Hasselblad Expands Reach of Medium Format Imaging for Even More
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Test Pentax 645D an Accessible Medium Format DSLR?
Test Pentax 645D An accessible medium format DSLR? o announce a camera costing With time, cameras evolved, and The 645D sports digital SLR will have no problem card followed by the other, etc.) €10,000 as "accessible" might today the most modern models the classic form of a solid medium working with a 645D. As the overall The Raw format used is DNG, and T sound somewhat strange to (Hasselblad H and Leica S) have format camera. It ergonomics are based on highly in- images can be read directly by many photographers. The term de- abandoned the "body plus inter- is pleasing to tuitive controls, you can instantly Adobe software. Other Raw conver- serves a few explanations. Finan- changeable back" form for a solid handle and find your way around. ters (DxO and others) should very cially, it is justified because a 40 architecture that enables a more ef- comfortable to Original functions are also found use: Pentax has shortly be able to read 645D files. Mpix digital medium format cur- ficient design. This is the type of given it the very in the 645D, for example double The camera handles nicely. The rently sells for more than €15,000, construction used by Pentax. best in APS-C SLR level (front/back and right/left tilt), a grip, which seems a little uncomfor- whereas the Pentax 654D is at The "body plus separate back" ar- ergonomics. A misty landscape Use in the handheld position would be good! camera is less rapid (continuous very useful feature for shooting table at first, turns out to be very ef- Jpeg and Raw €9,900 (including VAT). -
Digital Camera Systems Integrated Digital Solutions for Photographers Mamiya Leaf Digital Camera Systems Quality Images Require Image Quality
Digital Camera Systems Integrated Digital Solutions for Photographers Mamiya Leaf Digital Camera Systems Quality Images Require Image Quality Mamiya 645DF+ Camera With small format handling and speed, the Mamiya 645DF+ captures top-quality images that offer the professional feel that only a medium format system can provide. • Rapid and accurate auto-focus • Dual focal plane and leaf shutter system with seamless switching and speeds of up to 1/4000 sec • Sophisticated operation via easy-to-use, ergonomically placed dials and buttons • Reliable, robust camera body construction • Wide range of accessories including optional V-Grip Air for comfortable vertical handholding with a built-in Profoto Air transmitter Mamiya Leaf Digital Camera Systems Mamiya Leaf Digital Camera Systems Quality Images Require Image Quality The World's Most Desirable Digital Camera System Mamiya 645DF+, Leaf Credo digital camera backs, Schneider-Kreuznach, Mamiya optics and Capture One workflow software The unbeatable combination of Mamiya 645DF+ camera, Leaf Credo camera backs and Capture One workflow software represents the best of what digital photography has to offer. Extraordinary capture becomes natural through ease of use and direct control. Take advantage of Schneider-Kreuznach leaf shutter lenses or the Mamiya digital focal plane lenses. © Steffen Jahn © Steffen The Leaf Credo Family of Digital Backs Where Art meets Science Touch screen and new GUI The Leaf Credo digital camera back is the latest and the most advanced Utilizing the latest display technology, the high resolution, bright, touch digital back on the market. It is the result of 20 years of experience in the screen offers an intuitive and user-friendly workflow in a responsive, so- digital business from the company that brought the first medium format phisticated yet easy-to-use package. -
Irix 45Mm F1.4
Explore the magic of medium format photography with the Irix 45mm f/1.4 lens equipped with the native mount for Fujifilm GFX cameras! The Irix Lens brand introduces a standard 45mm wide-angle lens with a dedicated mount that can be used with Fujifilm GFX series cameras equipped with medium format sensors. Digital medium format is a nod to traditional analog photography and a return to the roots that defined the vividness and quality of the image captured in photos. Today, the Irix brand offers creators, who seek iconic image quality combined with mystical vividness, a tool that will allow them to realize their wildest creative visions - the Irix 45mm f / 1.4 G-mount lens. It is an innovative product because as a precursor, it paves the way for standard wide-angle lenses with low aperture, which are able to cope with medium format sensors. The maximum aperture value of f/1.4 and the sensor size of Fujifilm GFX series cameras ensure not only a shallow depth of field, but also smooth transitions between individual focus areas and a high dynamic range. The wide f/1.4 aperture enables you to capture a clear background separation and work in low light conditions, and thanks to the excellent optical performance, which consists of high sharpness, negligible amount of chromatic aberration and great microcontrast - this lens can successfully become the most commonly used accessory that will help you create picturesque shots. The Irix 45mm f / 1.4 GFX is a professional lens designed for FujiFilm GFX cameras. It has a high-quality construction, based on the knowledge of Irix Lens engineers gained during the design and production of full-frame lenses. -
