Camera Equivalence] It Is Not Possible to Read This Paper Without a Good Understanding of the Principles of Camera Equivalence
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
About Raspberry Pi HQ Camera Lenses Created by Dylan Herrada
All About Raspberry Pi HQ Camera Lenses Created by Dylan Herrada Last updated on 2020-10-19 07:56:39 PM EDT Overview In this guide, I'll explain the 3 main lens options for a Raspberry Pi HQ Camera. I do have a few years of experience as a video engineer and I also have a decent amount of experience using cameras with relatively small sensors (mainly mirrorless cinema cameras like the BMPCC) so I am very aware of a lot of the advantages and challenges associated. That being said, I am by no means an expert, so apologies in advance if I get anything wrong. Parts Discussed Raspberry Pi High Quality HQ Camera $50.00 IN STOCK Add To Cart © Adafruit Industries https://learn.adafruit.com/raspberry-pi-hq-camera-lenses Page 3 of 13 16mm 10MP Telephoto Lens for Raspberry Pi HQ Camera OUT OF STOCK Out Of Stock 6mm 3MP Wide Angle Lens for Raspberry Pi HQ Camera OUT OF STOCK Out Of Stock Raspberry Pi 3 - Model B+ - 1.4GHz Cortex-A53 with 1GB RAM $35.00 IN STOCK Add To Cart Raspberry Pi Zero WH (Zero W with Headers) $14.00 IN STOCK Add To Cart © Adafruit Industries https://learn.adafruit.com/raspberry-pi-hq-camera-lenses Page 4 of 13 © Adafruit Industries https://learn.adafruit.com/raspberry-pi-hq-camera-lenses Page 5 of 13 Crop Factor What is crop factor? According to Wikipedia (https://adafru.it/MF0): In digital photography, the crop factor, format factor, or focal length multiplier of an image sensor format is the ratio of the dimensions of a camera's imaging area compared to a reference format; most often, this term is applied to digital cameras, relative to 35 mm film format as a reference. -
Test Pentax 645D an Accessible Medium Format DSLR?
Test Pentax 645D An accessible medium format DSLR? o announce a camera costing With time, cameras evolved, and The 645D sports digital SLR will have no problem card followed by the other, etc.) €10,000 as "accessible" might today the most modern models the classic form of a solid medium working with a 645D. As the overall The Raw format used is DNG, and T sound somewhat strange to (Hasselblad H and Leica S) have format camera. It ergonomics are based on highly in- images can be read directly by many photographers. The term de- abandoned the "body plus inter- is pleasing to tuitive controls, you can instantly Adobe software. Other Raw conver- serves a few explanations. Finan- changeable back" form for a solid handle and find your way around. ters (DxO and others) should very cially, it is justified because a 40 architecture that enables a more ef- comfortable to Original functions are also found use: Pentax has shortly be able to read 645D files. Mpix digital medium format cur- ficient design. This is the type of given it the very in the 645D, for example double The camera handles nicely. The rently sells for more than €15,000, construction used by Pentax. best in APS-C SLR level (front/back and right/left tilt), a grip, which seems a little uncomfor- whereas the Pentax 654D is at The "body plus separate back" ar- ergonomics. A misty landscape Use in the handheld position would be good! camera is less rapid (continuous very useful feature for shooting table at first, turns out to be very ef- Jpeg and Raw €9,900 (including VAT). -
Photokina 2006
John Henshall’s Chip Shop Photokina 2006 John Henshall has been walking miles of aisles at the world’s largest photographic trade show n the early days of digital imaging, all the new products at Photokina Panasonic Lumix L1 could easily be seen in just one I day – even if they were hidden between the new enlargers and other film-based stuff. Today it’s simply impossible for one person to see everything in the six days during which the ‘World of Imaging’ Trade Show is open. That’s why other magazines have teams of reporters. I was there for only three days, during which I also took part in a panel at a conference on Imaging with Mobile Devices . I believe that this is the future of consumer photography and will affect us all, even in the professional sector. Forty four percent of people already use their cellphones as their main camera. No wonder that Carphone Warehouse is the largest supplier of digital cameras in the UK. Nokia had a stand at least five times bigger than two years ago – its first Canon EOS 400D Nikon D80 appearance at Photokina. In 2004 Nokia’s cameras produced a 6 x 4 inch print which could hardly be called photographic quality. This year’s Nokia N93 has a Carl Zeiss Vario-Tessar 3x optical zoom, 3.2MP and produces 2048 x 1536 pixel images which will print to 7 x 5 inches at a full 300 pixels per inch, or to 10 x 8 inches at 200 pixels per inch. It will also Hewlett-Packard Designjet Z-Series Printers produce good quality 640 x 480 pixel video at a full 30fps. -
Irix 45Mm F1.4
