Test Pentax 645D an Accessible Medium Format DSLR?
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Mercury User Guide
MERCURY USER GUIDE Version 0.7 12-23-2018 Table of Contents Table of Contents..............................................................................................................................2 Chapter 1: Mercury Overview...........................................................................................................5 1.1 Guide to using this Guide...........................................................................................................5 1.2 Introduction................................................................................................................................5 1.2.1 The Mercury Concept.........................................................................................................5 1.2.2 System Diagram..................................................................................................................6 1.2.3 Basic Mercury Terminology...............................................................................................8 1.2.4 Front and Rear Spacing Example.......................................................................................8 1.3 Basic Mercury Modules..............................................................................................................9 1.3.1 Basic Module Descriptions.................................................................................................9 1.3.2 Example Configurations...................................................................................................11 1.4 Precautions and -
Photokina 2006
John Henshall’s Chip Shop Photokina 2006 John Henshall has been walking miles of aisles at the world’s largest photographic trade show n the early days of digital imaging, all the new products at Photokina Panasonic Lumix L1 could easily be seen in just one I day – even if they were hidden between the new enlargers and other film-based stuff. Today it’s simply impossible for one person to see everything in the six days during which the ‘World of Imaging’ Trade Show is open. That’s why other magazines have teams of reporters. I was there for only three days, during which I also took part in a panel at a conference on Imaging with Mobile Devices . I believe that this is the future of consumer photography and will affect us all, even in the professional sector. Forty four percent of people already use their cellphones as their main camera. No wonder that Carphone Warehouse is the largest supplier of digital cameras in the UK. Nokia had a stand at least five times bigger than two years ago – its first Canon EOS 400D Nikon D80 appearance at Photokina. In 2004 Nokia’s cameras produced a 6 x 4 inch print which could hardly be called photographic quality. This year’s Nokia N93 has a Carl Zeiss Vario-Tessar 3x optical zoom, 3.2MP and produces 2048 x 1536 pixel images which will print to 7 x 5 inches at a full 300 pixels per inch, or to 10 x 8 inches at 200 pixels per inch. It will also Hewlett-Packard Designjet Z-Series Printers produce good quality 640 x 480 pixel video at a full 30fps. -
Operations Instructions Manual Table of Contents
E-mount Parts and controls Triple-dial-control Custom Key assignment AF/MF button/AEL button General Operations Instructions Manual Table of contents This instruction manual - Operations - describes the basic operation of the camera, and some advanced operations using the major functions. See Getting Started for information on how to set up the camera, and the Handbook on the CD-ROM (supplied) for more detailed functions and operations. Parts and controls Recording ...........................................................................................................................................................................................................3 Playback ...............................................................................................................................................................................................................5 Setup .....................................................................................................................................................................................................................6 Triple-dial-control Triple-dial-control operation ..................................................................................................................................................................7 Control Dials .....................................................................................................................................................................................................9 Settings modes ............................................................................................................................................................................................10 -
Hugostudio List of Available Camera Covers
Exakta VX 1000 W/ P4 Finder Hugostudio List of Exakta VX 500 W/ H3.3 Finder Available Camera Covers Exakta VX IIa V1-V4 W/ P2.2 Finder Exakta VX IIa V5-V7-V8 _P3.3 Finder (1960) Exakta VX IIa V6 W/ H3 SLR Exakta VX IIb W/ P3 Asahiflex IIb Exakta VX IIb W/ P4 Finder Canon A-1 Exakta Varex VX V1 - V2 Canon AE-1 Exakta-Varex VX IIa V1-V4 Canon AE-1 Program Exakta Varex VX V4 V5 Canon AV-1 Exakta Varex VX W/ Finder P1 Canon EF Fujica AX-3 Canon EX Auto Fujica AZ-1 Canon F-1 Pic Req* Fujica ST 601 Canon F-1n (New) pic Req* Fujica ST 701 Canon FT QL Fujica ST 801 Canon FTb QL Fujica ST 901 Canon FTb n QL Kodak Reflex III Canon Power Winder A Kodak Reflex IV Canon TL-QL Kodak REflex S Canon TX Konica FT-1 Canonflex Konica Autoreflex T3 Chinon Memotron Konica Autoreflex T4 Contax 137 MA Konica Autoreflex TC Contax 137 MD Leica R3 Contax 139 Quartz Leica R4 Contax Motor Drive W6 Leica Motor Winder R4 Contax RTS Leicaflex SL Contax RTS II Mamiya ZE-2 Quartz Contax139 Quartz Winder Minolta Auto Winder D Edixa Reflex D Minolta Auto Winder G Exa 500 Minolta Motor Drive 1 Exa I, Ia, Ib Minolta SR 7 Exa II Minolta SRT 100 Exa IIa Minolta SRT 101 Exa Type 6 Minolta SRT 202 Exa VX 200 Minolta X370 Exa Version 2 to 5 Minolta X370s Exa Version 6 Minolta X570 Exa Version I Minolta X700 Exakta 500 Minolta XD 11, XD 5, XD 7, XD Exakta Finder H3 Minolta XE-7 XE-5 Exakta Finder: prism P2 Minolta XG-1 Exakta Finder: prism P3 Minolta XG 9 Exakta Finder: prism P4 Minolta XG-M Exakta Kine Minolta XG7, XG-E Exakta Meter Finder Minolta XM Exakta RTL1000 Miranda AII -
User Manual H4D-200 MS H4D-60 H4D-50 MS H4D-50 H4D-40 H4D-31
H4D User Manual H4D-200 MS H4D-60 H4D-50 MS H4D-50 H4D-40 H4D-31 H4D C O N T E N T S Introduction 4 Lens cap 33 System requirements 8 Filters 33 Warnings & restrictions 8 Lens shades 33 Shutter and aperture control 33 1 H4D models 9 Depth-of-field calculation 34 2 General overview – Depth-of-field / visual preview 34 controls and displays 13 Infrared focus settings 34 Button functions 14 Focus assist 34 Display information 15 Manual focus 35 Grip display 16 Autofocus 35 Viewfinder display 17 Single 36 Sensor unit display 18 Continuous 36 Spirit level 19 True Focus 37 Buttons and controls – details 20 Audio feedback 22 6 Light Metering & Exposure Control 41 3 Camera Body 24 ISO & white balance button 42 Carrying strap 25 Metering method 43 Rechargeable battery 25 Exposure method 43 Battery charger 25 Manual exposure mode 44 Charging the battery 26 Automatic exposure mode 44 Rechargeable battery grip − general 26 AE-L button 45 Rechargeable battery grip − precautions 27 Exposure compensation/Quick Adjust 46 Battery life 27 Battery status 28 7 Profiles 48 Power 28 Making a profile 49 On 28 Using profiles 50 Standby 28 Viewfinder screen 28 8 SU – introduction 51 Accessory connection 29 Parts and components 53 PC-connector 29 Overview of menu system and navigation 55 Base plate 29 Overview of menu structure 56 Description of menu items 57 4 Viewfinder 30 Parts & Components 31 9 SU – initial settings 58 Attaching and removing the viewfinder 31 Setting the menu language 59 Eyepiece adjustment 31 Capture storage 60 Eye cup 31 Capture destination 60 Integral flash unit 31 Compact cards 61 Formatting 62 5 Lenses 32 Tethered to a computer 63 Parts & Components 33 Attaching a lens 33 Removing a lens 33 The images in this manual were not taken with a Hasselblad H4D. -
