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Still Photography
Still Photography Soumik Mitra, Published by - Jharkhand Rai University Subject: STILL PHOTOGRAPHY Credits: 4 SYLLABUS Introduction to Photography Beginning of Photography; People who shaped up Photography. Camera; Lenses & Accessories - I What a Camera; Types of Camera; TLR; APS & Digital Cameras; Single-Lens Reflex Cameras. Camera; Lenses & Accessories - II Photographic Lenses; Using Different Lenses; Filters. Exposure & Light Understanding Exposure; Exposure in Practical Use. Photogram Introduction; Making Photogram. Darkroom Practice Introduction to Basic Printing; Photographic Papers; Chemicals for Printing. Suggested Readings: 1. Still Photography: the Problematic Model, Lew Thomas, Peter D'Agostino, NFS Press. 2. Images of Information: Still Photography in the Social Sciences, Jon Wagner, 3. Photographic Tools for Teachers: Still Photography, Roy A. Frye. Introduction to Photography STILL PHOTOGRAPHY Course Descriptions The department of Photography at the IFT offers a provocative and experimental curriculum in the setting of a large, diversified university. As one of the pioneers programs of graduate and undergraduate study in photography in the India , we aim at providing the best to our students to help them relate practical studies in art & craft in professional context. The Photography program combines the teaching of craft, history, and contemporary ideas with the critical examination of conventional forms of art making. The curriculum at IFT is designed to give students the technical training and aesthetic awareness to develop a strong individual expression as an artist. The faculty represents a broad range of interests and aesthetics, with course offerings often reflecting their individual passions and concerns. In this fundamental course, students will identify basic photographic tools and their intended purposes, including the proper use of various camera systems, light meters and film selection. -
Test Pentax 645D an Accessible Medium Format DSLR?
Test Pentax 645D An accessible medium format DSLR? o announce a camera costing With time, cameras evolved, and The 645D sports digital SLR will have no problem card followed by the other, etc.) €10,000 as "accessible" might today the most modern models the classic form of a solid medium working with a 645D. As the overall The Raw format used is DNG, and T sound somewhat strange to (Hasselblad H and Leica S) have format camera. It ergonomics are based on highly in- images can be read directly by many photographers. The term de- abandoned the "body plus inter- is pleasing to tuitive controls, you can instantly Adobe software. Other Raw conver- serves a few explanations. Finan- changeable back" form for a solid handle and find your way around. ters (DxO and others) should very cially, it is justified because a 40 architecture that enables a more ef- comfortable to Original functions are also found use: Pentax has shortly be able to read 645D files. Mpix digital medium format cur- ficient design. This is the type of given it the very in the 645D, for example double The camera handles nicely. The rently sells for more than €15,000, construction used by Pentax. best in APS-C SLR level (front/back and right/left tilt), a grip, which seems a little uncomfor- whereas the Pentax 654D is at The "body plus separate back" ar- ergonomics. A misty landscape Use in the handheld position would be good! camera is less rapid (continuous very useful feature for shooting table at first, turns out to be very ef- Jpeg and Raw €9,900 (including VAT). -
A Field Guide to Bulkhead Connectors for Aquatica Digital Camera Housing: a Field Guide to Aquatica’S Strobe Connectors