Explore the magic of medium format photography with the Irix 45mm f/1.4 lens equipped with the native mount for Fujifilm GFX cameras! The Irix Lens brand introduces a standard 45mm wide-angle lens with a dedicated mount that can be used with Fujifilm GFX series cameras equipped with medium format sensors. Digital medium format is a nod to traditional analog photography and a return to the roots that defined the vividness and quality of the image captured in photos. Today, the Irix brand offers creators, who seek iconic image quality combined with mystical vividness, a tool that will allow them to realize their wildest creative visions - the Irix 45mm f / 1.4 G-mount lens. It is an innovative product because as a precursor, it paves the way for standard wide-angle lenses with low aperture, which are able to cope with medium format sensors. The maximum aperture value of f/1.4 and the sensor size of Fujifilm GFX series cameras ensure not only a shallow depth of field, but also smooth transitions between individual focus areas and a high dynamic range. The wide f/1.4 aperture enables you to capture a clear background separation and work in low light conditions, and thanks to the excellent optical performance, which consists of high sharpness, negligible amount of chromatic aberration and great microcontrast - this lens can successfully become the most commonly used accessory that will help you create picturesque shots. The Irix 45mm f / 1.4 GFX is a professional lens designed for FujiFilm GFX cameras. It has a high-quality construction, based on the knowledge of Irix Lens engineers gained during the design and production of full-frame lenses. -
Selecting Cameras for UAV Surveys
ARTICLE A REVIEW OF CAMERAS POPULAR AMONGST AERIAL SURVEYORS Selecting Cameras for UAV Surveys With the boom in the use of consumer-grade cameras on unmanned aerial vehicles (UAVs) for surveying and photogrammetric applications, this article seeks to review a range of different cameras and their critical attributes. Firstly, it establishes the most important considerations when selecting a camera for surveying. Secondly, the authors make a number of recommendations at various price points. While this list is not exhaustive, it is intended to present a line of reasoning that UAV practitioners should consider when selecting a camera for survey purposes. Weight, Velocity and Flight Time for Aerial Imaging Weight is an important consideration for aerial imaging that is often not a limiting factor for terrestrial photography. The growth of newer, higher-spec, low- weight cameras is therefore the focus of this article. In addition, the potential areal coverage of a survey is controlled by flight height, flight duration and UAV velocity – these become more tightly constrained with increased payload. Figure 1, Decrease in flight time with payload for a generic battery-powered multi-rotor UAV at a velocity of 6m/s (Bershadsky, 2016). In order to maximise flexibility in the selection of flight height, duration and velocity, weight must be kept to a minimum. A number of lightweight cameras for UAV use are reviewed below. Imaging parameters Sensor size is one of the key imaging parameters as this, along with focal length of the lens, is the core component in defining the ground sample distance (GSD) – the pixel size in the real world – of a survey configuration. -
May2018-Highlight-Article.Pdf
234 May 2018 PHOTOGRAMMETRIC ENGINEERING & REMOTE SENSING May 2018 Layout.indd 234 4/16/2018 12:05:54 PM ntroduction Since 2000, development and use of digital photogram- metric cameras for aerial survey has gained significant momentum. Many different cameras and systems de- signed for aerial photogrammetry were developed and presented to the market. After 15 years of intensive development, only a few of these products are in wide Productivity use in today’s mapping market. One of the prominent Isystems being provided is the medium format frame Analysis for camera from Phase One Industrial. With the development of CCD and CMOS technology, medium format cameras have come a long way from 40-60 Mpix to 80-100 Mpix cameras. Additionally, high Medium quality metric lenses with a wide range of focal lengths were developed and implemented. This enabled an ef- fective utilization of medium format cameras in many different small and medium sized urban and rural Format mapping projects, corridor mapping, oblique projects, and monitoring of areal and linear infrastructure. This article presents recent development in the ap- Mapping proach to flight planning and aerial survey productiv- ity analysis, firstly presented in Raizman (2012). The Raizman (2012) article referred only to large format Cameras cameras, whereas this article will compare large for- mat cameras vs. medium format cameras, which are getting more and more popular in aerial survey. This Yuri Raizman approach is based on some pre-defined common char- acteristics of the required mapping products. It en- Phase One Industrial ables an equivalent comparison between cameras with different parameters – focal length, sensor form and Denmark size, and pixel size. -
Hasselblad Expands Reach of Medium Format Imaging for Even More