PROFIFOTO Spezial Sonderheft Für Professionelle Fotografie DIE NIKON S-KLASSE Erscheint Bei GFW Photopublishing Gmbh Media Tower, Holzstr
EEditorial/Impressumditorial/Impressum 0033 DDieie MMultimediaultimedia PProfisrofis FFOTOOTO NNikonikon DD3S3S uundnd DD300S300S 0044 PPROFIROFI NNikonikon SSB-900:B-900: SSystemblitzystemblitz 0099 NNikonikon GGaleriealerie GGeroero BBreloerreloer 1100 OOliverliver BBergerg 1111 MMarcusarcus BBrandtrandt 1122 SSPPEZZIALIAL BBjörnjörn HHakeake 1133 VVomom FFilm-Virusilm-Virus iinfiziertnfiziert IImm GGesprächespräch mmitit GGeroero BBreloerreloer 1144 NNahah ddranran NNeueeue PProfi-Objektiverofi-Objektive 1166 AAlternativenlternativen mmitit VVollformatollformat NNikonikon DD3X3X uundnd DD700700 1188 NNikonikon NNPSPS HHändleradressenändleradressen 2200 91NNIKONIKON SS--KLAASSESSE EDITORIAL www.nikon.de IMPRESSUM PROFIFOTO Spezial Sonderheft für professionelle Fotografie DIE NIKON S-KLASSE erscheint bei GFW PhotoPublishing GmbH Media Tower, Holzstr. 2, 40221 Düsseldorf Postfach 26 02 41 (PLZ 40095) MULTIMEDIA DSLRs Telefonzentrale: (0211) 3 90 09-0 Verschaffen Sie sich einen unfairen Vorsprung. Telefax: (0211) 3 90 09-55 Geschäftsführende Gesellschafter Die neue Nikon D3S. Thomas Gerwers, Walter Hauck, it den Kameras der S-Klasse Frank Isphording, Dr. Martin Knapp Der Funktions- erweitert Nikon die Möglichkeiten kreativer Fotografen: Ihre D-Movie- Redaktion reichtum der neuen M Thomas Gerwers DGPh (verantwortlich) Funktion bietet die Option zur Aufzeichnung Redaktions-Adresse: Nikon D3S und von Multimedia-Filmsequenzen in HD-Qua- Mürmeln 83 B lität. Die neue D3S mit FX-Vollformatsensor 41363 Jüchen der D300S bietet setzt außerdem neue -
Hasselblad Expands Reach of Medium Format Imaging for Even More
Press information – for immediate release Gothenburg, Sweden 19 June 2019 HASSELBLAD EXPANDS REACH OF MEDIUM FORMAT IMAGING FOR EVEN MORE CREATIVE VERSATILITY Introducing the X1D II 50C, XCD 35-75 zoom lens, Phocus Mobile 2, and revealing details of the upcoming CFV II 50C digital back and 907X camera body Following the revolutionary introduction of the world’s first mirrorless medium format digital camera, the X1D-50c, Hasselblad introduces new additions to its product portfolio that bring the joy of medium format photography to image makers with the capabilities to support their creative endeavours. This includes the evolved X1D II 50C camera, the eagerly awaited XCD 3,5-4,5/35-75 Zoom Lens and Phocus Mobile 2. In addition, Hasselblad reveals the development details of the upcoming CFV II 50C digital back and 907X camera body. Hasselblad’s newest offerings yet again expand the potential of medium format pho- tography with modularity and flexibility, all while offering the brand’s renowned, stunning image quality. X1D II 50C – AN EVOLVED MEDIUM FORMAT PHOTOGRAPHY EXPERIENCE In the pursuit to continue the journey of taking medium format outside of the studio, Hasselblad is pleased to announce the next installment of the X System – the X1D II 50C Mirrorless Medium Format Digital Camera. Dedicated to optimising the X System for a wider audience of creatives, Hasselblad has listened to user feedback and improved upon the first generation with enhanced electronics for a quicker and more intuitive medium format experience. Continuing in the legacy of being the most portable and lightweight digital medium format camera, the X1D II 50C lets you take the power of medium format in a footprint smaller than most full frame DSLRs in a beautifully designed, compact package. -
Performance Evaluation of Thermographic Cameras for Photogrammetric Documentation of Historical Buildings