A field guide to bulkhead connectors for Aquatica digital camera housing: A Field Guide to Aquatica’s strobe connectors This comprehensive guide is to help Aquatica users in selecting the proper strobe connectors for their housing it is divided in sec- tions addressing the various generation and brand for which we have manufactured housing for over the years. Please make sure to visit our website www.aquatica.ca for updated version of this document. Section 1: The classic Nikon type. These are found in the following legacy Aquatica housings for these cameras; Fuji S2 Pro Fuji S5 (same as Nikon D200) Nikon D2x Nikon D3 / D3x (not the D3s version) Nikon D40 / D40x / D60 Nikon D70 /D70s Nikon D80 Nikon D100 Nikon D200 Nikon D300 (not the D300s) Section 2: The newer Nikon type. These modular connectors have an internal switchboard and separate hot shoe and are found in the following new generation Aquatica housings for these cameras; Nikon D3s (not the older D3/D3x version) Nikon D90 Nikon D300s Nikon D700 Section 3: The Classic Canon type. These are found in the following legacy Aquatica housings for these cameras; Canon 1Ds Mk III & 1D Mk IV Canon 5D (not 5D Mk II) Canon 30D Canon 40D / 50D Canon Digital Rebel / 300D Section 4: The newer Canon type. These modular connectors have an internal switchboard and separate hot shoe and are found in the following new generation Aquatica housings for these cameras; Canon 5D Mk II (not the original 5D) Canon 7D Canon Digital Rebel T2i / 550D Section 5: The optical type. -
Mercury User Guide
MERCURY USER GUIDE Version 0.7 12-23-2018 Table of Contents Table of Contents..............................................................................................................................2 Chapter 1: Mercury Overview...........................................................................................................5 1.1 Guide to using this Guide...........................................................................................................5 1.2 Introduction................................................................................................................................5 1.2.1 The Mercury Concept.........................................................................................................5 1.2.2 System Diagram..................................................................................................................6 1.2.3 Basic Mercury Terminology...............................................................................................8 1.2.4 Front and Rear Spacing Example.......................................................................................8 1.3 Basic Mercury Modules..............................................................................................................9 1.3.1 Basic Module Descriptions.................................................................................................9 1.3.2 Example Configurations...................................................................................................11 1.4 Precautions and -
Which DSLR? [Complete]
John Henshall’s Chip Shop WHICH DSLR? John Henshall looks at today’s leading Digital – and Film – Single Lens Reflex cameras Canon EOS-1Ds Mark II Nikon D2x Fujifilm FinePix S3 Pro Canon EOS-350D Kodak DCS ProSLR/c Nikon D50 Canon EOS-20D Nikon F6 Nikon D70s ntil 1999, choosing a DSLR suit or conflict with your needs is perhaps even the last – film SLR, the was easy because there was particularly difficult. Nikon F6 . This was loaded with the just one manufacturer: For example, do you want very high latest 35mm film: the new Fujichrome U Kodak. There were no DSLRs resolution, or accurate – or pleasing – Velvia Professional 100 . The film was from Canon or Nikon but Kodak made colour, or high sensitivity with low processed by one of the leading London m o c models for Canon and Nikon lenses. noise? Or is price or weight the most professional laboratories and scanned . e r The situation is much different now. important factor? at 4000 pixels per inch using the latest t n e c Kodak has ceased manufacture of In an attempt to evaluate some of Nikon Super CoolScan 9000 scanner. - i p DSLRs, whilst Canon and Nikon these factors, I got together the major My first shot was of Bear House. e @ n themselves are now the major players. Canon– and Nikon–mount DSLRs for a Over the years, I have been waiting for h o j l There are other manufacturers, of series of side-by-side real-world shots, a camera which could resolve the l a h course, but their systems are nowhere intended to simulate everyday shooting house name in this shot. -