Selecting Cameras for UAV Surveys
ARTICLE A REVIEW OF CAMERAS POPULAR AMONGST AERIAL SURVEYORS Selecting Cameras for UAV Surveys With the boom in the use of consumer-grade cameras on unmanned aerial vehicles (UAVs) for surveying and photogrammetric applications, this article seeks to review a range of different cameras and their critical attributes. Firstly, it establishes the most important considerations when selecting a camera for surveying. Secondly, the authors make a number of recommendations at various price points. While this list is not exhaustive, it is intended to present a line of reasoning that UAV practitioners should consider when selecting a camera for survey purposes. Weight, Velocity and Flight Time for Aerial Imaging Weight is an important consideration for aerial imaging that is often not a limiting factor for terrestrial photography. The growth of newer, higher-spec, low- weight cameras is therefore the focus of this article. In addition, the potential areal coverage of a survey is controlled by flight height, flight duration and UAV velocity – these become more tightly constrained with increased payload. Figure 1, Decrease in flight time with payload for a generic battery-powered multi-rotor UAV at a velocity of 6m/s (Bershadsky, 2016). In order to maximise flexibility in the selection of flight height, duration and velocity, weight must be kept to a minimum. A number of lightweight cameras for UAV use are reviewed below. Imaging parameters Sensor size is one of the key imaging parameters as this, along with focal length of the lens, is the core component in defining the ground sample distance (GSD) – the pixel size in the real world – of a survey configuration. -
Operations Instructions Manual Table of Contents
E-mount Parts and controls Triple-dial-control Custom Key assignment AF/MF button/AEL button General Operations Instructions Manual Table of contents This instruction manual - Operations - describes the basic operation of the camera, and some advanced operations using the major functions. See Getting Started for information on how to set up the camera, and the Handbook on the CD-ROM (supplied) for more detailed functions and operations. Parts and controls Recording ...........................................................................................................................................................................................................3 Playback ...............................................................................................................................................................................................................5 Setup .....................................................................................................................................................................................................................6 Triple-dial-control Triple-dial-control operation ..................................................................................................................................................................7 Control Dials .....................................................................................................................................................................................................9 Settings modes ............................................................................................................................................................................................10 -
User Manual H4D-200 MS H4D-60 H4D-50 MS H4D-50 H4D-40 H4D-31
H4D User Manual H4D-200 MS H4D-60 H4D-50 MS H4D-50 H4D-40 H4D-31 H4D C O N T E N T S Introduction 4 Lens cap 33 System requirements 8 Filters 33 Warnings & restrictions 8 Lens shades 33 Shutter and aperture control 33 1 H4D models 9 Depth-of-field calculation 34 2 General overview – Depth-of-field / visual preview 34 controls and displays 13 Infrared focus settings 34 Button functions 14 Focus assist 34 Display information 15 Manual focus 35 Grip display 16 Autofocus 35 Viewfinder display 17 Single 36 Sensor unit display 18 Continuous 36 Spirit level 19 True Focus 37 Buttons and controls – details 20 Audio feedback 22 6 Light Metering & Exposure Control 41 3 Camera Body 24 ISO & white balance button 42 Carrying strap 25 Metering method 43 Rechargeable battery 25 Exposure method 43 Battery charger 25 Manual exposure mode 44 Charging the battery 26 Automatic exposure mode 44 Rechargeable battery grip − general 26 AE-L button 45 Rechargeable battery grip − precautions 27 Exposure compensation/Quick Adjust 46 Battery life 27 Battery status 28 7 Profiles 48 Power 28 Making a profile 49 On 28 Using profiles 50 Standby 28 Viewfinder screen 28 8 SU – introduction 51 Accessory connection 29 Parts and components 53 PC-connector 29 Overview of menu system and navigation 55 Base plate 29 Overview of menu structure 56 Description of menu items 57 4 Viewfinder 30 Parts & Components 31 9 SU – initial settings 58 Attaching and removing the viewfinder 31 Setting the menu language 59 Eyepiece adjustment 31 Capture storage 60 Eye cup 31 Capture destination 60 Integral flash unit 31 Compact cards 61 Formatting 62 5 Lenses 32 Tethered to a computer 63 Parts & Components 33 Attaching a lens 33 Removing a lens 33 The images in this manual were not taken with a Hasselblad H4D. -