Press information – for immediate release Gothenburg, Sweden 19 June 2019 HASSELBLAD EXPANDS REACH OF MEDIUM FORMAT IMAGING FOR EVEN MORE CREATIVE VERSATILITY Introducing the X1D II 50C, XCD 35-75 zoom lens, Phocus Mobile 2, and revealing details of the upcoming CFV II 50C digital back and 907X camera body Following the revolutionary introduction of the world’s first mirrorless medium format digital camera, the X1D-50c, Hasselblad introduces new additions to its product portfolio that bring the joy of medium format photography to image makers with the capabilities to support their creative endeavours. This includes the evolved X1D II 50C camera, the eagerly awaited XCD 3,5-4,5/35-75 Zoom Lens and Phocus Mobile 2. In addition, Hasselblad reveals the development details of the upcoming CFV II 50C digital back and 907X camera body. Hasselblad’s newest offerings yet again expand the potential of medium format pho- tography with modularity and flexibility, all while offering the brand’s renowned, stunning image quality. X1D II 50C – AN EVOLVED MEDIUM FORMAT PHOTOGRAPHY EXPERIENCE In the pursuit to continue the journey of taking medium format outside of the studio, Hasselblad is pleased to announce the next installment of the X System – the X1D II 50C Mirrorless Medium Format Digital Camera. Dedicated to optimising the X System for a wider audience of creatives, Hasselblad has listened to user feedback and improved upon the first generation with enhanced electronics for a quicker and more intuitive medium format experience. Continuing in the legacy of being the most portable and lightweight digital medium format camera, the X1D II 50C lets you take the power of medium format in a footprint smaller than most full frame DSLRs in a beautifully designed, compact package. -
AG-AF100 28Mm Wide Lens
Contents 1. What change when you use the different imager size camera? 1. What happens? 2. Focal Length 2. Iris (F Stop) 3. Flange Back Adjustment 2. Why Bokeh occurs? 1. F Stop 2. Circle of confusion diameter limit 3. Airy Disc 4. Bokeh by Diffraction 5. 1/3” lens Response (Example) 6. What does In/Out of Focus mean? 7. Depth of Field 8. How to use Bokeh to shoot impressive pictures. 9. Note for AF100 shooting 3. Crop Factor 1. How to use Crop Factor 2. Foal Length and Depth of Field by Imager Size 3. What is the benefit of large sensor? 4. Appendix 1. Size of Imagers 2. Color Separation Filter 3. Sensitivity Comparison 4. ASA Sensitivity 5. Depth of Field Comparison by Imager Size 6. F Stop to get the same Depth of Field 7. Back Focus and Flange Back (Flange Focal Distance) 8. Distance Error by Flange Back Error 9. View Angle Formula 10. Conceptual Schema – Relationship between Iris and Resolution 11. What’s the difference between Video Camera Lens and Still Camera Lens 12. Depth of Field Formula 1.What changes when you use the different imager size camera? 1. Focal Length changes 58mm + + It becomes 35mm Full Frame Standard Lens (CANON, NIKON, LEICA etc.) AG-AF100 28mm Wide Lens 2. Iris (F Stop) changes *distance to object:2m Depth of Field changes *Iris:F4 2m 0m F4 F2 X X <35mm Still Camera> 0.26m 0.2m 0.4m 0.26m 0.2m F4 <4/3 inch> X 0.9m X F2 0.6m 0.4m 0.26m 0.2m Depth of Field 3. -
Astrophotography a Beginner’S Guide
Astrophotography A Beginner’s Guide By James Seaman Copyright © James Seaman 2018 Contents Astrophotography ................................................................................................................................... 5 Equipment ........................................................................................................................................... 6 DSLR Cameras ..................................................................................................................................... 7 Sensors ............................................................................................................................................ 7 Focal Length .................................................................................................................................... 8 Exposure .......................................................................................................................................... 9 Aperture ........................................................................................................................................ 10 ISO ................................................................................................................................................. 11 White Balance ............................................................................................................................... 12 File Formats .................................................................................................................................. -
Does Size Matter.Sanitized-20151026-GGCS