Photokina 2006
John Henshall’s Chip Shop Photokina 2006 John Henshall has been walking miles of aisles at the world’s largest photographic trade show n the early days of digital imaging, all the new products at Photokina Panasonic Lumix L1 could easily be seen in just one I day – even if they were hidden between the new enlargers and other film-based stuff. Today it’s simply impossible for one person to see everything in the six days during which the ‘World of Imaging’ Trade Show is open. That’s why other magazines have teams of reporters. I was there for only three days, during which I also took part in a panel at a conference on Imaging with Mobile Devices . I believe that this is the future of consumer photography and will affect us all, even in the professional sector. Forty four percent of people already use their cellphones as their main camera. No wonder that Carphone Warehouse is the largest supplier of digital cameras in the UK. Nokia had a stand at least five times bigger than two years ago – its first Canon EOS 400D Nikon D80 appearance at Photokina. In 2004 Nokia’s cameras produced a 6 x 4 inch print which could hardly be called photographic quality. This year’s Nokia N93 has a Carl Zeiss Vario-Tessar 3x optical zoom, 3.2MP and produces 2048 x 1536 pixel images which will print to 7 x 5 inches at a full 300 pixels per inch, or to 10 x 8 inches at 200 pixels per inch. It will also Hewlett-Packard Designjet Z-Series Printers produce good quality 640 x 480 pixel video at a full 30fps. -
The M 0.8 Line of Lenses Consists of 7 Focal Lengths from 21 Mm to 90 Mm
M 0.8 The M 0.8 line of lenses consists of 7 focal lengths from 21 mm to 90 mm. The lenses use the high speed full frame M-Mount to maintain their small size while offering a variety of design improvements to make them more compatible with the cinema production environment. ICONIC IMAGES, CLASSIC CHARACTER The Leitz M 0.8 lenses bring a unique interpretation of light, skin tones and color that has inspired photographers and cinematographers for years. Naturally the lenses offer a sharp and focused center with gradual and pleasing fall off of contrast and light toward the edges, leading the view to the image center as well as adding dimensionality to the scene. This look and feel is now available to the cinematographer searching for something new. INCREDIBLY SMALL AND LIGHTWEIGHT The compact size of the Leitz M 0.8 lenses is made possible by retaining the Leica M-Mount. They range from 74 mm to 98 mm and weigh between 380-835 g. They are a dream combination for cameras in drone or gimbal configurations. Each lens has a standardized 80 mm front diameter with a 77 mm screw-in filter thread. The 0.8 module gear rings allow lens motors and follow focus systems to work seamlessly. CAMERA COMPATIBILITY The Leitz M 0.8 lenses use the Leica M-Mount rather than a PL-Mount to maintain their small size. Many cameras with interchangeable mounts or adapters can still use these lenses. Sony Venice, ARRI ALEXA Mini LF, Mini and AMIRA cameras can use the M-Mount adapter from Leitz for the cameras. -
Basic View Camera