May2018-Highlight-Article.Pdf
234 May 2018 PHOTOGRAMMETRIC ENGINEERING & REMOTE SENSING May 2018 Layout.indd 234 4/16/2018 12:05:54 PM ntroduction Since 2000, development and use of digital photogram- metric cameras for aerial survey has gained significant momentum. Many different cameras and systems de- signed for aerial photogrammetry were developed and presented to the market. After 15 years of intensive development, only a few of these products are in wide Productivity use in today’s mapping market. One of the prominent Isystems being provided is the medium format frame Analysis for camera from Phase One Industrial. With the development of CCD and CMOS technology, medium format cameras have come a long way from 40-60 Mpix to 80-100 Mpix cameras. Additionally, high Medium quality metric lenses with a wide range of focal lengths were developed and implemented. This enabled an ef- fective utilization of medium format cameras in many different small and medium sized urban and rural Format mapping projects, corridor mapping, oblique projects, and monitoring of areal and linear infrastructure. This article presents recent development in the ap- Mapping proach to flight planning and aerial survey productiv- ity analysis, firstly presented in Raizman (2012). The Raizman (2012) article referred only to large format Cameras cameras, whereas this article will compare large for- mat cameras vs. medium format cameras, which are getting more and more popular in aerial survey. This Yuri Raizman approach is based on some pre-defined common char- acteristics of the required mapping products. It en- Phase One Industrial ables an equivalent comparison between cameras with different parameters – focal length, sensor form and Denmark size, and pixel size. -
Pro-B3 1200 Airs User´S Guide
Pro-B3 1200 AirS User´s Guide Pro-B3 1200 AirS 2 www.profoto.com Pro-B3 1200 AirS Thank you for choosing Profoto Thanks for showing us your confidence by investing in a Pro- B3 generator. For more than four decades we have sought the perfect light. What pushes us is our conviction that we can offer even yet better tools for the most demanding photographers. 3 Before our products are shipped we have them pass an extensive and strict testing program. We check that each individual product comply with specified performance, quality and safety. For this reason our flash equipment is widely used in rental studios and rental houses worldwide, from Paris, London, Milan, New York, Tokyo to Cape Town. Some photographers can tell just from seeing a picture, if Profoto equipment has been used. Professional photographers around the world have come to value Profoto’s expertise in lighting and light-shaping. Our extensive range of Light Shaping Tools offers photographers unlimited possibilities for creating and adjusting their own light. Every single reflector and accessory creates its special light and the unique Profoto focusing system offers you the possibility to create your own light with only a few different reflectors. Enjoy your Profoto product! www.profoto.com Safety instructions SAfeTy PrecAUTionS! Do not operate the equipment before studying the instruction manual and the accompanying safety. Make Pro-B3 1200 AirS sure that Profoto Safety Instructions is always accompanied the equipment! Profoto products are intended for professional use! Generator, lamp heads and accessories are only intended for indoor photographic use. -
Newborn Photography with Ana Brandt Newborn Photography
GEAR GUIDE NEWBORN PHOTOGRAPHY WITH ANA BRANDT NEWBORN PHOTOGRAPHY GEAR LIST • 1 Canon Mark III • 2 Canon 50mm • 3 Canon 85mm • 4 24-70 usm ii • 5 52inch reflector • 6 5 n 1 flex fill • 7 Paul Buff Einstein 86inch Soft Silver PLM umbrella - white • 8 Paul Buff Einstein™ E640 Flash Unit • 9 Paul Buff Extreme Silver PLM™ Umbrellas 86inch 1 2 3 4 5 6 NEWBORN PHOTOGRAPHY: GEAR GUIDE | 1 GEAR GUIDE HOW TO DEFINE YOUR STYLE AND BRAND WITH BEN SASSO HOW TO DEFINE YOUR STYLE AND BRAND GEAR LIST • 1 Pelican 1510 / 1514 On Watertight Hard Case without Foam Insert, with Wheels • 2 2 x Canon EOS-5D Mark III Digital SLR Camera Body • 3 Canon EF 20mm f/2.8 USM AutoFocus Ultra Wide Angle Lens • 4 Canon EF 35mm f/1.4L USM AutoFocus Wide Angle Lens • 5 Canon EF 50mm f/1.2L USM Ultra-Fast Standard AutoFocus Lens • 6 Canon EF 85mm f/1.2L II USM AutoFocus Telephoto Lens • 7 Canon EF 200mm f/2.8L-II (USM) Auto Focus Telephoto Lens • 8 Holdfast Gear Money Maker Three Camera Harness • 9 2 x Canon Speedlite 430EX II Flash • 10 Nexto DI ND2901 500GB Portable Memory Card Backup Storage • 11 Lowepro S&F Memory Wallet 20 1 2 3 4 5 6 7 8 9 10 11 HOW TO DEFINE YOUR STYLE AND BRAND: GEAR GUIDE | 1 GEAR GUIDE HOW TO PAINT WITH LIGHT with BEN WILLMORE HOW TO PAINT WITH LIGHT GEAR LIST • 1 Canon 5D Mark III • 2 Canon 8-15mm F4L Fisheye • 3 Canon 14mm f2.8L II • 4 Canon 17mm f4L TS-E • 5 Canon 16-35mm f2.8L II • 6 Canon 24-70 f2.8L II • 7 Canon 70-200mm f2.8 L IS II • 8 Canon 100-400mm f4.5-5.6 L IS • 9 Canon Extender 1.4x II • 10 Lensbaby Pro Effects Kit • 11 Canon 600EX-RT -
