submitted to the Federal Railroad Administration U.S. Department of Transportation This document is also an ENVIRONMEN~AL IHPACT STATEMENT In Fulfillment of the Requirements of tiie Wisconsin Environmental Folicy Act Wisconsin Department of Transportation Madison, Wisconsin January, I 9 tn CERTIFICATION I, Lowell B. Jackson, Secretary of Transportation
[Show full text]
Let It Be (Song)
Let It Be (song) For the cover by Ferry Aid, see Ferry Aid. For the song group had, the previous day, begun what would become by Benny Benassi, see Hypnotica (Benny Benassi album). the Let It Be film. During this stage of the film they were only recording on the mono decks used for syncing to the "Let It Be" is a song by the Beatles, released in March film cameras, and were not making multi-track record- ings for release. A single take was recorded, with just Mc- 1970 as a single, and (in an alternate mix) as the title track of their album Let It Be. At the time, it had the highest Cartney on piano and vocals. The first attempt with the other Beatles was made on 8 January. Work continued debut on the Billboard Hot 100, reaching number 6. It on the song throughout the month. Multi-track record- was written and sung by Paul McCartney. It was their [8] final single before McCartney announced his departure ings commenced on 23 January at Apple Studios. from the band. Both the Let It Be album and the US sin- The master take was recorded on 31 January 1969, as part gle "The Long and Winding Road" were released after of the “Apple studio performance” for the project. Mc- McCartney’s announced departure from and subsequent Cartney played Blüthner piano, Lennon played six-string break-up of the group. electric bass, George Harrison and Ringo Starr assumed their conventional roles, on guitar and drums respectively, The alternate mix on their album "Let It Be" features an [9] additional guitar solo and some minor differences in the and Billy Preston contributed on organ.
[Show full text]
James Simmons Papers, 1945-1996
SIMMONS, JAMES, 1933- James Simmons papers, 1945-1996 Emory University Emory University Robert W. Woodruff Library Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Digital Material Available in this Collection Collection Stored Off-Site All or portions of this collection are housed off-site. Materials can still be requested but researchers should expect a delay of up to two business days for retrieval. Descriptive Summary Creator: Simmons, James, 1933- Title: James Simmons papers, 1945-1996 Call Number: Manuscript Collection No. 759 Extent: 39 linear feet (78 boxes) and 1 oversized papers box and 1 oversized papers folder (OP) Abstract: Personal and literary papers of Irish poet and editor James Simmons including drafts of Simmons's own writings, personal and literary correspondence, printed material, and photographs. Language: Materials entirely in English. Administrative Information Restrictions on access Special restrictions apply: Subseries 1.5 contains restricted correspondence. Collection stored off-site. Researchers must contact the Rose Library in advance to access this collection. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. No special restrictions apply. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. James Simmons papers, 1945-1996 Manuscript Collection No. 759 Source Purchase, 1994. Citation [identification of item(s)], James Simmons papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University. Processing Katie Long, November 2002.
[Show full text]
Wielcy Producenci Stock, Aitken, Waterman Mike Stock, Matt Aitken I Pete Waterman Znani Niż Wirtuoza
Sylwetki Wielcy producenci Stock, Aitken, Waterman Mike Stock, Matt Aitken i Pete Waterman znani niż wirtuoza. Marzył o pisaniu hitów i na długo przed wielką karierą, jeszcze jako Stock, Aitken, Waterman, a także SAW, w wieku 19 lat, podpisał kontrakt z ban- nie są wymieniani jednym tchem obok największych kiem muzyki jako autor piosenek. Na przełomie lat 70. i 80. XX wieku grywał producentów w historii muzyki. Stanowią jednak po hotelach z przeróżnymi składami. zjawisko na tyle ciekawe, że warto o nich W jednym z nich poznał, występującego m.in. na statkach, Matta Aitkena. W roku opowiedzieć. Że nie znacie ich nagrań? 1983 obaj postanowili rzucić chałtury Znacie i to bardzo dobrze. i wziąć się za pisanie własnych hitów. Matt Aitken przyszedł na świat w roku Michał Dziadosz 1956. Od młodości grał na gitarze i starał się to robić bardzo rzetelnie. Później bę- dzie to słychać w produkcjach, w których to właśnie solówki Aitkena odgrywają niebagatelną rolę. Pete Waterman był najstarszy. Urodził się w roku 1947. Na przełomie lat 70. i 80. dał się poznać publiczności jako didżej, prezenter radiowy i telewizyjny. W początkowej fazie działalności SAW był więc najbardziej znany. Miał także wyrobione znajomości w środowisku i łatwiejszy dostęp do sprzętu. Zresztą, to właśnie jego nazwisko nosiła wytwór- nia PWL (Pete Waterman Limited) oraz agencja rozrywkowa, do której należa- ła, czyli PWE (Pete Waterman Enter- tainment). Wszyscy trzej panowie nieźle się znali i postanowili zrobić coś razem. Początki ako spółka producencka działa- wane właśnie przez trzech omawianych nie były usłane różami. Nieudany start na li w latach 1984-1993, a pasmo dziś producentów.
[Show full text]