PROFICIENCY REQUIRED Operating Guide for MEDIA LOAN CALUMET 4X5 VIEW CAMERA Media Loan Operating Guides are available online at www.evergreen.edu/medialoan/ View cameras are usually tripod mounted and lend When checking out a 4x5 camera from Media Loan, themselves to a more contemplative style than the more patrons will need to obtain a tripod, a light meter, one portable 35mm and 2 1/4 formats. The Calumet 4x5 or both types of film holders, and a changing bag for Standard model view camera is a lightweight, portable sheet film loading. Each sheet holder can be loaded tool that produces superior, fine grained images because with two sheets of film, a process that must be done in of its large format and ability to adjust for a minimum of total darkness. The Polaroid holders can only be loaded image distortion. with one sheet of film at a time, but each sheet is light Media Loan's 4x5 cameras come equipped with a 150mm protected. lens which is a slightly wider angle than normal. It allows for a 44 degree angle of view, while the normal 165mm lens allows for a 40 degree angle of view. Although the controls on each of Media Loan's 4x5 lens may vary in terms of placement and style, the functions remain the same. Some of the lenses have an additional setting for strobe flash or flashbulb use. On these lenses, use the X setting for use with a strobe flash (It’s crucial for the setting to remain on X while using the studio) and the M setting for use with a flashbulb (Media Loan does not support flashbulbs). -
When You Buy the New Gfx100s and Trade in Any Working Full-Frame Or Medium Format Digital Camera
OFFER ENDS 30 APRIL WHEN YOU BUY THE NEW GFX100S AND TRADE IN ANY WORKING FULL-FRAME OR MEDIUM FORMAT DIGITAL CAMERA FUJIFILM-CONNECT.COM/PROMOTIONS The GFX100S and GF50mmF3.5 lens shown are sold separately. See in-store or online for details. Terms and conditions apply To claim your trade-in bonus, simply fill out the details over the page. The bonus will be paid directly into your bank account after the claim has been validated by FUJIFILM UK. Once validated, the bonus will be paid within 14 days. CANON PHASE ONE CANON EOS-1D C PHASE ONE XF 100MP CANON EOS-1D MKII PHASE ONE 645DF+ CANON EOS-1D MKII N PHASE ONE IQ1 100MP CANON EOS-1D MKIII PHASE ONE IQ140 CANON EOS-1D MKIV PHASE ONE IQ150 €500 TRADE-IN BONUS CANON EOS-1D X PHASE ONE IQ160 WHEN YOU BUY THE NEW GFX100S AND TRADE IN ANY WORKING CANON EOS-1D X MKII PHASE ONE IQ180 CANON EOS-1D X MKIII PHASE ONE IQ250 FULL-FRAME OR MEDIUM FORMAT DIGITAL CAMERA CANON EOS-1DS PHASE ONE IQ260 CANON EOS-1DS MKII PHASE ONE IQ280 HASSELBLAD NIKON CANON EOS-1DS MKIII PHASE ONE IQ3 50MP HASSELBLAD A5D-50C NIKON D3 NIKON D800 CANON EOS 5D PHASE ONE IQ3 60MP HASSELBLAD A5D-80 NIKON D3S NIKON D800E CANON EOS 5D MKII PHASE ONE IQ3 80MP HASSELBLAD H4D-31 NIKON D3X NIKON D810 CANON EOS 5D MKIII PHASE ONE P20+ HASSELBLAD H4D-40 NIKON D4 NIKON D850 CANON EOS 5D MKIV PHASE ONE P21+ HASSELBLAD H4D-60 NIKON D4S NIKON D810A CANON EOS 5DS PHASE ONE P25+ HASSELBLAD H5D-200C NIKON DF NIKON Z5 CANON EOS 5DS R PHASE ONE P30+ HASSELBLAD H5D-50C NIKON D600 NIKON Z6 CANON EOS 6D PHASE ONE P40+ HASSELBLAD H5X NIKON D610 -
Operating Manual Foreword
DIGITAL U/W HOUSING FOR NIKON D2 SERIES OPERATING MANUAL FOREWORD Thank you for having selected the AQUATICA Pro Digital Camera Housing System for your underwater photography. The AQUATICA Pro Digital Housing is the result of a long and continuing relationship with the most demanding under- water photographers in the world. Each housing is handcrafted, quality checked and pressure tested to 300 feet by a small group of specially trained individuals, each of whom takes the utmost pride and satisfaction in offering the best underwater camera housing in the world. The Aquatica Pro Digital Housing was designed for optimum technical and optical performance and to provide easy and efficient underwater access to essantials functions and controls of the Nikon D2X and D2Hs and D2H SLR. This manual assumes that the User is already familiar with the Nikon D2 series of cameras. If not, please read the Nikon instruction Manual before attempting to use the housing. With basic care and maintenance, your AQUATICA housing will give you a lifetime of enjoyment and satisfaction in pro- ducing underwater images. Please read this manual carefully before using your housing for the first time and note that: wherever cited the right hand is your right when using the housing. SAFETY PRECAUTIONS Improper transportation handling or use of this housing might cause a flood or malfunction. Please read and follow the following precautions: • Store and transport the housing in a sturdy, shock proof container and avoid travelling with the camera mounted inside the housing as impact forces especially on the external push buttons will be transferred to the camera. -