Product Sheet Air Remote TTL N English
PRODUCT SHEET PROFOTO AIR SYSTEM Profoto Air Remote TTL-N (for Nikon) Integrates Camera and Flash 4 Important Product Advantages & User Benefits 1. Off-camera TTL Control for Profoto AirTTL Flashes. a perfect flash sync down to the fastest X-sync speed Place the Air Remote TTL-N on your camera hotshoe and merge of your camera. If you are using Profoto Air flashes no your camera with your Profoto AirTTL flash. Then point and external receiver is required. If other flashes are used, shoot and let the flash automatically adjust the light output for a connect an optional Air Remote or Air Sync transceiver perfect exposure. It could not be easier. to your flash and set it as receiver. 2. Remote Control for Profoto Air Flashes 4. A wireless system with a wide range of options With the Air Remote TTL-N you can remote control multiple Air Remote TTL-N is an integrated part of a wide Profoto Air flashes directly from your camera! You can control range of Air products. The range of products within an endless number of lights in up to 3 groups from up to 300 m the system comprises camera transceivers, accessory (1.000 ft) away! cables and software solutions. All designed to offer a better wireless solution for professional photographers. 3. Fast and Reliable Flash Sync More info is available at profoto.com. Air is one of the most reliable wireless systems available to sync your flashes with your camera. It is also fast enough to provide “I love the idea of a professional flash with TTL. -
Rental Catalog Lighting • Grip
RENTAL CATALOG LIGHTING • GRIP SAMYS.COM/RENT TABLE OF CONTENTS STROBE LIGHTING PROFOTO ....................................................................................................................1 BRONCOLOR ..............................................................................................................6 GODOX VIDEO LIGHT ............................................................................................... 10 POWER INVERTERS .................................................................................................. 10 QUANTUM FLASHES & SLAVES ................................................................................. 11 SOFT LIGHTS ............................................................................................................12 BRIESE LIGHTING & ACCESSORIES ...........................................................................13 LIGHT BANKS ............................................................................................................14 POCKET WIZARD REMOTE TRIGGERS .......................................................................15 METERS EXPOSURE METERS ..................................................................................................16 CONTINUOUS LIGHTING LED / TUNGSTEN / HMI .............................................................................................18 HMI LIGHTING ...........................................................................................................19 LED LIGHTS ...............................................................................................................21 -
Portrait Photography
VOLUME 7 Insight + Inspiration Series Portrait Photography Photo by featured photographer: THOMAS INGERSOLL VOLUME 7 The Insight + Inspiration Series delves into the world of Portrait Photography. We feature seven talented photogra- phers and go behind the scenes on how they managed to capture the unique personalities of their subjects through the use of bold lighting, natural and urban landscapes, and props. Each article brings out the endless creativity and in- spiration that truly defines the age old saying, “A picture is worth a thousand words.” Insight + Inspiration Series 3 Erich Saide is an Award-Winning Vancouver based Sports & Lifestyle, Commercial, and Celebrity Portrait Photographer. erichsaide.com instagram.com/erichsaide with Rooftop Shot etc., goes a long way in being able to just shoot. It allows the photographer to be creative and concentrate on his/her craft as well as the client and model. This comfort helps create the best images one Natural Light can hope to make. One small challenge for the rooftop shot, by Erich Saide we decided to use the Profoto B1 and B10 to take advantage of the High Speed Sync to raise our shutter speed and over The concept for this shot was based on the client’s needs to the pose and make any clothing adjustments based on how the power the very bright sun slightly. capture some moody images. For the setup on my roof we used a moodier light looked on the screen is a huge asset. But it’s the Profoto B1 paired with a four-foot Octobox, a Profoto B10 to add client interaction process where tethering really shines.