BCG - Boletim de Ciências Geodésicas - On-Line version, ISSN 1982-2170 http://dx.doi.org/10.1590/S1982-217020130004000012 PERFORMANCE EVALUATION OF THERMOGRAPHIC CAMERAS FOR PHOTOGRAMMETRIC DOCUMENTATION OF HISTORICAL BUILDINGS Avaliação da performance de câmaras tremográficas para documentação fotogramétrica de prédios históricos NACI YASTIKLI1 ESRA GULER 1 1Yildiz Technical University Faculty of Civil Engineering Department of Geomatic Engineering Davutpasa Campus, TR- 34220 Esenler-Istanbul, Turkey E-mail: [email protected], [email protected] ABSTRACT Thermographic cameras record temperatures emitted by objects in the infrared region. These thermal images can be used for texture analysis and deformation caused by moisture and isolation problems. For accurate geometric survey of the deformations, the geometric calibration and performance evaluation of the thermographic camera should be conducted properly. In this study, an approach is proposed for the geometric calibration of the thermal cameras for the geometric survey of deformation caused by moisture. A 3D test object was designed and used for the geometric calibration and performance evaluation. The geometric calibration parameters, including focal length, position of principal point, and radial and tangential distortions, were determined for both the thermographic and the digital camera. The digital image rectification performance of the thermographic camera was tested for photogrammetric documentation of deformation caused by moisture. The obtained results from the thermographic camera were compared with the results from digital camera based on the experimental investigation performed on a study area. Keywords: Documentation; Historical Building; Photogrammetry; Thermographic Cameras; Geometric Calibration; Performance Evaluation. Bol. Ciênc. Geod., sec. Artigos, Curitiba, v. 19, no 4, p.711-728, out-dez, 2013. -
Digital Slrs
DIGITAL SLRs ©Jon Ortner A Passion for Achieving Impossibly Beautiful Images Groundbreaking technology. Meticulous engineering. Precision manufacturing. Thoughtful ergonomics. They all contribute to the legendary performance of Nikon digital SLR cameras. The defining element of every Nikon digital SLR is our uncompromising passion for excellent photography. Nikon FX-format digital SLRs have redefined bundled with the 18–55mm Zoom-NIKKOR VR the power and versatility of digital photography. image stabilization lens, also includes EXPEED 2 The flagship D3X, featuring the Nikon-original and full 1080p HD movie capability, and its Guide 24.5-megapixel FX-format (35.9mm x 24.0mm) Mode makes taking great pictures easy. Featuring a CMOS imaging sensor, and the D3S, with its as- Vari-Angle LCD monitor, full HD movie capabilities, tounding ability to capture commercial-quality, a new Effects Mode, and a new HDR setting for low-noise/high ISO images and HD video, unleash great shots in high-contrast conditions, the all-new new creative possibilities. The D700 offers many of D5100 gives your imagination a powerful spring- the imaging capabilities of the already legendary board. With the D90, the first digital SLR with to D3, but in a more compact body. offer video capture, the D5000, and the D3000, there’s a Nikon DX-format camera perfectly suited Nikon DX-format digital SLRs, like the flagship to virtually any task or skill level. 12.3-megapixel D300S, also incorporate many of the D3’s advances. The new D7000 introduces Whatever Nikon digital SLR you choose, you’ll advanced EXPEED 2 image processing, full 1080p have the power, precision, and versatility to HD movies, and an all-new 2,016-pixel RGB produce breathtaking images made possible by your 3D Color Matrix Metering sensor. -
Hasselblad V to Fuji GFX Speedbosster Press
Metabones® Introduces Hasselblad V to Fuji G mount (GFX) Speed Booster® Press Release n Los Angeles, CA, USA, Aug 16, 2019: Caldwell Photographic Inc. and Metabones® are pleased to announce a new Speed Booster® Ultra 0.71x, exclusively designed for the exciting new Fuji GFX medium format camera. The initial version is specifically optimized for use with the famous Hasselblad V series lenses. This new Speed Booster uses an advanced 6-element design to achieve excellent optical performance at apertures up to f/1.4 when paired with the Hasselblad 110mm f/2 lens. Although the Fuji GFX uses an extremely large sensor, it is nevertheless significantly smaller than the 6x6 cm film format. The new Speed Booster Ultra 0.71x is an ideal match for 