Hugostudio List of Available Camera Covers
Exakta VX 1000 W/ P4 Finder Hugostudio List of Exakta VX 500 W/ H3.3 Finder Available Camera Covers Exakta VX IIa V1-V4 W/ P2.2 Finder Exakta VX IIa V5-V7-V8 _P3.3 Finder (1960) Exakta VX IIa V6 W/ H3 SLR Exakta VX IIb W/ P3 Asahiflex IIb Exakta VX IIb W/ P4 Finder Canon A-1 Exakta Varex VX V1 - V2 Canon AE-1 Exakta-Varex VX IIa V1-V4 Canon AE-1 Program Exakta Varex VX V4 V5 Canon AV-1 Exakta Varex VX W/ Finder P1 Canon EF Fujica AX-3 Canon EX Auto Fujica AZ-1 Canon F-1 Pic Req* Fujica ST 601 Canon F-1n (New) pic Req* Fujica ST 701 Canon FT QL Fujica ST 801 Canon FTb QL Fujica ST 901 Canon FTb n QL Kodak Reflex III Canon Power Winder A Kodak Reflex IV Canon TL-QL Kodak REflex S Canon TX Konica FT-1 Canonflex Konica Autoreflex T3 Chinon Memotron Konica Autoreflex T4 Contax 137 MA Konica Autoreflex TC Contax 137 MD Leica R3 Contax 139 Quartz Leica R4 Contax Motor Drive W6 Leica Motor Winder R4 Contax RTS Leicaflex SL Contax RTS II Mamiya ZE-2 Quartz Contax139 Quartz Winder Minolta Auto Winder D Edixa Reflex D Minolta Auto Winder G Exa 500 Minolta Motor Drive 1 Exa I, Ia, Ib Minolta SR 7 Exa II Minolta SRT 100 Exa IIa Minolta SRT 101 Exa Type 6 Minolta SRT 202 Exa VX 200 Minolta X370 Exa Version 2 to 5 Minolta X370s Exa Version 6 Minolta X570 Exa Version I Minolta X700 Exakta 500 Minolta XD 11, XD 5, XD 7, XD Exakta Finder H3 Minolta XE-7 XE-5 Exakta Finder: prism P2 Minolta XG-1 Exakta Finder: prism P3 Minolta XG 9 Exakta Finder: prism P4 Minolta XG-M Exakta Kine Minolta XG7, XG-E Exakta Meter Finder Minolta XM Exakta RTL1000 Miranda AII -
Download Tear Sheet
FUJIFILM X-S10 TAKE CONTROL OF YOUR STYLE INTRODUCING X-TRANS X-PROCESSOR 4 ISO UNPARALLELED PROFESSIONAL 26.1 MEGAPIXEL QUAD-CORE 160-12,800 5-AXIS 4K VIDEO BSI CMOS 4 SENSOR IMAGING ENGINE SENSITIVITY RANGE IMAGE STABILIZATION AT 30 FPS Photo © Kara Mercer | FUJIFILM X-S10 Mirrorless Digital Camera with FUJINON XC15-45mmF3.5-5.6 OIS PZ at 1/1250sec at f/6.4, ISO 250. Kara Mercer is a FUJIFILM compensated professional photographer. FUJIFILM and FUJINON are trademarks of FUJIFILM Corporation and its affiliates. © 2020 FUJIFILM North America Corporation and its affiliates. All rights reserved. SPECIFICATIONS A portable, intuitive camera, capable of outstanding performance. X-S10 offers renowned FUJIFILM design, engineering, and color science MODEL NAME FUJIFILM X-S10 in an accessible package. The newly created body features a deep grip for absolute security when making images handheld, even with larger lenses, Number of effective pixels 26.1 million pixels and an intuitive, simple control dial for effortless operation. It is also packed with state-of-the-art technology, including five-axis in-body image stabilization to enable smooth footage and super-sharp stills, a 180° vari-angle LCD touchscreen that covers even the most awkward angles, and Image sensor 23.5mm×15.6mm (APS-C) X-Trans CMOS 4 with primary color filter. superfast 0.02 second autofocus that is accurate down to -6EV. When combined with the outstanding 26.1 megapixel, back-side illuminated X-Trans Storage media SD memory card (~2GB) / SDHC memory card (~32GB) / SDXC memory card (~2TB) CMOS 4 sensor and quad-core X-Processor 4 CPU, it is possible to achieve stunning photography and cinema-quality video, while harnessing the UHS-I unique beauty arising from Fujifilm’s offered 18 Film Simulation modes.