Does Size Matter? What’s New in Small Cameras and Should I Switch? Doug Kaye dougkaye.com [email protected] • Portfolio at DougKaye.com • Co-Host of All About the Gear • Cuba & Street Photography Workshops • Frequent guest on This Week in Photo • Active on Social Media • Portfolio at DougKaye.com • Co-Host of All About the Gear • Cuba & Street Photography Workshops • Frequent guest on This Week in Photo • Active on Social Media The Acronyms • DSLR: Digital Single-Lens Reflex • MILC: Mirrorless Interchangeable-Lens Camera • APS-C: ~1.5x Crop-Factor Sensor Size • MFT: Micro Four-Thirds • LCD: Liquid Crystal Display (rear) • OVF: Optical Viewfinder • EVF: Electronic Viewfinder MILCs • Mirrorless • Interchangeable Lens • Autofocus • Electronic Viewfinder Who’s Who • The Old Guard • Nikon & Canon • The Upstarts • Sony & Fujifilm (Full-Frame and APS-C) • Olympus & Panasonic/Lumix (MFT) • Leica? Samsung? iPhone? DSLR vs. Mirrorless MILC History MILC History • 2004: Epson RD-1 (1st Mirrorless) • 2006: Leica M8 (1st Digital Leica) • 2008: Panasonic G1 (1st MFT) • 2009: Leica M9 (1st Full Frame) • 2010: Sony NEX-5 (1st M-APS-C, Hybrid AF) • 2012: Fuji X-Pro1 (Hybrid VF, X-Trans) • 2013: Olympus OM-D E-M1 • 2014: Sony a7S (High ISO), a7R (36MP) • 2015: Sony a7 II, a7R II, a7S II (Full-Frame IBIS) MILC Advantages • Smaller & Lighter • Simpler & Less Expensive • EVF vs. OVF • Always in LiveView Mode (WYSIWYG) • Accurate Autofocus • Quieter & Less Vibration • Simpler Wide-Angle Lens Designs • Compatible w/Other Lens Mounts MILC Disadvantages • EVF vs. OVF? • Continuous Autofocus Speed/Accuracy • Lack of Accessories • Legacy Wide-Angle Lens Issues Sensor Size • Full 35mm Frame (FF): 1x • APS-C: 1.5x • MFT: 2x Pixel Size • Larger Pixels Capture More Light • Higher ISO, Lower Noise • Broader Dynamic Range • 16MP APS-C = 36MP Full Frame • 16MP MFT = 64MP Full Frame Field of View (FoV) • Smaller sensors just crop the image. -
A Practical Guide to Panoramic Multispectral Imaging
A PRACTICAL GUIDE TO PANORAMIC MULTISPECTRAL IMAGING By Antonino Cosentino 66 PANORAMIC MULTISPECTRAL IMAGING Panoramic Multispectral Imaging is a fast and mobile methodology to perform high resolution imaging (up to about 25 pixel/mm) with budget equipment and it is targeted to institutions or private professionals that cannot invest in costly dedicated equipment and/or need a mobile and lightweight setup. This method is based on panoramic photography that uses a panoramic head to precisely rotate a camera and shoot a sequence of images around the entrance pupil of the lens, eliminating parallax error. The proposed system is made of consumer level panoramic photography tools and can accommodate any imaging device, such as a modified digital camera, an InGaAs camera for infrared reflectography and a thermal camera for examination of historical architecture. Introduction as thermal cameras for diagnostics of historical architecture. This article focuses on paintings, This paper describes a fast and mobile methodo‐ but the method remains valid for the documenta‐ logy to perform high resolution multispectral tion of any 2D object such as prints and drawings. imaging with budget equipment. This method Panoramic photography consists of taking a can be appreciated by institutions or private series of photo of a scene with a precise rotating professionals that cannot invest in more costly head and then using special software to align dedicated equipment and/or need a mobile and seamlessly stitch those images into one (lightweight) and fast setup. There are already panorama. excellent medium and large format infrared (IR) modified digital cameras on the market, as well as scanners for high resolution Infrared Reflec‐ Multispectral Imaging with a Digital Camera tography, but both are expensive. -
Hasselblad V to Fuji GFX Speedbosster Press
Metabones® Introduces Hasselblad V to Fuji G mount (GFX) Speed Booster® Press Release n Los Angeles, CA, USA, Aug 16, 2019: Caldwell Photographic Inc. and Metabones® are pleased to announce a new Speed Booster® Ultra 0.71x, exclusively designed for the exciting new Fuji GFX medium format camera. The initial version is specifically optimized for use with the famous Hasselblad V series lenses. This new Speed Booster uses an advanced 6-element design to achieve excellent optical performance at apertures up to f/1.4 when paired with the Hasselblad 110mm f/2 lens. Although the Fuji GFX uses an extremely large sensor, it is nevertheless significantly smaller than the 6x6 cm film format. The new Speed Booster Ultra 0.71x is an ideal match for 6x6 Hasselblad V lenses since they can now be fully utilized as they were originally designed when mounted to the Fuji GFX. Unlike 35mm format lenses used on the Fuji GFX via glassless adapters, Hasselblad V lenses adapted to the GFX via the Speed Booster Ultra are completely free of disturbing vignetting and other corner issues. In addition to increasing the field of view and lens speed, the new Speed Booster Ultra achieves superb performance by being carefully matched to the unique optical characteristics of the Hasselblad V lenses. All of the Hasselblad V lenses were analyzed for exit pupil size and location, and this was fully taken into account in the new Speed Booster Ultra for the Fuji GFX. This approach dictated the use of extremely large lens elements throughout in order to avoid vignetting and maintain high quality imagery into the corners, but the results speak for themselves.