6x6 Hasselblad V lenses since they can now be fully utilized as they were originally designed when mounted to the Fuji GFX. Unlike 35mm format lenses used on the Fuji GFX via glassless adapters, Hasselblad V lenses adapted to the GFX via the Speed Booster Ultra are completely free of disturbing vignetting and other corner issues. In addition to increasing the field of view and lens speed, the new Speed Booster Ultra achieves superb performance by being carefully matched to the unique optical characteristics of the Hasselblad V lenses. All of the Hasselblad V lenses were analyzed for exit pupil size and location, and this was fully taken into account in the new Speed Booster Ultra for the Fuji GFX. This approach dictated the use of extremely large lens elements throughout in order to avoid vignetting and maintain high quality imagery into the corners, but the results speak for themselves. -
Portrait Photography Loadout
COPYRIGHT Copyright © 2015 by Mark Condon. All rights reserved. This book or any portion thereof may not be reproduced or used in any manner whatsoever without the express written permission of the publisher except for the use of brief quotations in a book review. All photographers’ images remain the copyright of each individual photographer and have been reproduced with their permission. Any use of the respective photographers’ images contained within this book is forbidden without their express written permission. First Published, 2015 Alexandria, NSW 2015 Australia www.shotkit.com 1 DISCLAIMERDISCLAIMER The views and opinions expressed in this book are those of the respective photographers and do not necessarily reflect the views of the author. External links may include affiliate tracking. This in no way affects the cost of the final product. Any small commission generated by affiliate purchases go into the maintenance and upkeep of the Shotkit site,, which offers all its information completely free of charge. Thank you for your support. 2 FOREWORDFOREWORD Photography is a pursuit where the equipment garners almost as much attention as the art we use it to produce. Despite the less-is-more mantra of the purists who encourage a limited gear collection as a way to reduce distraction, each new camera release seems to attract familiar symptoms of Gear Acquisition Syndrome. - the unfounded desire to have the latest and the greatest. Is it wrong that we simply desire to advance our abilities through the purchase of these items? They may be unnecessary, but new gear promotes fresh enthusiasm for our art; the hope that our next picture will be better than our last. -
High ISO Heroes Which APS-C and Full-Frame Cameras Perform the Best in Poor Light?
Saturday 4 February 2017 High ISO heroes Which APS-C and full-frame cameras perform the best in poor light? All-new Passionate about photography since 1884 BUYING GUIDE COMPLETE GUIDE 550 cameras & lenses listed ISO & rated and How to get pictures as good as this at high ISO Get great low light images and keep noise right down ● What ISO and when ● Best noise removers ● Settings of the pros Digital ISO demystified Fujifilm Where noise comes from first look and how it relates to X-T20 mirrorless & sensor size & resolution X100F compact The high ISO king? We see how Nikon’s D5 copes with ice-hockey boot camp Ice on the black sand beach at Jökulsárlón.raw ON THE ICE BEACH IT’S A DARK, SOMBRE WINTER’S DAY. The grey cloud is low, and the rain is steady, but the muted light is just perfect for the subject matter all around me, namely waves lapping around the artfully sculpted blocks of ice on the black sand. Now I’ve seen many images of this unique combination before – it’s an Icelandic photographic staple – but there’s no resisting the appeal of such stark, elemental beauty. In fact it’s a beauty that is enhanced by the flat lighting, a cold scene of black and blue with simple graphic appeal. But as so often is the case here in Iceland the conditions are difficult: apart from the rain, salty spray is being driven inshore off the waves and onto my increasingly crusty camera, lens and filter. So be it, such adversity is now familiar.